Hunter Shea's Blog - Posts Tagged "writing"
Getting the Book Deal and How It Nearly Killed Me
The title of this post is no exaggeration. The entire process of writing my novel, Forest of Shadows, and getting it sold very nearly ended my life…sort of. More on that in a bit.
I’ve been a fan of horror ever since I was a kid. The passion for writing horror overtook me somewhere in my early twenties. I dabbled with horror short stories, then spent years writing non-horror novels so I could get in the practice and find my voice for my first big horror novel. Once I felt I was ready (which meant I had spent almost a decade writing and thirty years reading as much as humanly possible) and I had a concept that could sustain a novel, I got to writing. All along I had one goal : to have it published by Leisure Horror (part of Dorchester Publishing). Leisure was the gold standard for horror publishing, thanks in large part to the leadership and skill of editor Don D’Auria. I consumed Leisure novels like Jaws munched on skinny dippers. I wanted in the Leisure Club more than anything in the world.
I spent the next 4 years writing my book, originally titled Frozen Harbor. After going through a dozen rewrites, I felt it was good to go and I immediately sent my query letter to Leisure’s slush pile (this is the massive mountian of unagented queries and manuscripts that sit in every publishing house). I knew the odds of getting out of the pile were slimmer than Kate Moss, but I had a goal and I was going to live or die with it.
A little under a year later, I received a letter asking to see the first few chapters. I nearly jumped out of my shoes, but knew in the back of my mind this was by no means an acceptance. So I sent it. And waited. And waited some more.
Over a year after that, I recevied another letter asking for the entire manuscript. OK, there was obviously some interest. It had been almost two years now, and every time I was about to give up, the fates came along to reignite my hopes. Could they be so cruel as to guide me to shore, only to dash me on the rocks? Being a New York pessimist, I leaned to that being the case.
I kid you not when I say I had all but forgotten that I had sent in my manuscript when a year and a half later, while checking my email, I saw a letter from Don at Leisure. Holy crap! He liked the book! He wanted to publish it! I had my deal with my dream publisher and editor! I was at work when I opened the email, and after almost having a stroke, I rushed home to celebrate.
The next few months were spent getting an agent and working with Don on the book and getting the final details done on the contract. I was flying higher than Balloon Boy. Naturally, the fates saw my happiness and stepped right in to kick my ass in short order. Dorchester Publishing, after 40 years in business, was in complete upheaval. They weren’t paying authors and had decided to stop printing paperbacks. Don parted ways with them just before I signed my final contract. The deal was dead.
And so, nearly, was I. Granted, the turn of events made me physically, emotionally and spiritually ill. But it was the horror writer doppelganger in me that nearly died last summer. I was done. No matter how happy a face I put on, I figured that part of my life had taken a permanent dirt nap. I didn’t have another 8 years in me to do this all over again. R.I.P.
Here’s where agents can be a godsend. My agent, Louise Fury (with the L. Perkins Agency), did her best to keep my spirits up. “Don’t panic. If it was good enough for Don, it can be sold elsewhere. We can even wait to see where Don lands and hope he’ll still be editing horror.”
So I waited. But this time it was much less than 8 years. It was only 5 months. Don joined Samhain Publishing and yes, he still wanted my book! The dead part of me had been revived (kinda like a zombie, only without the eating flesh part). So yes, the entire process did nearly kill a very real part of me. But like any good movie monster, I live! And as long as I live, I will continue to write.
Forest of ShadowsHunter Shea
I’ve been a fan of horror ever since I was a kid. The passion for writing horror overtook me somewhere in my early twenties. I dabbled with horror short stories, then spent years writing non-horror novels so I could get in the practice and find my voice for my first big horror novel. Once I felt I was ready (which meant I had spent almost a decade writing and thirty years reading as much as humanly possible) and I had a concept that could sustain a novel, I got to writing. All along I had one goal : to have it published by Leisure Horror (part of Dorchester Publishing). Leisure was the gold standard for horror publishing, thanks in large part to the leadership and skill of editor Don D’Auria. I consumed Leisure novels like Jaws munched on skinny dippers. I wanted in the Leisure Club more than anything in the world.
I spent the next 4 years writing my book, originally titled Frozen Harbor. After going through a dozen rewrites, I felt it was good to go and I immediately sent my query letter to Leisure’s slush pile (this is the massive mountian of unagented queries and manuscripts that sit in every publishing house). I knew the odds of getting out of the pile were slimmer than Kate Moss, but I had a goal and I was going to live or die with it.
A little under a year later, I received a letter asking to see the first few chapters. I nearly jumped out of my shoes, but knew in the back of my mind this was by no means an acceptance. So I sent it. And waited. And waited some more.
Over a year after that, I recevied another letter asking for the entire manuscript. OK, there was obviously some interest. It had been almost two years now, and every time I was about to give up, the fates came along to reignite my hopes. Could they be so cruel as to guide me to shore, only to dash me on the rocks? Being a New York pessimist, I leaned to that being the case.
I kid you not when I say I had all but forgotten that I had sent in my manuscript when a year and a half later, while checking my email, I saw a letter from Don at Leisure. Holy crap! He liked the book! He wanted to publish it! I had my deal with my dream publisher and editor! I was at work when I opened the email, and after almost having a stroke, I rushed home to celebrate.
The next few months were spent getting an agent and working with Don on the book and getting the final details done on the contract. I was flying higher than Balloon Boy. Naturally, the fates saw my happiness and stepped right in to kick my ass in short order. Dorchester Publishing, after 40 years in business, was in complete upheaval. They weren’t paying authors and had decided to stop printing paperbacks. Don parted ways with them just before I signed my final contract. The deal was dead.
