Elizabeth Spann Craig's Blog, page 16
January 7, 2024
The Magic of Metaphor
by Hugh Cook
A quick look our everyday language indicates that metaphor is an essential part of our casual conversations. Metaphors roll off our tongues as easily as, well, falling off a log.
Consider the following:
Negotiations between the company and the union are now on thin ice.
That salesman’s promises seem hollow.
After her accident my sister feels a bit fragile.
I haven’t golfed for a while and my game’s really rusty.
Metaphor pervades our everyday speech without our even consciously thinking about it. Think of the many ways we use parts of the human body as metaphors: we speak of the arm of the law; the eye of a storm; the mouth of a river; the foot of the bed; the hands of a clock; the legs of a chair.
Or consider how we describe ideas by using food as a metaphor, so that we say, “What you said in our argument left a bad taste in my mouth,” or “He spoke so fast it was hard to digest it all,” or, “His denial of global warming consists of some pretty half-baked ideas.”
Since we use metaphor frequently in our everyday speech, it’s no surprise that we also use metaphor pervasively in our writing. Metaphor is not just a device to spice up our poetry or prose, or an ornament to make our writing more colorful. Metaphor is a basic tool of comprehension, a strategic instrument of understanding.
We’ve all experienced the feeling that the most effective way to say what we mean is by way of a metaphor; at times the quickest route of comprehension goes through the detour of metaphor. That’s probably what Emily Dickinson meant when she said, “Tell all the truth but tell it slant / Success in circuit lies.”
One of the amazing things about metaphor is that out of the many possible associations a metaphor can evoke, the mind—like a chicken pecking the wheat and leaving the chaff— automatically tends to select the right comparisons and rejects the irrelevant associations. In fact, we’re so used to hearing metaphors that we immediately intuit the figurative, rather than the literal, meaning.
If metaphor is indeed a basic means of comprehension that lies at the heart of the way in which we communicate, how can we use it more effectively in our writing? What, precisely, does metaphor do for our writing? I will mention five advantages of metaphor, which I will illustrate with examples. And I will offer examples from a variety of literary forms—poetry, fiction, drama—to illustrate the variety of literary genres in which metaphor can be used. (As you’ve seen, I include simile under the larger heading of metaphor).
1.Metaphor compresses, compacts, condenses, allowing us to say a great deal in a few words. When Robert Burns says, “O my luve is like a red, red rose,” our minds immediately intuit a number of associations for the poet’s lady: she is beautiful, fresh, fragrant, natural, healthy, passionate—the rose is not “yellow” or “white,” not even just “red,” but “red, red.” Maybe, even, if you think of thorns, she exudes a hint of danger.
2.Metaphor allows us to express intense emotion without resorting to the twin dangers of abstraction or sentimentality. When Macbeth is informed, in Act V of the play, that Lady Macbeth is dead, he states, “She should have died hereafter,” and laments:
Tomorrow, and tomorrow, and tomorrow,
Creeps in this petty pace from day to day
To the last syllable of recorded time,
And all our yesterdays have lighted fools
The way to dusty death. Out, out, brief candle!
Life’s but a walking shadow, a poor player
That struts and frets his hour upon the stage
And then is heard no more.
All the metaphors running through this passage work powerfully to convey to us Macbeth’s emotions regarding the brevity of life and his realization that after his murderous drive for power life is meaningless. Through the metaphors, Shakespeare avoids an abstract polemic on this topic. The passage also illustrates well the writing principle for fiction that if your character’s emotions are extremely strong at a given moment, it is usually best not to describe the emotions directly.
3. Metaphor allows us to describe a character in fiction in a way that allows the writer to obey the mantra “show, don’t tell.” When Flannery O’Connor, in her story “A Good Man Is Hard to Find,” says of the children’s mother that she had “a face as round and innocent as a cabbage,” the metaphor not only describes the character physically, it conveys a distinct attitude towards the mother as well. As Janet Burroway points out in her book Writing Fiction, “a soccer ball is also round and innocent; so is a schoolroom globe; so is a streetlamp. But if the mother’s face had been as round and innocent as any of these things, she would be a different woman altogether.” Now, with the metaphor of a cabbage, O’Connor suggests qualities of a countrywoman, of heaviness, of innocence and perhaps of a lack of intelligence. In other words, a judgment about the character is being conveyed. But the reader draws the judgement, rather than feeling the author is being judgmental or harsh.
Similarly, notice how Washington Irving uses metaphor to describe Ichabod Crane in his classic short story “The Legend of Sleepy Hollow”:
He was tall, but exceedingly lank, with narrow shoulders, long arms and legs, hands that dangled a mile out of his sleeves, feet that might have served for shovels, and his whole frame most loosely hung together. His head was small, and flat at top, with huge ears, large green glassy eyes, and a long snipe nose, so that it looked like a weathercock, perched upon his spindle neck, to tell which way the wind blew.
Clearly, the tone Irving conveys here through metaphor and hyperbole is comic satire.
A similar use of metaphor and hyperbole, although in a much kinder and gentler tone, is Anne Tyler’s memorable characterization of a woman in her novel The Beginner’s Goodbye: “An aging girl, was what she was, and had been from earliest childhood. Her shoes were Mary Janes, as flat as scows in order to minimize her height. Her elbows jutted like coat hangers, and her legs descended as straight as reeds to her Ping-Pong-ball anklebones.”
In short, metaphor is an effective means of both describing a fictional character, and of shaping the reader’s response to that character as well.
4. Metaphor allows us to illustrate or explain a complex thought or an abstract idea. For instance, in order for us to understand the complex phenomenon of a cause creating an effect, which in turn becomes a cause that creates an effect, which again in its turn becomes a cause creating an effect, we use the appropriate metaphor of a “domino effect.” Many complex ideas in the natural sciences are explained by way of metaphor. Eighteenth century science, for example, explained the complex relationship that exists between a Prime Mover, humankind, and the natural world as a “clockwork mechanism.”
5. Metaphor gives us delight, usually because of the element of surprise at the unlikeness, yet the likeness, of the two things being compared. Think again of the delightful metaphors in some of the examples above. The poetry of seventeenth-century poet John Donne is filled with such ingenious comparisons, as in his poem “A Valediction: Forbidding Mourning.”
One of the more delightful poems I’ve received from my creative writing students is the following poem “Catlife.” Read it and you will be delightfully startled by its surprising comparison:
The life I leave when I see you
bides its time with an arched back,
waits with expectant eyes,
broods with a twitching tail.
The life I see when I leave you
lies in a weary gray lump,
limply resists picking up,
and lands feet up when dropped.
In closing, let me suggest a number of writing exercises that use metaphor as an effective means of communicating. (On the internet, look up the poems I mention).
1.Write a poem which is unified through a single extended metaphor, as in Emily Dickinson’s poem “Because I Could Not Stop for Death” or Linda Pastan’s poem “Jump Cabling.”
2. Write a poem which contains a number of metaphors for one thing, as in Mark Irwin’s “Icicles,” or in Sylvia Plath’s “Metaphors”—be forewarned: Plath’s poem is a complex riddle! See if you can solve it. A hint: count the number of lines, and the number of syllables in each line. (Feel free to email me for the answer if you don’t see it and you’re feeling extremely exasperated: hughcook212@gmail.com).
3. In a novel or a short story you’re writing, use original metaphor to describe one of your characters, or to indicate authorial tone towards that character, be that tone critical, satirical, or gentle and kind.
4. Write a poem or a piece of prose that explores the metaphoric possibilities within a color. Write down all the emotional associations that the color evokes. For example, red suggests anger, passion, heat, and so on. Consider, for instance, how Nathanel Hawthorne uses these associations to describe Hester Prynne in his classic novel The Scarlet Letter. The color white suggests purity, emptiness, blankness, and so on. Think of how powerfully Herman Melville discusses associations of the color white in “The Whiteness of the Whale” chapter in his great novel Moby-Dick. Don’t be afraid to include your very personal associations with the color; then write a poem or a piece of prose that incorporates these associations.
5. In the script of a play, have one of the characters express deep feeling, not by naming the feeling, but by using metaphor.
