Jon Cronshaw's Blog, page 51

Top Ten Assassins in Fantasy Literature You Need to Know About

I’d hazard a guess and say we’ve all thought about hiring an assassin from time to time, especially when someone nicks the last digestive biscuit.

But alas, they don’t often pop up in the Yellow Pages, and frankly, they don’t come cheap.

If you, like me, have a morbid fascination with these masters of shadow and intrigue, you’ll likely find these ten fantasy literature assassins a delightful bunch of homicidal maniacs.

FitzChivalry Farseer from Robin Hobb’s Farseer Trilogy

Fitz is the illegitimate son of a prince who gets handed the delightful job of royal assassin. It’s all fun and games until you have to murder for a living. Even with a name that sounds like a medieval dating service, Fitz is the bloke you’d want on your side. He does have a terrible knack for getting nearly killed, but who doesn’t love a trier?

Arya Stark from George R. R. Martin’s A Song of Ice and Fire

Arya has a hit list and she’s not afraid to use it. Who knew ‘Stick ‘em with the pointy end’ could be such profound life advice? Atta girl, Arya. Not all heroes wear capes. Some wear the faces of other people.

Vin from Brandon Sanderson‘s Mistborn Trilogy

Vin knows her way around a knife and a secret identity. A street urchin turned assassin, she’s proof that life can turn on a penny, or in her case, a coin. If you thought your teen years were tough, try adding ‘assassin-in-training’ to the mix.

Azoth/Kylar Stern from Brent Weeks’ Night Angel Trilogy

Azoth masters the deadly art of assassination under the mentorship of Durzo Blint. Durzo, by the way, is a lad who’s seen it all, done it all, and has the emotional capacity of a rock. Azoth’s rise from gutters to greatness is a tale to behold, especially for those who love a good ol’ rag-to-riches… or perhaps rag-to-homicidal-maniac story.

Jorg Ancrath from Mark Lawrence’s Broken Empire Trilogy

Jorg, the poster boy for troubled youth, is what happens when you mix a prince, a traumatic childhood and a lawless band of outlaws. He may not be a traditional assassin, but with his moral compass lodged somewhere south of ‘chaotic evil’, he certainly gets the job done.

Celaena Sardothien from Sarah J. Maas’s Throne of Glass Series

A badass with a taste for fashion, Celaena proves that one can indeed kill and look great doing it. Her speciality? Delivering death with a side of fabulous.

Severian from Gene Wolfe’s Book of the New Sun

 Not an assassin in the traditional sense, but as an executioner, Severian definitely has an intimate relationship with death. He’s got the melancholic brooding down to a fine art and a memory that’s sharper than his blade (or, so he would lead us to believe).

Jerek Mace from Michael Moorcock’s The Eternal Champion series

More of a warrior than a straight-up assassin, Jerek’s blighted life will have you laughing, crying, and questioning your own existential dread. Nothing like a bit of light-hearted anguish over a cuppa, right?

Locke Lamora from Scott Lynch’s Gentleman Bastard Series

He’s the cheeky chappy who could swipe the skin off a rice pudding and make it look like an accident. Less of an assassin, more of a con man, but let’s not split hairs. If there’s one thing to learn from Locke, it’s ‘why murder when you can manipulate?’

The Lady from Glen Cook’s The Black Company Series

She’s the epitome of ‘Hell hath no fury like a woman scorned.’ The Lady is a formidable sorceress with a casual side gig in ruling empires and killing dissidents. It’s multi-tasking at its finest.

So, there you have it. A smorgasbord of fantasy assassins who’ve spiced up our literary lives with their unique takes on professional homicide.

Just remember, the next time you get the urge to toss a blade at your annoying flatmate, maybe just settle for a strongly worded Post-It note.

Murder, as these characters have shown us, is rather a messy business.

If you enjoy reading about thieves and assassins, download my novel Birth of Assassins as part of your free Ravenglass Universe starter library!

Claim your free starter library.

The post Top Ten Assassins in Fantasy Literature You Need to Know About first appeared on Jon Cronshaw.

High Fantasy: Not Just Escapism, But A Gateway To Reality

Ah, high fantasy. A realm filled with magical beasts, valiant heroes, and enough mythical creatures to make a zoologist’s head spin.

At first glance, it’s tempting to dismiss these tales as mere flights of fancy, a form of escapism from the dreary realities of everyday life. But hold your sceptical horses, because there’s more to high fantasy than meets the eye.

In fact, these epic tales often reveal profound insights into the human experience, addressing themes that resonate deeply with our own reality.

So, before you scoff at the next person you see buried in a tome thicker than a London fog, let’s take a moment to appreciate the richness and relevance of high fantasy.

A Mirror Held Up To Humanity

High fantasy, like all great literature, is often a reflection of the world in which it was created.

The fantastical settings and characters serve as a canvas upon which the author can explore universal issues and themes.

For example, J.R.R. Tolkien’s The Lord of the Rings series explores themes of power, corruption, and sacrifice, while George R.R. Martin’s A Song of Ice and Fire explores complex political intrigue and moral ambiguity.

By exploring these themes through the lens of an alternate reality, high fantasy allows us to confront difficult questions, such as the nature of good and evil, the role of power in society, and the consequences of our actions, in a safe and engaging way.

In other words, while high fantasy may whisk us away to a land filled with dragons and sorcery, it can also bring us face-to-face with the very real challenges that define our existence.

An Exercise In Empathy

One of the most powerful aspects of high fantasy is its ability to immerse us in the lives and struggles of its characters.

By stepping into the shoes of an orphan farm boy, valiant knight, or mythical creature, we are forced to confront the world from an entirely new perspective.

This exercise in empathy is particularly important in today’s increasingly polarised and intolerant world. (Don’t worry, I’m not going too political here).

Take, for example, the plight of the elves in Tolkien’s Middle-earth, or the complex social hierarchy of the various species in J.K. Rowling’s Harry Potter series.

Through these narratives, we are encouraged to examine our own prejudices and to consider the experiences of those who are different from us. In the process, we cultivate a deeper understanding of the human condition and a greater appreciation for the diversity that makes our world so rich and fascinating.

A Call To Adventure

Finally, high fantasy serves as a powerful reminder of the importance of adventure, courage, and perseverance in the face of adversity.

The heroes and heroines of these tales are often ordinary individuals who are called upon to undertake extraordinary quests, facing insurmountable odds along the way. (I’m sure now would be the perfect time to mention that you can read the complete Orphan Farm Boy of Destiny serial for free on Substack @joncronshawauthor, but I won’t do that).

These narratives inspire us to tap into our own inner reserves of strength and bravery, encouraging us to push beyond the boundaries of our comfort zones and to embrace the unknown.

In this way, high fantasy is not a form of escapism, but rather an invitation to engage more fully with the world and to confront the challenges that lie ahead with hope and determination.

So, the next time you encounter a fellow reader engrossed in the pages of a high fantasy novel, resist the urge to dismiss their literary choice as mere escapism.

Instead, remember that these stories hold the power to teach us valuable lessons about ourselves, our world, and the human experience.

Through the pages of high fantasy, we can explore universal themes, cultivate empathy, and embrace the spirit of adventure that lies within all of us.

Far from being a refuge from reality, high fantasy serves as a gateway to a deeper understanding of the world we inhabit.

Now, if you’ll excuse me, I have a wyvern to train and a kingdom to save, and this cup of tea isn’t going to drink itself.

The post High Fantasy: Not Just Escapism, But A Gateway To Reality first appeared on Jon Cronshaw.

The Enduring Magic of Narnia: Unpacking Its Relevance Today

As you step into the wardrobe, pushing past the fur coats, you enter a world where talking animals, magical creatures, and epic battles are part of everyday life.

This is the universe of ‘The Chronicles of Narnia,’ the much-loved fantasy series by the British author, C.S. Lewis.

In this post, we are revisiting this fantasy classic to see whether it’s still relevant in the modern world.

Unparalleled Imagination and World-Building

The Chronicles of Narnia are universally recognised for their incredible imagination and world-building.

The fantasy land of Narnia, with its talking beasts and sprawling scenery, continues to capture the hearts of readers across the globe.

This timeless appeal, in part, stems from the depth and richness of the Narnian universe—a testament to Lewis’s remarkable imaginative prowess.

Timeless Themes

The Chronicles of Narnia weave a complex tapestry of themes, ranging from the universal struggle between good and evil, the exploration of faith and spirituality, to a profound commentary on the nature of power and authority.

Despite their age, these themes continue to resonate in the 21st century, making Narnia a relevant read even today.