And so, nearly, was I. Granted, the turn of events made me physically, emotionally and spiritually ill. But it was the horror writer doppelganger in me that nearly died last summer. I was done. No matter how happy a face I put on, I figured that part of my life had taken a permanent dirt nap. I didn’t have another 8 years in me to do this all over again. R.I.P.
Here’s where agents can be a godsend. My agent, Louise Fury (with the L. Perkins Agency), did her best to keep my spirits up. “Don’t panic. If it was good enough for Don, it can be sold elsewhere. We can even wait to see where Don lands and hope he’ll still be editing horror.”
So I waited. But this time it was much less than 8 years. It was only 5 months. Don joined Samhain Publishing and yes, he still wanted my book! The dead part of me had been revived (kinda like a zombie, only without the eating flesh part). So yes, the entire process did nearly kill a very real part of me. But like any good movie monster, I live! And as long as I live, I will continue to write.
Forest of ShadowsHunter Shea
Writing What You Love & A Case For Keeping Your Day Job
We all want to do what we love for a living, right? I know I do. They say (and we all know who they are) that if you choose a job you love, you’ll never have to work a day in your life. I think I might make a poster of that, complete with a picture of my cat sleeping on the radiator.
Writers are often asked, especially when they are starting out, if they plan to make writing a full time career. You know, quit your stultifying 9 to 5 job and live off the fat of the advance and royalty checks that will shower upon you like rain in Dublin. Naturally, we’d all love to do this. That dream is right up there with winning the lottery. Getting your first book deal feels even harder than hitting Lotto.
The truth is, only a small percentage of authors can rely on what they bring in from their writing as their sole source of income. Next time you go to your bookstore at say, 11am on a Tuesday, pay close attention to all of the names you see on the spines of the books. The vast majority of those folks are slaving away at some office while you’re out browsing.
Where’s the glamour in that? What’s the point of struggling to get published if I still have to clock in every day and stare at my cubicle walls?
I’m here to tell you that there is an upside to this. When we commit to being a writer, we’re basically juggling two full time jobs. The day job pays the bills and hopefully gives you some sense of fulfillment and accomplishment. Writing feeds the soul and puts you in touch with your passion. Keeping up with both jobs also gives you freedom and peace of mind. That’s right, I said you’ll have more freedom, even within your cloth covered cube!
What’s this upside I seem so hellbent to profess?
• Publishers don’t give writers benefit plans or retirement savings. Anyone over 30 with kids will understand the importance of this. In fact, a lot of people consider this more important than salary when considering a job.
• Your day job gives you a steady paycheck. That means you can plan your finances, count on buying groceries every week and paying the rent every month. There are no cash dry spells when you have a day job.
• Because you don’t depend on writing to keep you and your family from living in a cardboard box, you have the FREEDOM to write about the things you love and are passionate about. You take on assignments and book projects that you want to do, not just ones that you need to do in order to survive.
I write horror. Unless your last name is King, Barker, Koontz or a handful of others, you’re confined to being a midlist author, which means the financial payoff will not have you putting a down payment on that pretty Jaguar.
Of the few horror writers I know who make writing their only career, I see their stress and have been told by more than one to treasure my day job. It’s stressful when you have to produce a prodigious output and hope that publishers will accept it and pay something worth the effort. There are no guarantees. Writing in genres they’d never read in becomes a necessity. Did I mention the stress?
Look, we all should dare to dream about landing that game changing book or movie deal that will put our 9 to 5 days behind us. It’s the carrot that keeps us chasing the stick. But don’t fret that you’re on published book #7 and still saying hi to your boss every morning. When you go home at night, you get to dive into the world you love most, and you get recognized and rewarded for it. Not too shabby.
Now, what’s your opinion? Do you think I’m crazy to embrace my day job or spot on? Have you managed to become a full time writer? Share a war story.
Writers are often asked, especially when they are starting out, if they plan to make writing a full time career. You know, quit your stultifying 9 to 5 job and live off the fat of the advance and royalty checks that will shower upon you like rain in Dublin. Naturally, we’d all love to do this. That dream is right up there with winning the lottery. Getting your first book deal feels even harder than hitting Lotto.
The truth is, only a small percentage of authors can rely on what they bring in from their writing as their sole source of income. Next time you go to your bookstore at say, 11am on a Tuesday, pay close attention to all of the names you see on the spines of the books. The vast majority of those folks are slaving away at some office while you’re out browsing.
Where’s the glamour in that? What’s the point of struggling to get published if I still have to clock in every day and stare at my cubicle walls?
I’m here to tell you that there is an upside to this. When we commit to being a writer, we’re basically juggling two full time jobs. The day job pays the bills and hopefully gives you some sense of fulfillment and accomplishment. Writing feeds the soul and puts you in touch with your passion. Keeping up with both jobs also gives you freedom and peace of mind. That’s right, I said you’ll have more freedom, even within your cloth covered cube!
What’s this upside I seem so hellbent to profess?
• Publishers don’t give writers benefit plans or retirement savings. Anyone over 30 with kids will understand the importance of this. In fact, a lot of people consider this more important than salary when considering a job.
• Your day job gives you a steady paycheck. That means you can plan your finances, count on buying groceries every week and paying the rent every month. There are no cash dry spells when you have a day job.
• Because you don’t depend on writing to keep you and your family from living in a cardboard box, you have the FREEDOM to write about the things you love and are passionate about. You take on assignments and book projects that you want to do, not just ones that you need to do in order to survive.
