Brett Hetherington's Blog: "First thought:" My Substack page, page 17

"ESTATAMBESTAT/ESTATCONTRAESTAT" -- EXHIBITIONS AND SHOETANK PERFORMANCE 2020, Xavier G Solis"

 

"Xavier G-Solís held two exhibitions entitled ESTATAMBESTAT/ESTATCONTRAESTAT:

. 1 October - 8 November 2020, at Sala dels Trinitaris in Vilafranca del Penedès . 5 November - 5 December 2020, at Galeria Contrast in Barcelona
[The artist's words:] These exhibitions were initially due to open in March 2020, but were postponed when the state of emergency was declared. And so, the first global pandemic makes up a large part of both exhibitions. The video presents the performance SHOETANK and the two exhibitions that talk about the social situation in Catalonia after the sentencing of the elected Catalan politicians who organised the referendum for independence on October 1, 2017. The world has changed, but the repression of individual and collective freedom of expression in Spain continues to take place with total impunity."

"Pandemic as Polemic" ' -- Online seminar from the University of Barcelona

 "The Covid-19 pandemic has been a great challenge for everybody, individually and socially, and has raised many questions about lifestyle, environment, social and economic inequality, health policies, science and especially governance and politics. 

Covid-19, its development, impact and effects form the basis of most current debates in our media and politics, and the illness has therefore become a rich interface of conflict that exacerbates contemporary inequalities and creates new ones. Yet, polemic can also be the source of renovation and construction, and as such, Covid-19 needs and deserves to be discussed from a multidisciplinary, global perspective. 

The Barcelona November 2021 seminar Australian and Transnational Studies Centre│Fac. of Philology│U of Barcelona│Gran Via, 585│08007 Barcelona, Spain 

Pandemic as Polemic aims to provide such a floor for open-minded discussion. 

We invite scholars to submit proposals for panels, posters and papers on the topic, from whatever point of view or discipline. • Submissions should include an abstract of 200-300 words in the language of the paper (choose one of the nine languages listed below) as well as in English, together with a brief biography in English. All should be sent to the scientific committee no later than 15 May. • Acceptation of proposals will be informed by 15 June. 

The seminar will be held ON LINE on Thursday 4th and Friday 5th November, and is free of charge, but registration is needed at the e-mail address ceatubenrolment@gmail.com. 

The CEAT will send the information and links for the Seminar to the registered participants. English, Catalan and Spanish will be the languages of the Seminar, but participants can submit ad give their communications in German, French, Italian, Portuguese, Galician and Basque as well. No translation will be provided. 

For further information and submission of proposals contact us at ceatsubmissions@gmail.com Scientific committee: Dr. Isabel Alonso Breto, Dr. Montserrat Camps-Gaset, Dr. Maria Grau-Perejoan, and Dr. Martin Renes. "

Deaf woman chosen as Podemos spokesperson in Valencia's parliament

[Photo: Europa Press]

In an historical first, Spanish progressive-left party Podemos has chosen Pilar Lima, who is hearing-impaired, as their parliamentary spokesperson in the Valencian parliament. She will communicate in sign-language.

 Source: Business Over Tapas. (A superb news summary service.)

Covid, Brando and Moore what's more

   

[Colour-blind Covid warning]Imagine...6 months from now the Covid-19 virus is able to breed in the air. 

   We are all scrabbling suddenly on the internet to buy "virus- safe" filters for the windows and air conditioners in our houses after another full lockdown/confinement/quarantine/international panic. 

   Imagine...There's the above possibility (or "potential", the word I keep hearing everywhere on mainstream media and the Twittersphere.) 

Somehow in my mind this is connected with a brilliant documentary I watched yesterday ("Listen to Me Marlon") on that most authentic of humans, Brando. He was one of the first males to use the power of suggestion in body and face language and movement, all coming from his harvesting and harnessing of childhood memory of his mother and a solitary upbringing in the open air and nature. 

He realised the primacy and goodness of Tahitians, indigenous first nation Americans, and was one of the few celebrities who put his body on the line in the early proto-BlackLivesMatter public protests in the late 1960s. 

