Martin Cid's Blog: Martin Cid Magazine, page 192

The Fascinating Origins of Ninjas: From Stealthy Spies to Pop Culture Heroes

Ninjas, the legendary spies of feudal Japan, have captivated the imaginations of people worldwide. These enigmatic figures, with their black-clad attire and mastery of stealth, have become iconic symbols in popular culture. From movies like “Teenage Mutant Ninja Turtles” to the thrilling TV show “American Ninja Warrior,” the influence of ninjas is undeniable. However, the true history of these covert operatives is shrouded in mystery and mythology. In this article, we will explore the origins of ninjas, their role in Japanese society, and their transformation into pop culture heroes.

Ninja History: Unmasking the Myth

The question of whether ninjas were real historical figures or merely mythological creations has long intrigued scholars. Many stories portrayed ninjas as martial arts experts with supernatural abilities, capable of conjuring fire and splitting themselves into multiple bodies. While these tales may have some basis in truth, most historians agree that the popular image of ninjas has been greatly romanticized and commercialized over the centuries1.

Ninjas emerged onto the scene in the 14th century, hired by daimyo, or feudal Japanese warlords, primarily for intelligence and counterintelligence purposes. However, due to their secretive nature, few written records about ninjas exist. Much of what we know about them comes from texts written well after their heyday in the 1600s1.

Contrary to the samurai, who were highly trained fighters from elite families, ninjas came from all walks of life. Unlike the samurai, who adhered to a strict code of honor known as bushido, ninjas were not bound by such constraints. This made them ideal for engaging in guerrilla warfare and espionage, tasks that would have dishonored a samurai2.

The Shinobi: Masters of Subterfuge

While the term “ninja” is commonly used today, historical texts referred to these covert operatives as “shinobi.” The Vocabulario da Lingoa de Iapam, a Japanese-Portuguese dictionary published in 1603, defined shinobi as spies who infiltrated enemy territory to gather intelligence2.

The value of shinobi lay in their ability to gather crucial information for their patrons. They possessed a deep understanding of enemy topography, food supplies, and castle structures. Shinobi would infiltrate enemy domains, assess the lay of the land, and create chaos through acts of sabotage and arson. Their main objective was to covertly gather valuable intelligence for their lord2.

To accomplish their missions, ninjas had to be masters of disguise and subterfuge. They were skilled in the arts of stealth, distraction, and counterintelligence. Contrary to popular belief, ninjas were more often engaged in gathering information rather than assassinations. Their success relied on their ability to blend into different social settings, gain knowledge, and escape safely to report their findings to their patrons2.

The Art of Ninjutsu: A Multifaceted Discipline

Ninjas were not only skilled in espionage but also possessed a wide range of abilities. The Bansenshukai, a comprehensive encyclopedia on ninjutsu written in the 17th century, described the ninja arts as encompassing social skills, conversation techniques, mnemonics, transmission techniques, medicine, astronomy, and even sorcery2.

Psychological discipline played a crucial role in a ninja’s training. They needed to maintain a state of absolute tranquility, even in the face of danger. A good ninja had intense self-discipline and a pure state of mind, enabling them to remain calm and focused under any circumstances2.

Ninjas were masters of disguise, often infiltrating their targets in broad daylight. They would blend in with peasants and farmers, using common tools such as sickles and swords as weapons. However, their most famous weapon was the shuriken, also known as the ninja star. These pocket-sized throwing blades could be easily concealed and used to disarm opponents2.

Ninjas in Historical Context: Defining Moments

While the exact origins of ninjas remain unclear, they played significant roles in Japanese history during times of territorial conflicts between warlords. Two notable periods where ninjas were active were the Nanbokucho Wars (1336–1392) and the Warring States Period (1467-1568)2.

One defining moment that showcased the influence of ninjas on Japanese history was the Honno-ji Incident of 1582. After the assassination of Oda Nobunaga, a powerful shogun, one of his loyalists, Tokugawa Ieyasu, was in grave danger. It was Hattori Hanzo, a master swordsman and reputed ninja, who is believed to have saved Ieyasu’s life by smuggling him out of enemy territory. This act preserved Ieyasu’s future as a shogun and ultimately led to two centuries of peace and prosperity known as the Edo period2.

Another notable figure in ninja history is Ishikawa Goemon, an Iga-born ninja who attempted to alleviate the suffering of peasants by stealing from the wealthy and redistributing their wealth. While some consider Goemon a legendary hero, others argue that he is a fictional character. His story ended tragically when he failed to assassinate Toyotomi Hideyoshi and was boiled alive, along with his son, by Hideyoshi’s men2.

The Rise of Ninja Pop Culture

Ninjas’ enduring appeal led to their widespread popularity in modern culture. In the 1950s, the mayor of Iga, Okuse Heishichirō, played a significant role in bringing ninjas to public attention by establishing the Ninjutsu Wonder Museum. This initiative sparked a flood of books, articles, and pulp fiction on the subject2.

The depiction of ninjas in the 1967 James Bond film “You Only Live Twice” was a pivotal moment for their popularization. The scene in which hundreds of ninja assassins abseil into SPECTRE’s lair captured the imaginations of viewers worldwide. This marked the breakthrough of ninjas into mainstream pop culture, leading to their appearance in movies, TV shows, video games, toys, comics, and even product branding2.

One of the most successful pop culture manifestations of ninjas is the Teenage Mutant Ninja Turtles. This animated series and its related toys became a massive hit, captivating audiences with the adventures of Leonardo, Donatello, Michelangelo, and Raphael. The popularity of the Teenage Mutant Ninja Turtles solidified their status as beloved pop culture icons2.

The origins of ninjas may be steeped in legend and myth, but their impact on Japanese history and popular culture is undeniable. These skilled spies and covert operatives played crucial roles in intelligence gathering and counterintelligence during times of conflict. While the true nature of ninjas may never be fully known, their legacy continues to captivate the imaginations of people worldwide. From their humble beginnings as elusive warriors to their transformation into pop culture heroes, ninjas have left an indelible mark on history.

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Sotheby’s, Dr. Dre & Jimmy Iovine Present Exclusive Benefit Auction

LOS ANGELES, 14 February 2024 – Sotheby’s, Dr. Dre and Jimmy Iovine are pleased to present Iovine and Young Center for High School Education Benefit Auction, a night of art and music in celebration of enhancing public education in Los Angeles, which is now open for bidding through the finale event in Los Angeles on 27 February.

