Elizabeth Spann Craig's Blog, page 123

Regaining Confidence in a Project

By Elizabeth S. Craig, @elizabethscraig

I hope that I’m not just accentuating the positive on my blog. Writing rarely comes super-easy to me.  It’s always a fight to stay focused and meet my daily goals.  I worry over every single project.  I absolutely love the writing and feel incredibly fortunate about being able to do this for a living…unless it’s a day when I’m not loving it.

My current self-published project has been interrupted a lot more than any other project I’ve ever worked on. Some of the interruptions were personal…like Thanksgiving and Christmas.  Some were professional—my agent asked me to write up a couple of outlines for proposed projects.  Then I got global edits in for a traditional project that publishes this summer.  Then I got copyedits for the project a few days ago.

Because I had an outline, I was able to pick right up where I left off with the self-published project each time, but a few days ago, I felt…I don’t know.  It was an odd combination of insecurity about the project, a longing for the story to be really strong despite all the delays, and some loss of interest in the manuscript, related to the other couple of issues.

One thing that’s not been an option for me in the last six years or so is completely ditching a project.  When I was working on books in my early twenties, I was mostly practicing with voice and trying on various genres.  I started two books that I clearly remember, but I might have started another one, too.  It’s different now.  For one, I have confidence that I can fix any mess I’ve made in a first draft.  For another, I’m usually running right on top of a deadline and there isn’t the luxury of time.

Although I wouldn’t give up on the project, I still needed to deal with the weird resistance to/loss of faith in it.

I reread the manuscript.  This is something that I never do.  I never, never read the story while I’m writing it.  But in this particular case, I was already feeling so apprehensive about it that I decided I couldn’t possible lose more faith. When I read the manuscript, I realized it was just as good as the other books.  Parts were even better than the other books.  The problem areas could be easily fixed in later drafts.  All was well.

I read clips of positive emails and reader reviews.  This was not the time to go gallivanting around Goodreads (a menacing dark alley for writer egos, in my opinion).  I do keep a small folder on my computer in case I need some sort of shot in the arm. Like the words of readers who want the next release and really don’t care if I’m hitting a wall or not.

I reminded myself that I never consider myself behind and never try to “catch up.”  (Well, unless it’s a traditionally published project and I’m a lot closer to deadline than I should be.)  Each day is a blank slate …I meet that day’s goals and don’t let any missed goals cloud my mind.   I am not behind.

Have you ever lost faith in a story?  How did you keep going?

Image: “Wired1″ from Death to the Stock Photo

The post Regaining Confidence in a Project appeared first on Elizabeth Spann Craig.

Working With a Cover Designer: Time-Saving Techniques

By Elizabeth S. Craig, @elizabethscraig

I have a cover conference (via email) this week with my current cover designer, Karri Klawiter.  I’ve been told by cover designers in the past that they like working with me because I both know exactly what I’m looking for (or can quickly identify what I’m looking for when I get samples) and that I supply most/all of the information they need on their end immediately.

I’ve got sort of a template email that I use with designers to help speed along and clarify the process on both ends.  Below is the initial email I sent for the last, published, project of mine (fall release). 

*****

Cover Formats: 

As for the last project you did for me, I’m looking for a:

1) print cover:  I’d like the book to retail for $10.99 US and 6.99 UK.  Dimensions: 5.06” x 7.81 on white pages for CreateSpace. The ISBN for the print edition will be: 978-0-9895180-5-5  or ISBN-13: 978-0-9895180-5-5 .  As yet I don’t have an exact page count, but it should be right around 200-215 pages.  Tagline to go over the back cover copy: At Greener Pastures Retirement Home, leisure time can prove perilous… 

My bio for the back of the printed book (author photo is attached):

Elizabeth writes the Southern Quilting mysteries for Penguin/NAL, the Memphis Barbeque mysteries for Penguin/Berkley, and the Myrtle Clover series for Midnight Ink and independently.  She blogs at  ElizabethSpannCraig.com/blog  , which was named by Writer’s Digest as one of the 101 Best Websites for Writers for 2010-2013. 

Back cover copy: 

When psychic (and hubcap retailer) Wanda Alewine pays a late-night visit to Myrtle Clover, she urges the octogenarian sleuth to head straight to Greener Pastures Retirement Home. But Wanda doesn’t want Myrtle to consider the home’s dubious amenities–she wants Myrtle to prevent a murder seen in a vision.

Reluctant Myrtle investigates with sidekick Miles, who seems a lot more interested in Greener Pastures than she is. As the duo digs, they uncover more than just Sudoku and Scrabble—they discover a sinister undercurrent… with murder as its outcome.

2) An ebook cover (will run on Nook, Kindle, Smashwords), and  3) an audiobook cover for ACX.

What I’m looking for is really exactly what you did for the “Body at Book Club” cover…illustrated/vector drawing approach for the cover.

So, it’ll be “Death Pays a Visit”–A Myrtle Clover Mystery by Elizabeth Spann Craig (all title and byline elements like you had them last time).

Ideas for the cover. 

I was thinking maybe a backdrop of a stone or brick wall with ivy on it.  In the foreground, a bistro-style table with an upset glass, formerly full of red wine?  Or maybe a broken flower pot either on the ground or the table (don’t know if that would require a window on the backdrop’s wall).  I’m attaching some photos that sort of show where I was going with the idea, if that can help give you a starting place.  I guess if we could sort of keep it simple and not too busy, but have it look like a mystery cover.

Please feel free to jump in if you think of other potential options.  The idea is a tranquil scene with some dangerous sorts of elements thrown in.

****** (end email)

Additionally:

I sometimes attach covers of other books in my genre that I especially like.

I ask to be put on my designer’s calendar again for the next available slot.

I remind my designer that I will need to contact her once the formatting is done with the exact page number so that she can tweak the spine to get it exact for the print copies for CreateSpace.

So, general takeaways:

We can work with a designer on a book even when we haven’t yet started the book.

We need to know what formats we want the book in…print? Ebook?  Both?

We need to know what type of cover we’re looking for. Photo manipulation?  Vector illustration?

We need to be familiar with what types of covers various designer can do (some don’t do illustration) and what information they require.  These requirements will usually be specified on their site.

We need to know what, legally, we can do with the images designers create.  The post “Do You Know Who Owns Your Book Cover” from attorney Helen Sedwick on the Book Designer site may be helpful.

We will want our print cover’s spine to be tweaked if we don’t have the final page count yet. See what the process for doing that is and whether there is any additional cost involved (or delay, time-wise).

I find it better (with my limited design experience) to give a starting point for the cover design and general element ideas and then let the experts work their magic.  I’m sure to emphasize that I’m open to ideas and design elements. Then I can offer suggestions for the sample(s) I get back.

On cover design day, I make it a point to be as accessible as I can that day to make the process of emailing back and forth go faster.  I don’t schedule appointments that day and I either check email frequently or I turn on notification sounds on my phone for the day.

And I pay promptly, too, which is important. PayPal is usually the method by which designers and other self-publishing professionals request payment.

How do you help the design process go smoothly?

The post Working With a Cover Designer: Time-Saving Techniques appeared first on Elizabeth Spann Craig.