A Guide to Moral Compass

The Chronicles of Narnia are more than a series of fantasy novels.

They also offer guidance and lessons on courage, honesty, and humility, with each character embodying specific virtues or vices.

Lewis cleverly uses these characters to guide readers, especially younger ones, in developing their moral compass.

A Reflection of Real-World Issues

Despite its fantastical setting, ‘The Chronicles of Narnia’ subtly reflects real-world issues.

Themes such as discrimination, war, and the abuse of power are cleverly woven into the narrative.

These parallels allow readers to engage with these challenging topics in an accessible and safe environment, thus opening up a dialogue on their importance.

Christian Allegory

One of the most compelling (and controversial) aspects of the Chronicles of Narnia is its Christian allegory.

While the series can be enjoyed as a simple fantasy, the exploration of Christian themes provides an added layer of depth.

Aslan, the majestic lion, serves as a Christ-like figure, and the stories themselves draw from biblical narratives.

However, this allegory is never intrusive and is often interpreted differently by readers based on their own beliefs and backgrounds.

So, ‘The Chronicles of Narnia,’ despite being written over seventy years ago, continues to hold a significant place in the literary world.

Its universal themes, moral guidance, and allegorical exploration make it a series that transcends time and continues to captivate audiences in the modern era.

This timeless classic serves as a reminder that the magic of Narnia is just a wardrobe away.

The post The Enduring Magic of Narnia: Unpacking Its Relevance Today first appeared on Jon Cronshaw.

How The Lord of the Rings Shaped Modern Fantasy

Ah, Middle-earth. A place where hobbits, elves, dwarves, and men coexist, and where one tiny gold ring can cause a ruckus that would put a Black Friday sale to shame.

This world has been etched into our collective consciousness ever since J.R.R. Tolkien first introduced it in “The Lord of the Rings.”

Published in the 1950s, the epic tale not only transformed how we view fantasy, but it has left an indelible mark on, well, almost everything else.

Now, Tolkien didn’t just wake up one morning and think, “Hmm, I fancy writing about an overambitious piece of jewellery today.”

His motivations were as profound as Gandalf’s wisdom (and that’s saying something!).

He desired to craft an epic mythology for England, driven by his dismay at the lack of native legends that weren’t tampered with by the French (Norman conquest, anyone?).

Fuelled by his love for ancient texts, philology, and probably a pint or two from The Eagle and Child pub, Tolkien gave us a world that is astonishingly detailed and breathtakingly vast.

When it comes to the release of the series, it was no less than a literary event.

Starting with “The Fellowship of the Ring” in 1954, followed by “The Two Towers” and “The Return of the King”, the trilogy took readers by storm.

It’s worth noting that the term “trilogy” here is a bit of a misnomer—Tolkien saw his creation as a single novel but owing to practical reasons (like the sheer weight of the manuscript!), publishers divided it into three.

And while we’ll be diving deeper into the nitty-gritty of Middle-earth’s influence on world-building, the art of crafting languages, and the allure of epic quests that make our Monday mornings seem pretty mundane in comparison, this introduction is just to get your feet wet.

So, whether you’re an old fan who considers the Shire your second home, or a newbie just wondering what the fuss is all about, tighten your bootstraps, grab a lembas bread, and let’s embark on this enlightening journey together.

And remember, it’s the journey, not the destination, that matters—unless your destination is Mount Doom, in which case, you might want to reconsider.

Crafting Middle-earth

If you’ve ever tried to create a sandcastle without any plans, tools, or, frankly, a clue, you’ll know it usually ends up looking more like a misshapen potato than a regal fortress.

World-building in fantasy is somewhat similar, albeit on a slightly more, let’s say, epic scale.

It’s one thing to say, “Here be dragons”, and another to elucidate the lineage, favourite snack, and probable Tinder profiles of said dragons. And that, dear reader, is the genius of Tolkien.

Middle-earth isn’t just any old land plucked from the depths of imagination—it’s a grand tapestry woven with millennia of history, songs that are probably older than your granny’s china, and cultures so rich and varied they make our annual village fêtes look like a tepid cup of tea.

Now, Tolkien didn’t merely give us a map with some catchy names and say, “Here you go, have fun”.

No, no. He gave us genealogies (who knew hobbits were such avid record keepers?), intricate languages that would flummox even the most dedicated Duolingo user, and a calendar system which would make even the most ardent timekeeper’s head spin.

And then there’s the vast, sweeping landscapes—from the cosy confines of the Shire, to the ethereal beauty of Rivendell, to the doom and gloom (mostly doom) of Mordor.

His world-building was, in every sense, a game-changer.

Before Tolkien, we had fairy tales and fables, but post-Middle-earth, fantasy authors everywhere probably felt the weight of expectation.

A few elves and a magic sword wouldn’t cut it anymore.

They had to think about ecosystems, geopolitics, and the socioeconomic implications of dragon hoarding.

Thanks to Tolkien’s meticulous attention to detail, the bar was set sky-high (somewhere around the level of the Eagles, I’d wager).

This is not just world-building—it’s world-crafting.

It’s the equivalent of meticulously painting the Sistine Chapel and then deciding it needs just a tad more gold leaf.

The sheer expansiveness of Middle-earth has since become the gold standard (pun very much intended) in the realm of fantasy.

The next time you dive into a book and find yourself immersed in the nuances of fictional trade agreements or the correct pronunciation of a witch queen’s third name, tip your hat to Tolkien.

The man didn’t just set the stage—he built the entire theatre.

Created Languages

Ah, language. It’s that nifty little thing we use to order a coffee, complain about the weather, or explain why we’re three hours late to a meeting (dragons on the motorway again, I swear).

But for Tolkien, language wasn’t just a tool—it was an art, a passion, and quite possibly, a bit of an obsession.

Just as Picasso had his Blue Period, Tolkien had his Elvish Phase.

Now, if you thought learning French was tricky, spare a thought for anyone diving into Quenya or Sindarin.

Tolkien, ever the overachiever, didn’t stop at creating a few fancy names or curse words.

No, he went the full monty, crafting fully-fledged languages with their own grammar, vocabulary, and scripts. This wasn’t just a hobby; it was philology on steroids.

Why, you ask? Well, Tolkien believed that language was intrinsic to culture and identity. You can’t have a millennia-old race of ethereal, long-haired beings without giving them a suitably poetic language to sing about moonlight and, erm, trees.

And, boy, did the Elves love trees.

But it wasn’t just about the Elves.

Dwarvish, the Black Speech of Mordor, the Westron Common Tongue—each was a testament to Tolkien’s belief in the power and beauty of language.

With his philological prowess, he demonstrated that fictional cultures feel significantly richer, more real, and more alive when their linguistic roots are deep and well-forged.

Aspiring authors everywhere surely threw up their hands in exasperation, realising that they now had to think about verb conjugations for their fictional species.

Gone were the days when a few ‘thees’ and ‘thous’ would suffice for creating linguistic depth.

Now, there was a new benchmark, and it came with its own alphabet.

Since Tolkien’s time, the importance of constructed languages (or ‘conlangs’ for those in the know) has blossomed.

Whether it’s George R.R. Martin’s Dothraki in Game of Thrones, or the Na’vi language in James Cameron’s Avatar, authors and creators have come to embrace the enriching depth that a well-crafted language can bring to a fictional universe.

Races and Creatures

Let’s turn our attention to the residents of Middle-earth.

Elves, Dwarves, Hobbits.

They might sound like the line-up for a particularly eclectic village talent show, but Tolkien’s depiction of these races transformed them from mere mythological footnotes to headline acts in the fantasy realm.

First up, the Elves.

Before Tolkien, if you mentioned elves, many would picture mischievous little sprites dancing in moonlit glades or cobbling shoes after hours.

Tolkien’s Elves, however, are a whole different kettle of fish. Tall, ethereal, and perpetually looking as if they’ve just stepped out of a Pre-Raphaelite painting, his Elves became the archetype for many a fantasy narrative. #

Laden with history, tragedy, and an elegance that would put any catwalk model to shame, Tolkien’s Elves transcended their previous roles in folklore.

Then we have the Dwarves, stout and sturdy, known not only for their impressive beards (a hipster’s dream) but also for their craftsmanship and love of all things glittery.

Under Tolkien’s touch, they became a fiercely proud race with a deep sense of honour and tradition.

Gone were the mere tunnel-digging stereotypes of Disney’s Snow White—these Dwarves had culture, history, and yes, a penchant for breaking into song every now and then.

And who could forget the Hobbits?

