Alex Robinson's Blog, page 82

September 11, 2013

Reading your reply to that last question, I am floored that you still aren't using photoshop for any part of your process. That's incredible. Are you still doing white out and stuff? Have you had to re-draw a panel and paste it over the original ruined one

I still use white-out and will sometimes physically paste panels onto a page. Since I’m really a novice when it comes to Photoshop it’s easier and faster to bust out the scissors and glue! 


One neat side effect of this is that I’m hoping it will make the pages easier to sell someday, since they pretty much look exactly as they do in print.


This is, of course, assuming they weather the ravages of time. The only stopping me from selling Box Office Poison art is that I used sharpies to fill in the blacks so they’ve aged terribly. Let this be a warning to you, kids!

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Published on September 11, 2013 17:38

Reading your reply to that last question, I am floored that you still aren't using photoshop for any part of your process. That's incredible. Are you still doing white out and stuff? Have you had to re-draw a panel and paste it over the original ruined one

I still use white-out and will sometimes physically paste panels onto a page. Since I’m really a novice when it comes to Photoshop it’s easier and faster to bust out the scissors and glue! 


One neat side effect of this is that I’m hoping it will make the pages easier to sell someday, since they pretty much look exactly as they do in print.


This is, of course, assuming they weather the ravages of time. The only stopping me from selling Box Office Poison art is that I used sharpies to fill in the blacks so they’ve aged terribly. Let this be a warning to you, kids!

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Published on September 11, 2013 17:38

Reading your reply to that last question, I am floored that you still aren't using photoshop for any part of your process. That's incredible. Are you still doing white out and stuff? Have you had to re-draw a panel and paste it over the original ruined one

I still use white-out and will sometimes physically paste panels onto a page. Since I’m really a novice when it comes to Photoshop it’s easier and faster to bust out the scissors and glue! 


One neat side effect of this is that I’m hoping it will make the pages easier to sell someday, since they pretty much look exactly as they do in print.


This is, of course, assuming they weather the ravages of time. The only stopping me from selling Box Office Poison art is that I used sharpies to fill in the blacks so they’ve aged terribly. Let this be a warning to you, kids!

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Published on September 11, 2013 17:38

How do you keep your pages so clean....

I’m not sure. I think since I don’t use Photoshop to do corrections I’ve just gotten into the habit of trying to keep them as clean as I can. Think of Photoshop as a broom—when you don’t own a broom you’re careful about crumbs. 

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Published on September 11, 2013 15:40

OUR EXPANDED UNIVERSE—148 pages and counting



OUR EXPANDED UNIVERSE—148 pages and counting

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Published on September 11, 2013 13:55

September 10, 2013

gazgretsky:

2nd coloring job over #alexrobinson inks



gazgretsky:



2nd coloring job over #alexrobinson inks


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Published on September 10, 2013 13:57

September 8, 2013

Friends!



Friends!

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Published on September 08, 2013 14:01

September 6, 2013

Hey, kids! Comics! Pt 8



Hey, kids! Comics! Pt 8

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Published on September 06, 2013 12:12

September 5, 2013

theoppositeofeasy:

odinsblog:

quads-for-the-gods:

bellecs:

wi...











theoppositeofeasy:



odinsblog:



quads-for-the-gods:



bellecs:



winningthebattleloosingthewar:



On the morning of September 4, 1957, fifteen-year-old Dorothy Counts set out on a harrowing path toward Harding High, where-as the first African American to attend the all-white school – she was greeted by a jeering swarm of boys who spat, threw trash, and yelled epithets at her as she entered the building.


Charlotte Observer photographer Don Sturkey captured the ugly incident on film, and in the days that followed, the searing image appeared not just in the local paper but in newspapers around the world.


People everywhere were transfixed by the girl in the photograph who stood tall, her five-foot-ten-inch frame towering nobly above the mob that trailed her. There, in black and white, was evidence of the brutality of racism, a sinister force that had led children to torment another child while adults stood by. While the images display a lot of evils: prejudice, ignorance, racism, sexism, inequality, it also captures true strength, determination, courage and inspiration.



Here she is, age 70, still absolutely elegant and poised.




she deserves to be re-blogged. 



[ x ]



Oh my god look at her amazing face. She doesn’t even seem flustered. Just abiding, wise eyes, wading through it. Good lord.



I wonder if any of the white people in those photos look back and say “Wow, I can’t believe what an asshole I was.” It’s nice to think so, but I suspect not. 

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Published on September 05, 2013 12:59

Top: Wrigley when we brought him home five years ago...





Top: Wrigley when we brought him home five years ago today.


Bottom: Wrigley today!


Special thanks to Drea at Curly Tail Pug Rescue for bringing this sweet dum-dum into our lives. 

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Published on September 05, 2013 10:15