Charles Fernyhough

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Charles Fernyhough

Goodreads Author


Born
Chelmsford, The United Kingdom
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Member Since
August 2016


Charles Fernyhough is a writer and psychologist. His non-fiction book about his daughter’s psychological development, The Baby in the Mirror, was published by Granta in 2008. His book on autobiographical memory, Pieces of Light (Profile, 2012) was shortlisted for the 2013 Royal Society Winton Prize for Science Books. His latest non-fiction book, on the voices in our heads, is published by Profile/Wellcome Collection in the UK and by Basic Books (2016) in the US. He is the editor of Others (Unbound, 2019), an anthology exploring how books and literature can show us other points of view, with net profits supporting refugee and anti-hate charities.

Charles is the author of two novels, The Auctioneer (Fourth Estate, 1999) and A Box Of Birds (Unb
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Average rating: 3.52 · 1,358 ratings · 206 reviews · 11 distinct worksSimilar authors
Pieces of Light: The New Sc...

3.54 avg rating — 464 ratings — published 2012 — 18 editions
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The Voices Within

3.50 avg rating — 419 ratings — published 2016 — 20 editions
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A Thousand Days of Wonder: ...

3.40 avg rating — 245 ratings — published 2009 — 17 editions
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Moss Witch: and Other Stories

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3.65 avg rating — 123 ratings — published 2013 — 7 editions
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The Baby in the Mirror: A C...

3.72 avg rating — 96 ratings — published 2008 — 9 editions
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Others: Writers on the powe...

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4.19 avg rating — 48 ratings — published 2019 — 2 editions
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A Box of Birds

3.07 avg rating — 55 ratings — published 2012 — 5 editions
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The Auctioneer

3.75 avg rating — 8 ratings — published 2000 — 4 editions
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Private Speech, Executive F...

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4.50 avg rating — 4 ratings — published 2009 — 4 editions
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Voices in Psychosis: Interd...

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4.67 avg rating — 3 ratings2 editions
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“This is part of what makes us distinctively human: the fact that, without any external stimulation, a man in an empty room can make himself laugh or cry.”
Charles Fernyhough, The Voices Within: The History and Science of How We Talk to Ourselves

“You can’t tickle yourself, because you know (probably through the same kind of efference-copy transmission that usually ensures that you know that your inner speech is your own) that it is you who is performing the action. If you already know the joke, you shouldn’t laugh at it – unless perhaps it’s a reliable classic that has made you chuckle before. If I’m making myself laugh, there must be some element of surprise – but how, if I myself have generated the idea? Surely I know what I’m going to think. I’m choosing these words, aren’t I?”
Charles Fernyhough, The Voices Within

“Memory means different things to psychologists. Autobiographical memory is an interesting case because it straddles the most basic of the distinctions that scientists make between types of memory: that between semantic memory (memory for facts) and episodic memory (memory for events). Our memory for the events of our own lives involves the integration of details of what happened (episodic memory) with long-term knowledge about the facts of our lives (a kind of autobiographical semantic memory). Another important distinction is that between explicit or declarative memory (in which the contents of memory are accessible to consciousness) and implicit or non-declarative memory (which is unconscious). As we will see, this distinction is particularly important when it comes to the question of how memory is affected by trauma and extreme emotion.”
Charles Fernyhough, Pieces of Light: How the New Science of Memory Illuminates the Stories We Tell About Our Pasts

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