Tolkien’s unique creation, these unassuming little folk with their furry feet and insatiable appetite for second breakfasts, captured hearts worldwide.

They might not have the ethereal beauty of Elves or the might of Dwarves, but their courage, resilience, and love for the simple pleasures of life resonated deeply with readers.

Now, it’s true, Tolkien didn’t pluck these races out of thin air.

Mythology and folklore brim with references to elf-like creatures, dwarvish beings, and other fantastical species.

However, what he did was infuse them with a depth and richness previously unseen.

They weren’t just cardboard cut-outs used to further a plot; they had histories, legends, grievances, and dreams.

And it’s this depth that has cemented Tolkien’s races as touchstones in the fantasy genre.

Many a writer has (shamelessly or otherwise) borrowed, adapted, or been ‘inspired by’ Tolkien’s interpretations.

When we think of Elves or Dwarves in modern fantasy settings, the image is often tinted with a shade of Tolkien.

Archetypal Characters

Step onto the stage of Middle-earth and you’ll be greeted by a cast of characters so iconic, they’ve practically stamped their faces (or in some cases, their precious rings) onto the very essence of fantasy storytelling.

While Tolkien didn’t invent all of these archetypes, he certainly gave them a fresh coat of paint, a new lease of life, and an unshakeable place in our collective imaginations.

First in the spotlight, we have Frodo Baggins, the poster child for the “reluctant hero”.

Here’s a chap who’d rather be munching on crumpets in Bag End than traipsing across Middle-earth with the weight of the world (and a particularly heavy ring) on his shoulders.

Frodo’s journey from the comfort of the Shire to the fiery depths of Mount Doom is the quintessential transformation from ordinary to extraordinary.

Tolkien shows us that heroes aren’t just made on battlefields; they’re made in the quiet moments, the hard choices, and the persistence to keep going even when the nearest tavern is miles away.

Then there’s Gandalf, embodying the “wise old mentor” trope.

With his pointy hat, majestic beard, and penchant for puffing on a pipe, he might seem like your typical wizard at first glance.

But Gandalf is so much more than a spell-slinger. He’s the guiding hand, the voice of wisdom, and occasionally, the bringer of fireworks.

He’s the mentor who knows when to lead, when to step back, and when to, quite literally, send you on an unexpected journey.

Thanks to Tolkien, a whole generation of fantasy authors saw the merits of having a seasoned character who’s seen it all, done it all, and still has a few tricks up their billowing sleeves.

And, of course, we can’t forget Gollum, the corrupted creature torn between his better nature and his overwhelming desire for the One Ring.

Gollum is the epitome of the “corrupted being”, a living, rasping testament to the corrupting nature of power and obsession.

While he might be a far cry from the typical villain with a dastardly plan, he’s a chilling reminder that sometimes, the greatest battles are fought within.

While characters like these can be traced back to ancient myths, legends, and folktales, Tolkien’s portrayal of them set a benchmark. His characters weren’t just archetypes; they were layered, complex beings who laughed, cried, struggled, and triumphed.

Their journeys have since become the yardstick against which many a fantasy character is measured.

Epic Quests

Once upon a time, in the heart of Middle-earth, there was a ring. Not just any ring, mind you, but the One Ring, the sort of jewellery piece that could make entire kingdoms fall and rise.

And at the centre of “The Lord of the Rings” is the monumental quest to bid this little trinket adieu in the fiery chasms of Mount Doom.

 Sounds simple enough, right? Ah, but as with anything Tolkien touched, there’s more to it than meets the eye.

The concept of the “quest” is as old as storytelling itself.

From ancient myths where heroes sought golden fleeces or fire-breathing foes, to legends of knights chasing after elusive grails, the idea of embarking on a journey, facing insurmountable odds, and returning transformed is a tale as old as time.

However, Tolkien didn’t merely dabble in this time-honoured narrative; he supercharged it.

The quest to destroy the One Ring is not just a trek across scenic landscapes (though there are plenty of those).

It’s a multi-layered journey—physically gruelling, emotionally harrowing, and spiritually awakening.

Every step taken by Frodo and the Fellowship is laden with peril, moral dilemmas, and the ever-present shadow of the enemy. It’s a marathon of endurance, courage, and resisting the urge to simply wear the darn thing.

Tolkien’s take on the epic quest wasn’t just about getting from Point A to Point B. It was about the transformation of its participants, the forging and breaking of alliances, and the understanding that even the most epic of quests is, at its heart, a deeply personal journey.

Since the publication of “The Lord of the Rings”, the epic quest has become a cornerstone of fantasy literature.

Need to overthrow a dark lord? Quest! Misplaced a magical artefact? Quest! Got a prophecy about a chosen one? You guessed it, quest!

While the objectives vary, the essence remains the same: characters pushed to their limits, facing both external challenges and internal conflicts, all while navigating a world brimming with wonder and danger.

Moral Depth

Peel back the layers of orcs, elves, and a rather peculiar obsession with pipe-weed, and at the heart of Tolkien’s magnum opus lies a rich tapestry of moral themes.

These aren’t your everyday, run-of-the-mill dilemmas like whether to have a second helping of elevenses (though, that’s certainly a quandary many a hobbit has faced). No, these are the weighty, sit-up-straight-and-think-hard kind of themes, the sort that have been echoing down the corridors of fantasy literature ever since.

First and foremost, there’s the age-old tussle between good and evil. Middle-earth is rife with it.

From the lofty towers of Minas Tirith to the shadowy depths of Mordor, every nook and cranny seems to be choosing a side. But Tolkien, ever the maestro, doesn’t just paint this battle in broad strokes of black and white.

There’s nuance, ambiguity, and a fair bit of moral greyness (we’re looking at you, Boromir).

It’s a gentle reminder that even in a world bursting with magic, the lines between right and wrong can often be as blurry as a wizard’s vision after one too many ales.

Next up, we have the oh-so-seductive corrupting influence of power, best epitomised by that shiny bit of finger jewellery: the One Ring.

How many have been ensnared by its allure, whispering promises of grandeur and dominion?

From proud kings to a certain gangly creature who’s overly fond of referring to himself in third person, the One Ring’s grip shows that unchecked power can lead even the noblest souls astray.

In Tolkien’s world, the true measure of a hero isn’t their strength or cunning, but their ability to resist temptation and wield power responsibly.

And then, there’s perhaps the most heartwarming theme of all—the idea that even the tiniest individual, someone who might be overlooked in the bustling crowd of Middle-earth, can be the catalyst for monumental change.

You don’t need to be a seven-foot-tall warrior or a sorcerer with a flair for the dramatic. Sometimes, all it takes is a humble hobbit with a good heart (and possibly an appetite for adventure that matches his appetite for scones).

Since Tolkien laid down his pen, these moral threads have woven their way into the fabric of countless tales, sagas, and epics.

Authors across the globe have grappled with, expanded upon, and reimagined these themes in myriad ways.

Magic and Its Limitations

If you’ve ever dreamt of attending a school of witchcraft and wizardry in Middle-earth, best shelve those dreams.

Because magic in Tolkien’s world doesn’t come in handy, colour-coded textbooks or involve shouting Latin-ish phrases while brandishing a wand.

Middle-earth magic is a different beast altogether—subtle, ancient, and as elusive as a well-behaved oliphaunt.

In many fantasy tales, magic is the solution to all life’s little problems.

Need to light up a room? There’s a spell for that. Fancy turning your pesky neighbour into a toad? There’s probably a spell for that too (though, not endorsed for everyday use).

However, in Middle-earth, magic is less about dazzling displays of power and more about the intangible, the ineffable. It’s in the haunting songs of the Elves, the ancient wisdom of the Ents, or even in the resilience of a hobbit’s spirit.

And when overt magic does make an appearance – say, in the guise of a certain grey-clad wizard – it’s often shrouded in mystery and reverence.

But here’s the real kicker—magic in Tolkien’s realm often comes with strings attached. Or, to be more precise, consequences.

The One Ring grants invisibility, but wear it too often and you might just find yourself hosting a permanent Ringwraith party (spoiler: they’re not the fun kind).

Even mighty artefacts like the Palantíri or the Silmarils, for all their allure and power, are double-edged swords, bringing both great insight and potential doom.

This nuanced approach to magic—where it’s less about the spectacular and more about the significant, where every spell or magical act carries weight and consequence—has left an indelible mark on the fantasy genre.

Later authors, drawing inspiration from Tolkien, have woven intricate magical systems, ensuring that magic isn’t just a tool but an integral, living part of their world.

They’ve recognised that, sometimes, the most powerful magic lies not in the grand gestures but in the small moments, and that every action, magical or otherwise, ripples through their world in myriad ways.

