Trevanian

Trevanian


Born
in Granville, New York, The United States
June 12, 1931

Died
December 14, 2005

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"Trevanian" was the pen name of American author Dr. Rodney William Whitaker (12 June 1931-14 Dec 2005). He wrote in a wide variety of genres, achieved best-seller status, and published under several names, of which the best known was Trevanian. From 1972 to 1983, five of his novels sold more than a million copies each. He was described as "the only writer of airport paperbacks to be compared to Zola, Ian Fleming, Poe and Chaucer."

Whitaker also published works as Nicholas Seare and Beñat Le Cagot. He published the non-fiction work The Language of Film under his own name

Born in Granville, New York, 12 June 1931, Rodney William Whitaker became enthralled with stories as a boy. His family struggled with poverty and he lived for several years in
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Average rating: 4.06 · 29,198 ratings · 1,451 reviews · 13 distinct worksSimilar authors
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3.82 avg rating — 1,674 ratings — published 1973 — 29 editions
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3.74 avg rating — 1,195 ratings — published 2005 — 16 editions
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Incident at Twenty-Mile

3.76 avg rating — 817 ratings — published 1998 — 8 editions
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Hot Night in the City

3.59 avg rating — 320 ratings — published 2000 — 3 editions
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Trevanian: Four Complete No...

4.35 avg rating — 101 ratings — published 1984 — 2 editions
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Death Dance: Suspenseful St...

3.64 avg rating — 85 ratings — published 2002 — 5 editions
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More books by Trevanian…
The Eiger Sanction The Loo Sanction
(2 books)
by
4.03 avg rating — 11,802 ratings

“Irony is Fate's most common figure of speech.”
Trevanian, Shibumi

“It was not their irritating assumption of equality that annoyed Nicholai so much as their cultural confusions. The Americans seemed to confuse standard of living with quality of life, equal opportunity with institutionalized mediocrity, bravery with courage, machismo with manhood, liberty with freedom, wordiness with articulation, fun with pleasure - in short, all of the misconceptions common to those who assume that justice implies equality for all, rather than equality for equals.”
Trevanian, Shibumi

“As you know, shibumi has to do with great refinement underlying commonplace appearances. It is a statement so correct that it does not have to be bold, so poignant it does not have to be pretty, so true it does not have to be real. Shibumi is understanding, rather than knowledge. Eloquent silence. In demeanor, it is modesty without pudency. In art, where the spirit of shibumi takes the form of sabi, it is elegant simplicity, articulate brevity. In philosophy, where shibumi emerges as wabi, it is spiritual tranquility that is not passive; it is being without the angst of becoming. And in the personality of a man, it is . . . how does one say it? Authority without domination? Something like that.”
Trevanian

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