Debra H. Goldstein's Blog, page 37

My Daughter Is In Love – Debra H. Goldstein

DHG Comment:  My daughter got engaged August 30, 2012.  She normally is a very private person.  The piece below was written almost three years ago after we hung up from a telephone conversation during which she first told me she was seeing Kevin exclusively.  I hope it brings back memories for you, too ….

MY DAUGHTER IS IN LOVE -

Tonight, my daughter called to tell me she is dating someone special.  My daughter is in love.    You should have heard the lilt in her voice.  She was asking my approval, but at the same time she was telling me that while it mattered, it didn’t.  She is seeing Kevin.  No question about it.

So many times we post about our fears; but, this time, I have fears that are good ones.  I’m scared whether she has picked the right boy.  I’m petrified that he’ll not love her enough or that he will love her too much.  I’m frightened that she will give up her dreams to bend to his wishes.  I’m afraid that she will place career or other distractions ahead of her heart.

No matter how much I may worry, tonight my daughter is in love.  Even though we only spoke on the telephone, I know her eyes were shining and she was grinning that little crooked smile that she only allows to show on special occasions.  Nobody else’s thoughts mattered tonight…my daughter is in love.

She told me that she feels silly because she feels good when Kevin calls her or when he walks into the room she is in.  When he strokes her hair or takes her hand, she tingles.  She actually used that word and then laughed because my daughter is not a tingly person.  My daughter is analytical.  She approaches the world carefully using her mind and senses to evaluate and make determinations.  Tonight, she giggles and literally says her intellect says one thing, but her gut says something else.   My daughter has been in the process of making a career change that probably will mean moving to another state, but tonight she isn’t sure how to balance what she knows would be a smart move in terms of her career against how she feels emotionally.  For the first time in her life, my daughter is making a decision based purely upon the feeling you get the first time you go into an ice cream store and can pick any flavor you want.  It will be a decision that hopefully reflects the peaceful sensation that comes from seeing a rainbow.  My daughter is in love.

I’ve been married so long that I don’t think of my husband with giddiness.  He is the guy who drops his socks next to the bed.  He falls asleep on the couch for two to three hours every night watching CNN or a ballgame and then tells me that he can’t sleep.  Until tonight, I forgot how much I once enjoyed his phone calls checking on me during the day.   Now, his calls often seem like annoying distractions when I’m working.  We share meals and conversation, but we have fallen into a pattern that might be called routine or even a bit boring.

My husband also is the daddy who would do anything to make his little girl laugh whenever her world seemed to be crashing.  With shaking clumsy hands, he tenderly bathed and fed her, tried to fix the bow snapped into her wisps of hair and taught her to bat a ball.  He would give his life for her.  Tonight, he is the father of a daughter who is in love and that colors my love for him.

My daughter is in love.

~ ~ ~ ~ ~

Debra H. Goldstein received a 2012 IPPY Award for her debut mystery, Maze in Blue.  She has won awards for both her short stories and her non-fiction pieces.  Most recently, in August 2012, her short stories  ”Meme’s Place” (It Was a Dark and Stormy Night – anthology published August 2012) and “Grandma’s Garden,” www.Alalit.com (2012)  and a legal piece, “Practicing Social Security Law – The Best Kept Secret,” Birmingham Bar Association Bulletin, p. 26-29 (Fall 2012) [w/Jennifer Goldstein] were published.

Guest Blog: Author Judy Hogan’s Conversation with Sammie Hargrave – Her Favorite Character

 

Author Judy Hogan’s Conversation with Sammie Hargrave – Her Favorite Character 

Judy Hogan: Sammie, a new writer friend of mine, Debra Goldstein, wants a blog from me to post on her blog in early September, to celebrate the publication of Killer Frost, and she suggested I interview one of my characters.  I picked you, who are my favorite.

Sammie Hargrave: Suits me.  What do you want to know?  Seems like you should know me pretty well, after writing eight books in which I play Penny Weaver’s sidekick.

Judy: That’s the thing, Sammie.  You always surprise me.  You’re my most unpredictable character.

Sammie: Otherwise, your novels would be dull.  Penny’s okay.  I’m fond of her.  But without me to liven things up, she might be a little boring.  She’s so earnest.  I mean, she tries hard to obey the rules.  It only works for her about half the time, but she hasn’t caught on yet.

Judy: We can’t say the same about you, Sammie.  You’re a consummate rule-bender and dodger.