Twitterific Writing Links

by Elizabeth S. Craig, @elizabethscraig

Twitterific writing links are fed into the Writer’s Knowledge Base search engine (developed by writer and software engineer Mike Fleming) which has over 30,000 free articles on writing related topics. It’s the search engine for writers.

Thoughts on Using Dialect :  http://ow.ly/Hw6KS by Jim Harrington

10 Tasks of the First Chapter http://ow.ly/Hw6KT @Diana_Hurwitz

3 Steps to Better Book Marketing:  http://ow.ly/Hw6KU @DigiBookWorld and Rich Bellis               

Wrapping Up Last Year: What Didn’t Work?  http://ow.ly/Hw6KY @jamigold

Can ebooks steamroll print?  http://ow.ly/HSPo7 @Porter_Anderson @TheFutureBook

Tackling Multiple Genres and Multiple Pen Names:  http://ow.ly/HAgIG  @MerryFarmer20

Author Greg Egan on 30 Years of Writing Hard Science Fiction:  http://ow.ly/HAgII @sfsignal

Short on writing time? Try the 250, 500 or 1000 Words A Day Challenge:  http://ow.ly/HAg02 @inkyelbows

Camera Angles in Fiction Writing:  http://ow.ly/HAgIK @lindasclare

Writing Through Difficult Times :  http://ow.ly/HAgIM by Diane Fraser @womenwriters

Why Superhero Books Are So Hard To Get Right:  http://ow.ly/HAgIT  @BrandSanderson

The 5 Steps to Become A Full-Time Writer:  http://ow.ly/Hw6KP @jimwoodswrites

The Literary Traditions of Self-Publishing:  http://ow.ly/Hw6KN  @ladieswhowrite

Ideas for Writing Creative Nonfiction:  http://ow.ly/Hw6KJ  @WritingForward

Freelancers: 17  Posts on Story Ideas, Article Writing, Interviews, and Editors:  http://ow.ly/Hw6ju @ticewrites

52 Ideas for Writers for 2015:  http://ow.ly/Hw6KH  @brooke_warner

How Art Journaling Can Improve Your Writing:  http://ow.ly/Hw6nb @AnneGreenawalt

2014 TED Presentations from Writers:  http://ow.ly/Hw6KE @galleycat and Maryann Yin

Ways to be a More Productive Writer:  http://ow.ly/Hw6KD @Janice_Hardy

The Place Of Adjectives In Prose:  http://ow.ly/Hp713  @RebeccaLuElla

How 1 writer outlines using a 6-stage plot structure:  http://ow.ly/Hp711 from Nova Zero Writing

7 Strategies and 110 Tools to Help Indie Authors Find Readers and Reviewers: http://ow.ly/Hp710  @sabsky

The Power of Visual Storytelling:  http://ow.ly/Hp70X @BrennerMichael

6 Simple Questions Writers Ask While Plotting: http://ow.ly/Hp70V @MartinaABoone

50 Articles on Writing to Help You in 2015: http://ow.ly/Hp6U2 @writersdigest @brianklems

10 Flashbacks That Changed Our Favorite Stories:  http://ow.ly/Hp70T @io9

A Former-Trad Pubbed Children’s Writer on 18 Months of Indie Publishing:  http://ow.ly/Hp70R @fictionnotes

Collective Nouns: Singular or Plural? http://ow.ly/Hp70P @writing_tips

The Difference Between Your Story’s Theme and Its Message:  http://ow.ly/Hp70L @KMWeiland

Painting Characters into Corners – SFWA http://ow.ly/Hp70I  @NancyFulda

Start At The Beginning, Not Before:  http://ow.ly/HmvS9 by  Jim Harrington

Villains Killing Themselves to Keep the Hero Sympathetic: http://ow.ly/HmvS3 @CantrellJason

If the premise seems too simple, can we still make it a good story? http://ow.ly/HmvRZ by JC Ironwave

The Emotional Side of a Book Release http://ow.ly/HmvRW @kcrosswriting

Strengthen Your Storytelling with POV:  http://ow.ly/HmvRS @SueColetta1

8 Tips for Writing a Blurb:  http://ow.ly/HmvRP @RuthHarrisBooks

Biological Weapons 101 with Dr. Judith Lucci:  http://ow.ly/HmvRO

Rediscover the Joy in Writing:  http://ow.ly/HmvRN by Sue Bradford Edwards

3 things every writer needs to stay in the game:  http://ow.ly/HmvRK @writers_write

How To Manage A Complex Story:  http://ow.ly/HmvRI @Scriptshadow

16 Thoughts for Authors/Publishing for 2015- aka Winners Don’’t Quit:  http://ow.ly/HmvS6 @bob_mayer

Visibility With Your Amazon Author Page (Video):  http://ow.ly/HmvRE  @writeonepub

Tips for Quickly Getting Reviewed:  http://ow.ly/Hjnhs @ChatEbooks

Help for Goodreads Authors (PDF):  http://ow.ly/Hjnhm @author_sullivan

2 low-cost book marketing tactics:  http://ow.ly/Hjnhg @Belinda_Pollard

Query Question: previous work http://ow.ly/Hjnhc @Janet_Reid

Dos and dont’s of adding more description:  http://ow.ly/Hjnh9 from The Right Writing

Make Your Own Indie Author Fair:  http://ow.ly/Hjnh5  @L1bCat

The Making of a Novel: Behind the Scenes:  http://ow.ly/Hjnh1 @kcrosswriting

5 Reasons to Start a Blog Today :  http://ow.ly/HjkEZ  @finallywriting

How To Self Publish On Kindle:  http://ow.ly/HjngV @writeonepub

The ‘back matter’ our books should contain:  http://ow.ly/HjngQ @DeborahJay2

Be Realistic About Your Writing Resolutions:  http://ow.ly/HjngN @writers_write

How to Write Titles that Sell:  http://ow.ly/HjngF @shalvatzis

Music For Writers: The Sheer Sensuous Pleasure Of Sound:  John Luther Adams:   http://ow.ly/HyLVn @Porter_Anderson

Setting Effective Writing Goals:  http://ow.ly/HgwnI @VictorASalinas

10 Story Decisions Scifi And Fantasy Writers Ended Up Regretting:  http://ow.ly/HgwnG @io9

7 ways to indicate a character’s race: http://ow.ly/HgwnB from Writing With Color

10 Social Media Rules for Authors in the New Year:  http://ow.ly/Hgwnu @ediemelson

Tips for introducing a character:  http://ow.ly/Hgwnm from The Writing Cafe

How publishers did everything wrong fighting Amazon over e-books: http://ow.ly/Hgwnj @SFGate and Thomas Lee

Build suspense with a ticking clock:  http://ow.ly/Hgwnh @raynehall

What Can You Do When You’ve Been Fictionalized? http://ow.ly/Hgwne @MHuneven @parisreview

6 Tips for Writing Fiction Based on True Events: http://ow.ly/Hgwnc @lorieanngrover

16 Rules of Blog Writing and Layout:  http://ow.ly/Hgwn5  @SueAnneDunlevie

New World of Publishing: Failure Must Be An Option:  http://ow.ly/Hgwn2 @deanwesleysmith

