Adam Yamey's Blog: YAMEY, page 99

An exciting Bollywood film

DURING MY TWENTIES AND THIRTIES, I enjoyed slow moving, European ‘art house’ movies, in which little or nothing happened. Good examples of these included “Claire’s Knee” and “Kings of the Road”.

Poster for the film PATHAAN

After marrying my Indian wife in 1993, my tastes in film changed radically. She introduced me to Bollywood films. These visually dazzling productions are brilliant. Most of them incorporate moral and political messages; romance; religion; adventure; tragedy; comedy; music and song; dancing; daredevil acts; and much more. As they are designed to be seen all over India by people who speak a wide variety of differing languages, they are produced in such a way that they can be followed by audiences who cannot understand even one word of Hindustani. In fact, because of this and their visual appeal, they are popular all over the world.

Recently, we saw the new Bollywood film PATHAAN in Bhuj. It is one of the most exciting action films I have ever seen; it makes James Bond films seem static in comparison. The audience in the Surmandir cinema screamed and yelled at every possible moment, especially when the principal male star Shah Rukh Khan appeared on the screen. Both the film and the audience were fun to experience. The film was so gripping that we left the cinema feeling exhausted.

Running in the family

WHILE WANDERING THROUGH the large rambling bazaar in Mandvi, which is in the former Kingdom of Kutch (now part of Gujarat), we came across a workshop where bandhani textiles for clothing were being made.

Making a knot for bandhani dyeing

Bandhani is a method of producing patterned dyed silks and cotton. Put simply, a piece of cloth, already dyed one colour or not at all, is prepared as follows. Parts of the cloth are gathered up to form tight bundles fastened by fine threads. The bundles, which look like small pimples are distributed to form patterns. The tied cloth is then dyed. The dye reaches all parts of the cloth except those enclosed in the tiny bundles. When the bundles are untied the patches of the cloth that had been shielded from the dye remain the original colour. This process can be repeated several times using different dyes to create an interesting pattern.

The shop the looked at, Khatri Ibrahim Siddik & Co, is the oldest bandhani workshop in Mandvi. It has been run by the same family for fifteen generations .

During our recent visit (January 2023), we have come across several businesses that have passed from generation to generation. In Bhuj, the Shivam Daining (sic) restaurant is run by chefs whose great grandfathers, grandfathers, and fathers, have all been cooks to the Maharaos of Kutch. Likewise, there is a bakery in Bhuj with an ancient wood fired stove. This business has passed through at least four generations. Nearby, there is a knife, scissors, and sword maker, who is the fourth or fifth generation of a family, which has been in this trade for over more than a century.

I am certain that there are plenty more examples of families in Kutch specialising in skills that have been passed from one generation to the next. I wonder whether these skills are in the genes, or simply taught by one generation to the next, and so on.

A cook from Kutch in Norway

THE SHARAD BAUG HOMESTAY is in the extensive, luxuriant, verdant grounds of the Sharad Baug Palace. Badly damaged in the 2001 earthquake, the palace is a short walk from the excellent homestay. This accommodation is owned and run by members of the royal family of the former Kingdom of Kutch.

Close to the homestay in the middle of a field, there is another ruined edifice. This was formerly used as a guesthouse by important guests of the ruler, the Maharao. For some time, the poet Dara Shiko (1615-1659) hid from his brother (the future emperor Aurangzeb) in this building.

Near the ruined palace, there is a building, which was the last Maharao of Kutch’s sitting room and dining hall. Now, the building houses a small museum filled with exhibits relating to the royal Jadeja family. Amongst these, there are several items connected with the last ruler of independent Kutch when he spent some time in Norway.

After Kutch had joined India soon after 1947, its last Maharao, Madansinhji (1909-1991), was appointed India’s ambassador to Norway. There are photographs relating to his stay in Norway in the museum. There is also a Christmas card in Norwegian and a certificate issued by the Oslo Tennis Club. He served in Norway between 1957 and 1960.

While in Norway, Madansinhji was served by his chef from Bhuj, a member of the Yadav family. For many generations, the Yadavs have been chefs, specialising in non-veg food.

When we first visited Bhuj, in 2018, we were recommended to eat in a simple, small restaurant in the bazaar of Bhuj. Named Shivam Daining (sic), it serves very tasty pure vegetarian food. We returned to eat there several times during our recent (January 2023) stay in Bhuj. While chatting with its chef and his relatives, we learned that the man who produces the excellent food is a grandson of the Mr Yadav, who cooked for Madansinhji in Norway. Although the family have a tradition of cooking meat and fish, they do not offer it at Shivams because they rightly feel that there is little demand for non-veg food in the mainly vegetarian city of Bhuj.