Sammie: I have more fun, plus Penny never minds when we’re solving a case, and I get into Derek’s briefcase to see the autopsy results, or we conduct our own interviews when he’s told us to say out of police “bidness.”  He’s worse than Penny is for rules.  It’s women who generally figure things out.  We see the big picture and pick up the atmosphere around people–the aura, stuff like that.  I can read body language a hell of a lot faster than Penny can, girl, or Derek, for that matter, but at least Penny’s learning to trust her gut instincts and know she needs me.  Can’t you see that?

Judy: I’m beginning to.  I myself was raised in a minister’s family, raised to be a good girl.  But by twenty-one I was in full rebellion, and I was drawn to people who had a touch of wickedness.  Maybe especially it was flamboyance I liked, and straight talkers.  I was sick of being nice to everyone.  I suffered for it.  Some of the rebels I hooked myself up with hurt me, betrayed me, you name it.  Finally, I added a little bit of wickedness to my own character–balanced it.

Sammie: Ha, girl.  You don’t know from Adam about no wickedness.  You and Penny, who’s your alter ego–right?–are still 99% good girls.  But you did get tougher, saw other people better, developed your bullshit detector, but the way we start out, stays.  You never noticed?

Judy: Tell us how you started out, Sammie.

Sammie: I was raised right here in Shagbark County, central North Carolina, and my people, too, as far back as I know.  Folks had plantations here, going back into the 1700s.  Ships came up the Cape Fear River, which our Haw flows into.  There were land grants from the King long before the Revolutionary War.  I haven’t traced back past my grandmother’s people, who were slaves.  She died when I was little, but Mama told me how it was.

I identify with my African beginnings, my slave ancestors, my grandmother, who grew up before World War II and did the white folks’ laundry, carrying it all from the big house to her shotgun tenant shack, and then washing it all by hand, ironing it with an iron heated on the woodstove, and then carrying it all back.  Then my mother worked as a maid for rich white folks and my father did logging work until he died.  She got me into an integrated school as soon as they had one in Shagbark–1972–when I started kindergarten.  She saved pennies for my books and clothes, and later, for my college.  I owe her so much.  Yes, that much of my history I know.  I have a love-hate relationship to it.  So much cruelty and injustice, but I’m so proud of the strength and courage my ancestors had.

It’s why I teach at St. Francis, shitty as it sometimes gets.  I want us black folks to hold onto our culture, our churches, our literature, our music, and our language, and, of course, our history.  Without our language, our culture dies.  So I keep it current in my mind, and I encourage my students to do that but to distinguish between when to use standard English and when to talk black folks talk.

Judy: Your friendship with Penny is so important to her, Sammie.  I like to think the two of you work on healing the rift that stays between the black and white races in this country.

Sammie: Right, important to me, too.  Penny is good people, even if I have to educate her half the time.  Things have changed a lot, but you know how that racism sticks.  I sometimes think we’ll never be free of it until people can’t tell the difference between us and everybody else–especially by skin color.

Judy: Tell me more about what’s important to you, Sammie.

Sammie:  Like you,  I want to be my own self, and I got this thing about clothes and hair.  Hats, too.  I like to look good, and I know people judge a lot by how you look.  That’s where Penny and I differ.  She dresses about the same way every day and rarely wears a dress.

Judy: Penny has two dresses.  I own three.  But we save them for special occasions–weddings, fancy banquets.

Sammie: So Penny wears jeans and slacks, blouses and shirts; shorts in the summer.  See her in a dress?  Must mean somethin’ big is comin’ down.  But I like to dress up.  Always did.  Mama let me play in her old clothes and Grandma’s wigs.  I’m a Thrift Store addict, and I have friends and cousins I trade off with.  I like it when people notice me. I like it even better when they don’t recognize me because I look different from the last time they saw me.

But a lot of white people?  They don’t see us nohow.  Like we’re invisible.  Run into them in a store, someone you’ve met at some political meeting?  They don’t see you.  So I take it one more step.  They notice but they don’t realize they’ve seen me before.  I can’t say why I do it.  The devil in me, I guess.

Judy: I know I enjoy you, Sammie.  You add zest to my writing.  A lot of my characters started from people I know.  Like Marcel Proust did, I often blend two or three together.  But you came to me out of the blue except for one detail.  I had an African American friend who also liked to look different each time you saw her.  That’s all I had to start with, and now you live and breathe, and I love to see what you’ll do or say next.  It’s one of the rewards of writing fiction.