The Indie Author’s’ Review Dilemma http://ow.ly/Hgwn8 By Dario Ciriello

Mistakes to avoid in Short Story Writing :  http://ow.ly/HeEII  @AnneLParrish @womenwriters

Pulling Back the Curtains: Interior Book Design:  http://ow.ly/Hez8B @swoonreads

Write Books You Love. Think Global. Consider Multiple Streams Of Income:  http://ow.ly/HeES6 @thecreativepenn

Results of this year’s Digital Book World author survey:  http://ow.ly/HyuIt @Porter_Anderson @TheFutureBook

The Appeal of ‘Good Guy’ Heroes In Sci-Fi Romance:  http://ow.ly/HeES4 @ThGalaxyExpress

The 100 Best Websites for Writers in 2015:  http://ow.ly/HA0fx  @thewritelife

Whose vs. Which for Inanimate Objects:  http://ow.ly/HeERZ @epbure

5 Mistakes to Avoid to Be a Successful Author:  http://ow.ly/HeERW @ninaamir

Promo–does investing more time and money deliver better returns?  http://ow.ly/HytLo @Porter_Anderson

Write a novel in 6 months  (Week 2: 3 Acts and 8 Sequences):  http://ow.ly/HeERT @shauntagrimes

How to Write Dynamic Dialogue:  http://ow.ly/HeERQ  @shay_goodman

Help writing deaf and hard of hearing characters:  http://ow.ly/HeERN from RP Helper

Character Tropes: The Best Friend:  http://ow.ly/HeERK  @swoonreads

10 Common Fiction Problems and How to Fix Them:  http://ow.ly/HyMjj  by Jack Smith

The Murder of The Mystery Genre (And Its Rebirth):  http://ow.ly/HyKh0 @camillelaguire

How to Format a Manuscript:  http://ow.ly/HeERI @brianklems

Ethical Reviewing for Authors:  http://ow.ly/HysnG @SpunkOnAStick

Shape Your Story: Summon the Primary Teacher in Yourself:  http://ow.ly/HeERF @WritersRumpus

Gun Safeties for Writers:  http://ow.ly/Hao9e @p_morwood

Breaking In As An Illustrator:  http://ow.ly/Hao9b @kid_lit

25  Tips on Plotting from Top Authors and Editors:  http://ow.ly/Hao98 @writingeekery

Your Publisher Is Not Your New Best Friend: http://ow.ly/Hao96 @JanetKGrant

Fictionalizing Real People:  http://ow.ly/Hao93  @rookiemag

How to Write: A Year in Advice: http://ow.ly/Hao90 @joefassler @theatlantic

‘Print books are more like decorations': A #FutureChat recap: http://ow.ly/HSPx7 @Porter_Anderson

The post Twitterific Writing Links appeared first on Elizabeth Spann Craig.

Working from Home as a Writer—Some Truths

By Elizabeth S. Craig, @elizabethscraig

Working from home is something that sounds amazing for many people.  Who wouldn’t want to work from home, right?  No commute.  No dry cleaning bills.  No annoying coworkers.  No gasoline budget, parking decks, or lunches packed.

The truth is that working from home is great.  Sometimes.  And sometimes it’s not as great.  Take this blog post, for example.  It should have been written yesterday (at the latest) and scheduled to post right after midnight this morning.  But it’s been a crazy last couple of weeks because my children have been frequently at home due to teacher workdays, a national holiday, and an odd midterm exam schedule.

Sometimes unusual weeks like these will knock me right off my game.  Maybe I can meet my writing goals (I have), but supper for the family ends up being canned soup and a grilled cheese sandwich.  Maybe I’ll meet some goals and not others. 

But I can’t blame the children for all of my issues.  Sometimes working from home is difficult and there is no one here but myself, two cats, and a dog.  There are no excuses for poor performance then, but it happens.

These are some truths I’ve found about working from home:

Sometimes home isn’t the best place to work because it’s distracting.

Sometimes home isn’t the best place to work because the sameness of it isn’t inspiring.

If home isn’t the best place to work today, for any reason at all, realize that fact quickly and pack up our stuff for the coffeehouse/library.

Timers are helpful for any social media time while working at home.

Friends and family might need parameters.  I would be on an interminable coffee break if I didn’t have clear working hours.

Write the absolute minimum we feel we must meet that day for our goal…first.  Sometimes this is easier before anyone else gets up.

If we have young children at home, consider using a timer to show them when we’re available. Be very explicit about what we need from them.

Occasionally we must have nice clothes for various writerly functions. Or even weddings and funerals.  We should also sometimes update the nice clothes that we do have.

Sometimes setbacks to our writing schedule aren’t really setbacks—they just need to be thought through.  The mother in my middle school carpool who drives in the afternoons isn’t available to drive for the next few weeks because of a family emergency.  That means I’m driving mornings and afternoons.  I’m looking at the afternoon carpool line as an opportunity to work on one of the books I’m writing.

How is your writing going?  When do you fit it in with your family time or your other obligations?  Tips for working from home?

The post Working from Home as a Writer—Some Truths appeared first on Elizabeth Spann Craig.

10 Common Fiction Problems and How to Fix Them

Guest Post by Jack Smith

When you write and revise your fiction, you deal with a host of problems.  With some novels, it’s hard to decide on the right point of view.  With others, it’s a struggle to work out the plot.  Sometimes it’s a matter of getting the language down just right.  Of course it’s one thing to spot a problem, another to fix it.  Consider the following ten rather typical problems most fiction writers face—and some possible fixes.

A dull character

Perhaps in the abstract one can sympathize or empathize with your character’s ambitions, needs, desires, plight, etc., but when it comes down to the writing itself, the character is flat-out dull, vacuous—bearing nothing distinctly human.   If this is the case, you need to individualize your character by including:

something interesting about this character’s physical appearance
an interesting, suggestive name
some personality quirks or oddities
some contradictions or inner conflicts
some unique, defining traits

If you do these things, or some of them, your character will come alive on the page and won’t be merely a textbook case.

Lack of character motivation

A story or novel might have sufficient conflict, but this conflict might lack clear anchoring (or context) in character.  What makes this conflict so important to this particular character?  Why does this character react the way he or she does?  To make sure conflict comes out of character, you need to consider the following:

The character’s particular personality and temperament
The character’s take on self and others
The character’s past (if something in the past drives the character in the present)
The character’s desires and ambitions
Motivations that follow from the above

Keep in mind too that ordinary conflicts can become important when they reveal deeper roots in your character.  You don’t have to go for life-death struggles.