The exclusive benefit auction, hosted by famed entertainer James Corden, will offer potential buyers a unique and unforgettable auction experience during Frieze Los Angeles when the art world converges to celebrate contemporary art and the exceptionally dynamic culture that has made Los Angeles an international hub for the arts.

Organized by Josh Abraham and David Kordansky, the auction will include artworks donated by leading contemporary artists to raise critical funds for the Iovine and Young Center, uplifting ambitious public education efforts by Jimmy Iovine and Dr Dre. Participating artists include Reggie Burrows Hodges, Ann Craven, Noah Davis, Derek Fordjour, Sayre Gomez, Jennifer Guidi, Chase Hall, Rashid Johnson, Hilary Pecis, Ed Ruscha and Austyn Weiner; participating galleries include David Kordansky Gallery, KARMA, David Zwirner, Gagosian, Massimo de Carlo and Francois Ghelby.

Derek Fordjour, Single Sculler Stride, 2024, Courtesy of the Artist and David Kordansky Gallery

“The Sotheby’s team, David Kordansky, Josh Abraham and all the artists involved share an understanding that education unlocks creative potential. The auction will help us raise awareness and critical funds for the Iovine and Young Center within the artistic community and work towards our vision to scale the successful program we created at USC in 2013 beyond Los Angeles. The ambition is to provide multidisciplinary learning for public high school students everywhere in the areas where technology, design and business intersect, preparing them for life in the real world.”

Jimmy Iovine, Entrepreneur and Co-Founder, Iovine Young Center

lovine and Young Center Integrated Design, Technology, and Entrepreneurship Magnet, part of the Los Angeles Unified School District, offers a cutting-edge, interdisciplinary curricular program that centers real-world, project-based learning opportunities with top institutions and companies within the students’ learning experience.

Students at the lovine and Young Center will have unparalleled access to innovative technologies and opportunities to collaborate with top educators, industry experts, and executives while still meeting state high school graduation requirements. IYC students will develop relevant 21st-century skills that will prepare them for competitive colleges and careers of the future.

“When Josh approached me with the idea of teaming up with him and David Kordansky to host an auction for the Iovine and Young Center, I immediately knew we had all the right ingredients to create an unrivaled celebration of art and music. I am proud to strengthen Sotheby’s commitment to broadening access to arts education and am grateful to the artists and galleries that have dedicated their time, talent and commitment to the Iovine and Young Center and Jimmy and Dre’s inspiring mission. I hope it will be a great success and our efforts extend far beyond the event, year after year.”

Jacqueline Wachter, Sotheby’s Vice Chairman, Private Sales, Los Angeles 

Jennifer Guidi, Into the Expanse of the Sky, 2024

“Jimmy and I have a history of collaborating on art and music related projects, so it was natural for us to conceptualize this event as a convergence of music and visual and fine arts to benefit the mission of the Iovine and Young Center. Coming together with David Kordansky was the perfect fit – once David got involved, he brought together his community of leading artists and tapped into Sotheby’s, which shares our mission. As a philanthropic effort, this is an instance where all the right people and ethos aligned, enabling us to raise significant monies for a worthy cause in the Iovine and Young Center.”  

Josh Abraham, Co-CEO, PULSE Music Group

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Chicago Cultural Center Announces New Exhibitions Featuring Artist Victoria Martinez; 10 Chicago- and Paris-based Photographers — and Images of Trans, Queer, and Lesbian Grassroots Organizing

CHICAGO — The City of Chicago Department of Cultural Affairs and Special Events (DCASE) and its partners are pleased to offer free arts programming throughout the historic Chicago Cultural Center this spring and summer. New exhibitions include Victoria Martinez: Braiding Histories, opening April 6; Images on which to build, 1970s–1990s, opening April 20; and Opening Passages: Artists Respond to Chicago and Paris, opening May 4, 2024.

Continuing art exhibitions include A Long Walk Home’s Freedom Square: The Black Girlhood Altar, through March 10; Surviving the Long Wars: Transformative Threads, through December 8, 2024; and Great Ideas of Humanity: One of a Series presented with the Design Museum of Chicago.

Additional highlights include a Spring Open House on April 11 from 4-8pm; a free “Under the Dome” concert on April 18 featuring Rudy De Anda; Dance Residency open studios on more than a dozen dates; film industry programs and screenings; tours; talks; shopping at the Buddy store; and more.

Completed in 1897 as Chicago’s first central library, the Chicago Cultural Center serves as a cultural hub for Chicagoans and visitors year-round with free arts programming, breathtaking architecture, and tours. Visit ChicagoCulturalCenter.org and follow on Twitter, Facebook, and Instagram for the latest events and updates.

Spring/Summer Programming Highlights (subject to change):

New Exhibitions:

Victoria Martinez: Braiding Histories  

Presented as part of Art Design Chicago

Chicago Rooms 

April 6 – July 28, 2024  

This one-person exhibition features the art of Chicago-based creative Victoria Martinez who works in a variety of materials and scales, drawing inspiration from the body, the urban environment, architecture, and graffiti. 

Victoria Martinez: Braiding Histories is part of Art Design Chicago, a citywide collaboration initiated by the Terra Foundation for American Art that highlights the city’s artistic heritage and creative communities. Victoria Martinez: Braiding Histories is funded by the Terra Foundation for American Art.

Related Programs:

Artist Tour & Talk

Chicago Rooms

Wednesday, April 10, 12–1pm 

Conversation with Curator Iris Colburn

Location TBD

Saturday, April 13, 3–4:30pm 

Images on which to build, 1970s-1990s

Michigan Avenue Galleries 

April 20 – August 4, 2024  

Images on which to build, 1970s-1990s presents a range of photographic practices that used the medium as a tool for collectivity and empowerment within interconnected lesbian, trans, and queer grassroots organizing. This exhibition reveals the technologies through which influential image cultures were constructed and circulated. The exhibition presents a range of photographic practices to explore the process of learning within alternative schools, workshops, demonstrations, dance clubs, slideshow presentations, correspondences, and community-based archive projects.