Without knowing it when I booked the Sharad Baug homestay, it turned out that it and one of our favourite restaurants in Bhuj had at least one common connection, and that is Norway.

An illustrious ancestor

QUEEN VICTORIA’S SON Prince Alfred (1844-1900) visited India in December 1869. In his honour several schools in India were founded in his name. In the present State of Gujarat, there are at least 3 still in existence. One is in Rajkot, another in Bhavnagar, and one in Bhuj (formerly the capital of the Princely State of Kutch).

Alfred High School in Bhuj

In Bhuj, we have a friend, Pramod Jethi, who is a historian of Kutch. Some of what I am about to relate is based on information kindly provided by him. Much of the rest is gleaned from what my wife’s family have told me.

My wife’s mother’s great grandfather was one Laxmidas Ravji Sapat (aka Sampat), who was born in the mid-19th century, or a bit earlier. Along with Gokaldas Parekh, Laxmidas was one of the first teachers in the Alfred High School in Bhuj (founded by Rao of Cutch, Pragmalji II in 1870). It is likely that he was its headmaster for a time. I have yet to see it, but his portrait hangs in the school. One of my wife’s relatives, also a descendant of Laxmidas, arranged to have it restored a few years ago.

In 1890, Laxmidas left the school. Later, along with his son-in-law, Cullyanji Murarji Thacker, he went to London (UK) to become a barrister. He studied for the Bar at Middle Temple and was called to the Bar on the 27th of June 1900, along with his son-in-law. Mr Thacker, who was my wife’s mother’s grandfather. The two men received financial help for their studies from the Kutch Royal family.
Both men were members of the Bhatia community in Kutch. Back at the end of the 19th and the early 20th it would have been unusual for a man and his son-in-law to travel out of India together to study.

Laxmidas, after leaving the Alfred School, became appointed as police chief of Bhuj, then diwan (Prime Minister) of Jaisalmer, and after that Chief Justice of Jodhpur. Apparently, he was very successful in reducing dacoitry in the Kingdom of Kutch and also Jaisalmer.

Recognising that the dacoits robbed because they were impoverished and starving, he helped make arrangements that reduced these poor peoples’ need to steal. It was this success that attracted other rulers of Princely States to offer him employment.

Regarding Jaisalmer, I discovered this quote:
“On his retirement, one Laxmi Das Raoji Sapat, who had lately served as Police Commissioner in the Kutch State, was appointed as Dewan of Jaisalmer”
This was in 1903.

As for Mr Thacker, he was successful enough to have owned a large house with two separate kitchens (one veg, the other for meat), and to have employed an English governess for my wife’s maternal grandmother, Benabhai, who married the surgeon Haridas Bhatia FRCS (died of septicaemia whilst on duty in 1926).

Incidentally, Benabhai was sent to London to study at the former Bedford College at the same time as her husband was studying for his FRCS. This contrasts with Mahatma Gandhi, who went to study in London, leaving his wife behind in India.

In January 2023, whilst spending a short time in Bhuj, we took a look at the elegant exterior of the city’s Alfred High School, which adjoins the Bhuj Museum. Badly damaged in the earthquake of 2001, the school building has been well restored. A less attractive, newer building was built to enlarge the school. On a future and lengthier visit to Bhuj, we hope to be able to view the portrait of Laxmidas that hangs inside the school.

Long live the revolution!

NAGPADA JUNCTION IS one kilometre east of Mumbai Central Station. There are several interesting memorials located around this place where six busy roads meet. Each of them commemorates someone of the Islamic faith.

One memorial, a large rectangular bas-relief, is dedicated to the great poet Mirza Ghalib (1797-1869).

Dominating the junction is a tall flagpole from which India’s flag flutters. The base of this includes a large curved bas-relief in grey stone. The base has carvings of several important Indian freedom fighters including Mahatma Gandhi. There are also scenes of these leaders behind bars and other Indians being attacked by Britishers. The words “Quit India” can also be seen in several languages. The Quit India movement was one of many attempts to get the British to leave the huge country they ruled until 1947.

This monument and its flagpole are mainly dedicated to the memory of Maulana Abul Kalam Azad (1888-1958). In brief, he was all of the following and much more: an Indian independence activist, Islamic theologian, writer and a senior member of the Indian National Congress. Between 1947 and 1958, he was independent India’s first Minister of Education.

Lesser known than Ghalib and the Maulana, but also commemorated at Nagpada Junction is the freedom fighter Maulana Fazlul Hasan Hazrat Mohani (1875-1951). This celebrated writer of poetry in the Urdu language is best known for a slogan he created in 1921: “Inquilab zindabad”, which means “Long live the revolution”. He is also credited as being one of the first Indians to demand complete independence for India, rather than increases in the degree of the country’s autonomy whilst remaining part of the British Empire.