Flat dialogue

If the dialogue sounds pretty ho-hum to you, you can bet it will to readers.   You can improve flat dialogue by trying out the following:

Using fragments—at least when characters are responding to each other
Using clipped, staccato sentences
Using ellipsis for pauses
Using italics or capitalization—sparingly, judiciously, though
Having characters interrupt each other
Having characters abruptly change the subject
Having characters dodge questions
Including provocative ideas (accusations, threats, statements of remorse, etc.)
Avoiding too-obvious use of dialogue as expository information (certainly characters can function as expository devices, but be subtle; if you’re not, the dialogue will get over-explanatory, and boring, in a hurry)
Making sure character personality is revealed in speech and gesture


A half-baked plot

The conflict might be there, but the character arc isn’t fully developed.  What needs to be added?  Here’s how to decide:

Sum up your plot in one sentence
Develop this one-sentence summary of plot into a paragraph
From this one paragraph summary, list key events and the causal relationship between each event in the story
For a novel, write succinct chapter summaries
Identify the missing links in the plot—what has to be included to complete the character arc?
Fill in where needed, being sure not to force things


A loose structure

When the story seems scattered, with lack of clear focus, consider doing the following:

Decide on the overall character arc
Prune out extraneous material that takes the reader off course—some of this material might be telescoped
Watch out for flashbacks that run too long, especially in a short story
Look for ways to include foreshadowing at strategic places
Look for ways to include echoes (of earlier developments) at strategic places


Authorial intrusion

When the third person—especially the omniscient narrator—“tells” too much and/or doesn’t leave the story in the hands of the characters, the story or novel will lack the feel of real life.   Avoid the following:

Manipulation of character action. Be sure the action is properly motivated by character.
Manipulation of plot. Be sure you don’t make everything come out a certain way.  Let your character reach his or level like water does.  Things may not end up quite like you imagined.  Be open to some surprises.
Authorial thought and speech. It’s okay to have in mind what a character is likely to think and say, but if it seems like these are your authorial thoughts, and not fitting to your character, again let loose the reins and see how the character changes.

Think of authorial intrusion as the puppeteer author standing outside the characters, pulling their strings, making them perform and telling about them instead of being inside the characters, revealing their innermost lives.

A story or novel opening that lacks flair

The first paragraph of your story or novel needs to pull the reader in.  If it doesn’t, you might try a different approach.   Here are some things to try out:

Try all four fictional modes—exposition, description, narrative summary, and scene—and choose the opening which grabs your reader’s attention the most.
Try cutting the first few paragraphs, or even a page or more, and see if the work gets off to a more interesting start.
Start with conflict, suspense, something that provokes thought.


A dull ending

A dull ending can result from at least two problems—no surprises and lack of flair.

No surprises: Leave some questions for your reader. Don’t introduce entirely new characters and conflicts, but leave some room for interpretation in terms of character, plot, and ideas, which you’ve been developing all along.
Lack of flair: Choose the narrative mode that gives the most punch to the writing. Study short story endings and novel endings.  Remember, this is the final impression you leave with your reader.  It needs to stir the reader’s emotions and thought.


A clunky prose style

If the language of your story or novel sounds amateurish, it can be fixed.  To fix it, make sure the language itself has some surprises:

Work in some twists and turns—surprises at the sentence level.
Work in some interesting metaphors, similes, or analogies, avoiding clichés. Let your imagination run. Don’t force it, but be open to clever figurative comparisons.
Choose the word with the most punch. Don’t use a thesaurus, unless you check usage in a dictionary.


Lack of editing

This comes down to typos, spelling errors, mechanics gone awry like faulty punctuation, sentence logic problems, and poor word choice.  Read your short story or novel over carefully.  Get someone else to read it over.  Check a handbook.

A Final word or two

The above just scratches the surface when it comes to dealing with the many problems one faces in writing good fiction.  And sometimes it’s really hard to spot exactly what the problem is.  If several readers are finding a common problem, then that tells you something.  And then it’s a matter of fixing things to your own satisfaction.  Don’t rely too much on others; it’s got to work for you.

Jack Smith is author of the novel Hog to Hog, which won the George Garrett FictionPrize (Texas Review Press. 2008), and is also the author of Write and Revise for Publication: A 6-Month Plan for Crafting an Exceptional Novel and Other Works of Fiction, published earlier this year by Writer’s Digest. His novel ICON  was published in June 2014 by Serving House Book

Over the years, Smith’s short stories have appeared in North American Review, Night Train, Texas Review, and Southern Review, to name a few. He has also written some 20 articles for Novel & Short Story Writer’s Market, as well as a dozen or so pieces for The Writer. He has published reviews in numerous literary journals, including Ploughshares, Georgia Review, Missouri Review, Prairie Schooner, American Review, Mid-American Review, and the Iowa Review.

The post 10 Common Fiction Problems and How to Fix Them appeared first on Elizabeth Spann Craig.

Twitterific Writing Links

by Elizabeth S. Craig, @elizabethscraig

Twitterific writing links are fed into the Writer’s Knowledge Base search engine (developed by writer and software engineer Mike Fleming) which has over 30,000 free articles on writing related topics. It’s the search engine for writers.

8 Tips to Liven Up An Author Webinar:  http://ow.ly/H7Inh @wordsprof

What Does Strong Mean to You?  http://ow.ly/H7Ini  @tracythewriter

How to outline a short story for beginners:  http://ow.ly/H7I0K @writers_write

Checking Out: A Writer Reboots in Mid-Life:  http://ow.ly/H7Inj @jenpastiloff.       

The Shady Side of New Publishing Opportunities http://ow.ly/H7IaP @SharonBially

Evaluating Publishing Contracts: 6 Ways You May Be Sabotaging Yourself http://ow.ly/H7Ink @victoriastrauss

Writing ‘Authentic’ Characters of Color in 1st Person:  http://ow.ly/H7Inm from Mod Colette

Create emotionally effective scenes:  how musical theater handles key story elements:  http://ow.ly/H7Inn @AlexSokoloff

10 Ways To Turn Your Real Life Experiences Into Science Fiction:  http://ow.ly/H7Ino @io9

Query question: repurposing a short story http://ow.ly/H7cG9 @Janet_Reid

Audiobooks, Author Earnings, Global Focus And More:  http://ow.ly/H7Inq @thecreativepenn @hughmcguire

13 Female Nobel Laureates In Literature:  http://ow.ly/H7Inr @writers_write

Elements of Modern Storytelling––Characters:  http://ow.ly/Hao8F @Alfreda89

How to Use a Scheduling Tool With Your Social Media: http://ow.ly/Hao8J @Catrambo

On Being Empty: When A Writer Isn’t Writing:  http://ow.ly/Hao8L @robin_black

Novel Writing: Lessons Learned:  http://ow.ly/Hao8O @gabrielle_h

The Need for Factual Fiction:  http://ow.ly/Hao8S @altongansky

5 fast ways to write an ebook:  http://ow.ly/Hao8X from WriteWorld

Should You Write a Memoir?  http://ow.ly/H6SKk @alanasaltz

Tips for Creating a Genderless Character:  http://ow.ly/H6SKj @JordanDane

Establishing Your Unique Author Brand :  http://ow.ly/H6SKg @marygkeeley

How to Make, Meet, and Exceed Your 2015 Writing Goals: http://ow.ly/H6SKe @PenandMuse

The Importance of a Great Author Headshot:  http://ow.ly/H6SKd from Sara Chambers

