Justin Alcala's Blog, page 6
August 18, 2014
Blog Tour
Hi guys!
The official Zharmae Publishing Press Blog Tour release for "Consumed" is out. Please follow the link below if you'd like to be a stop on the tour!
https://docs.google.com/forms/d/1mMv9...
August 2, 2014
Getting Back to the Basics
When was the last time that you wrote without worry? I mean really wrote without hearing the naysayers, critics and self doubt in your head. If you’re an everyday writer, then it’s probably been a while. But why is that? Regrettably, a big part of it almost certainly has to do with the writing world today, and the emphasis it puts on book ratings, author critiques and reader reviews. It’s become so bad that for some writers, doing what they love also means having a nervous breakdown. But allow me to send out a plea to all of the bloggers, novelists and poets out there. This isn’t how it should be. We should be thrilled to write. We should be hungry to start our next piece, thinking about it while cooking breakfast or trying to get some sleep. Maybe it’s time for a change. Maybe it’s time for us… to get back to the basics.
I first started writing when I was just a boy, no older than nine or ten. I was one of those weird kids who was obsessed with comic books and spooky monsters, and decided that it was about time for someone to combine the two. I constantly wrote short stories and drew pictures about the misadventures of my favorite ghouls and ghosts as they tried to save the world while dealing with the pain of being a misunderstood. Back then it was simple. Someday, I’d give my homemade penny dreadfuls to Stan Lee or R.L. Stein, and they’d shake my hand and say, “Justin, I want you to write for me. When can you start?”
As time passed and high school struck, I continued to follow my favorite horror authors, getting into classics like Bram Stoker, Edgar Allen Poe and Stephen King. But this was a confusing era, and my writing had been put on a brief hold for more “palpable” desires. After the girl craze passed, I delved back into writing, this time for my friends. I started to pen roleplaying campaigns for the guys, telling tales of eerie dungeons and nightmarish crypts for their roleplaying pleasure. The joy it brought both them, and myself, was enough for me to decide that someday I’d write professionally.
Then college came. I majored in English, concentrating in Creative Writing at a downtown university. I’d write whenever I could find time, mostly after night shifts or on the early train to school. While my professors mostly enjoyed my work, it was the first time I’d begun receiving critiques. I don’t recall ever being offended, but it was confusing to hear teachers occasionally suggest toning down the weirdness. What I also didn’t foresee was that these opinions were only the first steps towards the inevitable…self-doubt.
Cue my mid-twenties. I was in love. My fingers wouldn’t stop typing sentimental poetry and short stories involving the woman of my dreams (who would one day become my wife, score!). Later, with her encouragement, I’d convinced myself to take a serious stab at becoming an author. After several months, and with the connection of a family member, I handed my manuscript to an editor. The results, well, were not so much what I’d been hoping for.
But as tough as the criticism was, I needed it. After taking a few months off, I jumped back on the horse with new fervor and tales to tell- one of those being Consumed. For years I concentrated on the book, bleeding over my computer. I’d share my work with respected family and friends. Their assessments were constructive, but as expected, sometimes tough to swallow. Finally though, after several serious edits, the manuscript was complete. After sending it off to dozens of publishers, I was pleasantly surprised to find that I had several takers, and in early 2014, signed with Zharmae Publishing. My first novel was born.
But getting your manuscript published opens you up to another world, one that involves marketing and promoting. I began doing my research, and found that sites like Amazon.com and Goodreads had some real tough critics. I read unnecessarily harsh reviews about my favorite books, some of the best of all time, and it scared the hell out of me. Who was I to think that I wouldn’t receive similar disapproval? No one wants to read a horror novel about a drug-addicted detective investigating a mysterious murder. Come October, it would be the end of my writing career. I was doomed.
Then it hit me. Call it a bitch slap from God or life’s cup of morning coffee, but I’d finally awoken from the anxiety driven stupor I’d put myself through. I’d been so crushed by the weight of what people might think, that I’d completely forgotten why I started doing it in the first place. It wasn’t to become the most popular author of all time or make tons of money. No way. I didn’t want to be trendy. I wanted to write bizarre and interesting stories as I’d done as a kid. I wanted to honor the horror novels I loved in high school. I wanted to make people happy like I did when I wrote for my friends. I wanted to be myself again, free of any worry.
Perhaps it was Paulo Coelho who put it best when he said, “I write from my soul. This is the reason that critics don’t hurt me, because it is me. If it was not me, if I was pretending to be someone else, then this could unbalance my world, but I know who I am.”
It may sound strange not cater to readers, but you’re honestly doing them a disservice by not writing from the heart. Readers can pick up on someone who is writing scared. I know I can. Instead, write for yourself and let the reader fill in the blanks. I think that you’ll find that far more people appreciate your work (even the critics) when you do it this way. Hell, maybe you can even apply this “apologize to no one” attitude to the rest of your life. Wouldn’t that be nice?
So writers, please, keep doing what you do. I beg of you. Don’t make the mistakes I did. Write those great blogs, short stories and novels, worry free. Keep penning what makes you happy and everything else will fall in place. It’s time that we put away our fears of the critics. It’s time for us to get back to the basics.