Hugh Cook holds an MFA in fiction writing from the Writers’ Workshop at the University of Iowa. He has published two books of short stories and two novels. Readers can obtain his recent novel Heron River at
Amazon and at Barnes and Noble . Send him a query at hughcook212@gmail.com.
The Magic of Metaphor and How to Use it by @HughCook_ca
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January 6, 2024
LitLinks
by Elizabeth S. Craig, @elizabethscraig
LitLinks are fed into the Writer’s Knowledge Base search engine (developed by writer and software engineer Mike Fleming) which has over 70,000 free articles on writing related topics. It’s the search engine for writers. While you’re there, check out the Writer’s Digest award-winning Hiveword novel organizer.
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@MargotKinberg Thanks, Margot! Hope you have a great 2024!
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@HughCook_ca @jenabrownwrites @LitReactor An excellent book!
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There’s No Magic Formula to Write a Book: https://t.co/Yqv8WVZrb0 by Tamara Sanderson @WomenWriters #TopTweets2023
PEN America Tracks ‘Educational Gag Orders’: @Porter_Anderson https://t.co/fMgU0GCw7y @pubperspectives @PENamerica #TopTweets2023
Here Are Two Ways to Write Organic Themes: https://t.co/auoQScWbAC @KMWeiland #TopTweets2023
Genre Tips: How to Write Literary Fiction: https://t.co/5gqMqAeQMY @KMWeiland #TopTweets2023
Finding Your Voice in the Age of AI: https://t.co/aCIhYN6EAe @A_B_Lee @LitReactor #TopTweets2023
Genre Tips: How to Write Historical Fiction: https://t.co/ZcDiJulRE5 @KMWeiland #TopTweets2023
Genre Tips: How to Write Romance: https://t.co/4K5tW0GemN @KMWeiland #TopTweets2023
Narcissistic Characters in Crime Fiction: https://t.co/0BPDDRlr5t @margotkinberg #wkb44
Rewriting: Keep Your Eyes Open And Your Ego Closed: https://t.co/8oRbmrFC4I By PJ Parrish #wkbb
How To Celebrate A Finished Draft The WRITE Way: https://t.co/H45JjUXFJx @Bang2write #TopTweets2023
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Time Blocking Your Writing Routine: https://t.co/7ZRfI0wC0u @KMAllan_writer #TopTweets2023
Top 10 Common Problems Writers Must Face Today: https://t.co/3Bvw9fSHY7 @Bang2write #TopTweets2023
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Rathbones Folio Prize, Looking for New Sponsor, Names Winners: @Porter_Anderson https://t.co/1qVhtNjKz5 @pubperspectives #TopTweets2023
‘The Perils of Literary Publishing’: @rcharkin https://t.co/W5hJJrSaks @pubperspectives #TopTweets2023
Is an Editor Worth the Money? https://t.co/T7fH5oNzvd @FoxPrintEd @JaneFriedman #TopTweets2023
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Writing Diverse Characters: https://t.co/8tFVgDDdSl @MaryRobinette @DIYMFA #TopTweets2023
Princeton’s ‘Spiderweb Capitalism’ Wins AAP’s 2023 Hawkins Award: @Porter_Anderson https://t.co/x922yF8RTO @pubperspectives #TopTweets2024
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Five SF Visions of Society Free From Rules, Regulations, or Effective Government: https://t.co/VuXdDV9scL @jamesdnicoll @tordotcom #wkb3b
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Writing About Old Friends: https://t.co/lTaygAUFuV @DonMaass #wkb89
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Finding Details to Go with a Basic Plot: https://t.co/ZRQGi4Rs65 from Writing Questions Answered #wkb89
Mastering the Crowdfunding Success Mindset: https://t.co/EXfM14tZ7R @russellnohelty and @KotarNicholas #wkb76
Characters with Narcissistic Tendencies as an Element in Crime Fiction: https://t.co/0BPDDRlr5t @margotkinberg #wkb44
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Is there a dramatic question posed early on that establishes which moment will mark the end of the story? https://t.co/NassfneQ5f @cockeyedcaravan wkb89
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Showing vs. Telling: https://t.co/8kVVqDlwNJ @writingandsuch #wkb11
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Every novel feels like an impossibly tall mountain: https://t.co/3JSvDU4HSJ @nathanbransford #wkb31
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Crime Fiction: In The Spotlight: Michael Bennett’s Better the Blood: https://t.co/Fpg4u4Lszz @margotkinberg #wkb3b
The Magic of the Library Book Sale: https://t.co/uKWyl21LKy by Jeanne Kisacky @writerunboxed #wkb31
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Managing Your Author Business Over The Long Term With Tracy Cooper-Posey: https://t.co/aiZiNOWla6 @thecreativepenn #wkb8b
Book Aid International: 25,000 Books to Ukraine: @Porter_Anderson https://t.co/SghGiqi9ah @pubperspectives #wkb64
Mastering Character Evolution: A Powerful Ladder of Choice: https://t.co/BPzkHpXOOY by Laurie Schnebly Campbell #wkb2
The Three Secrets to Writing Historical Fantasy: https://t.co/HVvYpbaY0t by Tasha Suri #wkb43
China Bestsellers for October: Film Powers a 35-Year-Old Book: @Porter_Anderson https://t.co/3iDKgPpbvZ @pubperspectives #wkb64
Hotsheet Launches Indie Bestseller Lists: https://t.co/5pl45F3ms3 @hotsheetpub @agnieszkasshoes #wkb69
Radical Revision: When the Going Gets Tough, Writers Get Radical: https://t.co/dvAlqI5b5u @RuthHarrisBooks #wkbb
London’s Polari Prizes Name Armfield and Ransom Their 2024 Winners: @Porter_Anderson https://t.co/3vqz35mz1H @pubperspectives #wkb84
Audiobooks: My love-hate (but mostly hate) relationship with Audible: https://t.co/79US0ip7Lm by @pattyjansen #wkb8b
Seven Tips for Writing Cover Letters, Pitches, and Bios: https://t.co/7AXPmh80PN by Mira Reisberg #wkb8f
How Much Exposition Can I Have? https://t.co/tVNwnJE8j9 by Oren Ashkenazi #wkb89
Non-Negotiable: The One Thing That Makes Stories Timeless: https://t.co/BTB67qCWTi @storygrid #wkb89
The Netherlands’ Elsevier: Research Evaluation, Real-World Impact: @Porter_Anderson https://t.co/5E0sxSwq25 @pubperspectives #wkb64
How to Build Buzz Around Your Book with Author Swag: 15 Creative Ideas: https://t.co/mSFe18YiZf By Vasylyssa #wkb87
ZB Med Signs Open-Access Deal With Switzerland’s Frontiers: @Porter_Anderson https://t.co/rh7WWtV5uO @pubperspectives #wkb64
When To Let Go Of Your Work: A Guide To Abandoning Projects: https://t.co/XS1S4WHvOU @amandalinehan #wkb31
Five Big Conflicts That Are Too Easy: https://t.co/rWaq5xBs2b by Oren Ashkenazi #wkb7
7 tips to tighten the saggy middle of your story and keep readers engaged: https://t.co/9dphqvHDGZ @HelenaFairfax #wkb89
How to Show, Not Tell: https://t.co/BE8r0aSGMl by Georgio Konstandi #wkb11
Imposter Syndrome: The Rise of Impersonation Scams: https://t.co/WvIetbAGK5 @victoriastrauss #wkb61
International Prize for Arabic Fiction: The 2024 Longlist: @Porter_Anderson https://t.co/tNajMgZuYr @pubperspectives #wkb84
To Be More Creative, Write a Letter to Your Reader: https://t.co/iojp4IJEcJ @annkroeker #wkb32
The Expanded Ultimate Story Checklist: Is the story limited to compatible subgenres, without mixing metaphors? https://t.co/dTJdeZ0RQd @cockeyedcaravan #wkb89
How Do You Manage Reading Expectations? https://t.co/GdfXHm7QJF @mollytempleton @tordotcom #wkb3b
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Penguin Random House Acquires Self-Help Publisher Hay House: @Porter_Anderson https://t.co/e20XgJJymr @PenguinRandom @PubPerspectives #wkb88
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ALTA Announces Its 2023 National Translation Awards Winners: @Porter_Anderson https://t.co/uayqnXasj4 @pubperspectives wkb84
UTA Agent Mary Pender: ‘Focus on the Original Story’: @Porter_Anderson https://t.co/Z1uust7ag0 @pubperspectives #wkb88
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A Look at My Vella Results: https://t.co/MNkHFESOe7 @beemweeks @storyempire #wkb88
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How to Fill Your Day with Poetry: https://t.co/Qb9BEM32zn @cassandra_key #wkb47
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How to Establish a Writing Routine: https://t.co/mA8UWSAjX6 @AuthorMarilene #wkb34
Penguin Random House Acquires Self-Help Publisher Hay House: @Porter_Anderson https://t.co/e20XgJJymr @pubperspectives #wkb88
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Year End: A Cambridge University Press Record: £1 Billion in Revenue @Porter_Anderson https://t.co/bgJJhje8OD @pubperspectives #wkb88
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A List of 100 Character Defects: https://t.co/4K9fUtTvy9 @BrynDonovan #wkb1
How Long Can Tension Fall Before Readers Get Bored? https://t.co/6lCEgWphNo by Chris Winkle #wkb18
The Top Writing Links From Last Week Are On LitLinks:
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December 31, 2023
Easy Planners for Writing and Life
by Elizabeth S. Craig, @elizabethscraig
I’ve talked about using planners regularly here on the blog. Although I also use a digital calendar, there’s something about seeing something physically on a page and then striking it off that’s particularly satisfying. Also, seeing a list on paper seems to not only cement it in my brain better, but to make it seem more manageable and less overwhelming.