I write horror. Unless your last name is King, Barker, Koontz or a handful of others, you’re confined to being a midlist author, which means the financial payoff will not have you putting a down payment on that pretty Jaguar.
Of the few horror writers I know who make writing their only career, I see their stress and have been told by more than one to treasure my day job. It’s stressful when you have to produce a prodigious output and hope that publishers will accept it and pay something worth the effort. There are no guarantees. Writing in genres they’d never read in becomes a necessity. Did I mention the stress?
Look, we all should dare to dream about landing that game changing book or movie deal that will put our 9 to 5 days behind us. It’s the carrot that keeps us chasing the stick. But don’t fret that you’re on published book #7 and still saying hi to your boss every morning. When you go home at night, you get to dive into the world you love most, and you get recognized and rewarded for it. Not too shabby.
Now, what’s your opinion? Do you think I’m crazy to embrace my day job or spot on? Have you managed to become a full time writer? Share a war story.
Writing What You Love & A Case For Keeping Your Day Job
We all want to do what we love for a living, right? I know I do. They say (and we all know who they are) that if you choose a job you love, you’ll never have to work a day in your life. I think I might make a poster of that, complete with a picture of my cat sleeping on the radiator.
Writers are often asked, especially when they are starting out, if they plan to make writing a full time career. You know, quit your stultifying 9 to 5 job and live off the fat of the advance and royalty checks that will shower upon you like rain in Dublin. Naturally, we’d all love to do this. That dream is right up there with winning the lottery. Getting your first book deal feels even harder than hitting Lotto.
The truth is, only a small percentage of authors can rely on what they bring in from their writing as their sole source of income. Next time you go to your bookstore at say, 11am on a Tuesday, pay close attention to all of the names you see on the spines of the books. The vast majority of those folks are slaving away at some office while you’re out browsing.
Where’s the glamour in that? What’s the point of struggling to get published if I still have to clock in every day and stare at my cubicle walls?
I’m here to tell you that there is an upside to this. When we commit to being a writer, we’re basically juggling two full time jobs. The day job pays the bills and hopefully gives you some sense of fulfillment and accomplishment. Writing feeds the soul and puts you in touch with your passion. Keeping up with both jobs also gives you freedom and peace of mind. That’s right, I said you’ll have more freedom, even within your cloth covered cube!
What’s this upside I seem so hellbent to profess?
• Publishers don’t give writers benefit plans or retirement savings. Anyone over 30 with kids will understand the importance of this. In fact, a lot of people consider this more important than salary when considering a job.
• Your day job gives you a steady paycheck. That means you can plan your finances, count on buying groceries every week and paying the rent every month. There are no cash dry spells when you have a day job.
• Because you don’t depend on writing to keep you and your family from living in a cardboard box, you have the FREEDOM to write about the things you love and are passionate about. You take on assignments and book projects that you want to do, not just ones that you need to do in order to survive.
I write horror. Unless your last name is King, Barker, Koontz or a handful of others, you’re confined to being a midlist author, which means the financial payoff will not have you putting a down payment on that pretty Jaguar.
Of the few horror writers I know who make writing their only career, I see their stress and have been told by more than one to treasure my day job. It’s stressful when you have to produce a prodigious output and hope that publishers will accept it and pay something worth the effort. There are no guarantees. Writing in genres they’d never read in becomes a necessity. Did I mention the stress?
Look, we all should dare to dream about landing that game changing book or movie deal that will put our 9 to 5 days behind us. It’s the carrot that keeps us chasing the stick. But don’t fret that you’re on published book #7 and still saying hi to your boss every morning. When you go home at night, you get to dive into the world you love most, and you get recognized and rewarded for it. Not too shabby.
Now, what’s your opinion? Do you think I’m crazy to embrace my day job or spot on? Have you managed to become a full time writer? Share a war story.
Writers are often asked, especially when they are starting out, if they plan to make writing a full time career. You know, quit your stultifying 9 to 5 job and live off the fat of the advance and royalty checks that will shower upon you like rain in Dublin. Naturally, we’d all love to do this. That dream is right up there with winning the lottery. Getting your first book deal feels even harder than hitting Lotto.
The truth is, only a small percentage of authors can rely on what they bring in from their writing as their sole source of income. Next time you go to your bookstore at say, 11am on a Tuesday, pay close attention to all of the names you see on the spines of the books. The vast majority of those folks are slaving away at some office while you’re out browsing.
Where’s the glamour in that? What’s the point of struggling to get published if I still have to clock in every day and stare at my cubicle walls?
I’m here to tell you that there is an upside to this. When we commit to being a writer, we’re basically juggling two full time jobs. The day job pays the bills and hopefully gives you some sense of fulfillment and accomplishment. Writing feeds the soul and puts you in touch with your passion. Keeping up with both jobs also gives you freedom and peace of mind. That’s right, I said you’ll have more freedom, even within your cloth covered cube!
What’s this upside I seem so hellbent to profess?
• Publishers don’t give writers benefit plans or retirement savings. Anyone over 30 with kids will understand the importance of this. In fact, a lot of people consider this more important than salary when considering a job.
• Your day job gives you a steady paycheck. That means you can plan your finances, count on buying groceries every week and paying the rent every month. There are no cash dry spells when you have a day job.
• Because you don’t depend on writing to keep you and your family from living in a cardboard box, you have the FREEDOM to write about the things you love and are passionate about. You take on assignments and book projects that you want to do, not just ones that you need to do in order to survive.
I write horror. Unless your last name is King, Barker, Koontz or a handful of others, you’re confined to being a midlist author, which means the financial payoff will not have you putting a down payment on that pretty Jaguar.