History and Mythology

Imagine for a moment you’re a visitor in Tolkien’s study (tea and crumpets optional, but highly recommended).

One glance at his desk and you might wonder if he’s chronicling the rich tapestry of an ancient civilisation, given the sheer depth and intricacy of the papers strewn about.

 But no, this isn’t history homework gone awry—it’s the painstaking crafting of Middle-earth’s millennia-spanning backstory, complete with its heroes, villains, love stories, betrayals, and a good number of epic ballads to serenade the lot.

Before “The Lord of the Rings” even gets its boots muddy in the Shire, Tolkien had crafted entire ages of his world’s history.

This wasn’t just a cursory timeline scribbled on the back of an envelope.

We’re talking detailed accounts of creation myths, family trees more complicated than a soap opera, entire languages (with their evolving dialects, no less), and sagas that would make ancient bards nod in appreciation.

“The Silmarillion”, often dubbed Middle-earth’s own Bible, is just the tip of this monumental iceberg.

Now, while creating exhaustive backstories might sound like an author’s way of ensuring they never run out of procrastination material, it’s far more than that.

By grounding Middle-earth in such rich history and mythology, Tolkien gave it weight, depth, and a tangible sense of timelessness.

Every hill, every forest, every ancient ruin in Middle-earth whispers tales of yore, imbuing the landscape with a poignant sense of both wonder and melancholy.

It’s this depth that makes us feel, when stepping into Middle-earth, that we’re delving into a realm as ancient and storied as our own.

Tolkien’s dedication to crafting Middle-earth’s deep past wasn’t just a hobby run amok; it set a gold standard for the fantasy genre.

Authors who followed in his footsteps realised that to truly immerse readers, their worlds needed history, legends, and the occasional epic ballad.

It’s no longer enough to simply introduce a mystical city; readers now yearn to know who built it, which star-crossed lovers met beneath its silvered arches, and, naturally, which legendary figures might have sung a melancholic tune about it all.

Maps

Pop open a copy of “The Lord of the Rings” and before you even reach a word of the tale, you’re greeted by an elaborate tapestry of coastlines, mountain ranges, forests, and the winding roads of Middle-earth.

It’s not just any map; it’s a visual feast, a cartographic love letter to the world Tolkien so meticulously crafted.

You see, Tolkien understood something vital: A good map does more than just show you the way from the Shire to Mordor (though it’s rather handy for that, too)—it plunges you, heart and soul, into the very landscape of the tale.

Now, you might wonder, why such fuss over a bunch of lines and names on paper?

Well, beyond the obvious delight of tracing Frodo’s perilous journey with a finger, or getting a bird’s-eye view of Gondor’s strategic location, there’s something deeply immersive about a well-crafted map.

It beckons the reader to wander, to explore, to daydream about adventures in the vast swathes of land labelled with tantalising terms like “Here Be Dragons” or “Mirkwood” (adventures that hopefully don’t involve too many spiders).

And here’s where Tolkien, the astute pioneer he was, sparked a cartographic revolution in fantasy literature.

Realising that a map could serve as a reader’s anchor, allowing them to ground themselves in a tale’s sprawling geography, he not only provided a reference tool but also an artefact that enriched the very essence of his story.

Emboldened by this, many a fantasy author soon followed suit.

Gone were the days when readers had to blindly navigate through the treacherous terrains and sprawling cities of fantastical realms.

Now, they could embark on their literary adventures equipped with detailed maps, ready to explore every nook and cranny, from the highest mountain peak to the tiniest hamlet.

Songs and Poetry

Ever found yourself wandering through the lush fields of the Shire, wishing you had a jaunty tune to express your delight? Or perhaps, while skulking in the depths of a dark cave, you’ve felt an inexplicable urge to unravel a riddle?

Well, you’re in good company, for Tolkien too realised that sometimes, the heart’s yearnings and the world’s wonders can’t simply be contained within the bounds of regular sentences. Enter: songs, poems, and riddles.

Now, Tolkien didn’t merely toss these into his tales for a bit of flamboyant flair.

Each song, each poem, each cryptic riddle is a thread woven into the rich tapestry of Middle-earth.

They breathe life into bygone eras, serenade heroes of old, and capture the essence of various races, from the lofty laments of the Elves to the earthy ballads of the Dwarves.

They’re like snapshots, preserving moments and emotions from Middle-earth’s vast chronicles.

Take, for instance, the mournful song of the Ents, lamenting lost Entwives.

In its haunting verses, readers don’t just see the sorrow of ancient tree-herders but also feel the weight of ages gone by.

Or consider Bilbo’s cheeky riddle-game with Gollum; it’s not just a battle of wits but a cultural exchange, giving glimpses into their respective worlds.

Tolkien’s genius lay in recognising that such literary devices could be more than just decorative flourishes.

They could deepen the reader’s immersion, making the world feel ancient and lived-in.

After all, what better way to understand a culture or a people than through their art, their folklore, their songs?

And, as with many of Tolkien’s innovations, this symphony of words didn’t go unnoticed.

Subsequent fantasy authors, inspired by the maestro, began to weave their own anthems, ballads, and enigmas into their narratives.

Realising that these could be conduits to the very soul of their worlds, they embraced this harmonious approach with gusto.

Standard for Trilogies

Picture this: Tolkien, after years of painstaking work, finally hands over his magnum opus, expecting it to be embraced as the singular epic it was intended to be.

Instead, the publishers, probably after a dramatic gulp and a long stare at the sheer bulk of the manuscript, decide, “Let’s slice it into three parts.”

And just like that, instead of one colossal volume of “The Lord of the Rings”, we got a triad: “The Fellowship of the Ring”, “The Two Towers”, and “The Return of the King”.

Now, this wasn’t just a whimsical decision to test the strength of bookshelves worldwide.

In the post-war era, with economic considerations like paper shortages, publishing such a monolithic tome wasn’t just challenging; it was near-impossible.

Splitting the narrative into three distinct parts was a practical solution, and it turned out to be a stroke of unforeseen genius.

This unintentional trilogy inadvertently laid down a blueprint for fantasy literature.

The three-act structure, inherent in most great narratives, found a perfect fit in the trilogy format.

The setup, the confrontation, and the resolution naturally flowed into three separate volumes, each with its own peaks and troughs, yet contributing to a larger, cohesive narrative.

Other fantasy authors took note. Suddenly, trilogies became the order of the day.

They allowed for expansive world-building, intricate character development, and plots that could twist and turn over hundreds of pages before reaching a satisfying climax.

Think about it: how many times have you picked up a promising fantasy book, only to realise it’s the first in a trilogy? That’s Tolkien’s (and his publisher’s) legacy at work.

The split not only benefited Tolkien’s tale, giving readers natural breaks to catch their breaths from all the hobbit-hopping and orc-chopping, but it also reshaped the very structure of epic fantasy.

 Authors and publishers alike recognised the merits of the trilogy format, both in terms of storytelling and, let’s face it, sales.

In the end, “The Lord of the Rings” being carved into thirds was serendipity at its finest.

And the fantasy realm? It found its golden standard in the trilogy.

Influence on Popular Culture

It began with a ring, a rather unassuming bit of gold that unexpectedly embarked on an epic journey. And as that journey unfolded, it didn’t just stay confined to the inked pages of Tolkien’s world.

Like a particularly ambitious hobbit, “The Lord of the Rings” stepped out of its cosy literary Shire and ventured into every nook and cranny of popular culture.

Let’s begin with the most luminous of these footprints: the film adaptations.

Peter Jackson’s cinematic rendition didn’t just give faces to beloved characters—it painted Middle-earth in vivid, breathtaking strokes.

From the serene vistas of Rivendell to the looming menace of Mount Doom, the films captured imaginations and box offices alike.

What’s more, they heralded an era where epic fantasy, once reserved for bookish types whispering about wizards in dimly lit corners, was suddenly front and centre, dazzling audiences in IMAX.

But the silver screen was merely one stop in Middle-earth’s pop culture conquest.

The enchanting realms of Tolkien’s creation morphed into pixelated landscapes in video games, allowing fans to personally duel with Balrogs or, at the very least, engage in a spot of orc-bothering.

Board games saw players strategically navigating the perils of Middle-earth, and if you’ve ever played a tabletop RPG, you’ve Tolkien to thank for those elves, dwarves, and halflings on your character sheets.

Beyond the realms of entertainment, Middle-earth even carved a niche in the very fabric of our real world.

Case in point: New Zealand.