For a while I was using a composition notebook as a planner. I divided each page with seven vertical lines for each day of the week. I put appointments at the top, then made a list of my usual tasks underneath that for each day. My tasks always include: write, schedule social media, exercise, walk the dog, errands, advertising/other business-related work, etc.
It’s important to note that I’m not a bullet journal person. I’ve no interest in making my planner anything but a functional tool. There are some planners that look like art. Mine is definitely not posing as art in any way.
That process worked really well for years. It was cheap, portable, not very time-consuming, and customizable to whatever my needs were.
Last year, though, I stumbled upon a method that seemed like it would work out even better. I found a free site that offered downloadable calendars. I decided on a weekly calendar that had one week on two pages in a portrait layout. There are gobs of other sizes and layouts, including school year calendars, yearly, monthly, and hourly calendars.
I have a three-hole punch (my kids used to use it for school). Then I just stick it in a 3-ring binder.
Also in the binder are a few section pocket dividers. I’ve found the calendar uses so little room that it’s nice to put more than one year in a notebook, for planning purposes. I put the dividers between the years. In the divider pockets I have everything from small sticky notes to checklists for updating my books.
Scattered among the weeks are blank 3-ring college-ruled notebook paper for me to make additional notes on.
Simple, easy, and effective.
Do you use planners? Online or paper? What’s your favorite way to organize your writing and life?
Easy Planners for Writing and Life:
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The post Easy Planners for Writing and Life appeared first on Elizabeth Spann Craig.
December 10, 2023
Planning the Next Year
by Elizabeth S. Craig, @elizabethscraig
I’m much more a fan of a good list than I am a resolution. And I’m even more of a fan of a list when it’s something I can put down on my calendar in bits and pieces, making it all bite-sized and manageable.
Seeing things on paper helps make the ephemeral goals more solid, real. More like deadlines.
Of course we all have personal things we need to get on our 2024 calendar. They might be family trips that should be reserved. Dental cleanings and physicals for ourselves, kids, and pets for the next year. School holidays. Birthdays and anniversaries.
Then there are writing-related things that could go on your calendar. A few things I plan in advance:
Releases. This is easy enough for me because I know how long it takes me to write a book. But for you, it might mean giving yourself a general plan for when you’d like to finish a project.
Cover design. Planning this in advance can save you a good deal of time. Often, cover designers can get swamped. If you wait too long, it may be tough to get on their schedule for your book’s release timetable.
Editing. This can be tougher to plan in advance, if you run into snags. But it’s good to have a plan for getting on your editor’s radar before the book is finished and see what his/her schedule looks like.
Promotion. This often coincides with releases but is also helpful throughout the year if you have a series starter.
Tax prep. The least fun of all. But because it’s no fun waiting to the last minute, I have it on my calendar to collect my writing income and expenses for the year.
Self-care. It might seem like something that doesn’t need to go on a calendar, but trust me, it does. It can be small or large, but scattering reminders throughout the weeks is a good idea and can help prevent burnout.
These are some things I’ve added to my own calendar, but what are you adding to yours? Have you gotten your 2024 calendar yet?
I’ll see you all in 2024! I’m taking some time off for Christmas. Hope you all enjoy the holidays!
Planning the Next Year:
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The post Planning the Next Year appeared first on Elizabeth Spann Craig.
December 9, 2023
LitLinks
by Elizabeth S. Craig, @elizabethscraig
LitLinks are fed into the Writer’s Knowledge Base search engine (developed by writer and software engineer Mike Fleming) which has over 70,000 free articles on writing related topics. It’s the search engine for writers. While you’re there, check out the Writer’s Digest award-winning Hiveword novel organizer.
Have you visited the WKB lately? Check out the new redesign where you can browse by category, and sign up for free writing articles, on topics you choose, delivered to your email inbox! Sign up for the Hiveword newsletter here. Follow the WKB on Facebook here.
My apologies for the formatting for this post! My scheduling app has experienced some hiccups lately, so some of the post was gathered manually. You’ll see a similar pattern when I next post Twitterific in early January. :)
Why Writer Beware Doesn’t Recommend or Endorse Agents or Publishers: https://t.co/zMVj9x74mI @victoriastrauss #wkb61
Writing Motivation: How to Win the Marathon of the Middle of Your Novel: https://t.co/iMAqsHczNV @JerryBJenkins #wkb31
Creativity and Inspiration: defined by negatives: https://t.co/1LJ6ejd72F @austinkleon #wkb32
Tips to Help a Writer Move from Slush Pile to Sold: https://t.co/dXF5unYZpU @PattySmithHall @ediemelson #wkb89
What Pain Has to Offer in Your Novel: https://t.co/xHKUkZiY5r by N.L. Holmes #wkb89
Lessons From the Writing of The Catcher in the Rye: https://t.co/QNLGRLiDaG by Chris Winkle #wkb14
The Agony and the Ecstasy of Uncertainty in Writing: https://t.co/v2AMOC7Qas @JennyHansenCA #wkb31
Tips For Selling And Marketing Your Books Direct To Readers: https://t.co/oIILh1Teqb @thecreativepenn #wkb8b
8 Cozy Mysteries Featuring BFFs and Women Supporting Women: https://t.co/ecfVsY4PpQ @samarayewauthor @crimereads #wkb3b
Don’t let a lyrical voice get away from you (page critique): https://t.co/6h4U6QIDtN @nathanbransford #wkb8
A Few Common Mistakes Writers Make: https://t.co/7sBMFWCruY by Crystal Bowman @ediemelson #wkb11
Self-Publishing Business and Planning Advice: Best Blogs 2023: https://t.co/EKc1in4blb @indieauthoralli #wkb8b
The one-star review : https://t.co/mjtmB9Pe1J @JBernoff #wkb73
5 Historical Mysteries Featuring Unforgettable, Unconventional Women: https://t.co/CgO7fOsdQQ by Ritu Mukerji @crimereads #wkb3b
How to Double Down On Being Human. 5 Ways To Stand Out In An Age Of AI : https://t.co/ISlq2X5dqA @thecreativepenn #wkb31
8 Short Story Collections About the Flipside of Living in a Postcard Destination: https://t.co/ItNkIfTu6g @jhhesler @electriclit #wkb3b
Italy: Piu Libri Piu Liberi Opens Today in a ‘Stable Market’: @Porter_Anderson https://t.co/noCRTHEtWV @pubperspectives #wkb64
Reward Your Readers with a Battle that Earns the Ending: https://t.co/m9mCbvZLSb by Lynette M. Burrows #wkb89
Trauma as an Element in Crime Fiction: https://t.co/zlJ8FzSetn @margotkinberg #wkb44
Why We Write: Artistry, Identity, and Legacy: https://t.co/omawsc57xT by Barbara Linn Probst @writerunboxed #wkb31
Reading Skills in Germany: New Study Results Concern the Market: @Porter_Anderson https://t.co/tzU7BZq8QQ @pubperspectives #wkb64
Mensch Publishing and Ingram in Print-on-Demand Partnership: @Porter_Anderson https://t.co/BpSy8CSAht @pubperspectives #wkb64
Donâ€t Hide Your Emotion—How to Write with Feeling: https://t.co/CDmoWPsvZW by Callie Thomas @goteenwriters #wkb89
When Stuck in a Scene, Look Around: https://t.co/JR7ILx3Xjl @Janice_Hardy #wkb23
The Value of Unread Books: https://t.co/rMgfB0xkAB @aprildavila wkb3b
Submit and Query Like a Salesman: https://t.co/Bt39JzkP8j @PhilAthans #wkb66
Writing Is Typing: https://t.co/i9PmLpTto0 @lindasclare #wkb31
Figurative language from Prince Harry: https://t.co/9rVFG40tBW @pubcoach #wkb89
“The Hot Sheet | Business Intelligence for Career Authors from
@JaneFriedman: https://t.co/o7t6nmzYjX . Get 2 upcoming issues free. @HotSheetPub”
November 2023 Bestseller Lists Via @JaneFriedman @HotSheetPub and Bookstats: https://t.co/0df3eHTD05 #wkb63
Surprising Scientific Reasons Why Reading Is Important: https://t.co/zPfK5EH5gH @BrynDonovan #wkb3b
@TheLeighShulman Always my pleasure, Leigh!
