Lee Allen's Blog - Posts Tagged "michael-myers"

Halloween: The Official Movie Novelization by John Passarella

My rating: 5 of 5 stars


The gripping novelisation of the 2018 film sequel to the 1978 slasher classic.

Michael Myers is back to terrorise the sleepy town of Haddonfield. For forty years, he has remained incarcerated, having been apprehended shortly after the conclusion to his killing spree in the original film, when he apparently escaped after being shot six times by Dr Loomis during his attack on Laurie Strode. Two journalists are determined to get an interview with Myers, to see behind the mask before he is transferred back to Smith’s Grove Sanitorium and they lose the opportunity. But he remains silent and impassive.

The journalists turn their attention to Laurie Strode, the lone survivor. She is practically a recluse, semi-estranged from her daughter, Karen, and granddaughter, Allyson. Haunted by the events of that night forty years before, she has fortified her property, awaiting the day that Michael will return to finish what he started.

During his transfer, Michael escapes. Laurie knew the day would come and she is prepared. But she is the only one that is. Leaving a trail of bloodshed and carnage in his wake, Michael returns to Haddonfield on Hallowe’en night. After waiting forty years, Laurie soon comes face to face with the Shape, in what may be their final confrontation.

Passarella’s novelisation, based on the screenplay by Danny McBride, Jeff Fradley and David Gordon Green, deepens and enriches the plot and characters of the film. I absolutely loved every second, flying through the pages, becoming once again enthralled by Michael and Laurie’s cat-and-mouse game. I waited an entire year to read it on Hallowe’en (as I wanted to watch the film first when it was released the previous year) – it was certainly worth the wait and did not suffer from me already being familiar with the plot. This is the perfect companion to the film.

It’s worth noting that “Halloween” (2018) is a direct sequel to “Halloween” (1978) only, ignoring the events of “Halloween II” (1981), which took place on the same night as the original, and every sequel since. However, we’ve experienced abandonment of sequels and changes to the timeline before – “Halloween H20”; as well as an anthology film – “Halloween III: Season of the Witch” - and a remake series – “Halloween” (2007) and “Halloween II” (2009). There are subtle nods to these forgotten sequels – Laurie being Michael’s sister is somewhat of an urban legend, made up so people can make themselves feel like it wouldn’t happen to them, so Allyson suggests; while those deadly Silver Shamrock masks may be for sale once again to the world's children.

Of course, you can’t kill the Boogeyman. Michael will return next year in “Halloween Kills”, and once more in 2021 in “Halloween Ends”. I hope John Passarella will get to tackle both those films and write a further two novels as sequels to this one.

Perfect to read on autumnal nights, “Halloween” is a sublime horror novel, that will grip you in its clutches and drag you relentlessly through Michael’s night of terror. You can only pray you will survive ‘til morning.



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Halloween Kills: The Official Movie Novelization by Tim Waggoner

My rating: 5 of 5 stars


Michael Myers wreaks havoc on Haddonfield once more.

Michael has finally been trapped and left to burn; the horror is finally over. But he rises from his fiery grave to relentlessly continue his massacre.

The town of Haddonfield remains scarred by Myers' brutal murders forty years before, those he came into contact with still haunted by his legacy. They are shocked to discover he has once again escaped and left a trail of corpses in his wake.

Meanwhile, Laurie Strode, believing her plan to have worked, soon realises that Michael still stalks amongst them and that the streets will run with more blood before Hallowe'en night ends.

'Halloween Kills' is Tim Waggoner's novelisation of the second film in the legacy sequel trilogy, that follows only the original film and none of the intervening sequels, based on the screenplay by Scott Teems, Danny McBride, and David Gordon Green.

Picking up directly after the events of 'Halloween' (2018), Michael is trapped in the basement as the inferno rages throughout Laurie’s house, while Laurie, Karen and Allyson are journeying to the hospital, having left Michael for dead. But the Shape isn't so easy to kill, his escape from the flames as thrilling on the page as it is on the screen. Including flashbacks to 1978, we also discover what happened in the aftermath to Michael’s attack on Laurie and her rescue by Dr. Loomis, with Michael’s recapture before he is returned to Smith’s Grove.

Not only does the story of Laurie’s family and her trauma continue and the novel detail the ensuing bloodshed of Michael's massacre - this is also a story about Haddonfield itself, and the effect Michael’s dark legacy has had on the town and other survivors. Other characters make a return, including Tommy and Lindsey. The trauma of the town and its reaction to Michael’s evil escalates into a volatile cocktail of fear and vengeance, a tale of mob violence and the darkness of humanity, as dangerous as the almost supernatural essence that Michael embodies beneath the mask.

