Ripley Entertainment Inc.'s Blog, page 421
March 24, 2017
The Irish Giant and a Hunter Named Hunter
Featured in Ripley's Believe It or Not!
Born in 1761, Charles Byrne would grow to seven feet seven inches tall. The world at large knew him as the Irish Giant.
From a remote village in Ireland, Byrne’s family was not particularly tall. As their son continued to grow, they came to explain his great height was due to his conception atop a haystack.
Destined to see the world (and the world to see him) he left for Scotland as a teenager, where he became an instant celebrity. The watchmen, in particular, were flabbergasted when he lit his pipe from the city gas lamps without effort.
As he made his way towards England, his success doubled, and he was paid to make appearances at hotels and at Piccadilly Circus.
Newspapers loved him, he wasn’t just a human curiosity but possessed a charisma that other performers lacked. By 1782, he had even inspired a hit stage show.
Disorder and Death
Byrne’s claim to fame would also lead to his death. The actual cause of his towering height wasn’t a haystack, but a tumor in his pituitary gland.
Byrne had made a decent living as a sideshow act, but he carried all of his wealth with him. Who would steal from the nearly 8-foot giant?
After a night of drinking at the Black Horse pub, a pickpocket managed to make off with all of Byrne’s banknotes. His poverty, coupled with a bout of bad health, killed the giant at 22 years old.
Fear of Resurrection
John Byrne knew his body would be stolen.
He lived in an era of undertakers working with underground medical research teams bidding top dollar for human cadavers. In hushed rooms and back alleys, they were called “resurrectionists.”
To the lay person, these doctors and scientists-to-be were nothing but corpse grabbing necromancers of their day, and the Irish Giant knew they’d be after the secrets of his body.
He also knew who was likely to end up with his remains: John Hunter.
Botched Burial at Sea
To prevent his body from falling into the hands of renowned surgeon and specimen collector, John Hunter, Byrne made his friends to promise he would be buried at sea, far from the hands of corpse stealing doctors.
They thought they complied with the Giant’s wishes, but were instead deceived.
Hunter Hunts the Irish Giant
Hunter wanted the Irish Giant’s body. Little had gotten in his way before. Paying undertakers or grave robbers was nothing but an inconvenience, but how would he fish Charles Byrne from the bottom of the English Channel?
Hunter had Byrne’s embalmer snatch the body before it was sealed in a lead-lined coffin destined for the sea.
Charles Byrne’s friends indeed left a coffin at sea, but that coffin was empty.
Secret Study
Hunter kept his possession of the Irish Giant’s body secret for a year. He studied it in the secret confines of his residence, removing the flesh and retaining its skeleton.
Robert Ripley viewing the Irish Giant in 1935.
The skeleton would end up in the Hunterian Collection, the central display of the museum honoring the 18th-century surgeon.
While there is a great deal of knowledge that John Hunter was able to add to the medical community through his many studies, many more think that the Irish Giant still deserves the burial he asked for.
Despite protests, and swells in public opinion, the Royal College of Surgeons (who officially possesses the museum and the remains contained within) has repeatedly decided to keep their central showpiece in the museum.
To this day, the Irish Giant remains in his captor’s shrine.
At the center of Hunter’s museum.
March 23, 2017
March 22, 2017
Why Don’t Woodpeckers Get Headaches?
Featured in Ripley's Believe It or Not!
Their skulls are separated from their beaks, with an air cushion softening blows. They also have a third eyelid that keeps their eyeballs from flying out of their heads.
These features help keep the woodpecker safe. They also have tongues that wrap all the way around their brains!
March 21, 2017
The Phonoliszt Violina Is a 1907 Robotic Orchestra
Featured in Ripley's Believe It or Not!
Invented by Ludwig Hupfield in 1904, the Phonoliszt Violina was the player-piano of orchestras.
An automated symphony, the mechanical marvel required no human intervention to independently play any music fed into it.
8th Wonder of the World
The three violins were fitted with pneumatic controls powered by bellows to intonate one note at a time each.
The singular rotating bow was made from 1,300 threads of horse hair, and its tempo was set by the operator.
The music was notated onto a sheet of perforated paper which was churned through the machine to read the music.
Once dubbed the “8th Wonder of the World” the autonomous violin would be unparalleled for nearly 20 years before being dethroned by Edison’s phonograph.
Robot Orchestra
Before devices such as this, the only way to hear music was for it to be played live. Inventions like this one made it so that anyone could hear what would otherwise take a gathering of highly skilled musicians.
The Hupfield Phonoliszt Violina would even crop up in stores as a coin-operated machine, with guests able to pick from an assortment of music rolls.
Other venues would pair the contraption with other violinists or musicians, acting as either an accompaniment or a duet partner.
March 20, 2017
March 19, 2017
March 18, 2017
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