At first a member of The Indian National Congress, Hasan Hazrat later joined the Communist Party. He was against the Partition of India and would have preferred that India had become a confederation of states such as was the case in the USSR.

Nagpada Junction is both rich in traffic and memorials to notable Muslim men. One more memorial and a street name commemorate another Muslim, Sofia Zuber (Zubair), at this meeting place of busy. thoroughfares. She was an education superintendent for Urdu affiliated to a civic body and later a corporator from Nagpada. The short road named after her used to be a meeting place for Urdu authors and journalists.

I would not have written about this interesting traffic junction had I not noticed the Maulana Abul Kalam monument as we sped past it in a yellow and black taxi. Curious about it, we returned later and had a look around, and then ate good kebabs in the Sagar restaurant beside the junction.

Meeting Mahatma Gandhi in 2023

INDIA BECAME A REPUBLIC on the 26th of January 1948. Every year since then the 26th of January has been a public holiday known as Republic Day. On the 25th of January 2023, we met a senior advocate sitting in the Gujarat Club, which is next door to Ahmedabad’s Civil & Sessions Court. After showing us around the court building, he invited us to join him and his colleagues for the next day’s celebration.

The Republic Day celebrations began in the garden of the Court building at 9 am. A few soldiers, some of them armed with automatic rifles, arranged the flag raising. At 9 o clock, the Indian flag was unfurled by one of the senior judges, wearing a colourful pugree on her head, in front of a large group of senior advocates and some of the court’s staff. Many of the female advocates were attractively dressed in saris decorated with the colours of the Indian flag (green, saffron, and white). One of the ladies told us that 25 of these had been specially ordered from Agra.

When the flag was unfurled at the top of the flagpole, everyone sung the national anthem,”Jana Gana Mana”. Then everyone began taking photographs of one another. After this, we moved en-masse from the court garden to the compound of the Gujarat Club, where Mahatma Gandhi met Vallabhai Patel for the first time.

You can imagine my astonishment when I saw an elderly man who looked just like Mahatma Gandhi, both in physiognomy and in his manner of dressing. Holding a wooden staff and dressed in a white dhoti, sandals, and a shawl, he was a highly credible Gandhi lookalike.

Residing in the USA, this Gandhi impersonator has attended many Indian patriotic ceremonies. To date, he has appeared in 35 in the USA and about 60 in Ahmedabad. His presence was a huge success. Everyone wanted to be photographed alongside him. With his sturdy staff in one hand, he held his mobile phone in the other. Had they been available, I wonder whether the real Mahatma would have been happy to use one.

The lookalike took part in the Club’s flag raising ceremony, giving a short speech. After the ceremony was over, we were invited to join the advocates for a special breakfast in the Club. We were served jelebis, ganthia, kadhi, and shredded raw papaya with whole green chillies.

We were very happy to have been invited to join the advocates in their extremely enjoyable celebration of Republic Day at the Gujarat Club. This occasion increased my already great affection for the lovely city of Ahmedabad.

Where Mahatma Gandhi met Vallabhai Patel in Ahmedabad

THE GUJARAT CLUB, the oldest club in Ahmedabad, stands opposite the Ahmed Shah Masjid, the oldest mosque in the city. The club was founded in 1888 by Rao Bahadur Nagarji Desai. With over 1000 members, the much used clubhouse is in an unmodernised condition. Located next to the recently constructed (2020) City Civil and Session’s Court, the Club is a ‘hang-out” and informal meeting place for many senior advocates. In former times, the place was frequented by Ahmedabad’s wealthy Mill owners and high ranking Britishers. It was the first Indian club that admitted Indians as well as Europeans from the moment it was established.

Vallabhai Patel above a doorway at the Gujarat Club

The Club is located close to a house where Sardar Vallabhai Patel (1875-1950) lived. Patel frequented the Club regularly and played bridge there. It was where he first met Mahatma Gandhi in 1916. A tree marks the spot where they chatted.

After having passed the Bar Examination at London’s Middle Temple, where my wife achieved the same thing many years later, Patel came to live in Ahmedabad. The first meeting with Gandhi at the Club marked the start of Patel’s attachment to the Mahatma’s cause. Years later, Patel played a key role in uniting the former Princely States with what had been British India to form the India of today. An important freedom fighter for Indian independence, he became a senior member of the country’s government after 1947. A close associate of Gandhi, the two men chose to differ on how to deal with certain issues, for example the creation of Pakistan.