How to Market Your Book with 13 Pre-Order Strategies: https://t.co/7LJ12U6a7l @bookgal #wkb8b
Opening in the States: Italy’s 21lettere Expands With 26Letters: @Porter_Anderson https://t.co/N7yk5EEHAW @pubperspectives #wkb84
Expansion Pack: The Contagonist: https://t.co/n0oLVW4MVq @Virgilante @storyempire #wkb89
Mexico: Congress Sales Open; Publishers Report on Market: @Porter_Anderson https://t.co/idbGxuaHEk @pubperspectives #wkb64
Amy Edmonson’s ‘Fail’ is a Win: England’s Business Book of the Year: @Porter_Anderson https://t.co/7NhWfpdQsl @pubperspectives #wkb84
Using a timer when writing: https://t.co/PxpzGAqOSH By Ann Gomez @pubcoach #wkb34
What It Means to Make Your Story Relatable: https://t.co/f3ckPejARU by Deborah Williams @JaneFriedman #wkb89
On the Ending of a Literary Journal: https://t.co/EYyyF6WFCA
How to Write a Nonfiction Book in 2023: https://t.co/1UGaySGQyq The Ultimate Guide for Authors: @storyhobbit #wkb49
Indie Author Magazine Informs the Self-Publishing Community: https://t.co/94rHq20BZX @howard_lovy @indieauthorzine #wkb69
Creative Tips for Crowdfunding: Creative Self-Publishing Podcast with Orna Ross: https://t.co/EQoT9AchF4 @indieauthoralli #wkb76
Mine Your Life for Writing Gold: https://t.co/9fNKzUMyOa @HughCook_ca https://t.co/y0h44xDm0X
Book Metadata, Keywords and Amazon Category Changes: Help Readers Find Your Book: https://t.co/m9bkUW38ih @indieauthoralli #wkb65
Figure Out Your Story’s Magic System Using Story Structure: https://t.co/4TrrADXF1T @KMWeiland #wkb89
Italian Publishers Call for Tougher AI Regulations in Europe: @Porter_Anderson https://t.co/PejVB8I4dw @pubperspectives #wkb64
Marcus Leaver Announces the Formation of Gemini Books Group: @Porter_Anderson https://t.co/ooHDGUXHoz @pubperspectives #wkb64
Sentiment as a Gateway to Character: https://t.co/wPMxwh6b2x by Jan O’Hara @writerunboxed #wkb1
Stressed Or Feeling Guilty About Blogging? Keep Blogging Fun: https://t.co/Sk83qNRK0I @HughRoberts05 #wkb72
Writing A Series Is Like Creating a RPG Campaign:https://t.co/R1wyP5KrPI by Casey Cooper @diymfa #wkb15
Exploring Inner and Outer Conflict in Fiction: https://t.co/5WkM46FerF @livewritethrive #wkb25
How to Mine Your Life for Writing Gold: https://t.co/9fNKzUMyOa @HughCook_ca https://t.co/ee0SCrJEOG
Characterize with Clothing Choices: https://t.co/8DR6bAgHvZ @beccapuglisi @onestop4writers #wkb1
Perfecting Your Pitch: https://t.co/yA0DfFrugA by Lori Z. Scott #wkb68
At Guadalajara: Mexico’s Publishers Promote Sustainability, Social Responsibility: https://t.co/h8bq2fcEDm by Adam Critchley @pubperspectives #wkb64
The Power of Consistency: Crafting a Writing Routine That Endures – Leigh Shulman @TheLeighShulman https://t.co/b91TiWd23v #wkb34
Crime Fiction: In The Spotlight: Oyinkan Braithwaite’s My Sister the Serial Killer: https://t.co/1WfKvzfd58 @margotkinberg #wkb3b
How Should I Portray a Characterâ€s Memory Loss? https://t.co/mZwSfw2jDg @writing_alchemy #wkb89
Dublin’s An Post Irish Book Awards: The 2023 Shortlist @Porter_Anderson https://t.co/Ve19a9g9L7 @AnPostIBAS @pubperspectives #wkb84
Authors Still Need to Follow Social Media Etiquette Rules: https://t.co/trdw9wUy7W @annerallen #wkb71
Frankfurter Buchmesse Names Chile Its 2027 Guest of Honor: @Porter_Anderson https://t.co/aklN1Ec07k @culturas_cl @pubperspectives @book_fair #wkb84
Mining Your Life For Writing Gold: https://t.co/9fNKzUMyOa @HughCook_ca #wkb89 https://t.co/6eazPkOBGt
At Guadalajara: WIPO and IPA Release Publishing Data Reports: @Porter_Anderson https://t.co/gB6zuWNjNq @IntPublishers @WIPO @FILGuadalajara @Nielsen @karinepansa @andrebreedt @pubperspectives #wkb84
5 Essential Tips for Mastering Scene Writing in Your Novel: https://t.co/azGK3eV9Qe @amydelaforce #wkb23
Beyond stereotypes: portraying realistic LGBTIQ+ characters: https://t.co/FFa1XZjxgh by Arja Salafranca @nownovel
Scary Writing: https://t.co/L6Ce6rIMJj @dlfinnauthor @storyempire #wkb3
Preparing to Promote Your Writing at Online Events: https://t.co/mxCjNdn0bp @KarenHWhiting @ediemelson #wkb84
First Page Critique: The Puzzle Within : https://t.co/BeDPiagiSN @SueColetta1 #wkb8
The Strange and Expansive World of Narrative Craft: https://t.co/H4zSZWP7Nu by Angie Elita Newell @womenwriters #wkb89
When should I use semicolons? https://t.co/qfZKmoLedM by Dana Isaacson @careerauthors #wkbd
Writing The Soul Of Place: https://t.co/h5XVZS9V4P @LindaLappin1 @thecreativepenn #wkb90
The links I shared with writers last week: https://t.co/8sH1H8hiTY . All the links I’ve ever shared (70K+, free and searchable): writerskb..com
Brandon Sanderson’s 3 Laws For Magic Systems In Fantasy: https://t.co/7OUZClM9on by Iris Marsh @bang2write #wkb43
Should Writers Avoid Passive Voice? https://t.co/awQwQe7LJ8 from Mythcreants #wkb89
The Top Writing Links From Last Week Are On LitLinks:
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December 3, 2023
Mining Your Life For Writing Gold
by Hugh Cook
A writer once observed that someone’s first seven years provide enough to keep that person writing for the rest of their life. An interesting observation, and true for many, I suppose, but it wasn’t true for me. I was born in the Netherlands, and I remember surprisingly little about my first seven years there. My parents decided to immigrate to Canada when I was seven, and that’s when my memories really begin. Shortly after we arrived in Canada and settled in Burnaby, B.C., my parents bought an older house on Morley Street, a short dead-end gravel road with about a dozen houses, a small community contained between a highway at one end and woods at the other.