Featured artists and collectives include: Diana Solís, Joan E. Biren (JEB), Lola Flash, the Lesbian Herstory Archives, ART+Positive and the Sexual Minorities Archives, among others. Images on which to build, 1970s-1990s is curated by Ariel Goldberg. The exhibition is co-organized by the Contemporary Arts Center, Cincinnati, OH and the Leslie-Lohman Museum of Art, New York, NY. The exhibition was originally presented as a FotoFocus exhibition on the occasion of the 2022 FotoFocus Biennial: World Record September 30, 2022 – February 12, 2023.

Related Programs:

Gallery Talk

Michigan Avenue Galleries

Wednesday, June 12, 12–1pm

Opening Passages: Artists Respond to Chicago and Paris  
Presented as part of Art Design Chicago

Exhibit Hall  

May 4 – August 25, 2024  

Opening Passages brings together ten photographic commissions by French and American artists that survey the dynamic social landscapes of Chicago and Paris. The artists presented are Chicago-based artists Marzena Abrahamik, Jonathan Michael Castillo, zakkiyyah najeebah dumas o’neal, Tonika Johnson and Sasha Phyars-Burgess, and Paris-based Gilberto Guiza-Rojas, Karim Kal, Assia Labbas, Marion Poussier, and Rebecca Topakian.

This multi-venue exhibition also features site-specific installations in non-traditional venues and community spaces spread across the city, including Experimental Station (Hyde Park), BUILD Chicago (Austin), 6018North (Edgewater), and The Salt Shed (Goose Island). These various activations throughout the city feature work that directly resonates with the neighborhoods where the venues are situated and speak to the socio-cultural themes that structure the overall exhibition, which reflects on urban divisions, cultural identity, immigrant experiences, waterfronts and green spaces, and the built environment. The exhibition centers stories from the margins, forming a visual collage of life within these two global cities.   

Opening Passages: Artists Respond to Chicago and Paris is part of Art Design Chicago. The exhibition is supported in part by the FACE Foundation and the Terra Foundation for American Art, and is curated by Carl Fuldner.  

Related Programs:

Gallery Talk

Exhibit Hall

Wednesday, May 8, 12–1 pm 

Performance Residency: Tend

Sidney R. Yates Gallery  
June 15 – July 21, 2024

For the first of two summer performance residencies, the Chicago Cultural Center welcomes Khecari and their project, Tend.

Tend is a service-based performance experience. Structured as a one-hour appointment, the self-care informed dance and music scores simultaneously envelope the audience while leaving space to allow your nervous system to settle and contemplate the inherent power differentials in human interaction. Khecari creates dance works furthering the transformative power of live bodies witnessing live bodies and advocates for the essential role of art within society, of dance within the arts, and of all artists working within the dance ecosystem.

Continuing Exhibitions:

Freedom Square: The Black Girlhood Altar 

Presented with A Long Walk Home

Michigan Avenue Galleries 

Through March 10, 2024 

Related Programs:

In Solidarity of Missing and Murdered Indigenous Women and Girls
Michigan Avenue Galleries

Friday, February 9, 12–1pm

Protecting Black Women & Girls: A Conversation Between A Long Walk Home and A Call To Men
Claudia Cassidy Theater

Thursday, February 22, 6–7:30pm

Reimagining and Remembering Series: Say Her Name/ Douglass Park
Michigan Avenue Galleries

Saturday, February 24, 12–2:30pm

Black Girl Takeover: The Black Girlhood Altar Festival
Michigan Avenue Galleries and throughout the building

Saturday, March 9, 12–4pm

Sunday, March 10, 10am–4pm

Surviving the Long Wars: Transformative Threads  

G.A.R. Memorial Hall 

Through December 8, 2024   

Related Programs:

Gallery Talk

G.A.R. Memorial Hall

Wednesday, March 13, 12–1pm

Great Ideas of Humanity: One of a Series   

Presented with the Design Museum of Chicago  

Landmark Chicago Gallery  

Ongoing   

Related Programs:

Gallery Talk
Landmarks Chicago Gallery

Wednesday, February 14, 12–1pm

Special Events:

Spring Open House
April 11, 4-8pmWith April being EXPO CHICAGO, the Spring Open House celebrates the new visual exhibitions on view in the Chicago Cultural Center, activates the building with live music, and offers a professional development fair featuring DCASE Opportunities and activities.

Summer Open House
May 30, 4-8pm
Celebrating the 40th anniversary of House music, the Summer Open House activates the building with engagement and live music in the lead-up to the Chicago House Music Conference and Festival that weekend.

Music:

“Under the Dome” Concert feat. Rudy De Anda
Preston Bradley HallThursday, April 18, 6:30-8:30pm (Doors open at 5:30pm).

Born in Mexico and brought to California, headliner Rudy De Anda’s debut solo album, “Tender Epoch” (2020) is a love letter to the long historical lineage of rock ‘n’ roll music interpreted through his multicultural lens. Record has called his sound “deliberately difficult to categorize, familiar but novel at the same time.”

Dance:

Dance Residency Open Studio Series
Dance Studio

The Chicago Cultural Center Dance Studio Residency returns for a second year, with nine Chicago-based dancemakers selected to receive space, time, and funding to create new works through June 2024. Throughout the year, the public is invited into the Dance Studio to get a sneak peek at work-in-progress showings, workshops, artist talks, and more hosted by the current Chicago Cultural Center resident artists.

Tuesday, February 13, 6pm (Amalia Raye Wiatr Lewis)Monday, March 4, 6pm (Amanda Ramirez)Tuesday, March 5, 6pm (J’Sun Howard)Tuesday, March 12, 6pm (Chih-Jou Cheng)Saturday, March 23, 11am (Chih-Jou Cheng)Sunday, April 7, 11:30am (Helen Lee / Momentum Sensorium)Tuesday, April 9, 6pm (Drew Lewis / House of DOV)Thursday, April 11, 6:30pm (Aaliyah Christina)Thursday, April 18, 3pm (Drew Lewis / House of DOV)Saturday, April 27, 3pm (Keisha Janae)Tuesday, May 14, 6pm (Jenna Pollack)Monday, June 3, 6pm (Amanda Ramirez)Wednesday, June 5, 6pm (Amalia Raye Wiatr Lewis)Friday, June 7, 6pm (Jenna Pollack)Saturday, June 8, 11am (Aaliyah Christina)Tuesday, June 11, 6pm (Helen Lee / Momentum Sensorium)Sunday, June 16, 3pm (Keisha Janae)

This program is supported in part by a grant from the Walder Foundation. Additional support is provided by the National Endowment for the Arts.