Query question: asking to resubmit a manuscript: http://ow.ly/H6SK9 @Janet_Reid

Writing More Diverse Characters-The TCI:  http://ow.ly/H6SK8

Rising above negative reviews:  http://ow.ly/H6SK6 @writetodone

Bad Writing Habits to Avoid: http://ow.ly/H6SK4

Tips for Balancing Work, Life, and Writing:  http://ow.ly/Hqgby @buddhapuss @mkinberg

3 Questions to Ask Yourself Before Writing an Author Business Plan: http://ow.ly/H6SK3 @MarcyKennedy

The Final Showdown: Writing Fight Scenes:  http://ow.ly/H6SK2 @raynehall

Don’t Make Resolutions. Set Goals:  http://ow.ly/HqcFE @authorterryo

Filling in Story Detail and Benefits of Editing:  http://ow.ly/HqbVA

Flog a Pro: would you turn this bestselling author’s first page? http://ow.ly/H6SKb @rayrhamey

Results of studies on kids and ebooks and personalization of books for kids:  http://ow.ly/HmIXp @Porter_Anderson

Writing to Draw Readers in Emotionally:  http://ow.ly/H503n @NanciPanuccio

Post apocalyptic cliches to avoid: http://ow.ly/H503i from Writing Questions Answered

Creating Unforgettable Characters:  http://ow.ly/H503d @KAMcCleary

Tips for writing in multiple points of view:  http://ow.ly/H503a @glencstrathy

10 Ways to Write Your Way Around the World:  http://ow.ly/H5035  @wherewriterswin

Writing for Kids: Even Villains Have Mothers:  http://ow.ly/H5031 @pubhub_blog

The Central Question:  http://ow.ly/H502Y  @Diana_Hurwitz

32 Facebook Groups for Authors:  http://ow.ly/H502W @ericaverrillo

Strong sales in the children’s book market:  http://ow.ly/Hnwod @Porter_Anderson  #DBW15

Freelancers: 6 Strategies for a Powerful About Page:  http://ow.ly/H502T @menwithpens

5 Steps for Crafting the Perfect Book Review Pitch:  http://ow.ly/H502P @bookgal

6 Steps for Self-Marketing your eBook:  http://ow.ly/H502N  @novelpublicity

Can ‘Lone Ranger’ writers succeed? http://ow.ly/H502L  @rachellegardner

Authors discuss the worth of crowdfunding:  http://ow.ly/Hjbz0 @Porter_Anderson

Painting Characters into Corners:  http://ow.ly/GZbnX @NancyFulda

How Characters Can Become Stories – by Erika Wassall:  http://ow.ly/GZbnU

Why Soundtracks For Books Are Great For Readers And Authors:  http://ow.ly/GZbnS @pccameron

When to Cut That Scene:  http://ow.ly/GZbnQ from Chris Winkle and @Mythcreants

5 Ways to Reveal Backstory When Writing A Novel:  http://ow.ly/GZbnL @rogerdcolby

Describing a character’s scent:  http://ow.ly/GZbnK from Writeworld

6 Ways to Make Characters Stand Out in a Crowd:  http://ow.ly/GZbnG @jodyhedlund

3 tips to amp up your writing:  http://ow.ly/GZbnD @SueColetta1

Using Control Most Effectively Pre and Post Contract:  http://ow.ly/HjavF @MartinaABoone via @alexjcavanaugh

Revision Checklist: Exposition:  http://ow.ly/GZbnz from Fix Your Writing Habits

How to be a Better Writer: Talk about Your Projects:  http://ow.ly/GZbnw @ErinMFeldman

A tip for condensing your writing:  http://ow.ly/GZbnu

Looking Under Your World’s Skin:  http://ow.ly/GZbnI  from Brandon Kier

Character Development Checklist – 13 Points To Consider:  http://ow.ly/GXuAW @writers_write

How to Find and Keep Readers for Your Blog:  http://ow.ly/GXuAT @JanetKGrant

Writing Poverty in YA:  http://ow.ly/GXtMH @KateBrauning

Rewriting: Something has to happen:  http://ow.ly/GXuAP  @AlexSokoloff

Noun Clauses:  http://ow.ly/GXuAO @writing_tips

Can Your Character Survive Multiple Attackers? Info for Writers:  http://ow.ly/GXuAL @PaulRockHiggins

Top 5 Twitter Pitch Mistakes:  http://ow.ly/GXuAJ @ava_jae

Conscious vs. Unconscious Action:  http://ow.ly/GXuAG @Kid_Lit

3 Simple and Efficient eBook Marketing Tips:  http://ow.ly/GXuAE @ChatEbooks

The omniscient narrator:  http://ow.ly/GXuAA @monicamclark

The @DigiBookWorld conference is being live-tweeted by @Porter_Anderson at #DBW15

3 Stages of a Query Letter http://ow.ly/GXuAx from Amy B at @PubHub_blog

Minimalism When Writing Fiction:  http://ow.ly/GXuAv  @jan_ohara

10 Tips on Writing from Joyce Carol Oates:  http://ow.ly/GShZe @brainpicker

15 Tips for Aspiring Writers from 5 Successful Authors:  http://ow.ly/GShZ6 @SimoneHCollins

Genre Novels That Should be Classics:  http://ow.ly/GShZ0 @flavorwire

Indie Authors: Dealing with Reviews, the Good and Bad:  http://ow.ly/GShYS @sabsky

A New Architecture Of Algorithms: Trajectory and Discoverability:  http://ow.ly/HcGlK @Porter_Anderson @trajectory

Blogging for Authors: How to Create a Blog that Can Grow With Your Career: http://ow.ly/GShYP @annerallen

Creating an Anthology:  http://ow.ly/GShYL from Jodi Webb

5 Tips for Writing Action-Packed Fight Scenes:  http://ow.ly/GShYH from Cut Scene Addict

6 tips for writing historical fiction:  http://ow.ly/GShYC  @DinahJefferies @womenwriters

Getting Started With Scrivener:  http://ow.ly/GSem1 @jamesscottbell

Reedsy-a Marketplace for Indie Writers:  http://ow.ly/HarBm @ReedsyHQ

Tips for writing spies/spying:  http://ow.ly/GShYv from A Lighter With Love

Facebook for Authors: Getting Started Guide:  http://ow.ly/GSeLr @Janefriedman

The Lonely Writer:  http://ow.ly/GShYq @wordsxo

Elevators/lifts in crime fiction: http://ow.ly/Haghm @mkinberg

Music For Writers: Martin Bresnick And The Terrible Beauty Of Sorrow: http://ow.ly/H7Gpw @Porter_Anderson

How Not to Query an Agent:  http://ow.ly/GQq7W @C_Herringshaw

Tips for Writing an Autistic Character:  http://ow.ly/GQq7V from Fix Your Writing Habits

Dealing with Pacing Problems:  http://ow.ly/GQq7T @jakedfw

If We Write It, We Have to Own It – and So Does Our Publisher:  http://ow.ly/GQq7S @behlerpublish

How Image Boards Help Your Writing: http://ow.ly/GQq7Q @writeabook

How Facebook Changes for 2015 Could Affect Authors:  http://ow.ly/GQq7O @ediemelson

The post Twitterific Writing Links appeared first on Elizabeth Spann Craig.