If the street was a microcosm of Canadian society at large I knew we had moved to an interesting country. Across the street was Gus Dietrich, whom I admired because he drove huge bulldozers parked on trailers in his driveway. Diagonally across from us were the Barkers, whose house hid behind tall, dense evergreens. The family were Jehovah’s Witnesses, and I can’t remember ever playing with their two kids. More interesting to me was Rev. Mackay two houses down the street, a retired United Church minister who also, we discovered, was a nudist. Apparently he went without clothes inside his house, but working in his yard outdoors he bowed to public decency by wearing a skimpy blue loincloth similar to the ones Indians wore in Hollywood movies, the skin of his leathery torso tanned and wrinkled.
I was puzzled by Rev. Mackay, for the only ministers I had experienced in Holland were dominees who wore black togas in church and preached long sermons and taught me catechism—now here was a minister who went around naked! I couldn’t fathom that: Rev. Mackay, dressed in a blue loincloth picking raspberries or hoeing a flower bed. Reclusive Jehovah’s Witnesses, a nudist United Church minister—I knew we Dutch immigrants in argyle socks and strange haircuts must have been an odd lot in the eyes of Canadians, but we had nothing on some of the others.
The person our family was closest to was Miss Morley next door, a single elderly woman whose grandfather the street was named after. Miss Morley was a hefty woman; the grey hair in her bun was as tight as a knot in a wet rope; thick grey hairs sprouted from her chin. She wore blue denim overalls covered with an apron made from chicken feed sacks and lived in an old house identical to ours, and we would see Miss Morley every day, slowly making her way down her back steps to feed the twenty Red Hampshires she kept for eggs. If she was sick I would have to feed the chickens for her, and I would step into her dark, spider-webbed cellar with dirt floor for the chicken feed and water.
The most interesting thing about Miss Morley, however, was that she had a parrot, a red and blue macaw named Polly which she kept in a cage in her kitchen, and on warm summer days when her kitchen windows were open, we could hear Polly’s screeches split the air. I’d never seen anything as exotic up close as Miss Morley’s parrot. The top of its head was a brilliant red sheen, which gradually turned bright blue on its back and the top of its wings, then an electric blue on its stomach. Its long tail feathers were a shimmering blue and red. I didn’t often enter Miss Morley’s house, whose brown wallpaper and wood furniture and linoleum kitchen floor seemed as ancient as she was, but whenever I did, Miss Morley, knowing why I had come, would lead me to the kitchen to meet Polly. She’d taught the bird to say—what else?—“Polly want a cracker.” The round stub of Polly’s leathery tongue, much like the eraser on the end of a pencil, bobbed up and down inside its beak, then the bird would eye me from inside its cage with piercing eyes—perhaps wondering, since she’d performed, why I didn’t indeed give her a cracker. The bird struck me as being infinitely more interesting than the blue budgie named Pickles my mother kept in a birdcage in our kitchen.
These were among the habitants of Morley Street, whose lives were as odd and eccentric to me as we Dutch immigrants must have seemed to them. From these neighbors, though, I learned an important lesson for writers, which is this: the mystery and complexity and staggering variety found in human lives exists not far away from us, but on our very own street—next door—under our noses—lives as luminous as our own if we will but open our eyes.
So here’s an important question for aspiring writers: WHAT IS YOUR “MORLEY STREET”? What neighborhood, what piece of geography, what occupation do you know better than anyone else? For William Faulkner it was his fictional Yoknapatawpha County in Mississippi, which he called his “little postage stamp of native soil.” For Canadian Nobel Prize-winning author Alice Munro, it was Huron County in southwestern Ontario. For Chaim Potok it was the Chasidic community of Brooklyn. And for James Baldwin it was the gay Black experience in white America. Perhaps for you it’s life on a Michigan farm. For others it may be a small town in Iowa or Illinois. Perhaps for someone it’s what working in a factory is like. Or an inner-city neighborhood that’s been transformed from predominantly white folks to Blacks or Hispanics.
Whatever your “Morley Street” is, seek it out, and mine its riches. Here is a good writer’s motto for you: “Fools seek happiness in the distance, but good writers recognize it under their feet.”
Hugh Cook holds an MFA in fiction writing from the Writers’ Workshop at the University of Iowa. He has published two books of short stories and two novels. Readers can obtain his recent novel Heron River at Amazon and at Barnes and Noble.
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December 2, 2023
LitLinks
by Elizabeth S. Craig, @elizabethscraig
LitLinks are fed into the Writer’s Knowledge Base search engine (developed by writer and software engineer Mike Fleming) which has over 70,000 free articles on writing related topics. It’s the search engine for writers. While you’re there, check out the Writer’s Digest award-winning Hiveword novel organizer.
Have you visited the WKB lately? Check out the new redesign where you can browse by category, and sign up for free writing articles, on topics you choose, delivered to your email inbox! Sign up for the Hiveword newsletter here. Follow the WKB on Facebook here.
Business / MiscellaneousBusiness Musings: Totally Different Careers: by Kristine Kathryn RuschGet paid without guilt: 6 lessons I’ve learned: @jccabelAudiobooks: My love-hate (but mostly hate) relationship with Audible: by @pattyjansenManaging Your Author Business Over The Long Term With Tracy Cooper-Posey: @thecreativepennEarn Six Figures as a Writer With This One Weird Trick: @guerillamemoir @JaneFriedmanTeaching Writing: Three Ideas for Energizing Writing: by Melanie MeehanWattpad Increases its Offering to Paying Subscribers: @agnieszkasshoes @indieauthoralliWhat is Selective Rights Licensing for Indie Authors? @indieauthoralliThe 80/20 Rule And Novelists: @snowflakeguyConferences and Events / MiscellaneousIPA’s Karine Pansa Opens Guadalajara: ‘A Union of Cultures to Build’: @Porter_Anderson @pubperspectivesIreland’s Paul Lynch Wins the 2023 Booker Prize for Fiction: @Porter_Anderson @PubPerspectivesEd Yong’s ‘Immense World’ Wins the Royal Society Prize: @Porter_Anderson @pubperspectives @edyong209Sheikh Zayed Book Award, the 18th Cycle: Three More Longlists: @Porter_Anderson @pubperspectivesAt Guadalajara: The EU Hosts Independent Publishers: @Porter_Anderson @PubPerspectivesAt Guadalajara: WIPO and IPA Release Publishing Data Reports: @Porter_Anderson @pubperspectivesCreativity and Inspiration / InspirationTo Be More Creative, Write a Letter to Your Reader: @annkroekerCreativity and Inspiration / Inspiration / Reading as Writers10 Stories of Women Finding Their Calling in a New Career: @WF_WRITERS @booktribCreativity and Inspiration / MotivationCreating Character Motivation: The Fallacy of Magical Knowing: @foxprintedCreativity and Inspiration / Productivity / Fitting in WritingHow to Establish a Writing Routine: @AuthorMarileneWriting Intervals: The Pomodoro Technique: @joanhallwrites @storyempireCreativity and Inspiration / Writing LifeInspirational Indie Author Interview: Karen Heenan. Retired Paralegal Finds Second Career in Historical Fiction: @karen_heenan @howard_lovyWhen To Let Go Of Your Work: A Guide To Abandoning Projects: @amandalinehanVirtual Writing Communities: Connecting with Fellow Writers Online: @TheLeighShulmanThe Magic of the Library Book Sale: by Jeanne Kisacky @writerunboxed4 Writing Tips Cats Teach Us: by Megan Jenkins @nanowrimoEvery novel feels like an impossibly tall mountain: @nathanbransfordBrain Gym for Writers: by Candyce CardenGenres / FantasyThe Three Secrets to Writing Historical Fantasy: by Tasha SuriGenres / HorrorTropes of Psychological Horror: @MandSMagazineGenres / MysteryFinding Inspiration for Metafictional Murder: @dannmcd @crimereadsKeeping Cozies Suspenseful: @shannonsymonds7The Dream of Making it Big as an Element in Crime Fiction: @margotkinbergHow Laws Impact Characters in Crime Fiction: @margotkinbergEvent-Prep Tension as an Element in Crime Fiction: @margotkinbergGenres / Non-FictionCreating reviewable drafts: complete but not finished: @jbernoffGenres / PoetryHow to Fill Your Day with Poetry: @cassandra_keyGenres / Science FictionA Better Future: The Allure of Utopian Worlds: @quillinary @diymfaPromo / CrowdfundingMastering the Crowdfunding Success Mindset: @russellnohelty and @KotarNicholasPromo / MiscellaneousSuccessful Marketing for Multigenre Authors: Reaching More Readers, With Dale L. Roberts and Holly Greenland: @selfpubwithdale @indieauthoralliHow to Organize a Virtual Book Launch Event: 11 Clever Book Promotion Ideas: @bookgal11 Proven Strategies to Skyrocket Your Book Promotion on Amazon: @bookgalPromo / Pricing10 Pricing Strategies Every Author Should Know: How to Price Your Book for Success: @bookgalPublishing / MiscellaneousA Look at My Vella Results: @beemweeks @storyempirePublishing: It’s a Smaller World Now: @rcharkin @pubperspectivesPenguin Random House Sues the US State of Iowa: @Porter_Anderson @PubPerspectives @penguinrandomPublishing / News / International PublishingPublishing Scotland’s Fellowship Program: Open for Applications: @Porter_Anderson @pubperspectives @publishscotlandGermany: Bookwire’s Audiobook Goes to Brazilian, English, Spanish Markets: @Porter_Anderson @PubPerspectivesCanadian Publishing Calls Out Ottawa’s Inaction: @Porter_Anderson @PubPerspectivesCOP28: Switzerland’s Frontiers Introduces an ‘Open Science Charter’: @Porter_Anderson @PubPerspectivesPublishing / Options / Traditional PublishingSeven Tips for Writing Cover Letters, Pitches, and Bios: by Mira ReisbergPublishing / Options / Traditional Publishing / QueryingA very good nonfiction query (query critique): @nathanbransfordHow to Turn an Essay into a Book Deal: by Catherine Baab-Muguira @JaneFriedmanPublishing / Process / Services to AvoidImposter Syndrome: The Rise of Impersonation Scams: @victoriastraussWriting Craft / Characters / ArcMastering Character Evolution: A Powerful Ladder of Choice: by Laurie Schnebly CampbellWriting Craft / Characters / DevelopmentWriting through the generations: The Silent Generation: @gmplano @storyempireWriting Craft / Common MistakesHow to Show, Not Tell: by Georgio KonstandiShowing vs. Telling: @writingandsuchWriting Craft / ConflictThe Enemy Within – 8 Tips to Crafting Powerful Inner Conflict : @livewritethriveWriting Craft / MiscellaneousThe Expanded Ultimate Story Checklist: Is the story limited to one genre (or multiple, merged genres) introduced from the beginning? @cockeyedcaravanThe Expanded Ultimate Story Checklist: Is the story limited to compatible subgenres, without mixing metaphors? @cockeyedcaravan7 tips to tighten the saggy middle of your story and keep readers engaged: @HelenaFairfaxNon-Negotiable: The One Thing That Makes Stories Timeless: @storygridHow Much Exposition Can I Have? by Oren AshkenaziIs there a dramatic question posed early on that establishes which moment will mark the end of the story? @cockeyedcaravan wkb89Finding Details to Go with a Basic Plot: from Writing Questions AnsweredWhy Writers Must Be Mean to Their Characters: @SarahSallyHamer @ediemelsonWriting Craft / PacingWriting the Somehow: Pacing and Characters’ Changes: @lindasclareWriting Craft / Pre-Writing / PlottingSix Downward Turning Points for Heroes: by Chris WinkleWriting Craft / Pre-Writing / ResearchResearching as a Writer: by Resident VampireWriting Craft / RevisionRadical Revision: When the Going Gets Tough, Writers Get Radical: @RuthHarrisBooksMaking A Long Story Shorter: by Marilynn ByerlyWriting Craft / Scenes / ConflictFive Big Conflicts That Are Too Easy: by Oren AshkenaziWriting Craft / SeriesThe Secrets To Writing A Series: @KMAllan_writer
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November 27, 2023
Keeping Cozies Suspenseful
by Shannon Symonds ,@shannonsymonds7
As writers, we talk a lot about the hook, the first sentence, the first page, the thing that sucks you into a book and won’t let you go. You might think the hook is what is happening. I think the hook is who the action is happening to and why we care about them. Readers stay up all night or become emotionally invested in cozy mysteries when they care about what happens to the main character and the people in their world.
When I read a book, I slip between the covers and into the main character’s life and escape my own reality. I must feel invested in the outcome and be interested in the person the action is happening to. Consequently, when I pick up a new book and read the back, or the first page, I need to relate to the protagonist, see their flaws or lessons they need to learn, and care about what is at stake, or I will put the book down.
You would think that if I am planning to slip into the skin of a protagonist, I would want that person to be smart, beautiful, and practically perfect. For me, and for readers, the opposite is true. There isn’t a person alive who doesn’t have something they need to learn, a flaw, or a haunting experience affecting their decisions. Perfect is predictable. Because I’m not perfect, I want to spend time with characters I relate to. When you choose a best friend, do you want it to be someone who has all the answers, or someone that understands your struggle?
I once had the pleasure of attending a training by Lisa Cron, the author of Story Genius. She talked about the importance of caring about protagonists, showing their flaws or lessons they need to learn, and writing a book that takes the reader with them on a journey of change.
“Do you know what your protagonist’s external goal is? What specific goal does his desire catapult him toward? Beware of simply shoving him into a generic, ‘bad situation’ just to see what he will do.” Lisa Cron, Wired for Story, The Writer’s Guide to Using Brain Science to Hook Readers From the Very First Sentence.
When I plot a cozy mystery, I start by building a world that I would love to live in. I have a general idea of who will die and how they are murdered. Then I develop characters I hope readers relate to and care about.
I begin by making detailed character sketches of the main and secondary characters, their motivations, the stakes, everything, including their quirks and flaws. Solving the mystery and helping someone else isn’t the happy ending of the story. The moment the main character understands her flaws, and grows or changes, is the ending that stays with readers long after they close the book. I love it when I make a reader cry with joy as the character learns a lesson or changes.
The villain matters. If they are too evil, they’re obvious, and the suspense is gone. The victim also matters. They need to be important to the reader, the protagonist, their friends, and family.
In every book I create friends who are comic relief. Pets, and fun characters allow the protagonist to talk about what is happening and learn from a friend like a wise, older woman.
A relationship map helps me look for ways to raise the stakes. I map love triangles, family members or friends that are possible targets, or the wrongfully accused character that is important to the protagonist. I try to find at least five red herrings within the relationships surrounding the main character or their friends and family. Each relationship connection gives the protagonist another reason to take unusual risks as an amateur sleuth or to ignore bumbling law enforcement.
Once I know who I am writing about, I solidify the means, motive, and opportunity.
I am a plotter. I use a method I learned from Jessica Brody, the author of Save the Cat Writes a Novel. I find that it helps me pace the story, know when to raise the stakes, create a darkest night, and basically move things along.
For example, in my recent novel, Booked for Murder, before the book begins, the main character, Ivy, left a short, but traumatic relationship. We meet her as she leaves a shelter with a new identity and is on a bus. We clearly see her trust issues and how they impact her relationships. We also see that although in her past she was strong and confident, she blames herself for what happened to her. She questions everything, including her new relationship with an older woman who gets on the bus, Aggie. Her new friend offers to help her. Readers tell me they love Aggie. I plant a seed of doubt. Did Aggie really just happen to be on the same bus, or did she get on the bus looking for Ivy?
Whether you are a plotter or a pantser, you can ask yourself how each character, act, or part of the story raises the stakes, moves the plot forward, and changes or affects the protagonist.