Film:

CIX Talk: Writing for Television and Film with Tracey Scott Wilson
Claudia Cassidy TheaterThursday, February 8, 5:30pm

Lunar New Year Screening: “100 Yards”
Presented by Asian Pop-Up CinemaClaudia Cassidy TheaterSaturday, February 17, 2pm

Tours and Talks:

Building Tours
Building tours reveal the storied history of the landmark Chicago Cultural Center and are offered year-round on Thursdays and Fridays at 1:15pm. Tours are free and led by volunteer docents and/or staff. Limited to the first 25 people who sign up at the Randolph Street desk upon arrival.

“Neighborhood Cultural Spotlight” Program
Spotlighting people, places, and things nominated by Chicagoans for their cultural contribution to their neighborhood’s vitality.

Aguijón Theater – Belmont Cragin
Welcome Center
Fridays & Saturdays, April 5, 6, 19 & 20, 2-3pm

The public can interact and learn more about Chicago’s longest-running Latino theater, Aguijón Theater. The company strives to foster, promote, and celebrate the diverse cultural excellence of the city’s Latino theater artists while challenging and inspiring its audiences to surmount language barriers and cross-cultural boundaries.

71st & Crandon Garden
Welcome Center
Fridays & Saturdays, May 3, 4, 17 & 18

The 71st and Crandon Community Garden is located on the Southeast side of Chicago in the heart of South Shore, just blocks away from the South Shore Cultural Center.

The garden offers a safe and peaceful space for the community to gather for programs that help promote a sense of self-efficiency, connectedness, and wellness. They seek to build community bonds and friendships that will expand across the generations by offering various free activities throughout the season.

“Meet an Artist” Program
Learning Lab
2nd & 4th weekend of each month from 12-2pm

March – May: Meet An Artist public programs with Pugs Atomz. Painter, muralist, designer, musician, Pugs Atomz is a true Hip Hop renaissance man. He is the co-founder of the Englewood Arts Collective, a group that is passionate about amplifying and supporting artists and creative engagements that uplift their community.

June – August: Meet An Artist public programs with Elizabeth “Bel” Reyes. Reyes is an award-winning teacher at Yollocalli Arts Reach in Pilsen, where she leads the Graffiti Mural Project class in which students create “a graffiti mural that will positively reflect and impact the community.”

Shopping:

Buddy Store

Open Tues – Sun, 11am -5pm

Located on the 1st floor, the Buddy store supports more than 200 local artists and small manufacturers selling Chicago-made art, objects, and more. This collaboration between Public Media Institute and DCASE furthers both institutions’ goals of providing visibility and opportunities to artists across the Chicagoland area. Details at Hi-Buddy.org.

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Who is Francisco Nicolás Gómez Iglesias also known as “Little Nicholas”?

In the annals of Spanish history, few individuals have captured the public’s attention quite like Francisco Nicolás Gómez Iglesias. Known colloquially as “El pequeño Nicolás” or “Little Nicolas,” Gómez Iglesias rose to infamy in 2014 when details of his elaborate web of deception and fraud came to light.

Francisco Nicolás Gómez Iglesias was born on April 18, 1994, in Madrid, Spain. Raised by his grandmother since the age of 14, he embarked on a path that would lead him to become one of Spain’s most notorious criminals. While studying law at university, Francisco Nicolás began to craft an intricate double life. He claimed to have influential connections in the political and business spheres, a facade that he used to exploit unsuspecting individuals and organizations.

Francisco Nicolás’s audacity knew no bounds. He purportedly defrauded dozens of people, promising them lucrative business opportunities through his alleged high-level contacts. To bolster his fabricated stories, he leased luxury cars and even outfitted one with a blue light similar to those used by undercover police units. He went to great lengths to maintain the illusion, hiring personal bodyguards to lend credibility to his various identities.

But it was Francisco Nicolás’s ability to infiltrate the upper echelons of Spanish political and economic power that truly captured the public’s imagination. He claimed to have impersonated a member of the CNI, Spain’s intelligence agency, and even attended the crowning of King Felipe VI as an esteemed guest. These audacious exploits catapulted him into the national spotlight and earned him the moniker “Little Nicolas.”

Despite his best efforts to maintain his facade, Francisco Nicolás’s web of deceit eventually began to unravel. On October 14, 2014, he was arrested by the National Police on charges of forgery, fraud, and identity theft. The subsequent investigation exposed the extent of his fraudulent activities and the vast network of individuals and organizations he had deceived.

In interviews following his arrest, Francisco Nicolás made even more outlandish claims. He asserted that he had worked for Spain’s secret service, the Centro Nacional de Inteligencia (CNI), as well as the Spanish Royal family and the vice presidency of the Spanish government. He even boasted of his position as the president of the youth organization of the local group of the Spanish party Partido Popular.

Francisco Nicolás’s legal troubles only intensified in the years that followed. In February 2015, he was arrested for failing to pay his share of a restaurant bill. His run-ins with the law continued, with subsequent convictions for offenses such as falsifying his ID to have a friend take university entrance exams on his behalf. The Madrid Provincial Court sentenced him to one year and nine months in prison for this offense in June 2021.

In July 2021, Francisco Nicolás received a three-year prison sentence for usurpation of public functions and active bribery. The court cited “psychological anomalies and undue delays” as mitigating circumstances for the sentence. Later that year, in December, he was sentenced to three years and five months in prison for further offenses of usurpation of public functions and falsification of official documents.

The most recent chapter in Francisco Nicolás’s criminal saga involved his scheme to access confidential information from police databases. He was found guilty of creating an illegal system to obtain this data, which he planned to exploit for personal gain within the social and political circles he frequented. The Madrid High Court sentenced him to four years and three months in prison for this offense, bringing his total prison sentence to an astounding twelve years and five months.

The story of Francisco Nicolás Gómez Iglesias serves as a cautionary tale of the perils of deception and the consequences that await those who manipulate others for personal gain. His audacious exploits and ability to infiltrate the highest levels of Spanish society captivated the public’s imagination, but ultimately his web of deceit unraveled, leading to a cascade of legal repercussions.

As Spain looks back on the rise and fall of “Little Nicolas,” it serves as a reminder that no one is above the law and that the truth will always prevail. Francisco Nicolás’s story serves as a stark warning to individuals tempted by the allure of deceit and fraud, highlighting the severe consequences that await those who choose this path.