Sammie: I’m glad I’m your favorite.  It’s not hard to surprise you, Judy.  You’re so predictable.

~ ~ ~ ~ ~ ~

Judy Hogan’s first mystery novel, Killer Frost, was published September 1, 2012, by Mainly Murder Press of Connecticut.  Judy founded Carolina Wren Press (1976-91), and was co-editor of Hyperion Poetry Journal (1970-81).  She has published five volumes of poetry and two prose works with small presses. She has taught all forms of creative writing since 1974. She joined Sisters in Crime and the Guppies in 2007 and has focused since then on writing and publishing traditional mystery novels.  In 2011 she was a finalist in the St. Martin’s Malice Domestic Mystery contest.  The twists and turns of her life’s path over the years have given her plenty to write about.  She is also a small farmer and lives in Moncure, N.C.

Baseball and Writing: What I learned from the Atlanta Braves

Baseball and Writing:  What I learned from the Atlanta Braves

by Debra H. Goldstein

The Atlanta Braves are in the run for the pennant – or so I’m told.  The team I saw play last night lost, justifiably, because of an abundance of errors, pitching that didn’t find its mark except to give up home runs and, other than Freeman’s great stop and pitch from his knees to first, lackluster play.  The Braves beat the Dodgers in overtime on Friday.  My writing often is like the Braves-Dodgers’ series.

It takes time for me to get warmed up.  I turn on my computer and open a blank page.  Sometimes, I review my stats by reading back what I previously wrote or checking how well my book, Maze in Blue, is doing on Amazon.  Other times, I take a few warm-up pitches by checking out Facebook, Twitter, e-mails from friends, or playing a few games of spider solitaire.  When I think I’m ready, I go back to the blank page I minimized.  It’s still there.

Like a pitcher looking to the catcher for the signal, I wait for a message from on high to flow through my body onto the paper.  Just when I think I’ve got it, the batter steps out of the box and I have to gear up again.  Occasionally, frustrated, I opt to try to pick off the player on first by editing something I already wrote; but, more times than not, the runner gets back to base safely. That leaves me torn between trying the same move with another piece of my writing or throwing a fastball at the batter.

I like fastballs because they represent the time when my writing is at its best.  It flows and I’m in the zone – unless I give up a home run like the Braves pitcher did three times in a row last night.  Then, all I can do is watch the ball fly over the fence as the runner rounds the bases.  I know I have no choice except to start over.  If I dwell on the past or lose my nerve, I won’t be able to give my fans or the team supporting me the best effort they deserve.

Occasionally, the catcher or the coach gives me a pep talk or critiques my pitching.  I can’t always translate the critique at the moment, but eventually I get the message and my writing is the better for it.

More often than not, my writing reflects the Braves game I saw last night, but every now and then I write something that gives me the feeling I should be up for a Cy Young Award.  That feeling is what it’s all about.

~ ~ ~ ~ ~

Although when it comes to writing, “It’s Not Always A Mystery,” sports is a different matter.  I love books and theater….my husband adores any sport and any team (though before anything else, his blood runs crimson).  The balance of our interests makes for a successful mixed marriage.   Perhaps this will be the topic of another Debra H. Goldstein blog.  In the meantime, let me know your thoughts on writing as compared to sports and your own personal interaction with sports.  DHG

Guest Blog: Robert Spiller’s Thoughts on the Waldo Canyon Fire

Author Robert Spiller

 A Writer’s Thoughts on the Waldo Canyon Fire

by Robert Spiller

For those of you who have wondered how it was in Colorado Springs during the Waldo Canyon Fire, here are the facts:  A fire storm raged out of Waldo Canyon, was fed by mindless winds, spread at an insane speed across my beautiful Rocky Mountains, was fought by men and women of valor, displaced over thirty thousand people, consumed over eighteen thousand acres, and devoured over three hundred homes.

Again these are the facts.  But the stories are so much more.

