R.L. Swihart's Blog

The Amazing Cooper's Hawk

Cooper's Hawk (with all the moves) @ West San Gabriel River Parkway Nature Trail

#rlswihart 

#WSGRParkwayNatureTrail

#SoCal

#CoopersHawk

#AllTheMoves

#Nature

#Beauty

#Poetry

#ReadMorePoetry2025💗

The Unbearable Lightness of Being

That was Tomas’s version of eternal return. Of course we here on earth (planet number one, the planet of inexperience) can only fabricate vague fantasies of what will happen to man on those other planets. Will he be wiser? Is maturity within man’s power? Can he attain it through repetition? Only from the perspective of such a utopia is it possible to use the concepts of pessimism and optimism with full justification: an optimist is someone who thinks that on planet number five the history of mankind will be less bloody. A pessimist is one who thinks otherwise.

The Unbearable Lightness of Being

Anyone who thinks that the Communist regimes of Central Europe are exclusively the work of criminals is overlooking a basic truth: the criminal regimes were made not by criminals but by enthusiasts convinced they had discovered the only road to paradise. They defended that road so valiantly that they were forced to execute many people. Later it became clear that there was no paradise, that the enthusiasts were therefore murderers.

The Unbearable Lightness of Being

The women thus armed with umbrellas were both young and old, but the younger among them proved the more steeled warriors. Tereza recalled the days of the invasion and the girls in miniskirts carrying flags on long staffs. Theirs was a sexual vengeance: the Russian soldiers had been kept in enforced celibacy for several long years and must have felt they had landed on a planet invented by a science fiction writer, a planet of stunning women who paraded their scorn on beautiful long legs the likes of which had not been seen in Russia for the past five or six centuries. She had taken many pictures of those young women against a backdrop of tanks. How she had admired them! And now these same women were bumping into her, meanly and spitefully. Instead of flags, they held umbrellas, but they held them with the same pride. They were ready to fight as obstinately against a foreign army as against an umbrella that refused to move out of their way.

The Unbearable Lightness of Being

CEMETERY 

Cemeteries in Bohemia are like gardens. The graves are covered with grass and colorful flowers. Modest tombstones are lost in the greenery. When the sun goes down, the cemetery sparkles with tiny candles. It looks as though the dead are dancing at a children’s ball. Yes, a children’s ball, because the dead are as innocent as children. No matter how brutal life becomes, peace always reigns in the cemetery. Even in wartime, in Hitler’s time, in Stalin’s time, through all occupations. When she felt low, she would get into the car, leave Prague far behind, and walk through one or another of the country cemeteries she loved so well. Against a backdrop of blue hills, they were as beautiful as a lullaby. 

For Franz a cemetery was an ugly dump of stones and bones.

The Unbearable Lightness of Being

“Don’t you like music?” Franz asked. “No,” said Sabina, and then added, “though in a different era . . .” She was thinking of the days of Johann Sebastian Bach, when music was like a rose blooming on a boundless snow-covered plain of silence. Noise masked as music had pursued her since early childhood. During her years at the Academy of Fine Arts, students had been required to spend whole summer vacations at a youth camp. They lived in common quarters and worked together on a steelworks construction site. Music roared out of loudspeakers on the site from five in the morning to nine at night. She felt like crying, but the music was cheerful, and there was nowhere to hide, not in the latrine or under the bedclothes: everything was in range of the speakers. The music was like a pack of hounds that had been sicked on her. At the time, she had thought that only in the Communist world could such musical barbarism reign supreme. Abroad, she discovered that the transformation of music into noise was a planetary process by which mankind was entering the historical phase of total ugliness. The total ugliness to come had made itself felt first as omnipresent acoustical ugliness: cars, motorcycles, electric guitars, drills, loudspeakers, sirens. The omnipresence of visual ugliness would soon follow.