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Netflix’s “Good Morning, Verônica” Season 3: The Conclusion of Verônica Torres’ Dark Story

“Good Morning, Verônica” is a Brazilian thriller series created by Raphael Montes starring Tainá Müller.

All good things must come to an end, and this time it seems that one of Brazil’s most successful series of recent times, “Good Morning, Verônica,” is reaching its conclusion.

In just three episodes, all the troubles of Verônica will be resolved and the complicated storyline of sexual abuse and religious cults will be unraveled.

The final chapter is sure to not disappoint fans of the series.

About the third season of “Good Morning, Verônica”

It does not disappoint and knows how to deliver a suitable ending. The last three episodes are filled with tension and intrigue, keeping up the pace of the series and even intensifying it.

This series has become a huge success, thanks to its daring script and shocking twists, managing to capture audiences with its dark and gritty tale, full of unexpected twists and a strong-willed protagonist.

The main character has changed, with more still to come, but rest assured that she has not lost an ounce of bravery and this ending stays true to the spirit of the series that has been so loved by viewers.

It will be hard to let go of this powerful and courageous story, especially its main character.

Enjoy this final chapter.

Where to Watch “Good Morning, Verônica”

Netflix

The CastTainá MüllerKlara CastanhoEduardo MoscovisReynaldo GianecchiniCamila Morgado

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The Heartbreak Agency (2024): A charming German comedy on Netflix about overcoming heartbreaks

The Heartbreak Agency is a romantic movie directed by Shirel Peleg starring Rosalie Thomass and Laurence Rupp. It is based on the book by Elena-Katharina Sohn.

“The Heartbreak Agency” is a humorous comedy that, at its core, tells the same old story: a love story that begins and fills the characters with hope. With its drops of comedy, realism, and even bitterness, but with an overall cheerful and lighthearted tone.

Is it the same old story? Yes and no, because “The Heartbreak Agency” has a good script and the characters don’t seem like they were taken from a preconceived design. They are well-crafted and, although they ultimately tell the same story, they are constructed with enough intelligence and creativity to say that this movie has an original, intelligent, and even creative point.

Despite being, at its core, a romantic comedy about the eternal battle of the sexes.

Plot

A selfish and old-fashioned man is dumped by his girlfriend because she is recommended by an agency that claims to solve love problems. In charge of this agency is a single woman who also has a daughter and her own issues.

The man writes an article criticizing the agency and the female gender in general, and in order to get his job back, he must go on a retreat with this agency to overcome the ghosts and macho stereotypes of the 90s.

About the movie

The battle of the sexes, once again, indeed, but told in an intelligent way with funny dialogues. The characters are well developed and treated with respect and even sensitivity. There is no condemnation or moral lesson to give, not even to the protagonist and his outdated archetypes. The script does not justify or judge him, it presents him as a human being and, without delving into goodness or badness, makes him likable.

The same goes for her: we get to know her story and her past, and the daughter she is raising on her own. Another human being who, thanks to a good script, seems like a real person.

The supporting characters are also well-drawn and have a lot to say in this group therapy: well-acted, with realistic and even brilliant dialogue lines. Everything fits in the script of a movie that, born as just another romantic comedy, manages to go a step further and, thanks to the writers’ talent and the great book by Elena-Katharina Sohn, reaches the audience, conveys, and, without being overly sentimental, entertains, amuses, and leaves a very good taste in the mouth.

Quite good in the technical aspects, with a good pace in terms of editing and montage: it knows how to handle the story’s timing and make everything fit.

Our Opinion

It is not a movie with pretensions, it is not one of those films that want to renew the genre, but it is a movie that, respecting the rules, knows how to take it a step further and achieve, thanks to a good story, a good script, and excellent performances, a good movie.

It meets expectations and, in a way, manages to exceed what we expect, leaving an excellent taste in the mouth.

Where to Watch “The Heartbreak Agency”

Netflix

The CastRosalie ThomassLaurence Rupp

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A Soweto Love Story (2024): A romantic movie on Netflix: Three brothers in three intertwined love stories

A Soweto Love Story is a movie directed by Rolie Nikiwe starring Lunga Shabalala, Duduzile Ngcobo, and Sparky Xulu.

Set in South Africa, this charming romantic comedy is perfect for Valentine’s Day. It entertains and amuses without trying to revolutionize cinema or our aesthetic senses. It may not bring anything new, but it is a well-made production that knows its limitations and stays within them. It effectively develops the characters, leading them to a satisfying point where they find themselves through the love of their significant other. While it may not be groundbreaking, it is still a good choice for Valentine’s Day, as it is not the day for experimental inventions.

The story revolves around a traditional woman who wants to sell her house but prioritizes her children’s happiness. She gives them a challenge and promises the house to the first one who gets married. This sets off three love adventures for the siblings.

For those with twisted minds, rest assured that the three siblings do not engage in unhealthy rivalries. “A Soweto Love Story” is a clean and pure film that focuses on good feelings and good people. The characters seek romantic love as the solution to all their frustrations, and in the process, they discover themselves and mature as individuals. It may not offer anything new, but the film is aware of that and does not attempt to reinvent the romantic comedy genre. It leans more towards emotions than humor. It provides smiles, not laughter, and delves into the characters’ psychology rather than creating outrageous situations. The script flows naturally without forcing anything, allowing the audience to remain comfortable and watch the exact film they expect, one that exudes positive feelings and features good-hearted characters.

There are no twisted characters or dark stories in this film. It is a romantic comedy made for those who believe in love. While it may not appeal to all audiences, it succeeds in its purpose and follows a well-written script that knows where it is going and how to get there. It has no grand ambitions.

In our opinion, “A Soweto Love Story” is a simple and ensemble romantic film that is perfect for Valentine’s Day. While it may not be remembered for its originality, it achieves what it sets out to do with a solid script.

Where to Watch “A Soweto Love Story”

Netflix

The CastLunga ShabalalaDuduzile NgcoboSparky Xulu

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Players, a rom-com on Netflix for Valentine’s Day with Gina Rodriguez

Players is a movie directed by Trish Sie starring Gina Rodriguez. With Damon Wayans Jr., Tom Ellis, Augustus Prew, and Joel Courtney.

“Players” is a romantic comedy set on Valentine’s Day. It falls under the genre of “redemption”, where the protagonist (usually male) starts off as a non-believer in love, mocking it and avoiding any emotional gestures… until Cupid strikes and changes their perspective, almost like a Dickensian tale.

