182 ratings | 38 reviews | avg rating:5.00

Bob Rector’s Followers (84)

Bob’s Bookshelves

to-read (13)
currently-reading (0)
read (177)
actual-best-books-ever (1)
adventure (8)
amazing-reads (1)
best-action-adventure-novels (1)
best-addictive-page-turners-of-all (1)
best-erotic-thrillers (1)
best-mystery-thriller-suspense-read (1)
See all bookshelves »

Bob’s Friends (577)

Shelby

4,367 books | 519 friends

Christy Rogers

3,333 books | 27 friends

Cyndi Goodgame

5,027 books | 1,106 friends

Jeff Shelby

316 books | 242 friends

Lydia Michaels

67 books | 1,269 friends

John Blumenthal

1,241 books | 2,393 friends

Darcia Helle

4,116 books | 3,339 friends

Michelle Morris

769 books | 302 friends

More friends…

Bob Rector

Goodreads Author

Born

Wichita, KS, The United States

Website

http://rectorwriter.wordpress.com/

Twitter

rectorwriter

Genre

Suspense, Thriller, Historical Fiction

Influences

author: John D. MacDonald

Member Since

October 2012

edit data

Author of "Unthinkable Consequences," a suspense thriller, and the play "Letters From the Front," Bob’s background is primarily in film, video, and stage work as writer and director. His play Letters From the Front entertained America’s troops around the world for fifteen years.

Kurt Younger, an ex-mercenary, doesn't need anything from anybody. Never has and hopes he never will. Now he's facing a midlife crisis. At the center of it is a sackful of stolen emeralds and a woman. One is worth two million bucks. The other is priceless, a woman who has captured his heart. Having one won't do much good without the other. Paula Taylor is too smart and beautiful for her own good and going stale in the closet of a dead marriage and a meaningless life. ...more

Learn more
Ask the Author

To ask Bob Rector questions, please sign up.

Popular Answered Questions

You're an experienced writer, but how was writing your first novel, Unthinkable Consequences, a different writing experience.

Bob Rector Most of my writing career has been in script form, either for the camera or stage. Script writing does not allow the writer to get into the thought pr…moreMost of my writing career has been in script form, either for the camera or stage. Script writing does not allow the writer to get into the thought processes of the character except through implication as the result of an action. The only exception is a character's thoughts as revealed through narration, which is usually (not always) done as a narrative cop-out. In a novel you can spend entire pages exploring a character's thoughts and emotions. I found that enormously liberating and fun. Simply put, in a script you have to show; in a novel you can also tell.(less)

flag

2 likes · like
Comment

How do you deal with writer’s block?

Bob Rector What works for me is to just start writing. Make words appear, whether they advance the narrative or not. It might be a character study, a description…moreWhat works for me is to just start writing. Make words appear, whether they advance the narrative or not. It might be a character study, a description of a setting, a random exchange of dialogue - anything that keeps me in the world I've created and keeps my characters alive in my mind. In the process a spark will inevitably occur that puts me back on the track.(less)

flag

2 likes · like
2 comments

See all 7 answers from Bob Rector…

Combine Editions
Bob Rector’s books

Average rating: 3.97 · 124 ratings · 23 reviews · 3 distinct works

	Unthinkable Consequences 3.92 avg rating — 116 ratings — published 2013 — 2 editions	Error rating book. Refresh and try again. Rate this book Clear rating 1 of 5 stars 2 of 5 stars 3 of 5 stars 4 of 5 stars 5 of 5 stars
	Letters From The Front: The Play 4.63 avg rating — 8 ratings — published 2014	Error rating book. Refresh and try again. Rate this book Clear rating 1 of 5 stars 2 of 5 stars 3 of 5 stars 4 of 5 stars 5 of 5 stars
	Letters From The Front - The Play 0.00 avg rating — 0 ratings — published 2014	Error rating book. Refresh and try again. Rate this book Clear rating 1 of 5 stars 2 of 5 stars 3 of 5 stars 4 of 5 stars 5 of 5 stars

* Note: these are all the books on Goodreads for this author. To add more, click here.

28 posts
Bob Rector's Blog

WHICH BONE IS THE FUNNY ONE?

Question: Why does a playwright put funny lines in a drama?

Answer: So the actors will know there’s an audience out there.

Actors on stage have thousands of watts of bright light blasting directly in their eyes. The audience sits in the dark. This renders them virtually invisible except maybe for the first two or three rows nearest the stage.

A dramatic line may get an occasional gasp or sob if you