Ben Tanzer's Blog, page 201
February 3, 2011
You Can Make Him Like You Advanced Reader Copy madness. Can you feel it?
February 2, 2011
February 1, 2011
Housley. Artifice. Mixtape. You Can Make Him Like You. Shout-out. Awesomeness.

The Hold Steady
Okay, this is going to be a section in itself. For good reason!
First of all, here's "You Can Make Him Like You," which is the title of my buddy Ben Tanzer's upcoming novel (which is awesome).
And then there's "Stuck Between Stations," which opens with a Kerouac reference ("there are nights when I think that Sal Paradise was right") and closes with the death of John Berryman ("she said you're pretty good with words, but words won't save your life and they didn't so he died").
And then there's "Cattle and the Creeping Things," which is mainly about junkies and the bible, and is part of what is essentially a novel in stories told as a rock and roll album, and was the only (to my knowledge) song that was ever annotated by NPR.
Housley. Artifice. Mixtape. Shout-out. Awesomeness.

The Hold Steady
Okay, this is going to be a section in itself. For good reason!
First of all, here's "You Can Make Him Like You," which is the title of my buddy Ben Tanzer's upcoming novel (which is awesome).
And then there's "Stuck Between Stations," which opens with a Kerouac reference ("there are nights when I think that Sal Paradise was right") and closes with the death of John Berryman ("she said you're pretty good with words, but words won't save your life and they didn't so he died").
And then there's "Cattle and the Creeping Things," which is mainly about junkies and the bible, and is part of what is essentially a novel in stories told as a rock and roll album, and was the only (to my knowledge) song that was ever annotated by NPR.
January 31, 2011
January 30, 2011
This Book Will Change Your Life - Chasing The Runner's High by Ray Charbonneau

January 29, 2011
We are The Watch List, hear us roar.

More accurately, "Taking Flight" is The Watch List, and we are most geeked, big thanks Orange Alert.
January 28, 2011
Bradley. Potomac Review. Righteousness. More.

"I drive four hours in my old man's pick-up, his pine coffin rattling in the bed.
I stopped by his place outside of Palmer, now my place, and picked up his boat. It's a two-person dinghy named "Greenberg" after his favorite ballplayer, whose Hall of Fame induction was the first clipping in my dad's scrapbook. The book ranged from articles about baseball to pictures of halibut caught in Homer or Seward. There was never a night as a kid I didn't see him lug that thing out and set it on the dining room table to do some cutting and pasting.
He built the boat when I was in high school. I had stopped showing interest in fishing, hunting, and every other father-son activity he came up with on his R&R's. But that didn't stop him from spending two whole trips home sawing, sanding, pounding nails. "How about a trip?" he'd said when the paint dried. I told him I had homework and he suggested the weekend. "Don't have to head back to the slope until Monday."
I grunted and left the room. He was always trying to fill those two weeks of being home, but I was too busy being upset about the eight weeks he was away."
January 27, 2011
Word Riot. Ken Wohlrob. Righteousness.

What is the most misunderstood aspect of your work?
I often get accused of being heavy-handed in my writing. In my own defense, I chalk that more up to writers (and writing) having become too solipsistic in the past decade. I think we've had a complete overload of navel-gazing by writers from my generation. I'd rather tell an interesting story with characters that have actual blood in their veins (rather than being stand-ins for my relatives or ex-girlfriends). A lot of contemporary writers tend to be self-focused. But because readers have become so used to those types of stories, I think sometimes, they are caught off guard by my writing. The stories I tell are very rooted in the real world and those moral gray areas that confront us all. Some readers mistakenly think I have a strong message that I want to convey by writing in that manner. I'm really trying to drag the readers back into the thick of it, making them more actively involved in the story, forcing them to take sides as opposed to just sitting there as an unfeeling bystander. I don't have an agenda in my stories, I just want you to be actively involved and think about the characters and their eventual outcome.