He was with Martin Luther King around the time he was assassinated and years later still felt moved enough that he could still recall the sound of that brave soul's voice. Brando seemed to work and live his life as an expression of pure authenticity. 

One of the few writers who is doing the same today is Suzanne Moore. She just reeks of it: the unabashed openness of being herself. In a highly unfashionable act, she wrote recently about the importance of Freud, remembering him as he understood the babyish primacy of memory, childhood, want and nakedness.

Spanish youths' surprising outlooks

 

[Photo: EFE]‘Young Spaniards believe that they will live better than their parents, but in another country.
Those aged 15 to 29 are critical of the value of friendship, committed to social causes and sceptical of their political representatives’.
The survey includes a useful graphic. From La Vanguardia but found at Business Over Tapas.

"A village with their own dialect and far from everything"

 

"From Fascinating Spain comes ‘San Martín de Trevejo, the village in Extremadura where Asturian (sic) is spoken’.
It begins ‘This is possibly the most isolated town in Spain, located in the Sierra de Gata and bordering Salamanca and Portugal. This geographical isolation may explain why it has an old town far from all the stereotypes of Extremadura.
It also conserves its own dialect, A Fala, which has been declared an Asset of Cultural Interest…""
(Found using the excellent weekly news service Business Over Tapas.)

"Captured" -- My latest article for Catalonia Today magazine

[A surveillance camera in Barcelona. MANEL LLADÓ.]

 “I’m the only foreigner in the Catalan government,” Italian, Francesca Bria used to sometimes say when introducing herself to a public audience. 
In the two years leading up to the pandemic, her team’s work on “digital sovereignty” for people living in the Catalan capital might prove to be as important as others' efforts on political sovereignty.

A Financial Times article gave her the cringe-inducing title “Barcelona’s Robin Hood of Data” but Bria’s official job name was CTO (Chief Technology Officer) for the city. 
Along with Amsterdam, under Bria's’ charge, Barcelona was one of the two big cities that ran a pilot program titled DECODE that aimed to “provide tools that put individuals in control of whether they keep their personal data private or share it for the public good.” It was funded by the European Union's Horizon 2020 Programme.
Invited to take up this position by Mayor Ada Colau, the legal framework her team produced might just have helped prevent the mistakes of other European cities and countries where the rights of citizens are fast being snatched by corporations operating hand in hand with governments and their agencies.

Recent government attempts to authorise drone surveillance by police in France were only barely defeated by public pressure. 
Their use for the so-called public good in the fight against terrorism and to ensure national security came out of the usual conservative arguments that don’t admit that new technology can violate basic human rights. 
With conservatives, the ends always justify the means, except when it hurts the most financially well off in society.

Echoing the history of especially the last 4 years in Catalonia, consultant and curator at “Futuribile” Marta Arniani (who has worked with Francesca Bria) said to me, "There have been cases of police beatings and if it's a case of an individual citizen's voice against the police, we know where power lies. So it's very important to [be able] to film the police. This is valid for France, for Catalonia, for Europe. It's a matter of making these systems accountable. One way this could be done is that people who work in civil rights, lawyers for example, should be able to access which algorithms and surveillance tools are utilised so there's public registries. What is happening today is they launch a public procurement process, a private company installs the technology but there's no real knowledge inside the public bodies, most of the time. There's no independent validation. We have the idea that we can apply technology to solve problems but it just reiterates them because it's based on biased or incomplete data and ends up 'automating inequalities. That's the title of a very good book, by the way!"

I very much share experts like Marta's concerns. Police and private drones are already flying with minimal legal restrictions in Barcelona but late last year the Spanish government approved the use of flying air taxis in Barcelona (and Santiago de Compostela; curiously both places being major foreign tourist destinations.)

My first question with this and every proposed legal or technological change is, ”Does it benefit the average person in any way? If not, then who does it benefit and who does it disadvantage?” Expensive helicopter rides only benefit those who can afford them and cause noise and visual pollution for everyone else.