MY FRIEND

This morning I went with some friends from Pikes Peak Writers, a local writer’s organization, to deliver about three vans worth of stuff (food, furniture, computer equipment, and just general necessities) to a friend who lost her home to the fire.  I’m still trying to wrap my mind around waking up one morning and realizing your home is gone…forever.  The recipient was a fellow writer who has never failed to impress me, not just with her skill as a writer, but as person of integrity and strength.  I had seen her a few days earlier to deliver a care package (some wine, cheese, crackers, and strawberries).  She was in shock at that time.  She had lost her beloved home, and although a dear, dear friend had taken her in, she would never be returning to the ten million things that were lost.  This morning, she looked exhausted, but had gained some composure.  Understandably, she was sad, but she spoke of recovery and how her children were taking the adjustment (this is what we call other people’s reaction to tragedy).  I can only wonder if I would have been as strong had my home been devoured by an inferno.

THE WELCOME

The president of Pikes Peak Writers is a soft spoken, gracious woman.  She works tirelessly for the organization that puts on the Pikes Peak Writers Conference—in my estimation one of the best writer’s conferences in the world (I might be biased).  Between June 23 and June 25 some 32,000 folks were displaced from their homes.  Entire sections of Colorado Springs were depopulated.  Many of these people ended up in school gymnasiums, shelters, and other giant structures where legions of cots were brought in to house the homeless.  This woman, my friend, opened her heart and her home not just to a family in need but to three families.  These displaced individuals became part of her family for the better part of a week.  What was even more amazing is that she did all of this with gratitude in her heart.  She felt it was not only her civic duty but her privilege to make her home available to those in need.  This scene was replicated again and again across Colorado Springs by folks who saw a need and answered a call.  It’s at times like these that I am most proud of my species.

THE DEATHS – THE MORNING OF JUNE 26

This morning I read that a person (not a body, this is no cozy mystery to be read then forgotten) was found dead in a fire-ravaged home in the north end of Colorado Springs.  I didn’t know this person in any way, shape, or form.  He or she was just fellow Coloradoan who shared my home town and died in a horrific natural disaster.  My heart broke and I wept.

  THE PARADE

Over 2000 firefighters were brought in from all over the country to fight a fire that for a number of days was almost alive with a voracious appetite.  Sixty-five mile an hour winds fed the blaze.  With a super-human effort, these brave men and women worked around the clock, many refusing to leave the front lines until their supervisors forced them to do so.  Even though many homes were lost, thousands were saved by their valor.  As the days passed, it became apparent that these firefighters, many of whom were from outside of Colorado, were true super-heroes worthy of our admiration and so much more.  A makeshift village of hundreds of tents was erected in a large field along I-25 in northern Colorado Springs.  Several times a day, as the firefighters changed shifts, a fleet of school-buses would carry firefighters to the ravenous blaze and then bring to the village weary soot-covered firefighters.  The buses took the same route every day, and before long an army of well-wishers lined the route with signs bearing messages of love and gratitude.  One day, after a particularly exhausting shift of placing their bodies in the path of destruction, the firefighters in their buses were winding their way back to the camp. The shouts went up. The signs were waved.  Tears of gratitude were shed.   Then a grimy hand extended out an open bus window and a thumbs up was flashed, then another and another.  Then the buses were gone, but not the feeling that something magic had just transpired.

Waldo Canyon contains a seven mile hike through some of the most beautiful landscape on the planet.  I have hiked it more times than I can count, most notably on the day before my wedding.  The hike wanders along breathtaking views, clear mountain streams, and stands of aspen and columbines.  There have been times when I’ve passed folks coming out of the canyon as I was going in.  The smiles on their faces told a tale of a communion of with nature that words would fail to convey…smiles would have to do.  Most of the canyon has now been laid low by the ravages of a mindless fire and the hike itself is closed for the indefinite future.  But I believe that the Earth abides.  The land will heal itself.  One day the canyon will be open again to the smilers.  Hopefully, this time we’ll be more careful.

~ ~ ~ ~ ~

Robert Spiller is the author of the Bonnie Pinkwater mystery series: The Witch of Agnesi, A Calculated Demise, Irrational Numbers, Radical Equations.  His math teacher/sleuth uses Mathematics and her knowledge of historic mathematicians to solve murders in the small Colorado town of East Plains.  Robert is working on the fifth Bonnie book, Napier’s Bones.  Robert lives in Colorado Springs, CO with his wonderful wife Barbara.  His three children and four grandchildren all live within shouting distance.  After thirty five years in the classroom, Robert retired from teaching mathematics this year to write full time.