I first started writing when I was just a boy, no older than nine or ten. I was one of those weird kids who was obsessed with comic books and spooky monsters, and decided that it was about time for someone to combine the two. I constantly wrote short stories and drew pictures about the misadventures of my favorite ghouls and ghosts as they tried to save the world while dealing with the pain of being a misunderstood. Back then it was simple. Someday, I’d give my homemade penny dreadfuls to Stan Lee or R.L. Stein, and they’d shake my hand and say, “Justin, I want you to write for me. When can you start?”
As time passed and high school struck, I continued to follow my favorite horror authors, getting into classics like Bram Stoker, Edgar Allen Poe and Stephen King. But this was a confusing era, and my writing had been put on a brief hold for more “palpable” desires. After the girl craze passed, I delved back into writing, this time for my friends. I started to pen roleplaying campaigns for the guys, telling tales of eerie dungeons and nightmarish crypts for their roleplaying pleasure. The joy it brought both them, and myself, was enough for me to decide that someday I’d write professionally.
Then college came. I majored in English, concentrating in Creative Writing at a downtown university. I’d write whenever I could find time, mostly after night shifts or on the early train to school. While my professors mostly enjoyed my work, it was the first time I’d begun receiving critiques. I don’t recall ever being offended, but it was confusing to hear teachers occasionally suggest toning down the weirdness. What I also didn’t foresee was that these opinions were only the first steps towards the inevitable…self-doubt.
Cue my mid-twenties. I was in love. My fingers wouldn’t stop typing sentimental poetry and short stories involving the woman of my dreams (who would one day become my wife, score!). Later, with her encouragement, I’d convinced myself to take a serious stab at becoming an author. After several months, and with the connection of a family member, I handed my manuscript to an editor. The results, well, were not so much what I’d been hoping for.
But as tough as the criticism was, I needed it. After taking a few months off, I jumped back on the horse with new fervor and tales to tell- one of those being Consumed. For years I concentrated on the book, bleeding over my computer. I’d share my work with respected family and friends. Their assessments were constructive, but as expected, sometimes tough to swallow. Finally though, after several serious edits, the manuscript was complete. After sending it off to dozens of publishers, I was pleasantly surprised to find that I had several takers, and in early 2014, signed with Zharmae Publishing. My first novel was born.
But getting your manuscript published opens you up to another world, one that involves marketing and promoting. I began doing my research, and found that sites like Amazon.com and Goodreads had some real tough critics. I read unnecessarily harsh reviews about my favorite books, some of the best of all time, and it scared the hell out of me. Who was I to think that I wouldn’t receive similar disapproval? No one wants to read a horror novel about a drug-addicted detective investigating a mysterious murder. Come October, it would be the end of my writing career. I was doomed.
Then it hit me. Call it a bitch slap from God or life’s cup of morning coffee, but I’d finally awoken from the anxiety driven stupor I’d put myself through. I’d been so crushed by the weight of what people might think, that I’d completely forgotten why I started doing it in the first place. It wasn’t to become the most popular author of all time or make tons of money. No way. I didn’t want to be trendy. I wanted to write bizarre and interesting stories as I’d done as a kid. I wanted to honor the horror novels I loved in high school. I wanted to make people happy like I did when I wrote for my friends. I wanted to be myself again, free of any worry.
Perhaps it was Paulo Coelho who put it best when he said, “I write from my soul. This is the reason that critics don’t hurt me, because it is me. If it was not me, if I was pretending to be someone else, then this could unbalance my world, but I know who I am.”
It may sound strange not cater to readers, but you’re honestly doing them a disservice by not writing from the heart. Readers can pick up on someone who is writing scared. I know I can. Instead, write for yourself and let the reader fill in the blanks. I think that you’ll find that far more people appreciate your work (even the critics) when you do it this way. Hell, maybe you can even apply this “apologize to no one” attitude to the rest of your life. Wouldn’t that be nice?
So writers, please, keep doing what you do. I beg of you. Don’t make the mistakes I did. Write those great blogs, short stories and novels, worry free. Keep penning what makes you happy and everything else will fall in place. It’s time that we put away our fears of the critics. It’s time for us to get back to the basics.
July 11, 2014
July 1, 2014
Creativity, Nature or Nurture?
Is creativity something that we’re born with or is it something we learn? It’s a question that people in art based fields often ask themselves. Studies by major universities show that people who tend to be more creative have different biological characteristics than those who are not. But not everyone is convinced. Some studies argue that creativity is a renewable resource that can be taught, enhanced and fueled, just like any other skill. So, is it nature or nurture? Let’s use myself as an example to delve into the subject and investigate whether the artistic drive inside of you is a gift of evolution or simple upbringing.
My mother was a very talented artist in the late 60’s and early 70’s. She had painted canvases spread across her bedroom, sketch pads stored in stacks throughout our basement and framed photographs of her old art studios inside her office. Even as a boy, I remember asking myself, “will I be like mom (or as we say here in Chicago, ‘ma’)?” As I think back, I don’t recall her ever sitting me down and teaching me how to paint or tell stories, yet as I continued to grow, I learned that I had quite the knack for drawing and writing. Kids in grammar school use to come to me all the time and ask if I could help them sketch a picture or think of a story idea for a school assignment. To be honest, I never gave it much thought until I decided to pursue my career as an author. Now though, I often wonder, did I teach myself to be creative, using my mom as a guide, or was it something innate that helped me become the fairly creative man I am today?