Those once-quiet islands, known for their sheep and rugby, now also stand as the living, breathing embodiment of Tolkien’s landscape.

Tourists, in their droves, descend upon its shores, eager to tread the very ground that Frodo and Sam did (cinematically, at least).

The nation embraced its Middle-earthen identity with arms wide open, showcasing to the world the sheer transformative power of a well-told tale.

“The Lord of the Rings” demonstrated that epic fantasy wasn’t just a niche genre, destined to gather dust on high library shelves.

It could be a cultural powerhouse, influencing entire industries, from cinema to tourism.

It proved that tales of heroism, magic, and Middle-earthen mischief weren’t just for a select few but had a universal appeal, resonating with hearts across the globe.

Tolkien’s Timeless Tapestry

Piecing together threads from ancient myths, age-old legends, and rich literary traditions, Tolkien didn’t merely write a story—he spun a masterpiece.

Each thread, meticulously selected, became part of a grander tapestry, depicting a world as detailed and tangible as our own.

Yes, the myths he drew from were not his invention.

Elves had sung their songs and dwarves had swung their axes long before Bilbo decided adventures weren’t so bad after all.

Yet, Tolkien’s genius lay not in the invention of entirely new threads, but in the way he wove them together.

By infusing his academic expertise with a boundless imagination, he gave these tales a fresh lustre, making them shine in ways they hadn’t before.

The landscapes of Middle-earth, the languages of its races, the trials of its heroes and the depths of its lore are, in themselves, wonders to behold.

But their sum?

It’s magical in the truest sense of the word.

“The Lord of the Rings” is not just a narrative—it’s an experience.

One that invites readers to lose themselves in its pages and then compels them to see the world with renewed wonder.

Fast forward to today, and the echoes of Tolkien’s impact are evident in every corner of popular culture.

Whether it’s an author meticulously crafting their fantasy world, a filmmaker attempting to capture the same lightning in a bottle, or a game designer sculpting realms of adventure—all bear traces of Tolkien’s influence, knowingly or otherwise.

In wrapping up this exploration of Tolkien’s influence, one thing is abundantly clear—his vision of Middle-earth, though rooted in the past, is timeless.

As generations of readers have found, and future generations will surely discover, in the heart of Tolkien’s work lies a universal truth—the power of storytelling to captivate, inspire, and bring a touch of magic to the everyday.

To put it simply, while others have penned tales, Tolkien cast spells.

And the enchantment of Middle-earth? Well, it’s far from wearing off.

10 Modern Fantasy Novels Inspired by The Lord of the Rings

Tolkien’s influence on modern fantasy literature remains unmatched.

Many authors cite Tolkien’s epic tale of hobbits, elves, dwarves and men as a major inspiration for their own fantasy worlds and stories.

Here are 10 modern fantasy novels that show traces of Tolkien’s imaginative genius:

A Game of Thrones by George R.R. Martin

 Martin’s gritty, morally ambiguous fantasy series A Song of Ice and Fire owes a debt to Tolkien in its sprawling worldbuilding and epic scope.

The Name of the Wind by Patrick Rothfuss

Rothfuss’ Kingkiller Chronicle centres around Kvothe, a legendary figure with mysterious powers. Echoes of Tolkien’s depiction of wizards like Gandalf can be seen in this fan-favourite fantasy series.

The Lies of Locke Lamora by Scott Lynch

 This action-packed tale follows elite thief Locke Lamora in a city that evokes comparisons to Tolkien’s Minas Tirith. The unlikely hero and meticulous world-building are reminiscent of The Lord of the Rings.

The Blade Itself by Joe Abercrombie

Abercrombie’s gritty First Law trilogy subverts many common fantasy tropes, but its emphasis on flawed heroes and anti-heroes is somewhat Tolkien-esque.

Northern Lights by Philip Pullman

Pullman’s acclaimed His Dark Materials trilogy contains many overt references to The Lord of the Rings. From colleges of wizards to speaking animal companions, the influences are clear.

The Warded Man by Peter V. Brett

This debut novel kicked off Brett’s Demon Cycle series about humans battling demonic forces. The unlikely hero trope and focus on apocalyptic stakes are very Tolkien-inspired.

The Final Empire by Brandon Sanderson

Sanderson’s Mistborn books centre around a dark lord ruling over the world, which many view as inspired by Sauron and Mordor from The Lord of the Rings.

The Eye of the World by Robert Jordan

Jordan’s mammoth Wheel of Time saga features Tolkien-style worldbuilding, with similarly sprawling geography and epic magical systems.

Wizard’s First Rule by Terry Goodkind

Goodkind’s Sword of Truth novels depict an epic struggle to overthrow an evil emperor, not unlike the Dark Lord Sauron. The unlikely hero trope also makes an appearance.

The Dragonbone Chair by Tad Williams

This opening novel in Memory, Sorrow, and Thorn employs many Lord of the Rings elements, from elves and dwarves to a mysterious magical sword.

support Jon on Substack.

The post How The Lord of the Rings Shaped Modern Fantasy first appeared on Jon Cronshaw.

Jon’s Author Diary – August 11, 2023

Hello from sunny Morecambe!

Another week, another set of chapters in the bag. I’ve been carrying on with my Substack series ‘Guild of Assassins,’ with two more chapters complete and ready for your eyes.

In addition to that, I’ve started writing a new story—a follow-up to ‘Orphan Farm Boy of Destiny’ entitled ‘The Unchosen One.’

I’ll be releasing on my Substack every other Wednesday…for free.  

On the reading front, the Horus Heresy series remains my literary companion. Currently engrossed in ‘Angel Exterminatus’—book 23, for those keeping track.

If you haven’t already, do subscribe to my YouTube channel for regular updates and insights.

For those who prefer to listen, ‘Jon Cronshaw’s Author Diary’ is available as an audio podcast. Perfect for your daily commute or a quick listen while you’re doing the washing up.

Thank you for joining me on this writing journey. Your support means the world to me.

Don’t forget to hit the thumbs up, subscribe, and drop your thoughts in the comments.

So, until next time, cheerio.

Subscribe to Jon’s YouTube Channel.

The post Jon’s Author Diary – August 11, 2023 first appeared on Jon Cronshaw.

Discover New Fantasy Worlds: 10 Series Similar to ‘The Wheel of Time

If you’re a fan of Robert Jordan’s sprawling masterpiece, ‘The Wheel of Time,’ finding the next big series to sink your teeth into can be quite the task.

But don’t worry, we’ve got you covered.

We’ve compiled a list of epic fantasy series that share a similar scope, rich world-building, and complex character development.

Here’s your guide to finding the perfect series to embark on next.

1. ‘A Song of Ice and Fire’ by George R.R. Martin

Martin’s epic series, ‘A Song of Ice and Fire,’ is an intricate, multi-faceted world with a vast cast of characters. The series, which inspired the ‘Game of Thrones’ TV show, is known for its realistic portrayal of political intrigue and unpredictable plot twists. If you enjoyed the complex character relationships and political manoeuvring in ‘The Wheel of Time,’ this series is a must-read.

2. ‘The Stormlight Archive’ by Brandon Sanderson

Brandon Sanderson, the author who completed ‘The Wheel of Time’ series after Jordan’s untimely passing, has his own epic series: ‘The Stormlight Archive.’ Known for his intricate magic systems and world-building, Sanderson’s series is a treat for any fan of ‘The Wheel of Time.’ It also features strong female characters, echoing the powerful women in Jordan’s series.

3. ‘The Broken Empire’ by Mark Lawrence

Mark Lawrence’s ‘The Broken Empire’ series is a dark, gritty epic fantasy with a morally ambiguous protagonist. It’s a stark contrast to the traditional hero’s journey and provides an intriguing exploration of the darker side of power and ambition.

4. ‘The Malazan Book of The Fallen’ by Steven Erikson

‘The Malazan Book of The Fallen’ by Steven Erikson is notorious for its complex plot and expansive world-building. With a vast array of characters and cultures, it’s a series that requires some dedication but is rewarding for those who appreciate intricate, epic narratives.

5. ‘The Inheritance Trilogy’ by N.K. Jemisin

N.K. Jemisin, the first black author to win the Hugo Award for best novel, has a number of epic fantasy series under her belt. ‘The Inheritance Trilogy’ is a blend of political intrigue, personal growth, and divinity, all set in a richly diverse world. Her work is known for its representation of various races and cultures, and it provides fresh perspectives in the epic fantasy genre.