 

Going for the Gold – DHG’s Top Three Medals for a Writer

 

 

 

 

 

Going for the Gold – Top Three Medals for Writers

 

This is the week of the Olympics.  Most of us will be glued to our televisions from the Opening to Closing ceremonies.  Some will hold our breath while gymnasts fling themselves into the air from the high bars or twist and turn on pommel horses.  Others will agonize whether this is the year of Ryan Lochte or if Michael Phelps will win the three medals he needs to be the most medaled Olympiad.  Whatever the outcome of the games, the events and awards will, unlike being a writer, happen during a finite period of time.  Because a writer’s life is continuous and is not televised, even though every writer dreams of winning a gold medal, here in reverse order are my top three Olympic Medals for Writers.

 

Bronze:  The bronze medal is given today for the act of training.  Olympic athletes set practice schedules and repeat and repeat moves until perfected.  A writer trains by coming up with an idea and then getting it down on paper.  Talking about it won’t win a medal.  Rather, a writer must set a schedule and adhere to it to produce a number of pages or words.  The first draft is a start, but revision and revision is necessary to be considered for this medal.  Good intentions about exercising or writing are not sufficient.  So, congratulations to Bronze Medalist:  Training/Getting it Down on Paper.

 

Silver:  Once a story, poem, or book is finished, it needs to find readership.  The silver medalist faces rejection, criticism and praise while seeking an agent, editor, publisher, or self-published outlet.  Qualification for this medal may include rewriting that slashes well-loved pages and scenes.  Congratulations to Silver Medalist:  Getting Published.

 

Gold:  The line between Getting Published and Promoting While Continuing to Write is very close, but the difficulty of balancing the time period of seeking to reach an expanded readership after publication while still finding time to write is the winner.  The gold medal reflects time management, going outside one’s comfort zone, being flexible, and finding a way to blend creativity with further accomplishment.  Congratulations to Gold Medalist:  Promoting While Continuing to Write.

 

Guest Blog: What Makes A Good Writer’s Group by Linda Rodriguez

What Makes A Good Writer’s Group by Linda Rodriguez  author of Every Last Secret  – winner of the (St. Martin’s) Malice Domestic Best First Traditional Mystery Novel Competition

Over the years, I have been a part of many writer’s workshops, groups, and organizations. I have been a founder of several. When I was a young wife and mother, I desperately wanted the companionship of other writers, other people who understood this difficult thing I was trying to do.

Since those days, I have developed many wonderful writer friends who truly understand this difficult thing I still try to do. Better yet, I am now married to a writer-editor and have a son and foster-son who are talented writers. I also belong to four writer’s organizations that I helped found—The Writers Place, Latino Writers Collective, Border Crimes, and The Novel Group—three that I had no part in developing but still love and support—the Macondo Writing Workshop, Wordcraft Circle of Native American Writers and Storytellers, and Con Tinta.

Before these groups, there others that were not so helpful or successful, a series of undergraduate and graduate writing workshops, a group of activist writers putting out an underground newspaper (back in the day of underground newspapers), a short-fiction critique group, a freelance writers group,  a novel critique group, and even a romance writers group. So I have broad experience with writer’s organizations and groups.

One of the key elements of a good writer’s group, whether it is nationwide like the Macondo Writing Workshop, citywide like The Writers Place, or just a few writer friends like The Novel Group, is respect, respect for the group, for the other members and for the purpose of the group. Respect involves giving honest and helpful criticism without making it hurtful or personal. Respect involves valuing the distinctive differences of each member, as both a writer and as a person, appreciating what those unique qualities bring to the group as a whole.

Another hallmark of a good writer’s group is enthusiasm. Good groups are excited about writing and the writer’s life. When members grow discouraged, they can come away from a meeting of their group re-energized and back in touch with their passion for writing.

If a writer’s group or a subset of the group functions as a critique group, it is important for all the writers in the group to be writing at a similar level of experience and ability, otherwise the group will eventually fail as a critique group, no matter how congenial the individuals are. Often, however, beginners may be a part of a group led by an experienced author for a fee. This can be a good foundation—if the goal of both the leader and the members is for the members to outgrow the group.

What has your experience of writers groups been? If you have not been able to find one, would you consider starting one of your own?

~ ~ ~ ~

Linda Rodriguez

Linda Rodriguez’s novel, Every Last Secret (Minotaur Books), won the Malice Domestic Best First Traditional Mystery Novel Competition, was selected by Las Comadres Conversations With…, and was a Barnes & Noble mystery pick. The second book in the Skeet Bannion series, Every Broken Trust, will be published in Spring 2013. Linda reads and writes everything, even award-winning books of poetry and a cookbook, and she spends too much time on Twitter as @rodriguez_linda.  She blogs about writers, writing, and the absurdities of everyday life at http://lindarodriguezwrites.blogspot.com.