Of the few horror writers I know who make writing their only career, I see their stress and have been told by more than one to treasure my day job. It’s stressful when you have to produce a prodigious output and hope that publishers will accept it and pay something worth the effort. There are no guarantees. Writing in genres they’d never read in becomes a necessity. Did I mention the stress?
Look, we all should dare to dream about landing that game changing book or movie deal that will put our 9 to 5 days behind us. It’s the carrot that keeps us chasing the stick. But don’t fret that you’re on published book #7 and still saying hi to your boss every morning. When you go home at night, you get to dive into the world you love most, and you get recognized and rewarded for it. Not too shabby.
Now, what’s your opinion? Do you think I’m crazy to embrace my day job or spot on? Have you managed to become a full time writer? Share a war story.
The Joy of Deadlines!
Whether you hate them or not, if you’re crazy enough to make it a go of this whole writer thing, deadlines are going to be a part of your life. I’ve heard people say they work better with a deadline – the sound of that little clock ticking lights their creative fire. Others lament that the pressure of a deadline drives them down Writer’s Block Lane, sometimes with a short stop at Xanax Drive.
In my experience, every writer vacillates between embracing and running from deadlines. It depends on your mood, the project (horror writer takes on romance novel for single grannies – wtf???), what’s happening in your life at the moment and – here’s an important one – the money. I’m not saying that money makes it easier. Heck no. Sometimes, the carrot of a big advance can cause temporary paralysis. Other times, you want to put that pool in and that advance will pay for it and the party to christen it, so watch those fingers fly!
So, what do you do when a deadline looms and you can’t get the words from your brainpan to the keyboard? Unfortunately, there’s no magic pill. I’m sure Pfizer is working on one, but we’re years from it hitting the market place.
All I can offer is my own experience. One thing I’ve done over the past few years is to set a personal deadline for everything I write, whether an editor has a set expectation or not. This way, I’m training myself to write both with a purpose and a plan.
Here’s an example. It’s May 1st and I’m about to start my new novel. Now, my editor has only asked that I send something to him any time in the next year. Well, if I want to build my brand, I can’t rest on my laurels. I have to write a couple of novels and some short stories and maybe even a novella for good measure within that year. Oh, and I have my day job that requires most of my time and my family.
If I didn’t set deadlines for myself, I’d be sunk. So, on May 1st, I estimate that my book will be about 90,000 words. I figure 4 months is a good amount of time to get ‘er done. In my mind, the book has to be complete on September 1st. I want to get that first draft finished by mid July so I have time to show it to my first readers and do several rounds of edits. That means I have about 75 days to write my first draft.
If I do 1,000 words a day on weekdays, and 2,000 on weekends, I’ll cruise on in to my deadline. Then I have to take into account days when life just prevents my ass from sitting down and writing. Well, I’ll make up those words with a week of 1,500 words or maybe cram 5,000 on a Saturday.
The key is that through the entire process, I know exactly where I am, where I need to be, and what needs to be done each day to make it. You have to factor in situations that will throw a monkey wrench in the works. Shit happens. You’ll be fine as long as you’re planning ahead how to get back on track without adding more gray to your scalp.
It’s vital to remember that you’re in control. Writing is more than just something you’ve chosen to do – it’s something you love to do. Always, and I mean always, strive to have fun.
And repeat after me. Deadlines shmeadlines.
In my experience, every writer vacillates between embracing and running from deadlines. It depends on your mood, the project (horror writer takes on romance novel for single grannies – wtf???), what’s happening in your life at the moment and – here’s an important one – the money. I’m not saying that money makes it easier. Heck no. Sometimes, the carrot of a big advance can cause temporary paralysis. Other times, you want to put that pool in and that advance will pay for it and the party to christen it, so watch those fingers fly!
So, what do you do when a deadline looms and you can’t get the words from your brainpan to the keyboard? Unfortunately, there’s no magic pill. I’m sure Pfizer is working on one, but we’re years from it hitting the market place.
All I can offer is my own experience. One thing I’ve done over the past few years is to set a personal deadline for everything I write, whether an editor has a set expectation or not. This way, I’m training myself to write both with a purpose and a plan.
Here’s an example. It’s May 1st and I’m about to start my new novel. Now, my editor has only asked that I send something to him any time in the next year. Well, if I want to build my brand, I can’t rest on my laurels. I have to write a couple of novels and some short stories and maybe even a novella for good measure within that year. Oh, and I have my day job that requires most of my time and my family.
If I didn’t set deadlines for myself, I’d be sunk. So, on May 1st, I estimate that my book will be about 90,000 words. I figure 4 months is a good amount of time to get ‘er done. In my mind, the book has to be complete on September 1st. I want to get that first draft finished by mid July so I have time to show it to my first readers and do several rounds of edits. That means I have about 75 days to write my first draft.
If I do 1,000 words a day on weekdays, and 2,000 on weekends, I’ll cruise on in to my deadline. Then I have to take into account days when life just prevents my ass from sitting down and writing. Well, I’ll make up those words with a week of 1,500 words or maybe cram 5,000 on a Saturday.
The key is that through the entire process, I know exactly where I am, where I need to be, and what needs to be done each day to make it. You have to factor in situations that will throw a monkey wrench in the works. Shit happens. You’ll be fine as long as you’re planning ahead how to get back on track without adding more gray to your scalp.
It’s vital to remember that you’re in control. Writing is more than just something you’ve chosen to do – it’s something you love to do. Always, and I mean always, strive to have fun.
And repeat after me. Deadlines shmeadlines.
Edit the Hell out of Your Book
From my understanding, hell is a place where bad people go.
