Danika Dinsmore's Blog, page 8

Weekend Writing Workout: Add a Little Magic

I’ve developed a course called Introduction to Speculative Fiction and there’s a particular brainstorming exercise where students do sub-genre mash-ups to generate stories.

Once when I was teaching the class there was a woman in the front row who spent most of the class scribbling in her journal. She was a contemporary fiction writer working on a semi-autobiographic story. I thought she wasn’t interested in the class and was off on her own adventure. Turns out she had been inspired by the exercise.

She told me later that she had been stuck in her writing and depressed about it. She had been having trouble letting go of parts of the story that weren’t serving it because they were “true.” Even though it was a work of fiction, she was attached to these “truths.”

After our genre exercise, just for the heck of it, she decided to add a magical realism element to her “real world” story. She said not only did  it make her story more interesting, it freed her from this need to stick to “reality.” She apologized after class for spending the whole time working on her story and I said, “by all means, it was a perfect use of the time!”

from Wikipedia:

As recently as 2008, magical realism in literature has been defined as “a kind of modern fiction in which fabulous and fantastical events are included in a narrative that otherwise maintains the ‘reliable’ tone of objective realistic report … fantastic attributes given to characters in such novels—levitation, flight, telepathy, telekinesis—are among the means that magic realism adopts in order to encompass the often phantasmagorical political realities of the 20th century.”

YOUR WORKOUT

1) SET YOUR TIMER for 10 minutes.

Think about a moment in your life when you had to say good-bye to an inanimate object (a car, a dress, a book, a couch).

Start with the line:  It was time to say good-bye to …

Write without stopping, crossing out, rereading, or editing.

2) SET YOUR TIMER for 12-15 minutes.

Now make the object animate in some way. Give it a magical property. Have it visit you in your dreams. Give it some way to communicate with you.

Start with the line: The (object) looked at me and …

3) SET YOUR TIMER for 20 minutes.

And now write the SCENE between you and the object if you haven’t already.

Start with the line: In this scene …

Write without stopping, crossing out, rereading, or editing.

Have a great weekend!

Coming Down for a Landing All Over the Place (AKA Peek-a-Boo What’s Up With You?)

Hello. Hello. Hello. Hello. Hello.

I feel completely out of touch with anything outside of my immediate reach. I know more about what’s going on in my imaginary world then I do in the “real” world.

A whirlwind came, and when the whirlwinds come, things get “back burnered” because let’s face it, we can’t do it all.

This time it was the blog on the back burner while I gallivanted through my days of full-plateness. Hello, again, you! How have you been?

I’m experimenting with how language affects mental state. I used to say I was “overwhelmed,” but I’ve recently changed that to “whirlwinded,” because that sounds a bit more pleasant. Like, “Oooh, my European book tour was a whirlwind of activities!”

Overwhelmed sounds oppressive. When we feel “overwhelmed” we forget to, or can’t, look at all our activities individually and enjoy them in the moment.

~     ~     ~

Recently, I took my computer to the Genuis Bar at the Apple Store. My Internet browsers have been crashing because my operating system is too old. I was informed that my laptop is officially “vintage” (circa 2006!) so they can no longer work on it.

My computers are like my cars. I ride them until they are blissfully journeyed out. I’d never trade in my computer for a younger, blingier model just for the newness of it. I’ve poured too much into this relationship just to chuck it on a whim. I’ve created and destroyed, budgeted and bled, photoshopped and worded and thunderbirded, built worlds, recorded songs, deleted embarrassments… we’ve traveled far.

keeper of secrets, lies, and dreams

(Fortune from cookie: Look for the dream that keeps coming back. It is your destiny.)

She’s been to Italy and on three book tours. On trains and planes and automobiles and bikes. On film sets and in classrooms. Her keys are so worn, I have to sharpie on the letters (for my students, I know my keys by mind and heart). She’s like my old Toyota FX with its cracked windshield, my favourite worn pair of boots with the broken zippers, my own slightly-damaged soul.

