Roger DeBlanck's Blog - Posts Tagged "reading-books"
Reaching the Midpoint of Writing a Novel
Nineteen months ago I embarked on the journey of my next novel about an enslaved African Muslim. The first fourteen months I spent mostly researching and immersing myself in the subject matter and time period of Islam in Africa, African Muslims, the African slave trade, American slavery, the Civil War, and of course the Islamic faith and what it means to be a Muslim. In June of this year I began drafting the narrative told in the first person voice of the main character, and yesterday I surpassed the 50,000 work mark, which at this juncture in the narrator’s epic journey feels as though the story has reached its midpoint.
My writing and drafting process is not to throw words feverishly onto a page and go over them with enough effort to achieve a reasonable quality so I can quickly move forward. I am a deliberate and methodical writer who contemplates and obsesses as I envision the direction of the plot or more precisely the struggles the main character is guiding me through with his own voice. And so I write and rewrite, write and rewrite, and stop completely when something is not working. Not until the chapter or section or scene feels solid and polished enough do I feel as though I can move ahead with certainty that what I’ve had time to contemplate is the true destination the narrative is heading.
After 50,000 words, the pace of this novel is running about 10,000 per month, which is registering in at a slower pace to complete the “first draft” of this project compared to my other novels. What I have learned from my books is that each of them is like a different child. They behave differently, make different demands, and require me to care for and nurture them in their own unique way. In short, they are beautiful and fascinating and frustrating and exhausting, but I would not want it any other way because I do not have a choice. These works have demanded me to write them.
I’m discovering with this current novel that I need anywhere from 6-12 drafts of each chapter before moving on. This is not to say that I am trying to shortcut any part of the process by doing more rewrites and polishing ahead of the next draft. In fact, as with each project, I am detecting those instances where I know I will have to go back in forthcoming drafts to fix, change, tighten, and polish certain sections and details. I keep a list of the tinkering needed, but overall I am feeling this novel is the strongest work I’ve ever undertaken. This is partly because when you commit yourself to a strong work ethic and you keep focused on the vision of the story, you tend to improve with each effort and challenge yourself more with each project.
This current novel is by far both the hardest and the most enlightening one I’ve ever attempted. As this story develops, the beauty and humanity of Islam is emerging exactly as I knew it would because Islam is such a beautiful and humanistic faith. The language of this first person narration feels as magical and lyrical as anything I’ve ever done, and I owe my love of poetry in my teens and during my early writing days for helping me see history and the world of the past with its every wondrous detail. No matter how hard I work, however, I have doubts. In fact, every book I’ve written has started with doubt and not believing I can do it until I start researching and giving my soul over to hard work which brings about the muse.
What pushes me, keeps me going, and inspires me is reading. Whenever I’m feeling tired, I head to my bookshelf and seek out my heroes: Toni Morrison, Cormac McCarthy, Michael Ondaatje, Albert Camus, Jorge Luis Borges, and the list goes on. At this moment in the story, I’m back to Morrison’s Beloved and Doris Kearns Goodwin’s Team of Rivals. Another mainstay in my reading is going back to the Quran and to Reza Aslan’s No god but God.
After a day of feeling exhausted with the demands of this current novel, I’m now refreshed and reinvigorated to head back to the narrative. Reading Morrison should give me the inspiration to do some good work with the hours left in the day.
Roger 8-)
My writing and drafting process is not to throw words feverishly onto a page and go over them with enough effort to achieve a reasonable quality so I can quickly move forward. I am a deliberate and methodical writer who contemplates and obsesses as I envision the direction of the plot or more precisely the struggles the main character is guiding me through with his own voice. And so I write and rewrite, write and rewrite, and stop completely when something is not working. Not until the chapter or section or scene feels solid and polished enough do I feel as though I can move ahead with certainty that what I’ve had time to contemplate is the true destination the narrative is heading.
After 50,000 words, the pace of this novel is running about 10,000 per month, which is registering in at a slower pace to complete the “first draft” of this project compared to my other novels. What I have learned from my books is that each of them is like a different child. They behave differently, make different demands, and require me to care for and nurture them in their own unique way. In short, they are beautiful and fascinating and frustrating and exhausting, but I would not want it any other way because I do not have a choice. These works have demanded me to write them.
I’m discovering with this current novel that I need anywhere from 6-12 drafts of each chapter before moving on. This is not to say that I am trying to shortcut any part of the process by doing more rewrites and polishing ahead of the next draft. In fact, as with each project, I am detecting those instances where I know I will have to go back in forthcoming drafts to fix, change, tighten, and polish certain sections and details. I keep a list of the tinkering needed, but overall I am feeling this novel is the strongest work I’ve ever undertaken. This is partly because when you commit yourself to a strong work ethic and you keep focused on the vision of the story, you tend to improve with each effort and challenge yourself more with each project.
This current novel is by far both the hardest and the most enlightening one I’ve ever attempted. As this story develops, the beauty and humanity of Islam is emerging exactly as I knew it would because Islam is such a beautiful and humanistic faith. The language of this first person narration feels as magical and lyrical as anything I’ve ever done, and I owe my love of poetry in my teens and during my early writing days for helping me see history and the world of the past with its every wondrous detail. No matter how hard I work, however, I have doubts. In fact, every book I’ve written has started with doubt and not believing I can do it until I start researching and giving my soul over to hard work which brings about the muse.
What pushes me, keeps me going, and inspires me is reading. Whenever I’m feeling tired, I head to my bookshelf and seek out my heroes: Toni Morrison, Cormac McCarthy, Michael Ondaatje, Albert Camus, Jorge Luis Borges, and the list goes on. At this moment in the story, I’m back to Morrison’s Beloved and Doris Kearns Goodwin’s Team of Rivals. Another mainstay in my reading is going back to the Quran and to Reza Aslan’s No god but God.
After a day of feeling exhausted with the demands of this current novel, I’m now refreshed and reinvigorated to head back to the narrative. Reading Morrison should give me the inspiration to do some good work with the hours left in the day.
Roger 8-)