According to researcher Kenneth Heilman of the Department of Neurology and Neuroscience at Cornell University, I never really had a choice. Kenneth discovered that the brain is divided into two halves that are joined by fibers called the corpus callosum. Writers, artists and musicians tend to have smaller corpus callosums, which allows each side of their brain to communicate better, creating new ideas and associations more easily. Kenneth found that people with this phenomenon benefit through an incubation of ideas that are critical for the divergent-thinking component of creativity. So for Keneth, my brain is just wired that way due to my small corpus callosum (hey, size isn’t everything).
Meanwhile, researchers at the University of Helsinki conducted a similar study associated to musical creativity. In their extensive assessment, they found that musical creativity is based on one’s natural ability to judge pitch, as well as the coordination of beat and harmony. It’s the brain’s inherent ability to reorganize information that makes one a great musician. This explains why so many musicians like Mozart had successful careers at early ages. It has always been in their DNA.
On the contrary, according to Tina Seelig, the Executive Director of Stanford’s Technology Ventures Program, I, like any other creative person, slowly learned how to be as creative as I am. Through her studies, Tina has learned that creativity is a part of the “Innovation Engine”, a set of skills that can be improved by anyone with the right mindset. In Tina’s eyes, creativity is the process of creating new ideas, something that anyone can do if they just learn to think beyond the obvious. There are hundreds of paths, some easier than others, that can help you sharpen your creative skills. Through her studies, Tina has learned that we are all naturally creative, and like any other ability, some people may have more natural talent. However, it doesn’t mean that others can’t be just as creatively proficient. All they need to learn are techniques that help enhance their capacity. Much like speed reading or rollerblading, it’s a skill to be honed.
So which is it? While I want to believe that artists, much like Jedi or Hogwarts wizards, are biologically chosen to become who they are, I have to say that I have a hard time buying into that mindset. People aren’t just packaged in gift wrap and a bow, creative as they’ll ever be at birth. No, it seems to be something that slowly develops. Nonetheless, I have to admit that I’ve also met some pretty amazing artists within my day that didn’t do anything different from friends and colleagues when it came to improving their talent, yet they somehow managed to be twice as gifted as others when it came to painting, writing music, or sculpting. Maybe they’re just lucky?
Regardless, for me, it’s hard to agree with any blanket statement which states that creativity only has one explanation like genetics or daily practice. In my eyes, creativity is more than just what scientists can put under a microscope. Yes, it’s a combination of biology and skill, and yet it’s still something more. It’s an orchestra of experience, cleverness, inclination, dreams, love and chance. It’s a desire to make people happy with your work and a satisfaction that comes with conceiving something all your own. That’s something that you just can’t put into one from of scientific rationalization. Does that sound mawkishly sentimental? Perhaps. Still, it’s something I live by.
Through this short blog, we’ve studied what some experts have to say about creativity, using me as an example. But what do you think creativity is? When you examine who you are, can you explain it? Were you born with creativity or is it something that you were taught? Is it understandable or unexplainable? We as readers and writers sometimes forget that we live in a pool of creativity each day. Every blog you post or article you read is someone’s creativity put into motion. Maybe it’s time you take a second to ask yourself how you became the creative wonder that you are.
SEE THE FULL ARTICLE:
The Guardian, “Are Some People Born Creative”: http://www.theguardian.com/science/bl...
Business News Daily, “Who Says Creativity Can’t Be Learned”: http://www.businessnewsdaily.com/2471...
My mother was a very talented artist in the late 60’s and early 70’s. She had painted canvases spread across her bedroom, sketch pads stored in stacks throughout our basement and framed photographs of her old art studios inside her office. Even as a boy, I remember asking myself, “will I be like mom (or as we say here in Chicago, ‘ma’)?” As I think back, I don’t recall her ever sitting me down and teaching me how to paint or tell stories, yet as I continued to grow, I learned that I had quite the knack for drawing and writing. Kids in grammar school use to come to me all the time and ask if I could help them sketch a picture or think of a story idea for a school assignment. To be honest, I never gave it much thought until I decided to pursue my career as an author. Now though, I often wonder, did I teach myself to be creative, using my mom as a guide, or was it something innate that helped me become the fairly creative man I am today?
According to researcher Kenneth Heilman of the Department of Neurology and Neuroscience at Cornell University, I never really had a choice. Kenneth discovered that the brain is divided into two halves that are joined by fibers called the corpus callosum. Writers, artists and musicians tend to have smaller corpus callosums, which allows each side of their brain to communicate better, creating new ideas and associations more easily. Kenneth found that people with this phenomenon benefit through an incubation of ideas that are critical for the divergent-thinking component of creativity. So for Keneth, my brain is just wired that way due to my small corpus callosum (hey, size isn’t everything).
Meanwhile, researchers at the University of Helsinki conducted a similar study associated to musical creativity. In their extensive assessment, they found that musical creativity is based on one’s natural ability to judge pitch, as well as the coordination of beat and harmony. It’s the brain’s inherent ability to reorganize information that makes one a great musician. This explains why so many musicians like Mozart had successful careers at early ages. It has always been in their DNA.
On the contrary, according to Tina Seelig, the Executive Director of Stanford’s Technology Ventures Program, I, like any other creative person, slowly learned how to be as creative as I am. Through her studies, Tina has learned that creativity is a part of the “Innovation Engine”, a set of skills that can be improved by anyone with the right mindset. In Tina’s eyes, creativity is the process of creating new ideas, something that anyone can do if they just learn to think beyond the obvious. There are hundreds of paths, some easier than others, that can help you sharpen your creative skills. Through her studies, Tina has learned that we are all naturally creative, and like any other ability, some people may have more natural talent. However, it doesn’t mean that others can’t be just as creatively proficient. All they need to learn are techniques that help enhance their capacity. Much like speed reading or rollerblading, it’s a skill to be honed.