First drafts are places where hellish sentences, plots and characters lurk. When you edit, you’re a manuscript exorcist. The power of revision compels you! The power of revision compels you!
As imperative as the editing process is, I’ve seen plenty of aspiring writers stuck in revision hell. I know people who have been editing and tweaking their first novel for over ten years. Then there are people who think a first draft is all you need, forgetting that when you say first draft, that implies there must come a second, third, yadda-yadda-yadda. We all can’t be Robert B. Parker who obtained legendary status as a writer who loathed rewrites. Let’s consider him the outlier, not the standard.
When you edit, you have to set tight rules. You want to polish that lump of coal into a diamond, but it has no value if you never get it out to an agent or publisher.
When 2014 ends, I will have published 8 books in 3 years. I’m always working on something, so I can’t let myself slip into editing hell. But, I also can’t scrimp on revising each novel and novella.
Editing, to me, is synonymous with the word rounds. Each book will require several rounds of revisions. And when I say round, I mean going from start to end, re-reading and rewriting like a person possessed. Here’s an example of how I edited my upcoming novella, The Waiting.
First Round : Also known as the first draft. My main concern at this stage was getting the story down. Occasionally I would go back and tweak what I wrote the day before, but the theme in this round is always onward and upward! Hell, what’s pouring out of me at this point may not even make sense, but somewhere in that mess is the backbone of the book. The key is to power through and get to The End.
Second Round : This is where the hard work comes in. I read every line from start to end, making changes, wiping out whole sections, adding more, tightening plot points, checking for grammar, punctuation, etc. Of all the rounds, this is the one with the most heavy lifting. This is where the story truly comes alive.
Third Round : I have several trusted people who are my first readers. For each book, I’ll select two of them to read the manuscript. One looks at it like a line editor, finding all of my many mistakes, checking for continuity and basically making it look like I passed English class with flying colors. Another reads it to give me feedback on the story itself. They make suggestions on how to improve the story. Some parts need to be placed in earlier sections of a book, others tossed into a deep, deep pit. They’ll also point out sub-plots that my conscious mind wasn’t aware of, affording me the chance to further explore them and make the overall story stronger. The feedback from my first readers has a value impossible to quantify. I’m eternally in their debt.
Fourth Round : In this round, I take the line edits from my first reader and correct all of the mistakes. For me, this is the easiest round since someone has already told me what to do. I just need to follow orders.
Fifth Round : Now another very hard part. Scrambling the pieces of the story around based on my other first reader’s feedback. This can be a heavy rewrite that can take weeks, or a little less punishing that may only take all my free time for a week.
Sixth Round : After I’ve retooled the entire book, I have to read it again, making more revisions as I go. This can be heaven or it can be hell. If it’s heaven, it’s ready to go once I’ve reached the last page. If it’s hell, it means another round of edits.
Luckily, for The Waiting, I was able to stop at 6 rounds. Double lucky was that it was a novella and only a hundred pages. Sweet. Now, when I wrote my thriller, The Montauk Monster ,a book that was just under 100,000 words, I believe I went as far as 8 rounds. Remember earlier when I said you have to set editing rules? That was essential for The Montauk Monster because I only had 4 months to write and edit the book. If your goal is to be a working writer, you’re going to be writing your ass off, year in and year out. There’s no time to be trapped in editing hell.
Don’t let the multiple rounds process scare you. Believe it or not, you’ll like the book more and more with each round. You may even grow to love it! The passion you felt on writing the first page will be rekindled. Honest.
I’m not saying this is the way you have to do it. It’s just the way I do it and it’s been working…so far.
Anyone out there stuck in editing hell? You have a revision trick that could benefit the rest of the class? Come on, let’s hear it. When it comes to writing, old dogs learn new tricks every day.
Happy editing!
First drafts are places where hellish sentences, plots and characters lurk. When you edit, you’re a manuscript exorcist. The power of revision compels you! The power of revision compels you!
As imperative as the editing process is, I’ve seen plenty of aspiring writers stuck in revision hell. I know people who have been editing and tweaking their first novel for over ten years. Then there are people who think a first draft is all you need, forgetting that when you say first draft, that implies there must come a second, third, yadda-yadda-yadda. We all can’t be Robert B. Parker who obtained legendary status as a writer who loathed rewrites. Let’s consider him the outlier, not the standard.
When you edit, you have to set tight rules. You want to polish that lump of coal into a diamond, but it has no value if you never get it out to an agent or publisher.
When 2014 ends, I will have published 8 books in 3 years. I’m always working on something, so I can’t let myself slip into editing hell. But, I also can’t scrimp on revising each novel and novella.
Editing, to me, is synonymous with the word rounds. Each book will require several rounds of revisions. And when I say round, I mean going from start to end, re-reading and rewriting like a person possessed. Here’s an example of how I edited my upcoming novella, The Waiting.
First Round : Also known as the first draft. My main concern at this stage was getting the story down. Occasionally I would go back and tweak what I wrote the day before, but the theme in this round is always onward and upward! Hell, what’s pouring out of me at this point may not even make sense, but somewhere in that mess is the backbone of the book. The key is to power through and get to The End.
Second Round : This is where the hard work comes in. I read every line from start to end, making changes, wiping out whole sections, adding more, tightening plot points, checking for grammar, punctuation, etc. Of all the rounds, this is the one with the most heavy lifting. This is where the story truly comes alive.