Tim Waggoner has done a marvellous job of translating screen to page; 'Halloween Kills', as both a companion to the film and a novel in its own right, is a delight for Michael Myers fans, lovers of Hallowe'en itself, and readers of slasher horror and dark thrillers. A highly recommended novel.



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Halloween Ends: The Official Movie Novelization by Paul Brad Logan

My rating: 5 of 5 stars


The thrilling conclusion to the saga of Michael Myers and Laurie Strode.

Michael Myers has vanished. Since his escape and recent killing spree he has evaded capture and apparently disappeared. But Haddonfield is a scarred town that cannot forget.

After accidentally causing the death of a child, Corey Cunningham has become the town's new boogeyman. Laurie Strode sees through this prejudice, having suffered at the hands of town opinion herself, and introduces Corey to her granddaughter, Allyson.

But as Hallowe’en approaches, evil stirs in the shadows, and death comes to this little town once again.

'Halloween Ends' is the novelisation of the 2022 film, written by Paul Brad Logan, and based on the screenplay by Paul Brad Logan, David Gordon Green, Danny McBride, Chris Bernier. The last in Gordon Green's legacy trilogy, and thirteenth entry in the franchise overall, it concludes the story that began with ‘Halloween [2018]’ and continued with ‘Halloween Kills’. A fantastic companion to the movie and a riveting horror thriller on its own merit, the novel vividly translates the events portrayed on film to the page, delving deeper into the psyches of the characters.

Whereas 'Halloween [2018]' was the ultimate battle between Laurie and Michael forty years on and 'Halloween Kills' the continuation of that night, exploring the ongoing horror for Laurie and her family and the wider impact on the town and its citizens, 'Halloween Ends' is the denouement to that massacre, set four years later, a slow-burning and character-driven narrative of psychological depth, philosophical perspective, and the possibility of supernatural influence. It’s not necessarily the typical slasher, yet this gives the story its strength, exploring the concept of evil as a contagion, an infection spread through tragedy, abuse and trauma.

Severely weakened, still suffering from the wounds inflicted four years earlier and severely malnourished, an aging Michael Myers lurks in a disused sewer on the outskirts of Haddonfield. Meanwhile, Laurie Strode, the original survivor of Michael’s 1978 massacre, having waited forty years for the day he would escape so she could finally bring an end to it, but then tragically losing her daughter in the havoc that followed, has finally managed to begin the process of healing and living a life. The narrative is largely led through Corey and Allyson's story, blending romantic elements while further developing the central theme of the legacy of trauma; how evil and its scars afflict subsequent generations.

Throughout forty-five years, the series has walked the shadows between the flesh and blood and the supernatural, as is fitting for the festival it celebrates. This trilogy has honoured the original film and its creative spirit, very cleverly towing those shadows. Michael is a man, who, despite his inhuman abilities, can ultimately die. Yet this darkness within him, that has lived there since he was six years old, leaving him only a shell, may be the purest evil, almost its own entity in the way that Michael himself can appear almost supernatural in the form of the Shape; as he dons the mask that perfectly visualises that blank, pale, emotionless face that Dr. Loomis witnessed in the child who appeared to have no conscience or reason left, with "the blackest eyes, the Devil's eyes." You cannot really explain Michael Myers - he is unlike any flesh and blood serial or spree killer, and yet he is also not supernatural in the way Freddy or Jason (in his later films at least) may be.

Central to the entire legacy trilogy is Laurie Strode, the original final girl. Now a grandmother, a survivor; we've witnessed the effect of that Halloween night of 1978 and how it shaped her entire life and that of her family. She's developed into a feminist icon, both in character on the screen (and page), and through her portrayal by Jamie Lee Curtis. Horror is often attributed the reputation of not being kind to female characters - objectifying, sexualising and victimising them. Yet, in some ways, it has been ahead of the curve - in how many other genres would a "final girl" be one of the heroes of the narrative? The trilogy has essentially been Laurie’s story of survival – how she lived with her trauma and reclaimed the narrative, not simply being one of Michael’s victims, and how ultimately she emerges on the other side.

A fitting final chapter to this strand of the legacy, 'Halloween Ends' is a gripping installment in what is arguably the original and leading of the slasher franchises. Doubtless, Michael will ultimately return in some shape or form, and I will welcome it when that day arrives. As the story itself suggests, perhaps evil truly never dies.



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