So which is it? While I want to believe that artists, much like Jedi or Hogwarts wizards, are biologically chosen to become who they are, I have to say that I have a hard time buying into that mindset. People aren’t just packaged in gift wrap and a bow, creative as they’ll ever be at birth. No, it seems to be something that slowly develops. Nonetheless, I have to admit that I’ve also met some pretty amazing artists within my day that didn’t do anything different from friends and colleagues when it came to improving their talent, yet they somehow managed to be twice as gifted as others when it came to painting, writing music, or sculpting. Maybe they’re just lucky?
Regardless, for me, it’s hard to agree with any blanket statement which states that creativity only has one explanation like genetics or daily practice. In my eyes, creativity is more than just what scientists can put under a microscope. Yes, it’s a combination of biology and skill, and yet it’s still something more. It’s an orchestra of experience, cleverness, inclination, dreams, love and chance. It’s a desire to make people happy with your work and a satisfaction that comes with conceiving something all your own. That’s something that you just can’t put into one from of scientific rationalization. Does that sound mawkishly sentimental? Perhaps. Still, it’s something I live by.
Through this short blog, we’ve studied what some experts have to say about creativity, using me as an example. But what do you think creativity is? When you examine who you are, can you explain it? Were you born with creativity or is it something that you were taught? Is it understandable or unexplainable? We as readers and writers sometimes forget that we live in a pool of creativity each day. Every blog you post or article you read is someone’s creativity put into motion. Maybe it’s time you take a second to ask yourself how you became the creative wonder that you are.
SEE THE FULL ARTICLE:
The Guardian, “Are Some People Born Creative”: http://www.theguardian.com/science/bl...
Business News Daily, “Who Says Creativity Can’t Be Learned”: http://www.businessnewsdaily.com/2471...
June 4, 2014
Everyone Has an Opinion
Whether your blogging fan fiction or working on the next award-winning novel, chances are that if you’re working on a new literary project, you’re also receiving insight from others. It may be a simple suggestion from a loved one or serious recommendations from your editor. Regardless, opinions can make or break someone’s writing. So how do you know what advice is valuable and what advice should respectfully be declined? Some might say it’s a matter of the author’s style, while others would argue that you need to scrutinize your counselor’s merit. Then there are those who say that if you truly want to write your best work, you shouldn’t take anyone’s opinion at all. So, let’s examine.
Plato once said, “Opinion is the medium between knowledge and ignorance.” The distinction that he was trying to make is that opinion is subject to error while knowledge is not. There’s nothing wrong with taking someone’s opinion into consideration. Just read the dedication part of a book and you’ll find a whole slew of authors thanking their family, friends and editors for their advice. It’s proactive to ask for different viewpoints, especially ones that come from those of whom you have a great amount of respect for. However, one thing that a writer needs to keep in mind is that one person’s advice, as creative or thought provoking as it might be, may not cater to your readers’ demographics. The fact is, although someone might offer a fun suggestion, like your main character switching sides at the last minute of the book without prior foreshadowing, statistically- people prefer clues for surprise resolution.
It’s the responsibility of the author to determine whether a suggestion matches the writer’s style. If a writer wants to create something new and fascinating, it might not be a terrible idea to get the opinion of someone who thinks outside the box. Dozens of writers have advisors on standby who are constantly helping them develop their works in new and original ways. However, if a writer already has a steady plot for a specific genre, and an outsider’s opinion conflicts with the outcome, it might be in the author’s best interest to make choices that cater to their fans instead of their counselor. Neither technique is wrong. It’s just a matter of methods, standards, and goals.
Another question that a writer needs to ask themselves is, “Who exactly is giving me this advice and why is it wise to listen to them about the direction of this piece?” You might find that although someone is extremely intelligent, they may not be qualified to help with a specific area of your work. You might not want to ask a historical non-fiction writer about whether the dragon in your fantasy novel should be able to transform into a human, nor may you want to ask a comic book fan if the nemesis in your plot should be more behaviorally realistic. They may have great insight, but their background can sometimes be conflicting. So make sure that the advice giver is the right person before making any drastic changes. Sometimes, it’s simply a matter of not wanting to turn down their advice. It’s much harder to say no thank you than it actually is to actually identify a bad suggestion, but make no mistake, you’ll eventually have to.
Then there are those who think that taking the advice of others can be an error. According to New York Times Best Selling Author, Joseph Finder, “The most successful writers aren’t the most talented. They’re the most stubborn.” If you have a method to your madness, don’t deviate because of a colleague or loved one’s opinion. Let your system be your system until it fails. Suggestions are a great way to get a new perspective or to make decisions about tough choices in your writing. Nevertheless, if you don’t want anyone’s advice, honestly, don’t take it. Keep in mind, I’m not telling you to be an immovable curmudgeon, but some authors are more instinctively in tune with their readers than others, and if you’re one of these lucky individuals, no need to listen to other’s suggestions.