We sat under the verandah of the Gujarat Club and enjoyed cups of tea. From where we sat we could see a large rectangular open space, which was being used as a car park. The ground was marked out with tennis court lines and a couple of nets were stretched between rows of parked cars.

We began conversing with an advocate at the next table. When he learned that my wife was a barrister, he kindly offered to show us around the neighbouring court building.

We spent well over an hour sitting in various court rooms. Most of these had two layers of glass screens, separating the judges and the court officials from the rest of the room: a covid precaution.

Several things impressed my wife as being different from what happens in British courtrooms. First, the plaintiffs are permitted to speak directly with the judges, rather than via intermediaries such as barristers. Secondly, the judges seemed to be handed the papers of a case at the moment it was about to be heard, rather than in advance. Thirdly, each judge was able to switch seamlessly between fluent Gujarati, Hindustani, and English. Also, they made decisions far more rapidly than their counterparts in the UK.

After our fascinating visit to the court house, our host and a charming advocate from his firm invited us to return to the court and the Club to celebrate Republic Day on the following morning, the 26th of January 2023. We accepted, and I will describe the events in another essay.

Our visit to the vibrant Gujarat Club proved far more exciting than we had anticipated. What was once a place where mill owners rubbed shoulders with British officers and officials, where Patel first met Gandhi, is now a congenial place where advocates meet, converse, read, and relax.

Two architects and a painter in Ahmedabad

ON TUESDAY THE 24th of January 2023, we arrived in the city of Ahmedabad in the Indian State of Gujarat. That evening, we visited a friend who had been the curator of a building in Ahmedabad, which had been designed by the architect Le Corbusier. Our friend was pleased to see us but was upset because a close friend had died that morning at the age of 95. That friend had been a disciple collaborator of Le Corbusier.

Our friend’s friend was Balkrishna Vithaldas Doshi, who was born in Pune in 1927. He worked with Le Corbusier in Paris between 1951 and 1954. He returned to Ahmedabad to supervise Le Corbusier’s architectural projects in that city. In 1955, Doshi established his own studio in Ahmedabad, and was working there until the day before he died.

Clearly influenced by Le Corbusier and Louis Kahn, with whom he designed the campus of the Indian Institute of Management (Ahmedabad), his (some might say Brutalist) architecture embodies the ideals of Le Corbusier in a much more user-friendly form than that which his mentor produced.

Amdavad ni Gufa

Next door to CEPT University in Ahmedabad much of which was designed by Doshi, there stands Doshi’s most unusual edifice, the Amdavad ni Gufa (the Ahmedabad Cave), which was completed by 1990. Its is difficult to describe this structure, but I will try. Covered in a mosaic of black and white ceramic tiling, it resembles an enormous caterpillar partially submerged in the ground. It is a giant caterpillar punctuated by bulbosities of various sizes, some of which have hemispherical windows at the end of short stalks that project from the dome-like bulbosities.

Steps descend to the two entrances of the Gufa. Originally designed as an art gallery, its irregular shape and wavy floor deemed it unsuitable for its intended purpose. Within the Gufa, the ceiling is supported by irregularly shaped columns that resemble stalactites with have joined with stalagmites beneath them. The strange space, which was too odd to be used as a gallery, is now decorated with sculptures and murals painted by the celebrated Indian artist MF Husain (1915-2011).

The Gufa is one of the ‘must-see’ sights of Ahmedabad. With the recent demise of Doshi and the earlier death of Husain, the Gufa makes a fitting memorial to these two great creators.

Urban animal

Traffic on the road

Feeding green grass to a cow

India is great

Geometric and meaningful

BETWEEN A ZOROASTRIAN (Parsi) well and Churchgate railway station, both in central Mumbai, there stands a wonderful steel sculpture, which was financed by the Tata company (named after its Parsi founder).

The sculpture, completed in 2011, is the creation of the architect Nuru Karim and colleagues. Consisting of two closely placed spirals, it rises to a height of 11 metres. The spirals are formed using a set of triangular frames made of a type of Tata steel alloy.

The sculpture is named ‘Charkha’, which means ‘spinning wheel’, and refers to the spinning wheel which Mahatma Gandhi encouraged his followers to use to help make India self-sufficient and less dependent on British imported textiles. Each of the triangles are unique. Combined together in this sculpture, they are supposed to portray unity within diversity, and India’s rich mix of diverse cultures. In other words, the artwork is expressing the idea or hoped-for ideal that although a rich mix of different people, India is one united country.

Whether or not India has achieved this ideal, this sculpture is both aesthetically pleasing and a welcome addition to Mumbai’s incredibly rich mix of visual delights.