Brandon Graham's Blog, page 181

joekeatinge:biggoonie:Pretty Deadly #9 by Emma...

joekeatinge:

biggoonie:

Pretty Deadly #9 by Emma Rios


PRETTY DEADLY #9
STORY: KELLY SUE DeCONNICK
ART / COVER: EMMA RÍOS
FEBRUARY 24 / 32 PAGES / FC / M / $3.50
The Reaper of War exacts his toll. In doing so, he makes it personal for Ginny.

Ooooh, man. So stoked for this run. #6 was a killer return.

Photo

animarchive:Animage (04/1987) - Dirty Pair: The Movie (Dirty...

animarchive:

Animage (04/1987) - Dirty Pair: The Movie (Dirty Pair: Project Eden) article with comments from anime director Kōichi Mashimo.

Island is awesome! Variety is the spice of life. Island has great range and I think it's giving comics something it's been missing. Sorry, just had to contradict what that Anonymous said.

Thanks much. I appreciate it,

I’m very confident in Island being the best use of my time right now. I really love the work in it and the people me and Emma have managed to publish. Plus I get to work with Emma! who is one of my favourite artists/people on this planet. 

Brandon, you're my comics hero. Which is why I must tell you. Island has been boring, overlong, and it's too expensive. I'm really sorry.

That’s cool that you like me but I dunno why you’d expect to like everything I’m involved in. I’m quite fond of the work in Island but I also do other stuff. 

I really like comics, the community and the kind of work that I’m excited about are really important to me. Island feels like the best way I can think of to work on and with that.

Here’s a picture of me eating wings. 

comicsworkbook:sequentialstate:Review: Sacred Heartby Liz...

comicsworkbook:

sequentialstate:

Review:  Sacred Heart
by Liz Suburbia

I’ve been mulling over Liz Suburbia’s recently released graphic novel published
by Fantagraphics. A big softcover book, 312 pages of black and white comics, Sacred Heart is the kind of book you
could hurt someone with if you had to. The root of the story is the tangled web
of relationships in a town where all of the adults have vanished, leaving their
teenage kids behind waiting for their promised return.

This web of relationships is centered on Ben Schiller, a
punk girl in a trashed town, trying to figure out the way forward in a world
that is not easy or quiet. The push and pull of her relationship with her best
friend Otto takes up the bulk of her focus, but she’s got other people on her
mind; her worryingly distant sister Empathy, her crush Dominic, and another dozen
or so characters who make up the backdrop of an image of Alexandria, VA that’s
steeped in forgotten religious fervor, the horror of abandonment, and magical realism.

Suburbia’s cartooning feels vaguely reminiscent to me of Kevin Czap’s recent book Futchi Perf. I suppose some readers might say the art is “manga-influenced” but in reality, characters are drawn with a warts and all approach that is concerned with real world representation, with all the freckles, body hair, and scars that go along with it. It’s a refreshing change.

Suburbia isn’t really interested in giving up information
easily; characters are planted early before they become a major part of the
story, and small character ticks in single panels influence pages of story
later. And part of this is how honed in we are on Ben’s perspective. The people
she’s near, the things that are happening all around her aren’t really on her
mind, and thereby aren’t on the reader’s mind.  Private crises are happening all over town,
and we get to see snippets of those things from time to time. But when
characters break the surface tension of the water and leap onto the page as
fully formed people, it’s because Ben is finally paying attention.

And inside of the time that Suburbia gives us with these
characters, we see bits and pieces that remind us of how well you can build a
character, provided you’re trying. I love the way Suburbia’s characters have
ritualistic behaviors that show up in odd moments. We see Ben crossing herself
in her room, but that’s the most obvious thing. Otto’s obsession with dirty underwear,
Hugo baking for girls he likes. We also see how cliques and groups build upon
each other and fall in and out of each other’s orbits. Bad things happen,
constantly. These characters are equal parts tender and wretched, provided on
the context, altogether human – and that’s a hard balancing act.

I’m fascinated with the relationship between Ben and Otto,
the two characters Suburbia devotes the most time to. With their friendship
(which turns into a romantic relationship), we see Suburbia explore consensual
sexual relationships, gender identity, and emotional dependence. Otto doesn’t
really know who he is or what he wants, and in private moments, we see Suburbia
dig into his character, perhaps a bit more than any other. Otto is a very needy
person; much of the conflict that occurs in Sacred
Heart is because of Otto’s neediness. We see his relationship with his
girlfriend Kim fall apart because of his jealousy. When he and Ben start having
a more intimate relationship, he quickly rebounds to Ben, and bears down on
her. That emotional weight gets to be too heavy for Ben; we see Otto lash out
in a very childish way when Ben tells him this.

There are some religious themes at play here - the title of
the book Sacred Heart is probably a
reference to the Catholic devotion of the Most Sacred Heart of Jesus, which
promises grace, peace, and consolation to those devoted. In Sacred Heart we see faith whittled away
and also built into something monstrous. Ben, at two points in the book, develops
stigmata on her side and hands, symbols of the Christian crucifixion story and
anxious faith. Catholic mysticism has long been used as a component part of
urban fantasy, but here it seems more of a reminder of what is lost than what
any character is trying to find.

And all of this complicated mess is soaked in a punk
aesthetic. Lyrics from songs by Teenage Bottlerocket and The Undertones cameo. A
punk band, the Crotchmen (later to become Sex Heretic), acts as a focus point
for all of the characters. Get everyone into the gymnasium for the school dance,
not because it makes sense in Suburbia’s post-apocalypse, but because it’s the best way to make the Lord of the Flies feel like normal high school.
Scenes from concerts are some of Suburbia’s most transcendent cartooning –
character’s faces melt off, songs appear as clouds, and in one particular scene
sampled above, the music blows characters back from the stage, like a strong
wind.

 In Sacred Heart,
Suburbia has created a set of compelling characters and a deeply nuanced narrative that is worth reading and rereading. Recommended.

Liz Suburbia @lizsuburbia is a cartoonist based in Nevada. You can find
copies of Liz’s one-person anthology zine, Cyanide Milkshake, at the Czap Books @czapbooks webstore.

 Fantagraphics @fantagraphics is a publisher of alternative comics, manga,
and archival editions of historic comics. You can find more of their publishing
slate and catalog here.

Liz Suburbia

3lix13:…some illustrations from Naoki Urasawa’s ‘Manben...

3lix13:

…some illustrations from Naoki Urasawa’s ‘Manben Artbook’ (2008) - As a storyteller, he is known for his dense, multi-layered, interconnecting narratives, his mastery of suspense, clever homages to classic manga & anime and frequent use of German characters and settings… (accolades include receiving the Shogakukan Manga Award three times, the Tezuka Osamu Cultural Prize twice, and the Kodansha Manga Award)

You should draw twink Archie getting spit roasted but Bettie and Veronica, either trans versions or with strapons. I mean why choose when you have two orifices to use?

I showed this question to the homie Tessa Black.

She drew this:

Simon Roy did the intro comic for ISLAND #5 out December 16,...

Simon Roy did the intro comic for ISLAND #5 

out December 16, 2015
Diamond ID: OCT150538

I propose that, in order to balance out Multiple Warheads and its fantasies of sexy ladies, you put out a book that is obviously just fantasies of sexy dudes. I mean, the joke is that it doesn't really work that way... but seriously, for a second, hear me

I’ve been drawing more sexy dudes lately– but as my pal Tessa Black pointed out, everything that both of us draw meant to be sexy dudes just ends up looking like Ellen Page with a pixy cut.