In the end, writers need to understand that writing is subjective. You’re always going to get conflicting opinions about your subject matter. There’s nothing wrong with that. Often, this can lead to us improving our work. But it’s the duty of the writer to understand which opinions are constructive and which are merely personal preference. As a rule of thumb, a writer should remember that they’re catering to a broad audience. If there’s an idea that the author is on the fence about, they need to ask themselves, “What would my readers prefer?” On the other hand, if what you’re doing is already working, take those suggestions and throw them right out of the window.
So, ironically, here I am giving my opinion. For the sake of playing devil’s advocate, I ask you, do you want to take my advice or do you have a better suggestion?
Plato once said, “Opinion is the medium between knowledge and ignorance.” The distinction that he was trying to make is that opinion is subject to error while knowledge is not. There’s nothing wrong with taking someone’s opinion into consideration. Just read the dedication part of a book and you’ll find a whole slew of authors thanking their family, friends and editors for their advice. It’s proactive to ask for different viewpoints, especially ones that come from those of whom you have a great amount of respect for. However, one thing that a writer needs to keep in mind is that one person’s advice, as creative or thought provoking as it might be, may not cater to your readers’ demographics. The fact is, although someone might offer a fun suggestion, like your main character switching sides at the last minute of the book without prior foreshadowing, statistically- people prefer clues for surprise resolution.
It’s the responsibility of the author to determine whether a suggestion matches the writer’s style. If a writer wants to create something new and fascinating, it might not be a terrible idea to get the opinion of someone who thinks outside the box. Dozens of writers have advisors on standby who are constantly helping them develop their works in new and original ways. However, if a writer already has a steady plot for a specific genre, and an outsider’s opinion conflicts with the outcome, it might be in the author’s best interest to make choices that cater to their fans instead of their counselor. Neither technique is wrong. It’s just a matter of methods, standards, and goals.
Another question that a writer needs to ask themselves is, “Who exactly is giving me this advice and why is it wise to listen to them about the direction of this piece?” You might find that although someone is extremely intelligent, they may not be qualified to help with a specific area of your work. You might not want to ask a historical non-fiction writer about whether the dragon in your fantasy novel should be able to transform into a human, nor may you want to ask a comic book fan if the nemesis in your plot should be more behaviorally realistic. They may have great insight, but their background can sometimes be conflicting. So make sure that the advice giver is the right person before making any drastic changes. Sometimes, it’s simply a matter of not wanting to turn down their advice. It’s much harder to say no thank you than it actually is to actually identify a bad suggestion, but make no mistake, you’ll eventually have to.
Then there are those who think that taking the advice of others can be an error. According to New York Times Best Selling Author, Joseph Finder, “The most successful writers aren’t the most talented. They’re the most stubborn.” If you have a method to your madness, don’t deviate because of a colleague or loved one’s opinion. Let your system be your system until it fails. Suggestions are a great way to get a new perspective or to make decisions about tough choices in your writing. Nevertheless, if you don’t want anyone’s advice, honestly, don’t take it. Keep in mind, I’m not telling you to be an immovable curmudgeon, but some authors are more instinctively in tune with their readers than others, and if you’re one of these lucky individuals, no need to listen to other’s suggestions.
In the end, writers need to understand that writing is subjective. You’re always going to get conflicting opinions about your subject matter. There’s nothing wrong with that. Often, this can lead to us improving our work. But it’s the duty of the writer to understand which opinions are constructive and which are merely personal preference. As a rule of thumb, a writer should remember that they’re catering to a broad audience. If there’s an idea that the author is on the fence about, they need to ask themselves, “What would my readers prefer?” On the other hand, if what you’re doing is already working, take those suggestions and throw them right out of the window.
So, ironically, here I am giving my opinion. For the sake of playing devil’s advocate, I ask you, do you want to take my advice or do you have a better suggestion?
May 1, 2014
Are Writers Artists?
What comes to your head when you hear the word artist? For the majority of people, it’s usually Picasso attacking a canvas or Bob Dylan playing his guitar. Very rarely does someone imagine Mark Twain or Agatha Christie in front of a typewriter, regardless of the fact that they are the most prolific authors of all time. So, why aren’t writers typically considered artists? Does one have to cater to the five senses in order to be one, or is it the emotion one stirs from their work that makes them what they are? Well, as usual, the answer isn’t simple, but requires exploration nonetheless.
Type “what is an artist?” into your web browser and see what comes up. I did, and the first definition I came across was, “An artist is a person who creates paintings or drawings as a profession or hobby.” Wow, it doesn’t get any simpler than that. Other definitions include, “A person who is skilled at drawing or painting,” as well as, “a skilled performer.” So, according to Webster and his friends, a writer is definitely out of luck.
As I continued to search, I found blogs and comments that support the idea that writers just aren’t artists. Certain opinions genuinely believe that authors, as talented as they might be, don’t fit the mold of what an orthodox artist should be. From these people’s perspectives, artists receive their title because they have a medium that is either visually or audibly pleasing. Painters create works that can be put on display. Musicians and actors perform on stage. But a writer can’t showcase their work so easily, which to these folks, separates writers from artists. Writers tend to need time, organization, and systematical knowledge in order to fabricate their work (although there are certain types of poetry and short stories that are exceptions). In addition, a writer’s creation process doesn’t tend to be as intense or swift as other types of art. There’s no splashing of acrylics along a white wall or singing until your voice goes hoarse.