6. ‘The Poppy War’ by R.F. Kuang

‘The Poppy War’ trilogy by R.F. Kuang is an epic fantasy series grounded in the history and culture of 20th-century China. The series’ protagonist, Rin, is a dark-skinned war orphan who battles systemic racism and gender discrimination. Kuang’s exploration of war, religion, and power dynamics, paired with her complex characters, makes this a must-read series.

7. ‘The Books of Pellinor’ by Alison Croggon

‘The Books of Pellinor’ by Alison Croggon is a four-book series that follows the journey of a slave girl who discovers she is the key to overthrowing an evil regime. The series’ complex magic system and rich world-building make it a compelling read for any fan of ‘The Wheel of Time.’

8. ‘The Priory of the Orange Tree’ by Samantha Shannon

‘The Priory of the Orange Tree’ by Samantha Shannon is a standalone epic fantasy novel, a rarity in the genre. With a matriarchal society, dragons, and a richly built world, it’s a fresh take on epic fantasy. Shannon’s story is a page-turner that’s as intricate as any series, and it’s perfect for those who want a complete story in a single volume.

9. Chronicles of the Black Gate’ by Phil Tucker

Phil Tucker’s ‘Chronicles of the Black Gate’ is an ambitious and riveting series filled with magic, warriors, and gods. It combines high stakes, multidimensional characters, and intense battles that will captivate any fan of ‘The Wheel of Time.’

10. ‘The Riyria Revelations’ by Michael J. Sullivan

Michael J. Sullivan’s ‘The Riyria Revelations’ series is a tale of adventure, friendship, and overcoming odds. With an endearing pair of thieves as its main characters and a world brimming with magic and political intrigue, it’s a series that’s both heartwarming and exciting.

These series all offer something unique for fans of ‘The Wheel of Time.’

Whether it’s the intricate world-building, diverse characters, or complex plots, these books will keep you engaged and entertained.

So, grab a cup of tea, find a comfy chair, and lose yourself in these great titles!

The post Discover New Fantasy Worlds: 10 Series Similar to ‘The Wheel of Time first appeared on Jon Cronshaw.

Behind Every Hero: Notable Sidekicks in Epic Fantasy

Sidekicks & Sundry: Memorable Aides-de-Camp in Fantasy Literature

Fantasy literature, with its entrancing realms and bewitching narratives, has forever been the refuge for those who crave a bit of magical escapism.

But let’s take a moment to tip our proverbial hats to the unsung heroes of these tales—the trusty sidekicks.

They may not always bask in the limelight, but we’d be hard-pressed to imagine our heroes traversing treacherous terrains or vanquishing dastardly villains without them.

Samwise Gamgee (The Lord of the Rings by J.R.R. Tolkien)

We’d be as forgetful as a goldfish to not mention our dear old Sam. This hobbit doesn’t just carry Frodo’s luggage, but on occasion, Frodo himself.

Who needs a GPS when you’ve got Samwise?

Armed with his unyielding loyalty, pot of potatoes (boil ‘em, mash ‘em, stick ‘em in a stew), and the odd heroic monologue, Samwise truly encapsulates the spirit of a fantasy sidekick.

Nighteyes (Farseer Trilogy by Robin Hobb)

Who wouldn’t want a wolf as a sidekick? Nighteyes, with his ancient wisdom and candid observations, steals the show in Robin Hobb’s Farseer Trilogy.

While Fitz might be the royal bastard with assassin skills, it’s Nighteyes who provides the emotional support, humour, and even philosophy.

Fancy a good telepathic chat? Look no further.

Jean Tannen (Gentleman Bastard Sequence by Scott Lynch)

Every con artist needs a reliable partner, and Jean Tannen fits the bill perfectly for Locke Lamora.

Jean isn’t just your token big guy with an axe but a scholar, strategist, and a dab hand at intricate swearing.

He’s the meticulous planner to Locke’s hasty schemes.

His loyalty is as unwavering as his love for fine brandy.

Without Jean, Locke would be as lost as a pirate in a desert.

Bitterblue (Graceling Realm Series by Kristin Cashore)

Introduced as a minor character in ‘Graceling,’ Bitterblue blooms into a steadfast sidekick in ‘Fire’ before seizing the main stage in her titular book.

She might be a queen, but her relentless quest for truth and justice, combined with her pragmatic approach, make her a superb sidekick.

Also, she manages to retain her royal dignity while dealing with mystical nonsense, which is quite a feat, isn’t it?

Tia (Aru Shah Series by Roshani Chokshi)

Tia, the pigeon who’s really a vahana (vehicle of a deity), adds a dash of plucky charm and sass to the Aru Shah Series.

Sure, Aru Shah’s reincarnation as a Pandava is pretty cool, but who can overlook a pigeon who can transmogrify into a flashy car and dispense sage advice, all while looking impeccably stylish?

Asha (The Priory of the Orange Tree by Samantha Shannon)

An epic fantasy by Samantha Shannon, ‘The Priory of the Orange Tree’ introduces us to Asha, a dragon slayer of repute and a steadfast ally.

 Asha provides an invigorating contrast to the courtly intrigues with her bluntness, courage, and a healthy dose of dragon-related badassery.

Wayne (Mistborn Series: Alloy of Law by Brandon Sanderson)

Wayne, an expert shapeshifter and quick-witted con artist, adds a dash of levity to the intense world of Brandon Sanderson’s Mistborn series.

 Armed with an impressive array of accents, a love for hats, and a bizarre sense of humour, Wayne serves as the perfect foil to the more serious Waxillium.

They’re the dynamic duo of the rough-and-tumble world of the Roughs.

Loial (The Wheel of Time Series by Robert Jordan)

Loial, the Ogier scholar from Robert Jordan’s sprawling ‘Wheel of Time’ series, is as endearing as sidekicks come.

This giant, book-loving, somewhat naïve character offers a softer and often humorous contrast to the tumultuous world around him.

Despite his peaceful nature, Loial is stalwart in his loyalty, proving time and again that there’s more to this gentle giant than meets the eye.

Gurton (The Axe and the Throne by M. D. Ireman)

‘Gruff yet tender-hearted’ could be the motto of Gurton, the loyal sidekick from M. D. Ireman’s ‘The Axe and the Throne.’

With his masterful skills in tracking and survival, Gurton is more than just a supporting player.

His unyielding loyalty and unexpected depths keep the readers engaged and rooting for him.

Sophronia (The Inheritance Trilogy by N.K. Jemisin)

Sophronia, a godling in a child’s form in N.K. Jemisin’s ‘The Inheritance Trilogy’ provides comic relief, poignant moments, and powerful insight.

While she might appear as a playful child, her wisdom and ability to see through deception add layers to her character, making her an unforgettable sidekick.

Syl (The Legacy Chronicle by T.J. Garrett)

The Legacy Chronicle gives us Syl, an impish sprite who accompanies the main character, Alex.

Witty, fun-loving, and full of surprises, Syl is the perfect counterpoint to the series’ darker elements.

We’ve heard of a light at the end of the tunnel, but a light leading you through a magical world? Now that’s special!

Finn (The Thief Who Pulled On Trouble’s Braids by Michael McClung)

In Michael McClung’s Amra Thetys series, Finn is the steadfast companion of the titular thief, Amra.

A wizard with a mysterious past, Finn brings a balanced mix of wisdom and levity to the adventure-filled narrative.

His faithfulness to Amra, despite her criminal lifestyle, adds a touching depth to his character.

Minalan’s Familiars (Spellmonger Series by Terry Mancour)

The Spellmonger series introduces us to an unconventional sort of sidekick—a group of magical familiars who assist Minalan the Spellmonger.

These familiars, including a feisty fay, a resourceful raven, and a motherly hawk, each contribute their unique magic and perspective, making Minalan’s adventures a magical delight.

Kestrel (Kings or Pawns by J.J. Sherwood)

Kestrel, a cheeky yet highly skilled thief from the Steps of Power series, serves as an engaging counterpoint to the seriousness of the royal intrigue surrounding him.

His unorthodox methods and quick wit bring a refreshing touch of humour to the narrative, making him a memorable sidekick in this epic tale.

Snickers (Legends of Dimmingwood series by C. Greenwood)

In C. Greenwood’s ‘Legends of Dimmingwood’ series, Snickers might be a squirrel, but he’s a loyal friend and companion to the series’ protagonist, Ilan.

Don’t underestimate this furry little chap—his keen senses and quick reactions often help Ilan out of sticky situations.

 Just goes to show, you don’t need to be big to make a big impact.

Bayaz (The First Law Trilogy by Joe Abercrombie)

Bayaz, the First of the Magi in Joe Abercrombie’s ‘The First Law’ Trilogy, may seem like a typical wise old wizard at first glance.