“Players” is one of those charming films that, following the trend of Netflix, takes a classic structure and adapts it to modern times, with some new gender roles and a female lead played by Gina Rodriguez. It provides entertainment and slightly deviates from the typical romantic comedy formula, giving the supporting characters more depth and purpose in the story. However, it ultimately remains another romantic comedy for this Valentine’s Day.

Synopsis

Mack is a sports journalist in New York who forms a group of four friends at the newspaper to support each other in their dating lives. But no one can resist the power of love for long, and soon she finds herself attracted to one of her colleagues in this curious and amusing group.

Movie Review

See, be entertained, and forget: that’s how the impact of “Players” can be summarized on our (single or not) hearts. It’s an easy film, set in the city of romantic comedies par excellence (New York), with two charming leads gradually falling for each other despite all odds. It’s somewhat familiar and lacks ambition, but that’s precisely why this genre is so popular: it’s easy to watch, doesn’t raise any ethical issues, and after five minutes, you can’t even remember what it was about because they all seem too similar.

Technically, “Players” is well-made: a perfect production with a team of professionals who know what they’re doing and can execute it flawlessly, almost with their eyes closed. The script practically writes itself and the characters are so pre-designed that there’s little room for improvisation. The cinematography is good, with those shots of Manhattan that we always see at the beginning of every romantic comedy. It’s a solid production because Hollywood still knows how to make pre-designed products.

“Players” does have some merit in its script, especially in the way it focuses on almost five protagonists, even though Gina Rodriguez’s character is the main one. It has good dialogue, is slightly daring when necessary, and manages to stay in the comfort zone throughout.

Our Opinion

Looking for a romantic comedy for Valentine’s Day? Of course, we knew a platform like Netflix wouldn’t miss this inevitable date. And they do it well with “Players”, without breaking the rules of the genre, delivering another quality commercial product that, without offending anyone, won’t leave a lasting aesthetic impact on anyone. But it achieves what it wants: an easy consumable product that can be watched and forgotten just as easily.

Where to Watch “Players”

Netflix

About Gina RodriguezGina Rodriguez

Gina Rodriguez, an exceptional American actress, has captivated audiences with her talent, versatility, and philanthropic endeavors. With her radiant smile and undeniable passion, Rodriguez has left an indelible mark on the entertainment industry. From her breakthrough role in “Jane the Virgin” to her captivating performances in films like “Annihilation” and “Miss Bala,” Rodriguez continues to inspire and empower others through her craft. But her impact extends beyond the screen, as she actively engages in philanthropic efforts and champions important causes. Read more

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The New Look, a new series on Apple TV+ about fashion and Nazi-occupied France

The New Look is a series created by Todd A. Kessler. It stars Ben Mendelsohn, Juliette Binoche, Maisie Williams and John Malkovich.

During World War II, France is occupied by the German army. “The New Look” tells the story of several fashion icons such as Christian Dior, Balenciaga or Coco Chanel and how they had to live with the occupation while developing their careers as couturiers.

Apple TV+ presents a show full of elegance and glamour in a top-notch historical recreation, set in none other than occupied France during World War II. This series stands out for its excellent actors, led by the phenomenal Ben Mendelsohn playing Christian Dior, the character around which the story revolves. It tells a captivating tale of how talented individuals had to cope with the brutality and senselessness of war and an occupied territory, yet manage to make their dreams come true despite the harsh reality. The show’s aesthetics, shots, and set designs are meticulously crafted in this spectacular historical reconstruction. It is one of the most highly anticipated shows of the season, premiering this Wednesday, Valentine’s Day, on Apple TV+.

Enjoy!

Where to Watch “The New Look”

Apple TV+

The CastBen MendelsohnBen Mendelsohn

Australian actor Paul Benjamin Mendelsohn (born April 3, 1969) gained recognition in his home country for his breakout performance in The Year My Voice Broke (1987). He has since appeared in notable films including Animal Kingdom (2010), The Dark Knight Rises (2012), Starred Up (2013), Mississippi Grind (2015), Rogue One (2016), Darkest Hour (2017), and Steven Spielberg’s Ready Player One (2018). In 2017, he joined the Marvel Cinematic Universe as Talos in Captain Marvel (2019) and Spider-Man: Far From Home (2019). Mendelsohn reprised his role as Talos in 4 episodes of the Disney+ series Secret Invasion (2023). He also starred in the Netflix original series Bloodline (2015–2017), for which he received the Primetime Emmy Award for Outstanding Supporting Actor in a Drama Series in 2016. In 2020, Mendelsohn took on the lead role in the HBO crime miniseries The Outsider.

Juliette BinocheJuliette Binoche

Juliette Binoche, born on 9 March 1964, is a multi-talented French artist, known for her work as an actress, artist, and dancer. With a career spanning over 40 films, she has received numerous international awards, authored a book, and has made appearances on stages around the world. Growing up in a family with a strong artistic background, she began taking acting lessons during her teenage years. She later went on to perform in various stage productions and caught the attention of famed directors such as Jean-Luc Godard (Hail Mary, 1985), Jacques Doillon (Family Life, 1985), and André Téchiné. It was Téchiné who launched her into stardom in France with her leading role in his 1985 drama, Rendez-vous.

Binoche’s captivating performance in her first English-language film, The Unbearable Lightness of Being (1988), directed by Philip Kaufman, propelled her into international fame. She caught the eye of renowned director Steven Spielberg, who offered her roles in several of his films, including Jurassic Park, which she declined in favor of working with Krzysztof Kieslowski on Three Colors: Blue (1993). This performance earned her the Best Actress award at the Venice Film Festival and a César award. Three years later, Binoche continued to impress audiences with her role in Anthony Minghella’s The English Patient (1996), for which she won an Academy Award, BAFTA, and Best Actress award at the 1997 Berlin Film Festival. In 2000, she received an Academy Award nomination for her role in Lasse Hallström’s romantic comedy, Chocolat.