The Genius’s news was thus: she has about 6 months to live, and with the last upgrade she can endure, she may live for 3 more. I have been told I should prepare for the end. And so it is; and so I do. It is a good time for renovation and renewal.

~     ~     ~

It seems I’m not the only absent blogger of late! Kelly Barnhill posted this lovely I’ll Show you Mine if You Show me Yours asking everyone to share what they’ve been working on. (which is a great idea for a meme, methinks).

So, What’s Up With You? I want to know.

Tell me something interesting that you did, learned, discovered, watched, read, wrote, etc while I was away!

For Authors of Indie Presses #2: Book Store Reading Reality

Life has been so utterly cuckoo I am just now getting the second post out of a series I started two weeks ago. I initially thought of this as tips for Indie Authors and Authors of Indie presses, but really, I should just call it REALITY CHECK.

The series was inspired by my own reality check as an author, as well as an excellent interview I heard by Cory Doctorow

This post is a continuation of the last one on making public appearances.

#2 Bookstore Reading Reality

Many debut authors dream of that successful bookstore reading: a packed house, a line of people out the door waiting to get their books signed. Even I was prone to such fantasies.

You may be surprised to learn that for a debut author (especially an indie author or author of a small press), bookstore readings are really not the best way to go. Not even close. Especially in a town where you don’t have many friends or much family.

Think about it… how many times have you gone to a bookstore reading by an author you aren’t familiar with? You may have heard new and unfamiliar authors read at conventions and festivals or at readings where they were featured with other authors you knew, but generally, one doesn’t drive across town to a bookstore for an unknown author. The author may be brilliant, but people just have too many other things vying for their attention.

You will realize this after your first bookstore reading with 5 people in the audience (and one is your publisher/mother/spouse/best friend).

Don’t despair. Once after a reading of low attendance, one of the bookstore workers told me the first time he ever hosted Chuck Palahniuk, only one person showed up.

The best way, I think, to get an audience, is for you to find an audience that already exists. For instance, if you can do school assemblies, you have a built in audience. There are also book clubs who like author guests and regular reading series that pair open mics with featured readers. Readings at conventions and festivals can still be iffy if you are unknown, so see if you can read within an event that features several authors. That way you all increase your audience.

If you insist on having a bookstore reading, here are a few tips to make it go better:

**stick with smaller, indie bookstores

(unless your chain store is very community oriented)

**find out from the store what nights have generally brought in more people

**pick a store close to where lots of your friends and family live

**use some kind of e-invite or facebook event page to invite folks

**DO YOUR OWN MARKETING (don’t expect the bookstore to take care of this)

**if your book is special interest, contact that community to let them know

**do OTHER events around the community so people will know who you are

The best bookstore reading I did was a packed house at Ms. Figs after I had done two school assemblies in the area. The kids got excited and brought their family and friends.

Even authors with large publishers and multiple books sometimes have trouble getting audiences at bookstore readings. I think it’s best to find the audience rather than have the audience find you.

Bitten by Books Editor/Author Chat and Giveaway

No Middle Grade Monday post for me today. If you want to get your MG fix for the week, visit Shannon Messenger’s Blog for today’s posts.

but I have this announcement:

Bitten by Books is offering an online chat between authors and readers tomorrow. The dialogue is ALSO a contest, a chance to win one of TWO $20 Amazon Gift Certificates.

If you RSVP TODAY to enter the contest you get a 25 point BONUS:

http://bittenbybooks.com/?p=62201

HOW IT WORKS

Tomorrow, Bitten by Books will put up a short blog post by the editors. Then readers post questions in the comments over a 24 hour period and they/we answer those questions, creating an online conversation between editors/authors and readers.

There are two $20 gift cards from Amazon.com. For every post, readers acquire points and the two readers with the most points win. Earn 25 extra points by RSVPing to the event (you only get the points if you go back and comment tomorrow, though).