In my case, no matter how carefully I plot a story, the characters seem to take on a life of their own and completely derail my plans. They present opportunity after opportunity to send readers in the wrong direction, choose the wrong killer, and care deeply about the outcome. You might think my plotting was a waste of time. I think anything that inspires me to create suspense in a world you want to slip into and never leave isn’t a waste of time. When my plans are tossed out the window, the magic happens, and the book begins to write itself. It is always better than the story I planned.
Shannon Symonds writes in an old house by the sea, where her 6 children, their children, 30 or 40 of her closest relatives, and dogs come and go constantly. She loves laughter, a good mystery, running on the beach, deep sea fishing, and bonfires.
In 2021 she was awarded the Author Ready Author to Watch Award for her By the Sea Cozy Mystery YA series. Her books can be found at Deseret Book, Barnes & Noble, Costco, and Amazon.
Shannon’s books on Amazon@shannonsymondsauthor@cozymysteriesbythesea on Instagram
Keeping Cozy Mysteries Suspenseful by @shannonsymonds7 :
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November 25, 2023
LitLinks
by Elizabeth S. Craig, @elizabethscraig
LitLinks are fed into the Writer’s Knowledge Base search engine (developed by writer and software engineer Mike Fleming) which has over 70,000 free articles on writing related topics. It’s the search engine for writers. While you’re there, check out the Writer’s Digest award-winning Hiveword novel organizer.
Have you visited the WKB lately? Check out the new redesign where you can browse by category, and sign up for free writing articles, on topics you choose, delivered to your email inbox! Sign up for the Hiveword newsletter here. Follow the WKB on Facebook here.
Business / MiscellaneousHow to Market Your Book with 13 Pre-Order Strategies: @bookgalTips For Selling And Marketing Your Books Direct To Readers: @thecreativepennConferences and Events / MiscellaneousAbu Dhabi’s 18th Sheikh Zayed Book Award Cycle: Four Longlists: @Porter_Anderson @PubPerspectivesHalik Kochanski’s ‘Resistance’ Wins the Wolfson History Prize: @Porter_Anderson @PubPerspectivesLondon Book Fair 2024: Main Stage Keynote Sessions: @Porter_Anderson @pubperspectivesCreativity and Inspiration / InspirationCreativity and Inspiration: defined by negatives: @austinkleonFor Writers Who Hate Prompts: by Zack JeffriesAI and the Creative Process: @ProfJamesHutson @JSTORHow to Use Brain Waves to Enhance Your Writing Practice: @LisaEllisonsPen @JaneFriedmanCreativity and Inspiration / Inspiration / Reading as WritersSurprising Scientific Reasons Why Reading Is Important: @BrynDonovanThe Value of Unread Books: @aprildavila wkb3b8 Short Story Collections About the Flipside of Living in a Postcard Destination: @jhhesler @electriclit5 Historical Mysteries Featuring Unforgettable, Unconventional Women: by Ritu Mukerji @crimereads8 Cozy Mysteries Featuring BFFs and Women Supporting Women: @samarayewauthor @crimereadsCrime Fiction: In The Spotlight: Yrsa Sigurdardóttir’s The Silence of the Sea: @margotkinbergMysteries of the 1970s : @MandSMagazine wkb3bThanksgiving Mysteries: @MandSMagazineCreativity and Inspiration / Writing LifeThe Writer’s Kitchen: @AnneJanzerWriting Is Typing: @lindasclareWhy We Write: Artistry, Identity, and Legacy: by Barbara Linn Probst @writerunboxedHow to Double Down On Being Human. 5 Ways To Stand Out In An Age Of AI : @thecreativepennThe Agony and the Ecstasy of Uncertainty in Writing: @JennyHansenCAWriting Motivation: How to Win the Marathon of the Middle of Your Novel: @JerryBJenkinsCan NaNoWriMo Cure Your Creativity Wound? @annerallenHow publishing a cookbook helped me as a writer: by Janet MorrisonHow To Write a Book During Tumultuous Times: @LisaTenerIn Which Perseverance Gets an Alignment: by Keely Thrall @writerunboxedWriting Through Drama and Chaos: @lindasclareFrom critiquing to creating – literature professor Steven Belletto shares his transition to authorhood: @Roz_MorrisGenres / MemoirQuestions to Ask before Writing Your Memoir: Genres / MysteryChefs as an Element in Crime Fiction: @margotkinbergFinding Inspiration for Mystery Fiction in Soap Operas: @VanessaRiley @crimereadsGenres / RomanceViewpoint In Romance: by Elaine Dodge @writers_writeGenres / Screenwriting5 Reasons Screenwriters Should Write Comic Books: by Shawn Hainsworth @bang2writePromo / BloggingGuest Post Guidelines – A Bare Bone Approach: @HowellWave @storyempire7 Ways to Always Have Plenty of Ideas for Your Blog Posts: @EdieMelsonPromo / Book ReviewsThe one-star review : @JBernoffPublishing / MiscellaneousSwift Press’ Diana Broccardo and Mark Richards: ‘We’re Independent’: @Porter_Anderson @PubPerspectivesAhead of Oral Arguments: Briefs Filed in Texas’ ‘Book Rating’ Law: @Porter_Anderson @PubPerspectivesPublishing / News / DataOctober 2023 Bestseller Lists from @HotSheetPub, @JaneFriedman, and Bookstat: APA: Audiobooks’ US Share Up 5 Percent, 2017 to 2022: @Porter_Anderson @PubPerspectivesPublishing / News / International PublishingNairobi Book Fair Held Its Inaugural Rights Center in 2023 @OliviaSnaije @PubPerspectivesRights Roundup: Max Seeck on ‘Familiarity and Marketability’: @Porter_Anderson @PubperspectivesPenguin Random House: Nihar Malaviya Announces International-Level Leadership Changes: @Porter_Anderson @PubPerspectivesUK Publishers Open Their ‘Work in Publishing’ Campaign: @Porter_Anderson @PubPerspectivesIPA’s Reach Expands to 81 Countries, 101 Associations: @Porter_Anderson @PubPerspectivesPublishing / Options / Traditional Publishing / QueryingSubmit and Query Like a Salesman: @PhilAthansPublishing / Options / Traditional Publishing / RejectionsGetting Past Rejection: by Diana Giovinazzo @writerunboxedSafety Dispatch: How to Establish and Use a Pen Name: @sfwaPublishing / Process / Services to AvoidWhy Writer Beware Doesn’t Recommend or Endorse Agents or Publishers: @victoriastraussWriting Craft / BeginningsDon’t let a lyrical voice get away from you (page critique): @nathanbransfordWriting Craft / Characters / ArcWriting: Your Character’s Journey : @lindasclareWriting Craft / Characters / DevelopmentA List of 100 Character Defects: @BrynDonovanWriting Craft / Common MistakesA Few Common Mistakes Writers Make: by Crystal Bowman @ediemelsonWriting Craft / ConflictWhat is Internal Conflict? With Definition and Examples: @SWMillarAuthor @fictionaryWriting Craft / Lessons from Books and FilmLessons From the Writing of The Catcher in the Rye: by Chris Winkle5 Films About Existential Assassins: @nkolakowski @crimereadsWriting Craft / MiscellaneousExpansion Pack: The Contagonist: @Virgilante @storyempireFigurative language from Prince Harry: @pubcoachDon’t Hide Your Emotion—How to Write with Feeling: by Callie Thomas @goteenwritersReward Your Readers with a Battle that Earns the Ending: by Lynette M. BurrowsWhat Pain Has to Offer in Your Novel: by N.L. HolmesTips to Help a Writer Move from Slush Pile to Sold: @PattySmithHall @ediemelsonJust write: @nathanbransfordThree Ways to Structure a Chapter: @AnneGBrownWriting Craft / Punctuation and GrammarWhen to Use “Which,” “That,” and “Who”: @TheGrammarDivaWriting Craft / RevisionIf you really want to become a good editor, stop thinking about yourself: @pubcoachWriting Craft / ScenesWhen Stuck in a Scene, Look Around: @Janice_HardyWriting Craft / TensionHow Long Can Tension Fall Before Readers Get Bored? by Chris WinkleWriting Tools / ResourcesBlack Friday Deals for Writers 2023: @DaveChesson
The Top Writing Links From Last Week Are On LitLinks:
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November 18, 2023
LitLinks
by Elizabeth S. Craig, @elizabethscraig
LitLinks are fed into the Writer’s Knowledge Base search engine (developed by writer and software engineer Mike Fleming) which has over 70,000 free articles on writing related topics. It’s the search engine for writers. While you’re there, check out the Writer’s Digest award-winning Hiveword novel organizer.