The same basic question needs to be asked about new technology, including “biometric” facial recognition cameras. In my opinion, the answer is similar: the richest 1% (or 5%) of the population are those who gain from it. As usual.

[This article was first published in Catalonia Today magazine, January 2021.]

"Richest 1% have almost a quarter of UK wealth..."

[Photo: Jeff Gilbert/Alamy]
'Official figures have missed £800bn of private assets, says thinktank, amid calls for wealth tax to fund Covid recovery'

Almost a quarter of all household wealth in the UK is held by the richest 1% of the population, according to alarming new research that reveals a historic underestimation of inequality in the country.

The study found that the top 1% had almost £800bn more wealth than suggested by official statistics, meaning that inequality has been far higher than previously thought. Researchers said the extra billions was a conservative estimate and could well be more.'

Read more from source at The Guardian's Observer here.

Two looks back on 2020 that are really worth reading...

[Pic: Josh Edelston/AFP via Getty Images]
  

1. The Seven Secrets of 2020 by YANIS VAROUFAKIS
2. The Year of the Impenetrable Death Graph by Suzanne Moore


Happy new year, readers!

"In a small world" -- My latest article for Catalonia Today magazine

Barcelona isn’t well-known for flamenco but Kayoko Nakata, thinks it should be. 
As a Japanese flamenco dancer with a Catalan husband and two year-old son, she lives near the city’s Sant Pau hospital. When she can, she goes back to her place of origin in the rural Iwate region where she’s a lifetime cultural ambassador.


Kayoko told me, “At the Barcelona Ciutat Flamenco Festival at the end of October, my work, “Hermandad” was selected from a lot of applications and I was able to perform at the Auditori Sant Marti. “That was just before the last three concerts in the festival were cancelled due to Covid restrictions.”


“Flamenco is a small world,” said. “Here and in Seville where I studied it, the attitude is very often that [Romani] Gypsies do this and Japanese people could never dance flamenco. Tourists don’t want to see Japanese or Chinese or Africans dancing flamenco. It's a closed world too. I struggled a lot and eventually doors opened for me and I danced in “tablaos” (or daily organised performances on stage) a lot.”


“The title of my latest show means bonding but also brotherhood. In that way, it describes what I’ve done with two types of music. I fuse flamenco with traditional musical elements from Japan. 
For example, in the song that opens the show I dance dressed in a “kimono” (traditional and formal Japanese garment) and I use hand movements from the ancient “Nihon buyo”  dance from my region. 
There are people in Barcelona who really like being surprised by that mixture. I’m someone who wants to create music and movement without borders. I don’t feel Japanese or Catalan or Spanish. I’m a human, a person.” Summing up herself on her website, she uses the phrase “I DON'T KNOW WHERE I COME FROM OR WHERE I'M GOING.”


I asked Kayoko about the meaning to her of “duende,” that core spirit of the art that is said to take over flamenco dancers when they are in full flight. She compared it to the Japanese idea of “mu:'' nothingness or being without, "unasking." She said in that state, thought was absent, like when she meditates.


Other things are also absent in her life, however. Currently because of the theatres being closed and face to face sessions prohibited, Kayoko teaches flamenco online from her apartment, though she’s only doing a small number of classes. Her students are both in Japan and those living in Barcelona, where she believes the  flamenco scene is based on many thousands of residents who have an Andalusian family background.


Like so many other teachers though, she’s had to try to adapt this year. As have the people around her. “I think the neighbours in my building are angry at me because of all my stamping on the floor but luckily none of them have said anything,'' she laughs. “I want to restart classes in my studio because that’s more enjoyable.”


As a foreigner or “gaijin” as they are called there, I was lucky enough to live in Japan for three years. Similar to Kayoko Nakata, I also had a partner and young child with me. Also like her, I discovered something of a small world.


I learned that the world was not as big as I’d thought because Japanese people basically wanted many of the same things as me. This, despite the fact that they have a hugely different culture and history from where I’d grown up in Australia.

[This article was first published in Catalonia Today magazine, December 2020.]