Third Round : I have several trusted people who are my first readers. For each book, I’ll select two of them to read the manuscript. One looks at it like a line editor, finding all of my many mistakes, checking for continuity and basically making it look like I passed English class with flying colors. Another reads it to give me feedback on the story itself. They make suggestions on how to improve the story. Some parts need to be placed in earlier sections of a book, others tossed into a deep, deep pit. They’ll also point out sub-plots that my conscious mind wasn’t aware of, affording me the chance to further explore them and make the overall story stronger. The feedback from my first readers has a value impossible to quantify. I’m eternally in their debt.
Fourth Round : In this round, I take the line edits from my first reader and correct all of the mistakes. For me, this is the easiest round since someone has already told me what to do. I just need to follow orders.
Fifth Round : Now another very hard part. Scrambling the pieces of the story around based on my other first reader’s feedback. This can be a heavy rewrite that can take weeks, or a little less punishing that may only take all my free time for a week.
Sixth Round : After I’ve retooled the entire book, I have to read it again, making more revisions as I go. This can be heaven or it can be hell. If it’s heaven, it’s ready to go once I’ve reached the last page. If it’s hell, it means another round of edits.
Luckily, for The Waiting, I was able to stop at 6 rounds. Double lucky was that it was a novella and only a hundred pages. Sweet. Now, when I wrote my thriller, The Montauk Monster ,a book that was just under 100,000 words, I believe I went as far as 8 rounds. Remember earlier when I said you have to set editing rules? That was essential for The Montauk Monster because I only had 4 months to write and edit the book. If your goal is to be a working writer, you’re going to be writing your ass off, year in and year out. There’s no time to be trapped in editing hell.
Don’t let the multiple rounds process scare you. Believe it or not, you’ll like the book more and more with each round. You may even grow to love it! The passion you felt on writing the first page will be rekindled. Honest.
I’m not saying this is the way you have to do it. It’s just the way I do it and it’s been working…so far.
Anyone out there stuck in editing hell? You have a revision trick that could benefit the rest of the class? Come on, let’s hear it. When it comes to writing, old dogs learn new tricks every day.
Happy editing!
Writing Your Book – The Thousand Word March
I’m about to let you in on a secret that will help your write that book that’s been dying to get out. The best part is, you can do it without having an existential crisis.
It’s been too long since I’ve posted anything about writing in the trenches in this genre I love so much. Back when I was locking myself away in my room, tapping out words and getting nothing but rejection or worse, silence, I never dreamed I’d be in the position I’m in today. Sure, I did it with the goal of legitimate publication (whatever your own definition of that may be), but I just never thought I’d have a year like this one with three books coming out and writing four more for three different publishers for next year.
I’m not a full time writer. Writing doesn’t have health benefits, and if you’ve stopped by the blog and chain, you know I need them for my wife, who is the queen of auto-immune diseases. So I have a full time job that is more than that – it’s a solid career that can’t be ignored or pushed to the side. I have two amazing kids – teens now –the same number of cats, old friends, new friends, things to do and places to see every day.
The question everyone asks me is, ‘How in the world can you manage to write several books a year? Do you sleep? When’s the last time your family saw you? Or you saw the sun?’
My answer is usually that I just sit down and write because I truly enjoy the process. And yes, that is part of it. But what is the process?
Basically, what works for me is something I’ve called The Thousand Word March – or TTWM if I’m too lazy to say or spell it out. When I started working with editors, I quickly found out that they think and talk in terms of thousands. Discussing the length of your work in progress, whether it’s a story, novella or novel, it’s all about word count, not the number of pages or file size of your Word document.
They’ll say, “I’d love it if you could get me that novel under 95,000 words, but no less than 90,000.” Or if you’re pitching a novella, they might say, “Anything between 28,000 and 50,000 words will do it.”
So, if they’re thinking in thousands, I had to rethink the way I worked and made my own projections. My first horror novel, Forest of Shadows, was a true labor of love. I worked on it for almost five years. When people asked about my progress, I’d tell them I was 185 pages in and so on. Come time to pitch it to the sole publisher I sent it to (fodder for a later post), I proudly stated it was 550 pages.
But to an editor, 550 pages does not translate. The number of pages I write will never equal the print pages in a book because of font and paper size, spacing, etc. It turned out my 550 pages equaled over 100,000 words, which was a little more than Samhain wanted at the time. So, I had to do some editing to get it under 95,000.
When it came time to write my next book, I came up with The Thousand Word March to wrap my head around the best way to proceed. Knowing that my editor would like something between 85,000 and 90,000, I looked at the calendar to see how long it would take me to get the first draft done. Since my editor also hinted that he’d like me to write two books a year for him, I knew I couldn’t just cruise along at my own speed. That’s a good thing. It prevents procrastination from rearing its ugly head. Nothing works better than a fire under one’s posterior.
Staring at the calendar, I thought, if I just did 1,000 words a day, I’d have a 90,000 word book completed in three months. Hmmm. A thousand words a day. I could do that. I don’t have tons of free time, but I almost always have time to write 1,000 words. In fact, as I started working on that book, I realized that even on a day when the words were hard to find, I could accomplish my mission within an hour. So, if I set aside an hour and a half each weeknight, I could hit my writing goal, that extra half hour spent doing all the other things a working writer has to do, like marketing, responding to emails and maybe tooling around with a short story.
On weekends, I shoot for 2,000 – 3,000 words a day. This way, I can finish ahead of schedule, giving me more time for editing later on. I know it sounds like a lot, but when you work at it all the time and get into a rhythm, it’s really not so bad. In fact, I’ve found that by writing on Saturday and Sunday mornings, before the day drains my brain, I can write far more in less time. The key is to get at least 7,000 words in a week so I can meet my goal of a full novel in three months.