We’d love to have you there! If you’d like to help spread the word, here’s the info you need to know:

ONLINE CHAT WITH FUTUREDAZE EDITORS AND AUTHORS

Hosted by: Bitten by Books

Event Date:  Tuesday, March 12th.

Start Time: 12:00 Central Time (US)

RSVP TODAY!:  http://bittenbybooks.com/?p=62201

Contest Open: Worldwide

Prize:  Two  $20.00 Amazon Gift Cards (two winners)

Weekend Writing Workout: Invasion of Space

I’ve been reading an excellent book called SelfDesign about the life long educational philosophy of Brent Cameron. In it he states that in order to stay balanced within ourselves and our relationships we have to learn not to extend ourselves into other people’s domains, violating their boundaries. He theorizes that if we stay 2/3 in our own space and share a consensual space of 1/3 each, we can keep our relationships in balance.

Think about the over-bearing mother who smothers her child and is 3/4 in his personal space. He will definitely find ways to express his anger.

I haven’t tried this one yet, but I thought it made an interesting idea for an exercise about what transpires when characters invade each others’ space.

I think ideally this ends in writing a scene between two people who have “space” issues, but take it wherever it goes.

Your Workout

1) Set your timer for 5-7 minutes.

Start at the top of the page with the following startline:

The demon my character always keeps at bay looks like . . .

Write, don’t stop, don’t edit, don’t cross out.

2) When the timer stops, Set your timer for 7-10 more minutes.

Start with the following line: 

My character’s personal space is violated by his (mother, sister, brother, uncle, etc) when  . . .

Write, don’t stop, don’t edit, don’t cross out.

3) When the timer stops, Set your timer for 10-12 more minutes.

Start with the following line: 

To assert his personal space, my character…

OR

My character’s inability to assert his personal space stems from…

Write, don’t stop, don’t edit, don’t cross out.

4) NOW, set your timer for 10-15 more minutes.

WRITE THE SCENE in ACTION and DIALOGUE ONLY (to keep you moving forward – don’t get caught up in the minutia of description) in which this character is confronted with this invasion of space.

Use the start line:  Character B stepped closer to Character A and . . .

Even though you are writing a scene, just WRITE, don’t stop, don’t edit, don’t cross out.

Read your exercises and your scene, make notes, highlight what makes sense.

And have a fabulous, healthy weekend.

For Authors of Indie Presses #1: Public Appearances

I’ve been mentally jotting what I’m learning about the realities of authorship since the launch of my first children’s novel with Hydra House (not Random House’s new ebook imprint Hydra). I deliberately chose to work with a small press for various reasons and I’ve been enjoying the ride ever since, though it is a long, slow, challenging ride.

I had enough jottings to put together a list of Tips (AKA “reality checks”) that I hope you find useful.

#1 – Make Public Appearances

Make as many public appearances as possible. Social media is competitive. Large presses have bigger advertising pockets. People are inundated with information and marketing ploys. Put a face to your work, make relationships, and support others. Appear at other writer’s readings and book launches. Be the support you want to have.

Offer to be on panels, propose courses at local conventions, visit schools and festivals and literary arts centers. Be gracious and grateful. Be nice to have around. I’ve often bought the work of authors I’ve met simply because I enjoyed our conversation or thought they had some useful insight.

(Here’s a bonus tip for those who have trouble being consistent bloggers because of time constraints: work your posts into a series)

Tips for Indies and Authors of Indie Presses – #1

I’ve been jotting down a few things I’ve learned since the launch of my first children’s novel with small press Hydra House (not Random House’s new ebook imprint Hydra, which has been in the news lately). I deliberately chose to work with a small press for various reasons (yes, I am a control freak) and I’ve been enjoying the ride ever since.

I had enough jottings to put together a list of 10 Tips (or more, heck, if we get inspired). Your feedback, comments, insights, conjectures, disputes welcome.

TIP #1 – Make Public Appearances

Make as many public appearances as possible. Social media is competitive. Large presses are loud. People are inundated with information and marketing ploys. Put a face to your work, make relationships, and support others. Appear at other writer’s readings and book launches. Be the support you want to have.