Throughout the 2000s, she continued to thrive in both French and English language films, earning critical acclaim for her performances in mainstream and art-house productions. Binoche made history in 2010 when she became the first actress to win the European “best actress triple crown” at the Cannes Film Festival for her role in Abbas Kiarostami’s Certified Copy. Alongside her film career, Binoche has also made appearances on stage, including a notable performance in the 1998 London production of Luigi Pirandello’s Naked and a Tony Award-nominated performance in Harold Pinter’s Betrayal on Broadway in 2000. In 2008, she embarked on a world tour with a modern dance production, in-i, created in collaboration with Akram Khan. Affectionately known as “La Binoche” by the French media, some of her other notable performances include Mauvais Sang (1986), Les Amants du Pont-Neuf, Damage (1992), The Horseman on the Roof (1995), Code Unknown (2000), Caché (2005), Breaking and Entering (2006), and Flight of the Red Balloon (2007).

Maisie WilliamsMaisie Williams

Maisie Williams, also known as Margaret Constance Williams, is an English actress who began her acting career in 2011 with her role as Arya Stark in the popular HBO fantasy series Game of Thrones. Her performance on the show received widespread acclaim and earned her two Primetime Emmy nominations for Outstanding Supporting Actress in a Drama Series. Williams has also made appearances on other television shows such as Doctor Who, Cyberbully, and Two Weeks to Live, and has lent her voice to the animated series Gen:Lock. In 2014, she starred in her first feature film, The Falling, which was praised by critics and earned her awards recognition. She has also acted in various films including Mary Shelley, Early Man, and Then Came You. Recently, Williams has starred in The New Mutants, a superhero horror film, and The Owners, a psychological thriller. In 2018, she received positive reviews for her stage debut in the play I and You by Lauren Gunderson at the Hampstead Theatre in London.

John MalkovichJohn Malkovich

John Malkovich, an American actor, producer, director, and fashion designer, has had a successful career spanning 30 years, appearing in over 70 films. He received Academy Award nominations for his performances in Places in the Heart and In the Line of Fire. His impressive filmography also includes well-received movies like Empire of the Sun, The Killing Fields, Dangerous Liaisons, Of Mice and Men, Being John Malkovich, Burn After Reading, RED, and Warm Bodies. In addition to acting, Malkovich has produced several films, including Juno and The Perks of Being a Wallflower. He attended Illinois schools exclusively during his childhood and adulthood, where he formed close relationships with fellow performers Joan Allen, Gary Sinise, and Glenne Headly. Together, they co-founded the Steppenwolf Theatre Company in 1976. After establishing himself in the world of theater, Malkovich transitioned to feature films in the late 1970s, earning critical acclaim for his dramatic and comedic roles in movies such as Dangerous Liasions, Of Mice and Men, Being John Malkovich, and Burn After Reading. In addition to his talents in the entertainment industry, Malkovich also founded his own fashion company, Mrs. Mudd, in 2002. He continues to work on multiple projects each year as an actor, director, and producer, and is widely recognized as a prominent figure in modern cinema.

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Huma Bhabha: Welcome… to the one who came – David Zwirner New York

David Zwirner is pleased to present concurrent exhibitions of work by Huma Bhabha (b. 1962) at the gallery’s 537 West 20th Street and 34 East 69th Street locations in New York. These are the gallery’s first presentations of Bhabha’s work since the announcement of her representation in 2022, and they follow the artist’s 2023 solo exhibition at M Leuven, Belgium, which recently traveled to MO.CO., Montpellier, France. In March 2024, three sculptures by Bhabha will be specially featured in the retrospective exhibition Julie Mehretu: Ensemble at Palazzo Grassi, Venice. In April 2024, a large-scale installation by Bhabha, commissioned by Public Art Fund, will be unveiled at Brooklyn Bridge Park, New York.

Bhabha creates layered and nuanced sculptures and drawings that center on a reinvention of the figure and its expressive possibilities. Her formally innovative practice pulls from a wide range of references, from those that span the history of art to quotidian influences such as science fiction and horror films and the makeshift structures and detritus of urban life. Instinctive and rigorous, her work brings diverse aesthetic, cultural, and psychological touchstones into contact with matters of surface, materiality, and formal construction. Featured at West 20th Street are new sculptures, varying in size from small to monumental; on view at East 69th Street are new works on paper and smaller-scale sculptures. Together,

the exhibitions highlight Bhabha’s ability to move between a wide range of media and forms, creating deeply resonant hybrid figures that seem to simultaneously dwell in the past, present, and future.

The exhibition in Chelsea comprises a grouping of figures in patinated and painted bronze or cast in iron. The works are sculpted from materials including styrofoam, cork, and clay, which the artist then carves, gouges, paints over, and otherwise marks up before casting. While distinct in appearance and size, all the sculptures in the exhibition seem to be connected by a kind of genetic thread, forming an emotional hive that resides in a shared landscape of destruction, displacement, and rebirth. A lone diminutive figure cast in bronze and painted from the neck down in styrofoam pink, What Should it Be (2024) stands like a ringmaster or liminal guide poised at the threshold of distinct physical or psychic terrains as it leads visitors into a charged zone, recalling the titular character from Andrei Tarkovsky’s science-fiction cinematic masterpiece Stalker (1979). Beyond lies a group of three cast-iron sculptures—Bhabha’s first foray into the medium—of disembodied heads and torsos laid out on concrete plinths, glowing fiery orange as they rust, as if caught in a radioactive wasteland or left for dead on the scorched surface of Mars. The cast-iron works will continue to oxidize and evolve in appearance, affirming the notion of time as a primordial sculptor’s tool—a concept that Bhabha has repeatedly returned to in her oeuvre.

Further inside are two upright figures, Maybe Nothing Maybe Everything (2024) and Nothing Falls (2024), both cast in bronze. The former presents a multiheaded creature whose arms are pressed to its chest in prayer or panic. The latter takes the form of a rectangular earthen body that surges upward from the ground—reminiscent of the unshakable monolith from Stanley Kubrick’s film 2001: A Space Odyssey (1968)—and pushes its bone-white skeletal head toward the open sky as if it is a holy relic or ritual sacrifice on a dais. As Bhabha evocatively describes, the work’s contrasting geometric and organic forms resemble “earth sculpted by wind and fire touching a cloud made of bone.”

(Huma Bhabha, in correspondence with the gallery, 2024.)

These two sculptures flank the largest figure in the show, Even Stones Have Eyes (2023), which stands more than twelve feet tall. With its shadowy Januslike faces that have been etched, scarred, and seemingly charred, this peg-legged behemoth exudes a thrilling stillness and horror as it towers over its companions like a watchful parent surrounded by its brood. At once monstrous, animal, alien, and deeply human, Bhabha’s totemic figures recall cycles of growth and decay, destruction and restoration, thereby challenging our understandings of permanence, monumentality, and personal and collective histories.