Yet, as I began to explore more online opinions, it became apparent that while some individuals feel that writers aren’t technically part of the art community, the majority of people argue that writers are in fact major players. While famous authors have always been celebrated, it’s only within the last few decades or so that a new principle for identifying an artist has developed- A principle that is paving the way for authors and poets everywhere. It’s an idea that recognizes true art for what it really is at its foundation. In the words of Albert Einstein, “True art is characterized by an irresistible urge in the creative artist.”
Supporters of this well accepted viewpoint feel that writing is not only a part of the art world, but one of the most complex forms of expression that there is. A writer is painting with words instead of color. They evoke emotion with their stories and accounts. They create something out of nothing, taking ordinary events and weaving them into written words that induce a mood or feelings. While a fine portrait or song can arouse happiness, anger or grief, an exceptional column or book can change lives.
Another reason why writers are increasingly being recognized as artists is that the urge that drives them to express themselves is parallel to the urge that any other artists feels. The fervor that compels a writer to convey a story through language is the same enthusiasm that a violinist uses when drawing their bow or a sculptor uses when he or she shapes clay. Most importantly, this new outlooks doesn’t just apply to writers. According to the majority of blogs and articles I read, other contemporary forms such as photography, computer graphics, film making, and fashion are just as vital, and long overdue for recognition they deserve. So long as there is passion, creation, and expression, there is art, plain and simple.
So the next time someone asks, “Who is your favorite artist?” try to resist the urge to answer with Monet or Pavarotti. Instead, try naming someone a little less conventional. While Chuck Palahniuk, Carlos Baena, and Robert Kirkman may not make the traditional list of artists, they live and breathe the same creativity of Andy Warhol and Pyotr Tchaikovsky. Just because specific individuals that sculpt statues, dance in ballets or sing in operas get all the credit, it doesn’t mean that they’re the only artists out there. It’s up to us to recognize artists everywhere, be they stand-up comedians, cameramen, or writers.
Type “what is an artist?” into your web browser and see what comes up. I did, and the first definition I came across was, “An artist is a person who creates paintings or drawings as a profession or hobby.” Wow, it doesn’t get any simpler than that. Other definitions include, “A person who is skilled at drawing or painting,” as well as, “a skilled performer.” So, according to Webster and his friends, a writer is definitely out of luck.
As I continued to search, I found blogs and comments that support the idea that writers just aren’t artists. Certain opinions genuinely believe that authors, as talented as they might be, don’t fit the mold of what an orthodox artist should be. From these people’s perspectives, artists receive their title because they have a medium that is either visually or audibly pleasing. Painters create works that can be put on display. Musicians and actors perform on stage. But a writer can’t showcase their work so easily, which to these folks, separates writers from artists. Writers tend to need time, organization, and systematical knowledge in order to fabricate their work (although there are certain types of poetry and short stories that are exceptions). In addition, a writer’s creation process doesn’t tend to be as intense or swift as other types of art. There’s no splashing of acrylics along a white wall or singing until your voice goes hoarse.
Yet, as I began to explore more online opinions, it became apparent that while some individuals feel that writers aren’t technically part of the art community, the majority of people argue that writers are in fact major players. While famous authors have always been celebrated, it’s only within the last few decades or so that a new principle for identifying an artist has developed- A principle that is paving the way for authors and poets everywhere. It’s an idea that recognizes true art for what it really is at its foundation. In the words of Albert Einstein, “True art is characterized by an irresistible urge in the creative artist.”
Supporters of this well accepted viewpoint feel that writing is not only a part of the art world, but one of the most complex forms of expression that there is. A writer is painting with words instead of color. They evoke emotion with their stories and accounts. They create something out of nothing, taking ordinary events and weaving them into written words that induce a mood or feelings. While a fine portrait or song can arouse happiness, anger or grief, an exceptional column or book can change lives.
Another reason why writers are increasingly being recognized as artists is that the urge that drives them to express themselves is parallel to the urge that any other artists feels. The fervor that compels a writer to convey a story through language is the same enthusiasm that a violinist uses when drawing their bow or a sculptor uses when he or she shapes clay. Most importantly, this new outlooks doesn’t just apply to writers. According to the majority of blogs and articles I read, other contemporary forms such as photography, computer graphics, film making, and fashion are just as vital, and long overdue for recognition they deserve. So long as there is passion, creation, and expression, there is art, plain and simple.
So the next time someone asks, “Who is your favorite artist?” try to resist the urge to answer with Monet or Pavarotti. Instead, try naming someone a little less conventional. While Chuck Palahniuk, Carlos Baena, and Robert Kirkman may not make the traditional list of artists, they live and breathe the same creativity of Andy Warhol and Pyotr Tchaikovsky. Just because specific individuals that sculpt statues, dance in ballets or sing in operas get all the credit, it doesn’t mean that they’re the only artists out there. It’s up to us to recognize artists everywhere, be they stand-up comedians, cameramen, or writers.
April 3, 2014
Am I Selling Out or Fighting for My Work?
I read a lot of authors’ blogs and one of the hot buttons tends to be a debate over promoting your book. Some authors feel that they should concentrate solely on writing their book so that it’s at its best, while trusting their publishers to take care of the rest. Other authors feel that using social media, going on blog tours and attending conventions is the foundation of having a successful novel. Some blogs say that trying to be a salesperson dents a writer’s reputation while other post that self promotion is half the battle. Its two different schools of thought. So which is right?