Offer to be on panels, propose courses at local conventions, visit schools and festivals and literary arts centers. Be gracious and grateful. Be nice to have around. I’ve often bought the work of authors I’ve met simply because I enjoyed our conversation or they had some useful insight.

(Here’s a bonus tip for those who have trouble being consistent bloggers because of time constraints: work your posts into a series)

Middle Grade Monday: Liar and Spy by Rebecca Stead

Middle Grade Mondays happen… well, every Monday.

See what others have posted this week on Shannon Messenger’s blog.

~     ~     ~

You don’t need me to sing the praises of this NY Times bestseller by Newbery winner Rebecca Stead. But I’m going to anyway because it caught me off guard.

from GoodReads:

Georges (the s is silent) has a lot going on. He’s having trouble with some boys at school, his dad lost his job and so his mum has started working all the time – and they had to sell their house and move into an apartment.

But moving into the apartment block does bring one good thing – Safer, an unusual boy who lives on the top floor. He runs a spy club, and is determined to teach Georges everything he knows. Their current case is to spy on the mysterious Mr X in the apartment above Georges. But as Georges and Safer go deeper into their Mr X plan, the line between games, lies, and reality begin to blur.

This book is a subtle and sneaky one. It started off by surrounding me with all these lovable characters, then reeled me in with its convincing 12-year-old sense of humour. I immediately related to this intelligent, thoughtful kid just trying to make it through middle school, staying out of trouble and ignoring the bullies using his mother’s philosophy of always “looking at the big picture.” (I was so like him in 7th grade.)

But his mother is missing in his life at the moment, as she has been working double shifts at the hospital since his dad lost his job. They communicate solely by scrabble pieces on his desk, he writing one before he goes to bed and she responding when she gets home from work. This is tender enough as it is… but, there’s much more to his story.

He meets an odd home-schooled kid in his apartment complex and begins to spend more and more time in their “bohemian” household. At first, I thought this was simply a quaint story about a quirky friendship taking place during this rough time in Georges’s life, but as Stead loves to do, she reveals that each boy has more going on for himself than either realizes.

This is Stead’s talent, this ability to weave a story slowly, revealing only when necessary, and at the same time tempting us along with this authentic, sympathetic voice. The authenticity arises from her amusing details, like a kid who gets nicknamed Bob English Who Draws and a painting by Seurat (who Georges is named after), which is misheard as Sir Ott.

Every story is a mystery, and hers happens to be a small mystery in the scheme of things. Ultimately, it’s about how we manage our own fears. I really appreciated the ending; it was satisfying without being too pat. And the hero solves his own bully problem in a clever, even uplifting, manner.

That’s all I’ll say about that, because I don’t want to spoil this for anyone who hasn’t gotten to it yet. It’s just too sweet.

Weekend Writing Workout: Seven Deadly Sins

I’ve been zonked with a nasty head/chest cold this week and am feeling a bit behind. But, since I feel behind most of the time, I’m not going to fret about that. I do wish I could breathe through my nose, though.

This week’s exercise was inspired by an interview with author Jack Remick. I believe it was the interview on the The Ashley Fontainne Show on Artist First Radio Network: http://www.artistfirst.com/ashleyfontainne.htm

(and even if it’s wasn’t, you should listen to the interview anyway, because Jack gives great interview)

Hieronymus Bosch’s Seven Deadly Sins

The interviewer brought up the idea of working with the seven deadly sins, which are: wrath, greed, sloth, pride, lust, envy, and gluttony. I’m sure each of us has experienced every one of these sins personally in some way, shape, or form. Perhaps we can relate to one of them more than the others. I’m not so much a wrathful person, but my pride has made me stubborn in the past, and hindered me from looking at something from someone else’s point of view. In the end, it was only a disservice to myself.