However, his mysterious past, hidden motives, and a decidedly manipulative streak add layers of complexity to his character.

He serves as a guiding light and occasional puppet master to the trilogy’s protagonists, ensuring that the narrative is anything but dull.

Falcio’s Greatcoats (The Greatcoats series by Sebastien de Castell)

Falcio’s companions, Kest and Brasti, in Sebastien de Castell’s ‘The Greatcoats’ series, form a trio that is truly greater than the sum of its parts.

They provide much-needed camaraderie, banter, and support for their leader, Falcio, making their adventures a delightful ride.

Their unwavering loyalty to each other and their shared cause makes them more than sidekicks—they are brothers in arms.

Kip’s Squad (Lightbringer Series by Brent Weeks)

In Brent Weeks’ ‘Lightbringer’ series, Kip’s squad of talented misfits serves as an engaging ensemble of sidekicks.

From the wise-cracking Gunner to the brave and resolute Teia, each member brings unique strengths to the table.

The dynamics within this diverse group are humorous, heartwarming, and at times, heart-wrenching, making them an unforgettable part of Kip’s journey.

Bronn (A Song of Ice and Fire by George R. R. Martin)

Let’s turn to George R. R. Martin’s sprawling saga, ‘A Song of Ice and Fire.’

Bronn, the sellsword who becomes an unlikely sidekick to Tyrion Lannister, is a fan favourite.

His pragmatism, dry humour, and surprising loyalty to Tyrion provide a refreshing contrast to the intrigue-laden world of Westeros.

And who can forget his notable mantra, “I’ll stand for the dwarf?”

Iorek Byrnison (His Dark Materials by Philip Pullman)

In Philip Pullman’s ‘His Dark Materials’, Lyra’s journey wouldn’t be quite the same without the mighty Iorek Byrnison.

The Panserbjørne (armoured bear) adds muscle and an unusual wisdom to Lyra’s quest.

Also, he’s a giant talking bear who can make and mend armour, so he’s ticking quite a few boxes on the cool sidekick checklist.

Tasslehoff Burrfoot (Dragonlance Series by Margaret Weis and Tracy Hickman)

The Dragonlance series introduces us to Tasslehoff Burrfoot, a kender (a race akin to hobbits) whose curiosity and kleptomania often lead to humorous and unexpected situations.

Tasslehoff’s sense of adventure and knack for getting out of sticky situations make him a sidekick to remember.

He’s the kind of fellow who’d ‘borrow’ your keys, wallet, and possibly your socks, but you’d still want him around for his unwavering optimism and courage.

Calcifer (Howl’s Moving Castle by Diana Wynne Jones)

In Diana Wynne Jones’ ‘Howl’s Moving Castle’, the fire demon Calcifer plays a key role as a sidekick.

Calcifer powers the titular castle and aids the young protagonist, Sophie, in her quest to break her curse.

With his sarcastic humour and hints of a deeper, more complex past, Calcifer lights up the narrative—and not just because he’s a literal flame.

Jimmy the Hand (The Riftwar Saga by Raymond E. Feist)

From Raymond E. Feist’s ‘Riftwar Saga’, we have the charming and resourceful Jimmy the Hand.

This master thief may start as a minor character, but his courage, quick-thinking, and knack for getting in and out of trouble make him an unforgettable sidekick.

Whether he’s navigating the dangerous alleys of Krondor or the intrigues of court, Jimmy proves time and again that a clever mind can be as potent as any sword.

The Luggage (Discworld Series by Terry Pratchett)

Finally, where would a list of sidekicks be without The Luggage from Terry Pratchett’s brilliant Discworld series?

This sentient, multi-legged travel case made of Sapient Pearwood has been a loyal and, shall we say, ‘forceful’ companion to Rincewind the inept wizard.

Unflinchingly loyal, literally eating up foes, and offering an infinite amount of storage, The Luggage redefines the term ‘travel buddy.’

Each of these sidekicks, in their unique ways, enhances the epic narratives they are part of, providing support, camaraderie, humour, and occasionally, a reality check for our heroes. They may not be the ones wearing the crown or sitting on the throne, but their role in shaping the story is just as important, if not more so.

Who are your favourites? Share yours in the comments.

The post Behind Every Hero: Notable Sidekicks in Epic Fantasy first appeared on Jon Cronshaw.

From Drunken Faeries to Lost Ancients: An Exclusive Chat with Marie Andreas

In the realm of fantasy, few voices resonate as distinctly as that of Marie Andreas.

With elven artifacts, whimsical drunken faeries, and worlds that captivate the imagination, Andreas has etched a significant mark on the genre.

Today, we peel back the layers of the fantastical, diving deep into the mind of the multi-award-winning SFF author.

What inspired you to start writing in the fantasy genre?

There were stories I wanted to read but weren’t written yet!  I’ve always loved fantasy :).

How do you approach world-building in your stories?

I’m very much a pantser in my writing and that goes for world building. It’s done as I go along (I have a general idea of the world in question, but the rest is SURPRISE!)

Can you walk us through your writing process?

I’m not normal-LOL. Just wanted to get that out first. Something sparks an idea and a character–maybe two. Then I just start writing. Yup- I’m one of those evil pantser’s your teachers warned you about ;).

 I’m a full-time author, so have a set schedule (5 days a week- 4k words daily target) also, I will usually have more than one project at a time. Right now, I’m working on the next book in my second Lost Ancient’s fantasy series as my primary WIP.  However, I’ve also started my third steampunk. So I switch if I get stuck, or just as a brain cleanser.

I re-read what I wrote the prior day before I start that day’s writing. It gets me in the mindspace for that world and catches a few typos.

I go through the book a few times when done, have my group of reader/editors go at it, then a final proof. BOOM! It’s a BOOK!

Would you survive in your own fantasy world?

Probably not–although, I would LOVE being in a world with my drunken faeries–so it would be worth it.

What themes do you explore in your work?

Friendship is probably the biggest. I’m not writing to be deep, I write to escape :).

What do you consider to be your biggest influences as a writer?

Every single fantasy book or movie that I’ve loved.

What do you hope readers take away from your stories?

That they had a great escape from the world, and a sense of my characters being like old friends.  I love it when a reader tells me they re-read the books on a regular basis.

Would you rather have a pet dragon or a unicorn, why?

Can’t I have both?  I have both living happily on my desk…dunno why I can’t have both.  Okay, do NOT tell my Scottish battle-corn, but a dragon. They fly. I really want that.

If you were stuck on a deserted island with one of your characters, who would it be and why?

Taryn.  She’s kinda cool and if she were there, the drunken faeries would show up too ;).

What would you name your pet dragon?

Herbert.

The Glass Gargoyle (The Lost Ancients book 1)

Archeologist Taryn St. Giles has spent her life mining the ruins of the elves who vanished from the Four Kingdoms a thousand years ago. But when her patrons begin disappearing too—and then turning up dead—she finds herself unemployed, restless, and desperate. So she goes looking for other missing things: as a bounty hunter.

Tracking her first fugitive—the distractingly handsome and strangely charming Alric—she unearths a dangerous underworld of warring crime lords, demonic squirrels, and a long-lost elven artifact capable of unleashing a hell on earth.

Chased, robbed, kidnapped, and distressingly low on rent money, Taryn just wants one quiet beer and to catch her fugitive. But there’s more to Alric than his wicked grin—is he a wanted man or the city’s only hope? With menacing mages in pursuit and her three alcoholic faery sidekicks always in her hair, Taryn’s curiosity might finally solve the mystery of the elves… or be the death of her and destroy her world.

Get your copy.

About the Author

Marie is a multi-award-winning fantasy and science fiction author with a serious reading addiction. If she wasn’t writing about all the people in her head, she’d be lurking about coffee shops annoying total strangers with her stories. So really, writing is a way of saving the masses. She lives in Southern California and is owned by two very faery-minded cats. She is also a member of SFWA (Science Fiction and Fantasy Writers Association).

When not saving the masses from coffee shop shenanigans, Marie likes to visit the UK and keeps hoping someone will give her a nice summer home in the Forest of Dean or Conwy, Wales.

Find Marie online:

Website: marieandreas.com

Facebook: facebook.com/marieandreaswriter

The post From Drunken Faeries to Lost Ancients: An Exclusive Chat with Marie Andreas first appeared on Jon Cronshaw.

Rewatching Snow White in the Modern Age

It’s fair to say Disney classics don’t always age well. When I heard Snow White and the Seven Dwarves was showing at a cinema while on a recent trip to Jersey, I bought a ticket for me and my family…mainly to escape the stormy weather.