Well, it wouldn’t be a heated debate unless both sides didn’t have excellent points. Traditional authors feel that a writer’s responsibility is to spend hundreds of hours of blood, sweat and tears trying to perfect a manuscript that they pitch to a publisher to sell. By accepting the book, a publisher is saying that they feel that they can market it to the correct audiences in order to make a profit. So why would you get the author, who knows nothing about selling, involved? That’s like asking them to work on a car for you or fix your plumbing. Sure they’ll give it a shot, but writers tend to be lacking in marketing skills. They specialize in telling stories.
A publisher by definition is supposed to make information available to the public. That includes all of the stages of development including acquisition, editing, graphic design, production, printing and most importantly, marketing. You write, they excite. While a publisher might expect you to show up for a few promotional appointments, they shouldn’t rely on an author to turn a book into a success. That should be something that they deploy.
On the other hand, while it might be the responsibility of a publisher to help sell your book, why wouldn’t you try to help your own cause? While there’s conflicting numbers that don’t exactly prove or disprove if blogging truly helps sell books, I can tell you from personal experience that connecting with readers never hurts. I’ve seen multiple well written blogs that inspire me to continue following the author. And yes, while using Twitter, Facebook, Goodreads, etc. might not drive sales, it’s a great way to understand what people enjoy while keeping your name out there. Plus, it helps target specific audiences.
Publishers are great at selling a manuscript to the general public, but they tend not to concentrate on specialized groups. Blogs, social media and focused tours are a great way to aim at an audience you’d like to cater to. For example, if I’m writing a horror novel (cough, cough, “Consumed” is in on bookshelves October 2014, cough), I might want to promote my novel to gothic book clubs, ghoulish citywide conventions and anywhere else that there’s horror readers. Promoting to people who tend to read your specific genre not only theoretically pushes sales, but it also assures better reviews. Readers of a certain style might be a bit pickier, but they also tend to appreciate elements within your writing far more than a person who just picked up any book at the airport to get them through their flight to Los Angeles.
So what does it all mean then? Should you promote or shouldn’t you? Well, although my word isn’t an official authority, I’d have to say that both schools of thought are on the right track. Yes, I’m calling it a draw. While it’s true that an author’s book should be their priority, and that being weighed down by book promotions can be a serious distraction, getting involved in endorsing your own manuscript is vital.
Managing time is tough. If you’re an early phase author who still has a day job, it’s probably even tougher. An author with a publisher has to make sure that they are spending a majority of their time working on their manuscript while allowing ample time to promote. The rule of thumb tends to be that the smaller the publisher, the more time you may want to invest in pushing your book. I’m not saying that you have to stretch yourself thin, but the occasional blog, Twitter comment or Goodreads update helps.
However, if you feel that you absolutely positively do not have enough time to both write and promote, it’s my suggestion that you abandon ship with the marketing segment. While you may be able to help, it’s ultimately the publisher’s responsibility to get the word out that your amazing book is coming soon. Your publisher can promote without you, but no one can write the book but you. Might I warn though that this is only for rare cases. In my opinion, most people, if they’re really honest with themselves, can find the time.
So the next time you’re worried about the success of your book, ask yourself, “Am I doing enough to help?” You’ve put a lot of effort into your novel. Encourage readers to buy it. It doesn’t mean that you have to treat it like a second or third job, it just means that you should put a small amount of time away every week to ensure that you’re giving the book the attention it deserves. Remember, you only get what you give.
Well, it wouldn’t be a heated debate unless both sides didn’t have excellent points. Traditional authors feel that a writer’s responsibility is to spend hundreds of hours of blood, sweat and tears trying to perfect a manuscript that they pitch to a publisher to sell. By accepting the book, a publisher is saying that they feel that they can market it to the correct audiences in order to make a profit. So why would you get the author, who knows nothing about selling, involved? That’s like asking them to work on a car for you or fix your plumbing. Sure they’ll give it a shot, but writers tend to be lacking in marketing skills. They specialize in telling stories.
A publisher by definition is supposed to make information available to the public. That includes all of the stages of development including acquisition, editing, graphic design, production, printing and most importantly, marketing. You write, they excite. While a publisher might expect you to show up for a few promotional appointments, they shouldn’t rely on an author to turn a book into a success. That should be something that they deploy.
On the other hand, while it might be the responsibility of a publisher to help sell your book, why wouldn’t you try to help your own cause? While there’s conflicting numbers that don’t exactly prove or disprove if blogging truly helps sell books, I can tell you from personal experience that connecting with readers never hurts. I’ve seen multiple well written blogs that inspire me to continue following the author. And yes, while using Twitter, Facebook, Goodreads, etc. might not drive sales, it’s a great way to understand what people enjoy while keeping your name out there. Plus, it helps target specific audiences.
Publishers are great at selling a manuscript to the general public, but they tend not to concentrate on specialized groups. Blogs, social media and focused tours are a great way to aim at an audience you’d like to cater to. For example, if I’m writing a horror novel (cough, cough, “Consumed” is in on bookshelves October 2014, cough), I might want to promote my novel to gothic book clubs, ghoulish citywide conventions and anywhere else that there’s horror readers. Promoting to people who tend to read your specific genre not only theoretically pushes sales, but it also assures better reviews. Readers of a certain style might be a bit pickier, but they also tend to appreciate elements within your writing far more than a person who just picked up any book at the airport to get them through their flight to Los Angeles.