Filling in Detail and Benefits of Editing

By Elizabeth S. Craig, @elizabethscraig

Detail and description is, I think, a little tricky.  Two of my series require a lot of it because of the nature of the subgenre.  The quilting mysteries and the Memphis barbeque series are both cozy series with a series hook (crafting and cuisine).  My editors for those series have mentioned to me many times that readers of these series really appreciate a good deal of description in terms of the hook.  My most current editorial letter asks me for more detail on the quilts the characters are working on, for instance.

On the other hand, my self-published Myrtle Clover mysteries don’t have a series hook (I’ve wondered before if this were a reason the series was dropped by the publisher years ago).  The descriptions I use for the characters and settings are sketchier—more of the types of descriptions I like as a reader.  I like to get just enough so that I can mentally say, “Oh, okay.  So that character sort of resembles my Uncle Joe. Got it.”

Here are examples of the kinds of detail my editor wanted elaborated in the book that will release later this year:

More detail on the festival described in the book.  Where is it held in the town? How many acres does it take up?  Could I describe the bluegrass musicians?

Describe the new quilters that are at a workshop that’s being sponsored at the quilt shop.  Show readers what they’re working on.

Since one character is a professional florist, what does her yard look like?

More description on a character who is a suspect in the book.  Since this character is also marrying a recurring series character, my editor also wanted a bit of backstory fit into dialogue: how did these characters meet?  When were they engaged?

In addition, sometimes I’m too quick to end a scene that isn’t directly tied into the mystery or that might further develop a relationship.

Some examples from my edit letter:

Show more of the bonding of my protagonist and another important character.

How does the constant canceling by the protagonist’s boyfriend bother the protagonist?

Show the protagonist’s daughter comforting her mother following a frightening event.

Show the protagonist and her boyfriend finally enjoying a lunch together…their conversations.

Show more of the hour the protagonist and her boyfriend spend together at the festival.

Instead of saying that the protagonist’s daughter and the protagonist shared a nice dinner, show the dinner happening and what was said.

It seems that I’d rather tell instead of show when:

The scene doesn’t have direct relevance to the mystery
It covers something I feel I’m not particularly adept at writing…romance, for instance, or description.

I know that I’m a writer who likes to stay on-task and on-topic and who is especially focused on the story’s mystery. Although I know these things to be true about myself (because, really, of the last six years of reading edit letters and comments from editors in Track Changes), it’s still hard sometimes to gauge where elaboration would be useful versus where it would just bog down the story.  My personal preference is for very little description, but then I read customer reviews where the readers rave about ‘feeling as if they were there.’  That wouldn’t have happened if my editors hadn’t pushed me to fill in more of the detail.

The more I write detail and, yes, the more I write the romantic subplot, the better I get.  As with anything.  I clearly shouldn’t just avoid it if I’m insecure about it. It’s an opportunity to learn and develop as a writer.

I know now that one of the reasons the readers are buying the crafting cozies and the culinary cozies are for those descriptions. They want to feel the texture of the fabrics and taste the barbeque.  This was just something I didn’t completely understand about the subgenre that I write. It’s not all about the mystery.

So…I’m thinking this applies to other genres too. Obviously we all need description in our books. And sometimes we need to veer off the main plot to expand on relationships in our stories. Maybe there’s a horrible virus that’s wiping out the planet…but expounding on the relationships or alliances formed during the race for survival will flesh the characters out and make them real to readers. And make readers care more about the outcome.  Keep them reading.

The amount that’s required may vary, according to our genre or subgenre.  Whatever it takes to hook our readers, to make our world and our characters real to them…that’s what we’ve got to deliver.  And an editor who’s very familiar with our genre can help us figure out what level that is.  Readers help with this, as well…I’m one for monitoring the customer reviews on Amazon for research.

How much detail, background, and relationship-oriented scenes do you offer readers?  How do you gauge whether you’re on-target?

Image from Death to the Stock Photo: Seattle

The post Filling in Detail and Benefits of Editing appeared first on Elizabeth Spann Craig.

Reedsy: a Marketplace for Indie Writers

Note from Elizabeth: Several years ago, when I took the self-publishing plunge, the scariest part of the process for me was making an investment in my writing without the promise of a payout.  What’s more, at the time, it was a sort of wild west of providers. Connecting with a cover designer or a freelance editor or a solid formatter was a word-of-mouth process…and if someone had good word-of-mouth, they were totally booked.

Ricardo Fayet reached out to me last July about what he called a “curated self-publishing marketplace” and wanted to know if I’d chat with him on the phone about his start-up and a little on my thoughts of what self-publishing authors would find useful.

Reedsy is now available to authors as a tool to find professionals for our books.   What’s more, it’s currently free for authors.  (And, as a note, I’m not associated with Reedsy in any way aside from a beta view of the marketplace.)

Presenting Reedsy: where authors meet the best publishing professionals

by Ricardo Fayet, @RicardoFayet, @ReedsyHQ

“The fast-growing self-publishing environment is attracting all kinds of start-ups and companies that intend to serve authors. However, most of them seem to aim at the periphery of what authors really need, which in my opinion, is primarily editors and cover designers.” – Joanna Penn

Joanna absolutely hit the nail on the head, and I started Reedsy to properly and completely address this gap in today’s self-publishing marketplace.

The seismic shift in our industry toward indie book production means that some of the best editors and designers around are now working freelance. These professionals are approaching the business of books with sky-high standards and, in some cases, industry experience that first-time authors will find invaluable. The best editors and designers out there do not struggle to find work, and they certainly don’t dignify bargain-basement bidding marketplaces like Elance or Odesk with their presence.

In so many ways, these professionals are the unsung heroes of the self-publishing revolution. They’re the ones who transform “this thing you’ve kinda been working on” into a bona fide novel. And now that indies are “running with the big dogs”, this kind of work is practically invaluable.

So how is an indie author meant to find the kind of high-level freelancers she needs to make her book spectacular?

Enter Reedsy.

We’ve assembled a tightly curated marketplace of the best editors, proofreaders, illustrators and designers in the world. From over 3000 applications received since last year, we have hand-picked about 200 of them to create a Reedsy profile, where they list their genre specialisation, work experience, portfolio, etc. Authors can browse the marketplace according to their needs and genre, then select up to 5 freelancers to ask for a sample (for editing) and a quote.

We at Reedsy like to think of ourselves as much more than a marketplace or intermediary. We are a technology company at heart (take a look at our gorgeous interface, and you’ll see what I mean). We’re using our tech resources to make authors’ and freelancers’ lives easier. We’re adding value to collaborations through a built-in a set of cloud-based project management tools that range in purpose from the aforementioned quoting/sampling system to messaging, file-sharing and versioning, and multi-currency payment capacities. All of that in one place, designed with intuitive use in mind.

As vetted freelancers keep joining our network on a daily basis, we’re preparing some nice surprises for the next few months: we’ll be adding publicists, and vetting them incredibly carefully. We’ll also be releasing some exciting author profiles (aggregating Amazon, Goodreads and blogging platform information). Finally, we’re working on a brand new writing and editing tool that we’re confident will dramatically improve the way authors and editors work together.