Weekends are also a good time to catch up on days you might have missed during the week. Look, we all have lives to live and you can’t always find the time to write. Here’s what my past week looked like :
Monday – 1,900 words (I doubled up knowing that Tuesday was my day off, so to speak.)
Tuesday – nothing (It was St. Patrick’s Day and I’m Irish. ‘Nuff said.)
Wednesday – 1,100 words
Thursday – 1,000 words
Friday – 1,000 words
Saturday – 2,300 words
Sunday – 2,500 words
So, if my goal is 7,000 words a week, even taking a day off, I was able to write 9,800 words, putting me ahead of the game. Total time spent writing, marketing and other stuff – 10 hours. When you think of it, that’s not bad at all. I still had time to work, cook meals, watch movies, spend time with my family and friends and read. I read at least two books a week. I can’t function without my books.
Where do you find 10 hours? Look no further than your TV or YouTube or any other time suck. Turn ‘em off for a while. I promise, they’ll be there when you’re finished. Think of it as a reward for a job well done. What’s more important, watching housewife cat fights or creating your own work of art?
Some weeks are going to be far more productive than others. If you lock your mind on The Thousand Word March, you’ll always know exactly where you stand and what you need to do to accomplish your goals – all without having to become a crazed recluse.
Look, I know there’s no one-size-fits-all when it comes to writing. Everyone has to find their own way, just as they find their own voice. This is what works for me. If you’re struggling or feel intimidated by the blank page, give it a shot. The Thousand Word March can take you to some pretty amazing places.
It’s been too long since I’ve posted anything about writing in the trenches in this genre I love so much. Back when I was locking myself away in my room, tapping out words and getting nothing but rejection or worse, silence, I never dreamed I’d be in the position I’m in today. Sure, I did it with the goal of legitimate publication (whatever your own definition of that may be), but I just never thought I’d have a year like this one with three books coming out and writing four more for three different publishers for next year.
I’m not a full time writer. Writing doesn’t have health benefits, and if you’ve stopped by the blog and chain, you know I need them for my wife, who is the queen of auto-immune diseases. So I have a full time job that is more than that – it’s a solid career that can’t be ignored or pushed to the side. I have two amazing kids – teens now –the same number of cats, old friends, new friends, things to do and places to see every day.
The question everyone asks me is, ‘How in the world can you manage to write several books a year? Do you sleep? When’s the last time your family saw you? Or you saw the sun?’
My answer is usually that I just sit down and write because I truly enjoy the process. And yes, that is part of it. But what is the process?
Basically, what works for me is something I’ve called The Thousand Word March – or TTWM if I’m too lazy to say or spell it out. When I started working with editors, I quickly found out that they think and talk in terms of thousands. Discussing the length of your work in progress, whether it’s a story, novella or novel, it’s all about word count, not the number of pages or file size of your Word document.
They’ll say, “I’d love it if you could get me that novel under 95,000 words, but no less than 90,000.” Or if you’re pitching a novella, they might say, “Anything between 28,000 and 50,000 words will do it.”
So, if they’re thinking in thousands, I had to rethink the way I worked and made my own projections. My first horror novel, Forest of Shadows, was a true labor of love. I worked on it for almost five years. When people asked about my progress, I’d tell them I was 185 pages in and so on. Come time to pitch it to the sole publisher I sent it to (fodder for a later post), I proudly stated it was 550 pages.
But to an editor, 550 pages does not translate. The number of pages I write will never equal the print pages in a book because of font and paper size, spacing, etc. It turned out my 550 pages equaled over 100,000 words, which was a little more than Samhain wanted at the time. So, I had to do some editing to get it under 95,000.
When it came time to write my next book, I came up with The Thousand Word March to wrap my head around the best way to proceed. Knowing that my editor would like something between 85,000 and 90,000, I looked at the calendar to see how long it would take me to get the first draft done. Since my editor also hinted that he’d like me to write two books a year for him, I knew I couldn’t just cruise along at my own speed. That’s a good thing. It prevents procrastination from rearing its ugly head. Nothing works better than a fire under one’s posterior.
Staring at the calendar, I thought, if I just did 1,000 words a day, I’d have a 90,000 word book completed in three months. Hmmm. A thousand words a day. I could do that. I don’t have tons of free time, but I almost always have time to write 1,000 words. In fact, as I started working on that book, I realized that even on a day when the words were hard to find, I could accomplish my mission within an hour. So, if I set aside an hour and a half each weeknight, I could hit my writing goal, that extra half hour spent doing all the other things a working writer has to do, like marketing, responding to emails and maybe tooling around with a short story.
On weekends, I shoot for 2,000 – 3,000 words a day. This way, I can finish ahead of schedule, giving me more time for editing later on. I know it sounds like a lot, but when you work at it all the time and get into a rhythm, it’s really not so bad. In fact, I’ve found that by writing on Saturday and Sunday mornings, before the day drains my brain, I can write far more in less time. The key is to get at least 7,000 words in a week so I can meet my goal of a full novel in three months.
Weekends are also a good time to catch up on days you might have missed during the week. Look, we all have lives to live and you can’t always find the time to write. Here’s what my past week looked like :
Monday – 1,900 words (I doubled up knowing that Tuesday was my day off, so to speak.)
Tuesday – nothing (It was St. Patrick’s Day and I’m Irish. ‘Nuff said.)
Wednesday – 1,100 words
Thursday – 1,000 words
Friday – 1,000 words
Saturday – 2,300 words
Sunday – 2,500 words
So, if my goal is 7,000 words a week, even taking a day off, I was able to write 9,800 words, putting me ahead of the game. Total time spent writing, marketing and other stuff – 10 hours. When you think of it, that’s not bad at all. I still had time to work, cook meals, watch movies, spend time with my family and friends and read. I read at least two books a week. I can’t function without my books.