Milan Kundera: The Unbearable Lightness of Being

Something else raised him above the others as well: he had an open book on his table. No one had ever opened a book in that restaurant before. In Tereza’s eyes, books were the emblems of a secret brotherhood. For she had but a single weapon against the world of crudity surrounding her: the books she took out of the municipal library, and above all, the novels. She had read any number of them, from Fielding to Thomas Mann. They not only offered the possibility of an imaginary escape from a life she found unsatisfying; they also had a meaning for her as physical objects: she loved to walk down the street with a book under her arm. It had the same significance for her as an elegant cane for the dandy a century ago. It differentiated her from others.

Shyness & Dignity

And it was her he was thinking of now, standing at the Bislett traffic circle, his hand bloody (ridiculous) from the ribs of the umbrella and himself at his wits’ end, not knowing which way to turn as he stood in the light rain that made little splashes of mud for the passing cars. The disaster had occurred. He knew that the principal would attempt to trivialize the whole affair and have the support of the faculty, who would attempt to persuade him to continue by saying that this was something that could have happened to anyone. But it had not happened to just anyone. It had happened to him, and for him it meant that he had fallen out. Fallen out of society, quite simply. He knew he would never again set foot in Fagerborg High School. Not in any other school either, in his capacity as a teacher. How, then, would she who was his wife be able to cope? She who had just started a three-year education at the College of Social Affairs and depended on his income? For this means it’s all over, he thought. It is dreadful, but there is no going back.

Shyness & Dignity

What had made a young man with such hunger for life throw himself into the study of philosophy? Do those with the greatest zest for life often choose to study philosophy? If that is so, why do the ones with the greatest hunger for life choose human thought as their field? Instead of, say, studying to be engineers? When Elias Rukla thought about this, it struck him that those of his classmates from high school who had begun to study engineering were not noted for any exceptional zest for life, even though they had chosen a profession that would set them up for becoming men of action. They were the ones who would construct and build, get the wheels to roll and the machines to run, and make the people under them obey their orders, because unless they were obeyed, the wheels would not turn, the machines not run, and the buildings not be built, one might say. But on reflection, Elias found that the classmates who had now become engineers possessed no particular appetite for life at all, they were merely good in school, but essentially quite unimaginative, well, quite conformist, and that was true about all of them, without exception, Elias thought. The only trace of imagination he had discovered among these would-be engineers was a general predilection for telling jokes and singing songs from the student revues in Trondheim. But Johan Corneliussen neither told jokes nor sang ditties from student revues. He was simply stuck on life. And he had plunged into a demanding study of the great philosopher Immanuel Kant, and the brief reports he had leaked to teachers and fellow students about his discoveries had aroused their highest expectations.

Shyness & Dignity

They stormed into Krølle, which was Johan Corneliussen’s favorite restaurant at the time, five minutes before the downhill race started. This basement restaurant had a TV. It was enthroned on top of a cabinet on the wall. They sat down at one of the tables for two, Johan in such a way that he could look straight at the TV set, Elias directly across from him, so that he had to turn around to look at the same TV. The downhill race in St. Anton. One after another they turned up on the screen, in helmets and Alpine gear, before they threw themselves down the mountainsides of (or among) the Alps. Heini Messner, Austria. Jean-Claude Killy, France. Franz Vogler, West Germany. Leo Lacroix, France. Martin Heidegger, Germany. Edmund Husserl, Germany. Elias Canetti, Romania. Allen Ginsberg, USA. William Burroughs, USA. Antonio Gramsci, Italy. Jean-Paul Sartre, France. Ludwig Wittgenstein, Austria. Johan Corneliussen knew the strengths and weaknesses of all the racers and continually informed Elias that now, now, he had to watch out, for there, on that slope, Jean-Paul Sartre will have some problems, whereas now, just look how Ludwig Wittgenstein’s suppleness manifests itself in that long flat stretch, and look how the Romanian Canetti saves tenths of seconds by shortening that turn, almost as nicely as the Frenchman Jean-Claude Killy.