Have you visited the WKB lately? Check out the new redesign where you can browse by category, and sign up for free writing articles, on topics you choose, delivered to your email inbox! Sign up for the Hiveword newsletter here. Follow the WKB on Facebook here.
Happy Thanksgiving to my American friends! I’ll see you back here on Sunday.
Business / MiscellaneousAmazon Introduces Virtual Voice Narration: Self-Publishing News Podcast with Dan Holloway: @agnieszkasshoes @indieauthoralliBook Awards Update For Indie Authors: November 2023: by Hannah Jacobson @indieauthoralliConferences and Events / MiscellaneousSharjah’s 42nd Book Fair: More Than1.2 Million Visitors: @Porter_Anderson @PubPerspectivesThe National Book Awards: David Steinberger’s Narrative: @Porter_Anderson @PubPerspectives @nationalbookHow to Prepare for a School Visit: @amyguglielmo @penguinrandomShanghai’s Children’s Book Fair at 10: A Fifth Year for Its Bologna Partnership: @Porter_Anderson @PubPerspectivesPreparing to Promote Your Writing at Online Events: @KarenHWhiting @ediemelsonAt the 2023 National Book Awards: Winners: @Porter_Anderson @PubPerspectives @NationalBookChristian Ebert To Join Frankfurter Buchmesse’s Management Team: @Porter_Anderson @PubPerspectives @book_fairCreativity and Inspiration / InspirationHow to Make a Storyboard: by A. P. McKinneyCreativity and Inspiration / Inspiration / Reading as WritersCrime Fiction: In The Spotlight: Mette Ivie Harrison’s The Bishop’s Wife: @margotkinbergCrime Fiction: In The Spotlight: Matthew Sullivan’s Midnight at the Bright Ideas Bookstore: @margotkinbergCreativity and Inspiration / Productivity / Fitting in WritingHow to Increase Your Productivity When You Don’t Feel Productive: @jamesscottbellThe Power of Consistency: Crafting a Writing Routine That Endures – Leigh Shulman @TheLeighShulman Creativity and Inspiration / Productivity / Writer’s BlockWriter’s Block – and How to Beat It: @EmyliaHallCreativity and Inspiration / Writing LifeWriting for Children After Writing for Adults by @mike54martin: Writers Will Find Value By Continuing to Write Even When Life is Stressful: @TickledPinkTam @ediemelsonWriting Organically Can Be Messy: @WritingRivers @womenwritersOn the Ending of a Literary Journal: by John Freeman @lithubThe CrimeReads 2023 Holiday Gift Guide: by Olivia Rutigliano @crimereadsGenres / DystopianUnlocking the Recipe for Dystopian Fiction: @quillinary @diymfaGenres / FantasyDesigning Your Fictional Spaceship: @GeekArtZentner @sfwaBrandon Sanderson’s 3 Laws For Magic Systems In Fantasy: by Iris Marsh @bang2writeGenres / Literary FictionWhat Was Literary Fiction? @dan_sinykinGenres / MysteryCrime Fictional Murders that Occur in Crowds: @margotkinbergSatire as an element in crime fiction: @margotkinbergRomance and Love Triangles in Cozy Mysteries: @RomerilChris @crimereadsGenres / Non-FictionHow to Write a Nonfiction Book in 2023: The Ultimate Guide for Authors: @storyhobbitPromo / BloggingStressed Or Feeling Guilty About Blogging? Keep Blogging Fun: @HughRoberts05Promo / CrowdfundingCreative Tips for Crowdfunding: Creative Self-Publishing Podcast with Orna Ross: @indieauthoralliPromo / MiscellaneousHow to Market Your Backlist Titles: @bookgalPromo / Social Media TipsGetting Started on a New Social Media Platform: by Jacky Bethea@penguinrandomAuthors Still Need to Follow Social Media Etiquette Rules: @annerallenPromo / SpeakingTips to Help Writers and Speakers Create an Effective PDF Handout: @ediemelsonPublishing / MiscellaneousThe Basic Layout of an eBook: @DancingLemurPre
@theiwsg‘Speak Up’ Is the Theme of University Press Week: @Porter_Anderson @PubPerspectivesDavid Shelley To Lead Hachette in Both the UK and USA: @Porter_Anderson @PubPerspectivesPublishing / News / AmazonBook Metadata, Keywords and Amazon Category Changes: Help Readers Find Your Book: @indieauthoralliPublishing / News / International PublishingItaly: Football Trails Books in Culture-Spending Milan: @Porter_Anderson @PubPerspectivesFrance’s Vivlio Launches a New Ebook Service @JaroslawAdamows @pubperspectivesRights Edition: Torino’s Upcoming Translation Conference: @Porter_Anderson @pubperspectivesPublishing / Options / Self-PublishingIndie Author Magazine Informs the Self-Publishing Community: @howard_lovy @indieauthorzinePublishing / Options / Traditional Publishing / PitchesPerfecting Your Pitch: by Lori Z. ScottPublishing / Process / LegalitiesHow Do You Copyright Your Work with Illustrations or Photos Created by Friends & Family? by Digi-Rights @bowkerWriting Craft / BeginningsClunky and vague are a dangerous combo (query critique): @nathanbransfordFirst Page Critique: The Puzzle Within : @SueColetta1Writing Craft / Characters / DevelopmentCharacter Type and Trope Thesaurus: Antihero: @beccapuglisi @onestop4writersCharacterize with Clothing Choices: @beccapuglisi @onestop4writersSentiment as a Gateway to Character: by Jan O’Hara @writerunboxedWriting Craft / Characters / EmotionScary Writing: @dlfinnauthor @storyempireWriting Craft / Common MistakesAsk the Book Doctor: About Common Errors: @BookDoctor4uWriting Craft / ConflictExploring Inner and Outer Conflict in Fiction: @livewritethriveWriting Craft / DiversityBeyond stereotypes: portraying realistic LGBTIQ+ characters: by Arja Salafranca @nownovelWriting Craft / Lessons from Books and FilmWriting Lessons from Singer-Songwriters: @DavidCorbett_CA @writerunboxedWriting Craft / MiscellaneousWriting: Good News/Bad News: @lindasclareTips for Writers who are Auditory Learners: @maccreadysbabyUnreliable Narration: A Useful Tool or Just Hype? by Oren AshkenaziShould Writers Avoid Passive Voice? from MythcreantsThe Strange and Expansive World of Narrative Craft: by Angie Elita Newell @womenwritersHow Should I Portray a Character’s Memory Loss? @writing_alchemyFigure Out Your Story’s Magic System Using Story Structure: @KMWeilandWhat It Means to Make Your Story Relatable: by Deborah Williams @JaneFriedmanWriting Craft / Pre-Writing / NamingThe Tricky Task of Book Titles: @annehawkinson
@floridawriters1Writing Craft / Pre-Writing / ResearchHistorical Research for Writers: by Sheree CrawfordWriting Craft / Pre-Writing / Story BeatsSleepy Hollow Beat Sheet Analysis: @DonRoffWriting Craft / Pre-Writing / Story ConceptHow to Choose the Right Story Idea: by S J Watson @nanowrimoWriting Craft / Punctuation and GrammarHomonyms: Commonly Misused ‘E’ Words: @harmony_kent Story EmpireWhen should I use semicolons? by Dana Isaacson @careerauthorsWriting Craft / Revision7 Self-editing Tips for Writers: @AneMulligan @ediemelsonWriting Craft / SeriesThe Secrets To Writing A Series: @KMAllan_writerWriting A Series Is Like Creating a RPG Campaign: by Casey Cooper @diymfaWriting Craft / Settings and DescriptionWriting The Soul Of Place: @LindaLappin1 @thecreativepennWriting Tools / MiscellaneousMAP Making for Authors: @AuthorMConor
The Top Writing Links From Last Week Are On LitLinks:
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The post LitLinks appeared first on Elizabeth Spann Craig.