Where do you find 10 hours? Look no further than your TV or YouTube or any other time suck. Turn ‘em off for a while. I promise, they’ll be there when you’re finished. Think of it as a reward for a job well done. What’s more important, watching housewife cat fights or creating your own work of art?
Some weeks are going to be far more productive than others. If you lock your mind on The Thousand Word March, you’ll always know exactly where you stand and what you need to do to accomplish your goals – all without having to become a crazed recluse.
Look, I know there’s no one-size-fits-all when it comes to writing. Everyone has to find their own way, just as they find their own voice. This is what works for me. If you’re struggling or feel intimidated by the blank page, give it a shot. The Thousand Word March can take you to some pretty amazing places.
The Importance of Taking a Break From Writing
This blog post is the first thing I’ve actually written, aside from emails, in a week. I’m in the middle of a two week break. And despite having deadlines to meet this year, both hard and soft, I don’t feel an ounce of guilt. In fact, I’m sitting on the patio of my windy side yard on a sunny day, listening to three hawks terrorize every bird on the block. If it were just a tad warmer, I would probably be at the beach with my girls, getting sun, listening to the waves and reading a battered paperback. Oh, and waiting for the guy to come by selling coconut ice.
Lately, I’ve been listening to podcasts and reading posts by other writers who seem to never stop. Once they finish one manuscript, they set it aside and dive right into the next, maybe taking the time to drink a Coke before moving on.
Not me. I need time off. As much as writing has been both my life’s dream and a way to get away from my daily problems, I have to give my brain a rest every now and then. The break I’m on right now is already paying dividends. As I wait for my first readers to deliver their feedback on the book I gave them last week, I’ve done a lot of reading. (I’m going through some of Stephen King’s suggested reading list from his book, On Writing. Just this morning I finished Anne Tyler’s A Patchwork Planet – a book I would have never read if I hadn’t plucked it from his list. Thanks SK!). I’ve spent more time with my family – three of the four of us dealing with health issues. Netflix has gotten a workout. My wife and I anxiously awaited the latest B movie presented by Svengoolie on Saturday night and werent’ disappointed. I love creature features, even the awful ones. I’ve caught up on correspondence and even worked with my graphics main man to create some cool stuff like banners, bookmarks and my newsletter logo.
I decided two days ago to completely revamp a short story I wrote, expanding on it and publishing it on October 1st, just in time for Halloween. I’m also doing some research on the next book I start writing over the summer, as well as one I plan to write in the fall. While all this is going on, my subconscious is gearing up for the last round of edits on my next cryptid book. So even if it looks like I’m dozing in my chair, there’s actual work going on, I promise.
With time away from my laptop comes insights I would have missed if I hadn’t taken the time to just walk away for a spell. The last thing I want is for writing to feel like a job. I already have one of them. I don’t want two.
Learning meditation years ago has helped me immeasurably. When you calm your mind, the thoughts that have been bouncing around become much clearer. Even if I don’t meditate, I’ve learned the value of silence.
So if you’re feeling stuck or tired or in need of fresh ideas, just stop, kick back and relax. It’s not a bad thing. In fact, it can only make your writing stronger. Brains, like batteries, need recharging every now and then. And boy, mine was running awfully low.
Now, I’m off to take my daughters out driving, armed with their permits and my father’s spirit urging me to stay calm, just as he did when he taught me.
Lately, I’ve been listening to podcasts and reading posts by other writers who seem to never stop. Once they finish one manuscript, they set it aside and dive right into the next, maybe taking the time to drink a Coke before moving on.
Not me. I need time off. As much as writing has been both my life’s dream and a way to get away from my daily problems, I have to give my brain a rest every now and then. The break I’m on right now is already paying dividends. As I wait for my first readers to deliver their feedback on the book I gave them last week, I’ve done a lot of reading. (I’m going through some of Stephen King’s suggested reading list from his book, On Writing. Just this morning I finished Anne Tyler’s A Patchwork Planet – a book I would have never read if I hadn’t plucked it from his list. Thanks SK!). I’ve spent more time with my family – three of the four of us dealing with health issues. Netflix has gotten a workout. My wife and I anxiously awaited the latest B movie presented by Svengoolie on Saturday night and werent’ disappointed. I love creature features, even the awful ones. I’ve caught up on correspondence and even worked with my graphics main man to create some cool stuff like banners, bookmarks and my newsletter logo.
I decided two days ago to completely revamp a short story I wrote, expanding on it and publishing it on October 1st, just in time for Halloween. I’m also doing some research on the next book I start writing over the summer, as well as one I plan to write in the fall. While all this is going on, my subconscious is gearing up for the last round of edits on my next cryptid book. So even if it looks like I’m dozing in my chair, there’s actual work going on, I promise.
With time away from my laptop comes insights I would have missed if I hadn’t taken the time to just walk away for a spell. The last thing I want is for writing to feel like a job. I already have one of them. I don’t want two.
Learning meditation years ago has helped me immeasurably. When you calm your mind, the thoughts that have been bouncing around become much clearer. Even if I don’t meditate, I’ve learned the value of silence.
So if you’re feeling stuck or tired or in need of fresh ideas, just stop, kick back and relax. It’s not a bad thing. In fact, it can only make your writing stronger. Brains, like batteries, need recharging every now and then. And boy, mine was running awfully low.
Now, I’m off to take my daughters out driving, armed with their permits and my father’s spirit urging me to stay calm, just as he did when he taught me.
