Ben Tanzer's Blog, page 185
July 1, 2011
These Books Will Change Your Life - the fierce crackle of fragile wings and Salt Creek Anthology by Jason Fisk.


June 30, 2011
Drop the Needle and Pray: Mourning Clarence Clemons, 1942 - 2011. David Masciotra. PopMatters.

Because the Big Man was the Big Man and because nobody Masciotra's like David Masciotra himself.
"In his memoir, he talks about how the first time he met Bruce Springsteen, they "fell in love" and after playing one song together, they knew that "this is it". Whether or not Clarence Clemons was the best saxophone player in rock music is not for me to judge. There is no doubt, however, that Clarence Clemons was the best saxophone player for Bruce Springsteen."
June 29, 2011
"It is one you'll hold to your heart after reading." My Father's House gets Literary Chicago'd. And likes it. A lot.

"Tanzer's latest work will immediately strike a familiar chord in those who have had the great pleasure of reading his previous novels and collections. Still, My Father's House is in many ways a stunning departure from the writer's thematic repertoire. The writing here is incredibly direct, emotional, tender and honest."
June 28, 2011
Mark Brand and Davis Schneiderman get all Life After Sleep at the Big Other.

Davis Schneiderman: Describe where the idea for Sleep emerged from, if you can…
Mark Brand: I first started piecing together Life After Sleep in 2007, shortly after the birth of my son. I was working 50+ hours a week in a medical office and was sleeping only 3-4 hours per night. As all new fathers do, I eventually came to accept that this is typical life with a new baby at home, but at the time it felt to me like I was the lone astronaut on a rocket to Planet Insanity. I had also always wanted to write something that pulled in some of my knowledge of medicine and the hospital/clinical environment, but I hadn't really come across an idea I liked enough to make that happen.
By chance, I stumbled across an article in Discover magazine called "How to sleep 4 hours per night." The article made mention vaguely of TMS technology and the potential side effect it has of putting people straight into REM sleep. My first thought was THAT's what I want for Father's Day, and my second thought was this would make an awesome short story. So I sat down over the course of a few weeks and wrote a short story that eventually became the "Dr. Frost" section of Life After Sleep. His section initially was a standalone short that I really liked and got some good reactions to from readers, but I just felt like I hadn't done enough with the premise, and that there was so much more to say there about sleep and work, and it seemed to grow more and more relevant and alive in my head with each passing year. So I floated the idea to Jason Pettus, my editor at CCLaP Publishing and he liked the idea and told me to run with it. I went back and added Max and Lila and eventually Jeremy to make it more one large work.
Aside from just pure plot cleverness and a giant pile of subtext and not-quite-pointed statements about what I think people would do with a technology that allows someone to have 6 or 8 more hours in a day, (and not a few medical inside-jokes), I wanted to capture some of that experience of just being absolutely flat-out exhausted for an extended period of time. Things start to get wonky, you start waking up not knowing what day of the week it is and you realize you're at work and you have no memory of having breakfast or driving there, that sort of thing. And in the middle of it, especially if you've got a new baby at home and you're so mentally tied to two different and equally demanding facets of your life, you start to feel really bitter and fatalistic about it sometimes. I tried to grab onto that emotion and show the characters just full-on in the path of that oncoming wrecking ball.
June 27, 2011
"Daring and impressive." My Father's House gets Outsider Writers Collective'd. And likes it. A lot.

"Ben Tanzer, in his sixth book, takes the inherent heartache associated with a cancer struggle and redirects the focus from the sick (a father) to the coping (the son). In this seemingly simple but extremely important reversal Tanzer has crafted a book that simultaneously represents a perfect extension of his own canon while tapping into a previously unexplored sense of extended vulnerability."
June 26, 2011
The new edition of This Zine Will Change Your Life is live. All elephant. And Corrigall.

The new edition of This Zine Will Change Your Life is live. We have a new poem hunger by John Sweet, which we are way excited about, and, (almost) as always, photo action from Adam Lawrence, music curation from Jason Behrends and debt ceiling prose love from Pete Anderson. We hope you enjoy this edition and we appreciate all shout-outs and links. Finally, please note, we are hoping more of you will submit comix, and music, novel excerpts, and art, and video, yes, video, and combinations there of. And most finally, go New York, most proud.
June 25, 2011
A much appreciated Lori Hettler Friday's Five Book Repetition Patterns Prize Winners mash-up. Of sorts.

"Ok, so I know I am totally cheating here, but there was no way I was going to pick between these two. They are equally awesome and deserving of your attention and here is why – Both are incredible short story collections that hold a mirror up to the strange, secretive lives we human beings live. Both have a strong, unifying theme that weaves its way through their respective stories. And both were written by authors that I am honored to have gotten to know through their work."
June 24, 2011
There is mustache. Video. Word. And big Knee-Jerk Magazine love of course.
June 23, 2011
These Poetry (Chap) Books Will Change Your Life - Haunts, Emergency Room Wrestling and a patchwork of rooms furnished by mistakes.



June 22, 2011
Knee-Jerk action, Part One - More Interview.

It's a hard line you balance, writing about things that would turn some people off because of its raw nature. Or in this day in age, perhaps, it's a typical scenario, which many people like to dismiss, saying things like, "Hornby's been there, done that. I'd rather read an experimental post-Internet, post-postmodern revisionist story about Victorian ghosts fucking in a Winnebago." You have a style you've been honing since Lucky Man: rapid chapters, exploring classical themes of friendship, coming-of-age, and relationships through a pop-culturally saturated world. But does being active in the Internet writing community ever fuck with your mind, or do you have a steadfast place of creativity?
"Dude, you totally need to represent me or be my marketing rep or something. That is an awesome descriptor/question/something, and I really appreciate it. And I do hope I'm honing, and I do hope it's raw, almost real time. And if it's typical, that's cool with me. I'm drawn to that and will write it and keep searching for interesting angles and more readers. Ultimately, though, your question is awesomely loaded, though I may be reading too much, or too little, into it. What I think you're saying is that to participate in the indie lit Internet world is to not necessarily see this kind of writing, these kinds of themes, done in this way, and maybe that's not what's more popular there. So does that mess with me, my writing, and what I do or hope to do? Which is not just loaded, but a terrific question. And I will say yes and no. Yes, because a meta-Victorian ghost fucking riff is not something I'm all that interested in reading or writing, though there are exceptions. Jill Summers has something sort of in that vein that is terrific, but that also means that there are places I will not get published or that even I submit to, or will submit to again, which is kind of a drag, and limits my options, which can be frustrating. All that doesn't impact the writing process, though, I can focus on what I want to do. It's the in-between, the submitting marketing; thinking, obsessing, convulsive desire to get stuff out of my head and house that can feel bogged down when I pause to wonder where it might go. And when that happens I remind myself to never pause. No pause, Brandon."