The film begins with an overly cheery song by the Prince as he rides through the woods looking for his future bride.

He spots Snow White washing clothes and is immediately smitten, joined soon after by Snow White in a duet so saccharine it rots your teeth from the first note.

We all know how the Queen (Snow White’s step mother) wants to be the ‘fairest of them all.’ But, of course, her magic mirror doesn’t want to play along and tells her that Snow White is much fairer.  

The Queen’s jealousy leads her to send a hapless Huntsman into the woods with orders to bring back Snow White’s heart.

Thankfully he took pity on the innocent princess and let her go.

Not so thankful were the dwarves who returned home to find a strange girl had broken into their house, made herself at home and decided to stay!

Did Snow White consider asking first? Nope.

She just assumed seven little men living in the woods would be thrilled to gain an unpaid live-in maid.

After gathering an army of forest animals to help with the chores (I hope someone picked up after them), Snow White proceeded to run the dwarves’ household without so much as a by-your-leave.

I’m sure the dwarves appreciated all the singing, but the lack of boundaries and respect for their privacy was astounding.

I was glad to see Snow White still felt the need to belt out an impromptu song while washing up, as if her poor dwarf housemates wanted an accompanying soundtrack to their breakfast.

Were the dwarves too polite to mention the singing grated on their nerves.

Throughout, the plot holes were glaring.

The dwarves were obviously skilled miners who’d discovered cut diamonds (perhaps a smugglers’ stash of some sort?)—so how come they still lived in a shack in the woods?

Did Snow White spend their hard-earned cash on shoes and hats without a second thought?

Speaking of Snow White, how bossy was she? Waltzing in and immediately telling seven grown dwarves how to stack their forks.

If The Hobbit taught us anything, it’s that you don’t mess with a dwarf’s cutlery.

The Queen’s evil plot with the poisoned apple was even more nonsensical.

The day before she had been perfectly willing to assassinate Snow White outright, but then decides a magic sleeping curse is more to her liking?

And not just any sleeping curse—one with a get out clause where true love’s kiss will break the spell.

Why would the Queen decide to leave that get out clause and chance being foiled?

It made no sense and showed a distinct lack of ruthlessness and strategic thinking on the Queen’s part.

If you want something done, do it properly the first time.

And the prince raised some serious alarm bells. Was he really that attracted to a dead woman?

Necrophilia doesn’t seem like good foundations for a relationship, or even the romantic motive in a children’s film.

I half expected him to carry Snow White off in a coffin to their hidden castle in the mountains, Count Dracula style.

In the end, I had to remind myself it was a film made over 80 years ago.

The music and animation still hold up, even if the story leaves a lot to be desired by today’s standards.

I’ll stick to trolls, hobbits and wizards in the future – they at least have the good sense not to break into song quite so readily.

Follow Jon On YouTube.

The post Rewatching Snow White in the Modern Age first appeared on Jon Cronshaw.

Friends in Fantasy: Unveiling the 10 Best Fictional Friendships

Who doesn’t love friendship? Today we’re going to delve into the top-flight friendships in fantastical literature.

So, grab a cuppa, make yourself cosy (preferably with a dragon-sized pile of biscuits) and let’s explore ten of the best mates in fantasy books.

Frodo Baggins & Samwise Gamgee – The Lord of The Rings

Are you really surprised? It’s the fellowship that defines the word itself.

 Here we have Frodo, a hobbit with the weight of the world (or a rather heavy ring) on his shoulders, and Samwise, the gardener turned warrior, who probably didn’t even know what he was signing up for when he eavesdropped on Gandalf that fateful night.

Their friendship is the epitome of loyalty, the kind that lasts through a long, wearisome journey to Mount Doom.

Quite frankly, if your mate isn’t willing to carry you up a volcanic mountain while being hunted by a creepy, ring-obsessed creature, are they really your friend?

Harry Potter & Hermione Granger & Ronald Weasley – Harry Potter Series

It’s the magical trio that faced down You-Know-Who and lived to tell the tale.

Harry, Hermione, and Ron showed us the power of friendship, courage, and the importance of a well-placed “Expelliarmus!”

Sure, there were squabbles, moments of jealousy, and that one time Ron left in a huff (we’re still not over that, Ronald), but in the end, they always stuck together.

They faced trolls, death eaters, and even the occasional murderous teacher, proving that the power of friendship truly can conquer all – even an angst-ridden, snake-loving dark wizard.

 Lyra Belacqua & Pantalaimon – His Dark Materials

A girl and her daemon—Lyra and Pan are not just friends, they’re literally part of each other.

If that’s not a deep bond, I don’t know what is.

Pantalaimon, the shape-shifting animal embodiment of Lyra’s soul, is with her through thick and thin.

Their friendship shows us that sometimes, our best mate is our own true self (or our talking ermine, pine marten, moth, bird, whatever Pan fancies at the moment).

Locke Lamora & Jean Tannen – The Gentleman Bastard Series

A pair of thieves who would willingly die for each other, Locke and Jean are the definition of a bromance.

They lie, cheat, and steal, but they do it with such flair, you can’t help but find yourself cheering them on.

Their bond is as sturdy as Jean’s beloved hatchets and as intricate as one of Locke’s grand schemes.

If your idea of friendship involves elaborate heists, constant banter, and the occasional life-saving, this pair is for you.

Arya Stark & Sandor Clegane – A Song of Ice and Fire

An unconventional friendship, to say the least.

Arya, the fierce Stark girl, and Sandor, the gruff, scarred knight known as ‘The Hound.’

They teach each other lessons of survival and humanity.

Sure, they’re not popping over for tea and scones every Sunday, but they’ve got each other’s backs when it counts.

And really, isn’t that what friendship is all about?

FitzChivalry Farseer & The Fool – The Farseer Trilogy

This is a friendship that transcends the usual boundaries of camaraderie and ventures into the realm of the spiritual.

Fitz, the royal bastard, and The Fool, the court jester with a mysterious past, are as different as night and day, yet their bond is unbreakable.

They journey together through heartbreak, prophecy, and the occasional assassination attempt.

This is a friendship that shows us the power of understanding and acceptance, proving that our differences can often be our greatest strengths.

Vin & Elend Venture – Mistborn Trilogy

Initially, an alliance of convenience between a street thief and a nobleman, Vin and Elend’s relationship soon develops into a deep friendship and later a romantic relationship.

They challenge each other, learn from each other, and ultimately change each other in profound ways.

Their relationship is a testament to the power of trust and mutual respect.

It’s a reminder that sometimes, the most unexpected friendships are the ones that shape us the most.

Kvothe & Auri – The Kingkiller Chronicle

In a world full of magic, mystery, and music, the friendship between Kvothe, the gifted bard, and Auri, the enigmatic girl living beneath the University, stands out.

Their bond is gentle, respectful, and deeply touching.

Kvothe shows kindness and patience towards Auri’s peculiar ways, while Auri provides Kvothe a safe haven from his troubles.

Their friendship serves as a beacon of kindness in a world that often seems dark and unforgiving.

Geralt of Rivia & Dandelion – The Witcher Series

A witcher and a bard—an unlikely, yet captivating pair.

Geralt, the stoic monster-hunter, and Dandelion, the flamboyant troubadour, couldn’t be more different, yet their friendship endures through countless adventures and dangers.

While Geralt saves Dandelion from various physical threats, Dandelion often saves Geralt from his own cynicism, reminding him of the beauty and joy in the world.

Their friendship is a testament to the balance that opposites can bring to each other’s lives.

Sabriel & Mogget – The Old Kingdom Series

Last, but certainly not least, is the curious partnership between Sabriel, the Abhorsen-in-waiting, and Mogget, the mysterious cat-like being.

Their relationship is one of mutual respect and necessity more than affection, but it’s their banter and shared determination that really cement their friendship.

Mogget’s cryptic advice and quick wit often aid Sabriel in her dangerous quest, and while Mogget might not admit it, Sabriel’s steadfast courage and compassion likely save him just as often.

It’s a friendship that shows us sometimes, the best partnerships come from the most unexpected places.

So, whether it’s sharing an adventure, a laugh, or just a really good book, these friendships remind us that even in the midst of dragons, dark lords, or dystopias, having a mate by your side makes it all a bit more bearable.

Remember, a good friend will always pass you the next book in the series. But a best friend will buy you your own copy.

What are your favourite friendships in fantasy? Share yours in the comments.

The post Friends in Fantasy: Unveiling the 10 Best Fictional Friendships first appeared on Jon Cronshaw.