Which is how I want you to view these “sins” in terms of your characters. Which sin resembles the cause of each character’s misery? Is it envy that spikes her bitterness toward her sister? Is it pride that won’t allow him to forgive his best friend? Is it wrath that guards her heart?

If you’re not sure, try several of them on for size and see what fits. And try this out on multiple characters, not just your protagonist. Every character deserves a sin!

YOUR WORKOUT

1) Set your timer for 5-7 minutes.

Start at the top of the page with the following startline:

My character is stifled by the sin of  . . .

Write, don’t stop, don’t edit, don’t cross out.

2) When the timer stops, Set your timer for 7-10 more minutes.

Start with the following line: 

She/he must confront this sin when . . .

Write, don’t stop, don’t edit, don’t cross out.

3) NOW, set your timer for 10-15 more minutes.

WRITE THE SCENE in ACTION and DIALOGUE ONLY (to keep you moving forward – don’t get caught up in the minutia of description) in which this character is confronted with her sin.

Use the start line:  In frustration, He/She picked up the . . .

Even though you are writing a scene, just WRITE, don’t stop, don’t edit, don’t cross out.

Read your exercises and your scene, make notes, highlight what makes sense.

And have a fabulous, healthy weekend.

How do authors make a living? (or, approaching the middle class of writerdom)

It surprises many people to learn (people not in the industry, anyway), that the majority of authors do not make a living off of their writing. Not exclusively, at least.

I’m not saying it’s impossible, or that it doesn’t happen, or that it won’t happen for you. I honestly hope it does! Between advances, royalties, and options I’m sure Stephen King doesn’t have to consider whether to take that editing job or not.

I think it’s good to be aware, though, that most authors are in what Cory Doctorow refers to as “the middle class of writerdom.” i.e. they have day jobs. Same goes for every kind of artist: dancer, actor, musician, painter, etc.

Below, in an interview with Bill Kenower, Doctorow speaks of having been surrounded by “working authors” when he was young, which gave him an appreciation for where he is today.

Even though I have quit my day job, and I earn quite a good living writing, I never take it for granted, and I never assume that all writers will do it or that it’s just hard work and talent. I understand that what I’ve got is the combination of, yes, hard work and talent, but also a lot of luck.

~Cory Doctorow

I know authors who have gotten sweet advances, who have become self-published successes, who have optioned their books as movies, or who write 3 books a year and consistently end up on the best seller list. And those I know who live solely off of their writing work extremely hard to do so (they’ve also become marketing machines, which truthfully is time not spent writing, but part of the game these days).

But mostly, I know authors who are teachers, librarians, microsoft workers, A/V workers, and accountants. And I know other artists who are dog-walkers, bartenders, and event producers. As long as they find time for their creativity, they’re not going crazy.

Some people, like my husband, get panicky at the thought of not having a regular paycheck every 2 weeks, while the idea of having a 9-to-5 job makes me short of breath. For the past 20 years I have primarily lived my life contract to contract and pieced together a living for myself. My finances have always fluctuated.

Yes, I still fantasize about that mega hit that will keep me afloat for years to come, but in the meantime, I’ve created my own “writer’s life.” It all depends upon your level of comfort and if others are financially dependent upon you. If you prefer the consistency of a 9-to-5 job, by all means, stay there while you carve out your writing life.

But I do encourage you to take risks. I believe if you reach toward a writing life, and allow space for it, if you’re willing to get creative with your lifestyle and career, you can do things that are related to your art and may fulfill you more than just another “job.”

My other two loves are teaching and performing, so I’ve been fortunate to be able to incorporate those into my career. Below is a list of all the things I’ve done to earn money to supplement my income since my first novel was published:

ESL tutor

creative writing tutor

story editor

script reviewer

studio teacher

creative writing instructor

school author visits

book club author visits

convention instructor / speaker

Other than ESL and studio teacher, everything else has been related to being an author, which makes me happy. If you assess your skills and passions, I’m sure you, too, could create a satisfying life that supplements your writing.

What have you done to create your author life? How have you gotten creative around your work?