So that’s Reedsy–quite simply, the best place for authors to meet freelance publishing professionals. Oh, and one last thing: for now, Reedsy is 100% free to authors.

Check us out here and let us know if you have any questions here.

Ricardo is an avid reader and startup enthusiast who has been studying the publishing industry with curious eyes for several years. He co-founded Reedsy with the ambition to make a difference in the publishing world.

The post Reedsy: a Marketplace for Indie Writers appeared first on Elizabeth Spann Craig.

Twitterific Writing Links

by Elizabeth S. Craig, @elizabethscraig

Twitterific writing links are fed into the Writer’s Knowledge Base search engine (developed by writer and software engineer Mike Fleming) which has over 30,000 free articles on writing related topics. It’s the search engine for writers.

5 Key Plot Points:  http://ow.ly/GKiuY  @shauntagrimes

3 Things that Surprised an Agent About Publishing:  http://ow.ly/GKiv0 @RachelLKent

Most Common Writing Mistakes: Describing Character Movements:  http://ow.ly/GKiv5 @KMWeiland

Make 2015 your year to write:  http://ow.ly/GKiv7 @jennaavery       

ScriptLab: 1st 10 pages of Jaws: http://ow.ly/GKiva

You Can Boost Your Creativity By Looking At Art:  http://ow.ly/GK6vg  @SFGate

ISBNs: CreateSpace freebie or own ISBN? Pros and cons:  http://ow.ly/GKivd @Roz_Morris

Verb Mistakes: Irregular Verbs Bind, Grind, Find:  http://ow.ly/GLTAq @writing_tips

How to Make Good Grammar Part of Our Daily Life :  http://ow.ly/GLSZa @WritingForward

Why spunky heroines need to fight back. http://ow.ly/GLTAt @raynehall

Overcome Your Book Doubts By Asking Why: http://ow.ly/GLTAv  @jennienash

Top 10 writing duos:  http://ow.ly/GLTAw @guardianbooks

11 Ways to Become a Better Writer (Without Writing):  http://ow.ly/GLTAx @rachellegardner

Writing Your Main Character – Have You Seen This Man? http://ow.ly/GLTAA @drewyanno

10 Thoughts: Writing About Sex in YA Fiction & Otherwise:  http://ow.ly/GLTAD @CarrieMesrobian

Online Presence: Pros, Perils and Possibilities:  http://ow.ly/GLTAE @AngelaSlatter @thewritplatform

How to Nail Your Character’s Personality:  http://ow.ly/GLTAK @MaryVeeWriter

After launching a book:  http://ow.ly/GLTAN  @writerplatform

Four Tips on What NOT to Say (or Pitch or Do) to Get Your Book Reviewed:  http://ow.ly/GLTAQ @bookgal

Creating the visual world of your story:  http://ow.ly/GQq7A @ToniMcGeeCausey

Whose for Inanimate Objects? http://ow.ly/GQq7B @epbure

4 Hidden Habit Skills:  http://ow.ly/GQq7E  @sfwa

Past Tense v. Present Tense:  http://ow.ly/GQq7H @lindasclare

The best SF right now is happening in comics:  http://ow.ly/GQq7K @verge @A_Webster

Haven’t Finished Reading that Bestseller? You’re Not Alone:  http://ow.ly/GQq7L @pubperspectives

Writing A Critique: Reading Critically:  http://ow.ly/GKiuW @woodwardkaren

Writers and Editors on their Literary Resolutions:  http://ow.ly/GKiuU @ElectricLit

12-Steps to Self-Editing:  http://ow.ly/GKiuS @AnthonyEhlers

Mark Coker’s (Smashwords) Publishing Predictions for 2015:  http://ow.ly/GKiuP @markcoker

5 Ways to Move a Story Forward in Time:  http://ow.ly/GKiuN @UncommonYA

How To Tighten Up Your Writing:  http://ow.ly/GHeDh  @murdertakestime

General Tips and Resources for Writing and Publishing Your Novel:  http://ow.ly/GHeDf @bookbuzzr

Worksheets for Writers :  http://ow.ly/GHeDa @jamigold

3 Secrets of Transmitting Naked Emotions:  http://ow.ly/GHeD8 @writetodone

Tips for Managing Time as a Writer:  http://ow.ly/GHeD4  @Kariss_Lynch

Using Sensory Details to Enrich Your Story:  http://ow.ly/GHeD0 @brandedkristen

Openings, Hooks, and Breaking Rules:  http://ow.ly/GHeCW  @DavidBCoe

11 Shades Of Evil:  http://ow.ly/GHeCS from Mark Rigney

Dealing with Burnout:  http://ow.ly/GHeCN @AuthorKeller

Are Dark characters unlikable? http://ow.ly/GHeCM from Uchiha Sasuke

5 Literary Agents Who Blog About Query Writing:  http://ow.ly/GHeCJ @ShariLopatin

Not All Royalties Are Treated Equally:  http://ow.ly/GHeCG @author_sullivan

Ring Out the Old: Self Publishing Trends in 2014:  http://ow.ly/GHeCC @OrnaRoss

A closer look at crowdfunding:  http://ow.ly/GZf4l @Porter_Anderson @futurebook

How to make Wattpad work for you as an author:  http://ow.ly/GG7KN from The Indie Writer’s Guide

For newbies–how to become a novelist:  http://ow.ly/GG7KL @Katiewriting

Tone: Is your Romance Sensual or Intellectual? http://ow.ly/GG7KK @fictionnotes

7 “Be”-Attitudes of Finding Your Agent:  http://ow.ly/GG7KJ @jennybent

Can Being Tired Make Us Better Writers?  http://ow.ly/GG7KH @kristenlambtx

30 Writing eBooks for 99 Cents Each:  http://ow.ly/GXhPf @JanetBoyer

Writing for a blog vs writing for a book:  http://ow.ly/GG7KF @Roz_Morris

The New World of Writing: Pulp Speed:  http://ow.ly/GG7KE @deanwesleysmith

The elements of setting:  http://ow.ly/GG7KD @nownovel

Using Google Plus to rank higher on Google search:  http://ow.ly/GG7KC @Derek_Haines

Real Life Diagnostics: Does This Wake Up Scene Work? http://ow.ly/GG7KB @janice_hardy

1st Wed. of Each Month: Insecure Writer’s Support Group:  http://ow.ly/GVA27 . Resources for writers. @alexjcavanaugh

How to Use a Blog Editorial Calendar:  http://ow.ly/GG7Kz  @sueannedunlevie

What Not To Write: –10 Things To Avoid:  http://ow.ly/GG7KG @selfpubreview

The Inside-Out Character Development Model: http://ow.ly/GEvFD @DaxMacGregor

500 Prompts for Narrative and Personal Writing:  http://ow.ly/GEvFB @mhgonchar @nytimeslearning

Thoughts On 500 Consecutive Days of Writing:  http://ow.ly/GEvFz @jamietr

What does an editor cost? http://ow.ly/GEvFx  @blogbooktours

Do good characters inevitably make for bad fiction?  http://ow.ly/GEvFw @guardianbooks and Stuart Kelly