At the East 69th Street gallery, the cast-iron sculpture Waddah (2024) takes the form of a lone petrified human figure—devoid of a face or identifying features—that rests on a pedestal reminiscent of black earth. As with many of her recent sculptures, Bhabha considers the plinth to be an intrinsic part of the work, lending the overall arrangement the feeling of a mortal relic or an artifact from another world. The other sculpture on view, My Ancestor (2023), comprises a pair of amputated legs that have been sculpted out of porous cork and inscribed with lines of white chalk to resemble stump feet or cloven hooves. Hovering between states of ruin and repair, these sculptures appear either as bearers of the collective casualties forced on nature, or as signs of fresh life emerging from the earth. Juxtaposed with Waddah and My Ancestor is a suite of new works on paper, each one depicting a different head constructed from vibrant swaths and strokes of ink, acrylic, gouache, and pastel, as well as elements of collage. An enduring and crucial aspect of her practice, Bhabha’s large-format multimedia drawings beckon the viewer with their exaggerated, ghoulish visages and unabashedly confrontational gazes.

Together, Bhabha’s sculptures and works on paper are visibly marked by the human hand. With their rough-hewn surfaces, they appear to have emerged from a blasted landscape—like survivors of war, or perhaps prisoners returning home, acutely aware of those left behind. As curator Shanay Jhaveri writes, “The artist’s roving eye speaks volumes to a particular sensibility, one in which various aesthetic practices are in dialogue with one another.… There is a convergence of form and content in her work, coming from different places and histories, that seeks to question rather than affirm extant cultural dynamics.” (Shanay Jhaveri, “Acknowledging Pain: Huma Bhabha’s We Come in Peace,” in Ed Halter, Shanay Jhaveri, and Sheena Wagstaff, eds., Huma Bhabha: We Come in Peace. Exh. bro. (New York: The Metropolitan Museum of Art, 2018), p. 45.)

Born in Karachi, Pakistan, Huma Bhabha came to the United States in 1981 to attend the Rhode Island School of Design, Providence, from which she received her BFA in 1985. She later studied at the School of the Arts at Columbia University, New York, from which she received her MFA in 1989. The artist presently lives and works in Poughkeepsie, New York.

In March 2024, three sculptures by Bhabha will be specially featured in the retrospective exhibition Julie Mehretu: Ensemble at the Palazzo Grassi, Venice. In April 2024, a large-scale installation by Bhabha, commissioned by Public Art Fund, will be unveiled at Brooklyn Bridge Park, New York.

In 2023, M Leuven, Belgium, presented the solo exhibition Huma Bhabha: LIVIN’ THINGS. The show traveled to MO.CO., Montpellier, France, in November 2023 as Huma Bhabha: A fly appeared, and disappeared. A solo presentation of Bhabha’s work curated by Nicholas Baume was on view at Fundación Casa Wabi, Puerto Escondido, Mexico, from 2022 to 2023. In 2020, the Baltic Centre for Contemporary Art, Gateshead, United Kingdom, presented Huma Bhabha: Against Time. The Institute of Contemporary Art, Boston, organized Huma Bhabha: They Live, on view in 2019, and published an accompanying catalogue. The installation Huma Bhabha: We Come in Peace, was commissioned by The Metropolitan Museum of Art, New York, in 2018 for the museum’s Iris and B. Gerald Cantor Roof Garden.

Previous solo exhibitions of the artist’s work have taken place at prominent institutions such as The Contemporary Austin, Texas (2018); MoMA PS1, New York (2012); Collezione Maramotti, Reggio Emilia, Italy (2012); Aspen Art Museum, Colorado (2011); and The Aldrich Contemporary Art Museum, Ridgefield, Connecticut (2008), among others.

Bhabha’s work has also been included in numerous group exhibitions internationally, including Summer Exhibition 2023, Royal Academy of Art, London; Reclaim the Earth, Palais De Tokyo, Paris (2022); Traces, Portland Art Museum, Oregon (2022); Hi Woman (curated by Francesco Bonami), Museo di Palazzo Pretorio, Prato, Italy (2021); NIRIN, 22nd Biennale of Sydney (2020); 2019 Yorkshire Sculpture International, Wakefield, United Kingdom; All the World’s Futures, 56th Venice Biennale (2015); and the 2010 Whitney Biennial.

Bhabha has been the recipient of notable awards, such as the Guna S. Mundheim Fellowship, Berlin Prize, awarded by The American Academy in Berlin (2013); and the Emerging Artist Award, awarded by The Aldrich Contemporary Art Museum, Ridgefield, Connecticut (2008). In 2022, Bhabha was elected as a National Academician by the The National Academy of Design, New York. In 2023, the artist was inducted into the American Academy of Arts and Letters, New York.

Work by the artist is held in significant collections worldwide, including the Art Gallery of New South Wales, Sydney; Buffalo AKG Art Museum, New York; The Bronx Museum of the Arts, New York; Carnegie Museum of Art, Pittsburgh; Centre Pompidou, Paris; Collezione Maramotti, Reggio Emilia, Italy; Dallas Museum of Art; Des Moines Art Center & Pappajohn Sculpture Park, Des Moines, Iowa; Ekebergparken, Oslo; Frances Lehman Loeb Art Center, Vassar College, Poughkeepsie, New York; Hammer Museum, Los Angeles; Hirshhorn Museum and Sculpture Garden, Washington, DC; Kiran Nadar Museum of Art, Delhi; Long Museum, Shanghai; Los Angeles County Museum of Art; The Metropolitan Museum of Art, New York; Mountain Art Foundation + Frank Lin Art Center, Beijing; Museum of Art, University of New Hampshire, Durham; Museum of Fine Arts, Houston; The Museum of Modern Art, New York; Museum of Old and New Art, Hobart, Tasmania, Australia; National Gallery of Australia, Canberra; Nerman Museum of Contemporary Art, Overland Park, Kansas; The New York Public Library; Rhode Island School of Design Museum, Providence; The Roberts Institute of Art, London; Sharjah Art Foundation, United Arab Emirates; Sheldon Museum of Art, University of Nebraska, Lincoln; Tate, United Kingdom; Whitney Museum of American Art, New York; Yale University Art Gallery, New Haven, Connecticut; and the Zhuzhong Art Museum, Beijing, among others.

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