So what does it all mean then? Should you promote or shouldn’t you? Well, although my word isn’t an official authority, I’d have to say that both schools of thought are on the right track. Yes, I’m calling it a draw. While it’s true that an author’s book should be their priority, and that being weighed down by book promotions can be a serious distraction, getting involved in endorsing your own manuscript is vital.
Managing time is tough. If you’re an early phase author who still has a day job, it’s probably even tougher. An author with a publisher has to make sure that they are spending a majority of their time working on their manuscript while allowing ample time to promote. The rule of thumb tends to be that the smaller the publisher, the more time you may want to invest in pushing your book. I’m not saying that you have to stretch yourself thin, but the occasional blog, Twitter comment or Goodreads update helps.
However, if you feel that you absolutely positively do not have enough time to both write and promote, it’s my suggestion that you abandon ship with the marketing segment. While you may be able to help, it’s ultimately the publisher’s responsibility to get the word out that your amazing book is coming soon. Your publisher can promote without you, but no one can write the book but you. Might I warn though that this is only for rare cases. In my opinion, most people, if they’re really honest with themselves, can find the time.
So the next time you’re worried about the success of your book, ask yourself, “Am I doing enough to help?” You’ve put a lot of effort into your novel. Encourage readers to buy it. It doesn’t mean that you have to treat it like a second or third job, it just means that you should put a small amount of time away every week to ensure that you’re giving the book the attention it deserves. Remember, you only get what you give.
March 15, 2014
Zharmae Publishing
Great news! Please take a look at Zharmae Publishing's official announcement of my author signing (and "like" if possible). "Consumed" will be out on bookshelves in October.
http://www.zharmae.com/
http://www.zharmae.com/
March 11, 2014
Ghosts of the Past
Have you ever opened up some of your long forgotten poems, short stories or novels? Painful right? The document is probably littered with vague pronoun references, unnecessary shifts in tense and fused sentences. Even worse, there are sections of the story that don’t contribute to the plot, insignificant characters and mawkishly sentimental underlying messages.
If you’re like me, the first thing you do is plant your face in your hands (a.k.a. the “Face-palm”) and try not to cry. Afterwards, you stare at the Delete button, tempted to obliterate all proof that this story or poem was once yours. Finally, after waging a war with your conscience, you decide to live and let live, leaving the document alone, but lamenting about how terrible your writing once was.
But wait, that’s not fair. Your old work shouldn’t be some dark secret that needs to be hidden from the world. It should be a testimony of what you’ve accomplished. Not only did the “old you” put a lot of effort into that story, but the work is a reminder of who you as a writer once inspired to be. It’s a roadmap of your writing life.
Sometimes, we as writers are very hard on ourselves. We have to be because we’re constantly pursuing perfection. However, we forget that we didn’t just learn how to write overnight. There wasn’t some magical gift bestowed upon us by a divine being. No, we had to start somewhere and work at it, and those old documents are a symbol of that.
For me, once the shock wears off of how bad my writing once was, I realize how beautiful these works really are. Because behind the jungle of grammatical errors and turbulent plot hooks is a vision I once had. I see Justin Alcala, the writer who wanted to give readers a little scare with his horror stories. I see Justin Alcala, the yarn spinner who wanted to give a fresh perspective on legends and folklore. I see Justin Alcala, the young man who wanted to make people happy by telling great stories.
All too often, we authors get swept away by the power that comes with having your works published. I know I get a real kick out of talking to my publisher about cover art or sending new ideas to my editor. It’s fun to put your work onto bookshelves. But we can’t forget about the fundamentals. We need to remind ourselves why we started writing in the first place, and those old tales are just the thing. So the next time your dusting off an old manuscript, remember what those pages really mean. The words may tell a bad story, but the history of its creation is its own sort of autobiography.
If you’re like me, the first thing you do is plant your face in your hands (a.k.a. the “Face-palm”) and try not to cry. Afterwards, you stare at the Delete button, tempted to obliterate all proof that this story or poem was once yours. Finally, after waging a war with your conscience, you decide to live and let live, leaving the document alone, but lamenting about how terrible your writing once was.
But wait, that’s not fair. Your old work shouldn’t be some dark secret that needs to be hidden from the world. It should be a testimony of what you’ve accomplished. Not only did the “old you” put a lot of effort into that story, but the work is a reminder of who you as a writer once inspired to be. It’s a roadmap of your writing life.
Sometimes, we as writers are very hard on ourselves. We have to be because we’re constantly pursuing perfection. However, we forget that we didn’t just learn how to write overnight. There wasn’t some magical gift bestowed upon us by a divine being. No, we had to start somewhere and work at it, and those old documents are a symbol of that.
For me, once the shock wears off of how bad my writing once was, I realize how beautiful these works really are. Because behind the jungle of grammatical errors and turbulent plot hooks is a vision I once had. I see Justin Alcala, the writer who wanted to give readers a little scare with his horror stories. I see Justin Alcala, the yarn spinner who wanted to give a fresh perspective on legends and folklore. I see Justin Alcala, the young man who wanted to make people happy by telling great stories.
All too often, we authors get swept away by the power that comes with having your works published. I know I get a real kick out of talking to my publisher about cover art or sending new ideas to my editor. It’s fun to put your work onto bookshelves. But we can’t forget about the fundamentals. We need to remind ourselves why we started writing in the first place, and those old tales are just the thing. So the next time your dusting off an old manuscript, remember what those pages really mean. The words may tell a bad story, but the history of its creation is its own sort of autobiography.