Need to Get Over It? Write about It:  http://ow.ly/GEvFv @writeabook

Tips for decluttering and backing up work:  http://ow.ly/GEvFt @annerallen

Behind Book Categories on Amazon: http://ow.ly/GEvFs @bookgal

15 Reading and Writing Communities to  Boost Your Platform:  http://ow.ly/GEvFr @ericaverrillo

Improve Your Promo Through Peer Collaboration:  http://ow.ly/GEvFo @storyrally

Bling, Cra-cra, Swag: Banished Words:  http://ow.ly/GSdC1 @Porter_Anderson @ThoughtCatalog

How Can Stillness Help Writers?  http://ow.ly/GEvFh @TEDTalks @galleycat

An Answer to the Novel’s Detractors:  http://ow.ly/GEvFE @adellewaldman @newyorker

Hashtag Dos and Don’ts:  http://ow.ly/GEvFk @bookgal

Transmedia Storytelling: ‘Inanimate Alice’,Kate Pullinger’s digital novel, is still young  http://ow.ly/GLenZ @Porter_Anderson

20 Ways to Become a More Productive Writer:  http://ow.ly/GxIwU @ninaamir

Adjectives with a different masculine and feminine form in English:  http://ow.ly/GxIwO from The Virtual Linguist

Observations from Years of Curating Content for Writers:  http://ow.ly/GQqei

General tips for writing a synopsis:  http://ow.ly/GxIwK from Jessica Faust

Tips For The Unknown Screenwriter:  http://ow.ly/GxIwE and http://ow.ly/GxIwF @scriptgods

Midlife crises in crime fiction: http://ow.ly/GxIwD @mkinberg

Paying it Forward and Asking for Help:   http://ow.ly/GxIww from Laurie Calkhoven

Alternative Endings as inspiration:  http://ow.ly/GxIws @NJFarmScribe

Books and blogs to help authors maintain a business mindset:  http://ow.ly/GxIwq @rachellegardner

Stop Perfectionism with MVPs:  http://ow.ly/GxIwm @99u @AllisonStadd

Readers Prefer Books Written by Authors of Their Own Gender: http://ow.ly/GxIwg  @passivevoiceblg

Great Writing Is Humble:  http://ow.ly/GxIw9 @theatlantic @joefassler

Blurb: a self-pub dream team? http://ow.ly/GLegI @Porter_Anderson

Making a fresh start–in crime fiction: http://ow.ly/GNEIj @mkinberg

12 Ways to Create a Mailing List That Will Sell Books:  http://ow.ly/GxIw6 @bookgal

Music For Writers: Florent Ghys and ‘Télévision’: http://ow.ly/GLdZ2 @Porter_Anderson

Writing a Protagonist Both Unique and Universal: http://ow.ly/GuecF @KMWeiland

6 Tips for Beating Post-Partum Book Depression: http://ow.ly/Gudci @MartinaABoone

3 Steps for Making Copy Edits Less Dramatic: http://ow.ly/Guecz @Michelleule

Work With Your Strengths, Not Against Them:  http://ow.ly/Guecw @TheBizIntrovert

Conquering 6 enemies of deep POV:  http://ow.ly/Guecu from ZoeyRPH

The post Twitterific Writing Links appeared first on Elizabeth Spann Craig.

Tracking Trivia by Using a Series Bible

By Elizabeth S. Craig, @elizabethscraig

It’s trivia that trips me up in my series…seemingly trivial throwaway lines that I make in books and then promptly forget.

The more books we have in a series, the more important tracking the trivia becomes.  It’s easy to lose track of tiny details when your mind is on the big picture of your plot.

It’s the kind of detail that you use to fill a character or a setting in a little bit.  A recurring character has nice teeth.  Drives a Buick.  Is allergic to cats.  Lost his mother in his twenties.

One character’s glasses have been a disaster. The character started out looking, in my head, like Donald Rumsfield with his rimless glasses.  Those glasses at some point transformed to wire-rimmed glasses in the series.  When I noticed this, I just kept it consistent with the most recent mention of the glasses and thought to myself that if a reader noticed, I’d tell her the character had gotten a different pair.  No one has contacted me about the detail.

However, a reader wrote me on Wattpad recently to ask about my protagonist’s grandson’s age. This is that reader I’ve written about before who knows my characters very well.  In one book, this grandson has no teeth and is eating baby food.  In another, he speaks two-word sentences. So which is it?  I told the reader that I’d aged Jack but kept the other characters about the same age (because I have no plans on aging my octogenarian sleuth).  And then I got out my series bible and made some more notes.

I think it’s the readers who binge-read who catch these things the most.  The ones who just finished  book three a week ago, book four a couple of days ago, and are now reading your book five.

It’s not only the self-pubbed books, either. It’s the trad pubbed ones. The occasional very slight inaccuracy that wasn’t caught by an editor.  But the kind of thing that can yank a reader out of our story.

For the self-pubbed books, if I catch a problem, I’ll go back into the document, correct it, and then republish.  For the trad-published…I’ll just keep my fingers crossed that I’m the only one who notices. And cringe a little.

These are my personal best practices for preventing the problem:

Reread any books written before a series bible was created.  Make notes on any recurring character or setting or any continuing plotline on a master document for the series.

Divide the notes up by characters, setting, and subplot to make referencing easier.

Add notes as I go to the master document for every new book I write.  If I make any changes in the edits, change them on the master doc.

Document the source of the reference.  I abbreviate the book titles where the reference appears.  [Crazy Dan poked his grizzled head out the door, a scowl on his leathery, stubble-covered features.  “You again!”  (DS).  A wild, mangy beard and shaggy gray hair.  (PDD)]

Make any style notes, as well, to add to the document.  So it’s the Bradley Bugle newspaper, not The Bradley Bugle.

Make changes to the text of anything I’ve self-pubbed that displays inconsistencies.

Make a copy of the master document to have in the same folder as the new work-in-progress for the series. Keep a copy on the cloud, as well (for me, this is Google Drive, which I can access on my phone), in case I’m working on paper somewhere and need the file as reference.

Things I  track:

Setting details.  The color of a house, the name of the character’s street, the favorite hangout for the characters, what type of food their favorite restaurant serves, the character’s living room. Population of the town.

Character habits or details:  Early riser.  Kills houseplants.  Subscribes to the newspaper.  Peanut allergy.  Cries at weddings.  Scrapbooks.  Reads nonfiction only.  Likes jazz.  Attends church. Exercises daily. Eats junk food. Smokes. Drives a minivan.

Character description:  Wears glasses (and type/color of frame), never wears flats, blue eyes, gray hair, fondness for bowties, age, height.

Character beliefs:  Political leanings, spiritual beliefs, attitudes toward family or spouse.

Continuing subplots: A character’s health issue, a character’s relationship with another character, a character’s issues with his work or his family.

Another nice thing about these series bibles–it helps me see where I need to fill in a character a little more.  Am I using the same words or details to describe a character for each book?  This is one way I can spot this problem.

These little details can really get out of control over the course of a series.  Do you use a series bible?  What kinds of things do you track?

The post Tracking Trivia by Using a Series Bible appeared first on Elizabeth Spann Craig.