Suzanne Frischkorn's Blog, page 33
June 6, 2010
June 5, 2010
Verse Daily~*
A poem from Girl on a Bridge is featured on Verse Daily today!
June 1, 2010
Girl on a Bridge
reviewed by Jeremy Benson at NewPages.
*
My poem, "An Eye on New Zealand's Bird," appears in the open mic section at Poets for Living Waters. I love what Amy & Heidi are doing, you should check it out.____We had a weekend full of parades, barbecue and s'mores. Sprinkler's too. Beautiful days and good times had by all.
May 30, 2010
Publishing's Not Dead:
While he's free to correct us if we're wrong, we're pretty sure Keillor is no expert on the industry. And, call us crazy, but when we want to know about the future of publishing, we'd prefer to hear from people who know what they're talking about. That's why we've gotten in touch some of our favorite book editors, publicists, critics, and agents to see what they thought of Keillor's piece. Read
May 26, 2010
Hmm
Call me a pessimist, call me Ishmael, but I think that book publishing is about to slide into the sea. We live in a literate time, and our children are writing up a storm, often combining letters and numerals (U R 2 1derful), blogging like crazy, reading for hours off their little screens, surfing around from Henry James to Jesse James to the epistle of James to pajamas to Obama to Alabama to
May 25, 2010
Nice Surprise
I really enjoyed Deborah Poe's review on Girl on a Bridge over at Goodreads. I feel so fortunate that the book is finding such thoughtful and astute readers!
May 23, 2010
Penvy
Picture the scene. A table full of writers who are working on their first books. They have been working for a couple of years, or maybe just talking about the books for a couple years. Well, they get together and start dishing about the publishing industry. The book they can't stop talking about is Twilight. They can't believe that people read that crap! They can't believe that publishers will
May 21, 2010
Poetry Action in Response to the Gulf Oil Disaster
Poets for Living Waters is a poetry action in response to the Gulf Oil Disaster of April 20, 2010, one of the most profound man-made ecological catastrophes in history. Former US poet laureate Robert Pinsky describes the popularity of poetry after 9/11 as a turn away from the disaster's overwhelming enormity to a more manageable individual scale. As we confront the magnitude of this recent