Good-bye Nora Ephron

   Good-bye Nora Ephron

                             by Debra H. Goldstein

I never met Nora Ephron.  Unlike the beautiful tribute Liz Smith wrote about her, I can’t say I personally experienced her wit, humor or cooking.  But, I feel that Nora Ephron intimately knew me.

Essays like “I Feel Bad About My Neck,” “On Maintenance,” and “I Remember Nothing” capture the feelings and emotions I feel as I hide my once toned arms under sleeves and jackets and quietly discuss with my friends whether plastic surgery really can make us look “gently refreshed.”

Because of our ages, my friends and I find pieces by Anna Quindlen and Kelly Corrigan mirroring exactly what we are going through.  We find comfort or at least familiarity in their words as our parents become our children, our children become the stars we once were, or we find ourselves having to take our parents, children or both into our homes until they regain their footing.  Being a decade or two older, Nora Ephron’s works take us beyond our present experiences – and are there to comfort those of us who unfortunately have been precocious.

A few years ago, when my dear friend, Judy, was facing terminal cancer, I wrote about my anguish at having become my mother and my helplessness in knowing what to say or do for Judy in “Maybe I Should Hug You.”  A year later, reading Ephron’s “Considering the Alternative,” a chill ran up my spine when I read the words about everything being fine one day, her friend Judy finding a lump on her tongue and being dead from cancer within a year, and having to move forward knowing the big “D” is out there.

It was at this point in time that I explored more of Ephron’s works.  I laughed at the truths she incorporated into her ostensibly light romantic comedies like “When Harry Met Sally,” “Sleepless in Seattle,” and “You’ve Got Mail.”  After reading Heartburn, I wondered what she could have done with the Bobbitt case, but then realized it would have lacked the personal quirky tie-ins that she managed to include even in remakes of movies or story ideas.

Nora Ephron managed to express my inner thoughts with a clarity I didn’t know existed.  Through words and scenes, she reached into my soul and said the things I only whisper to my husband or dearest friends.  Her death at merely 71 silences a voice that I looked forward to following for a long time.

It is our loss that we won’t know what else she knew about us, but in going forward, at least for me, I’ll look back at the body of work she left behind, paraphrasing one of my favorite Nora Ephron lines:  “I’ll have what she’s having.”

Guest Blogger: Norma Huss

Location, Location, Location  by Norma Huss

You know what they say about buying or selling a home. The three most important attributes of a home are location, location, and, of course, location. How about a mystery? Maybe location isn’t  all three of the top choices, but it does play an important role.

When I wrote my first mystery, Yesterday’s Body, I began by placing it in Annapolis, Maryland. Then I added a museum to the plot, like the one at Solomons Island, MD. I could no longer use Annapolis, and Solomons Island didn’t have much of a city, the hills, the parks, in fact, every other site I wanted. So I invented Queensboro. It had everything that Anapolis had, the museum I needed, and sounded like it belonged on Chesapeake Bay, since there was already another town with a similar, but not the same name—Queenstown. And, I was free to add anything else I wanted to that imaginary city.

When I began writing Death of a Hot Chick, I thought I’d place it in that same Queensboro. Except—I wanted a small-town feel with a lot more boats and a watery ambiance.

I had to do it again! Invent my location.

Let’s see—I needed a rather run-down marina quite close to a top-of-the-line marina. And I knew exactly, sorta, what I wanted—the marina where our first boat was when we bought it. Definitely top-of-the-line with a deep water enclosure lined and crisscrossed with docks and boats—all kinds from go-fast cigarette boats to large yachts (including then Senator and former astronaut John Glenn’s). The marina was surrounded with condos selling for a million or two, plus a fine-dining restaurant where you definitely needed reservations. I did tone that opulence down slightly for my book.

Then I needed the main marina of the story. I selected the marina where we took our boat, in Galesville, Md. This yard was over one hundred years old. It was a working yard with all the well-organized clutter that any purist could hope for. But I couldn’t set my story in Galesville. There was not much of a town, and no fishery. So I moved that marina with the most decrepit of the boats along with the first marina into my newly created fishing village, Smith Harbor.

Smith Harbor you ask? Where did that name come from? Glad you asked. Smith is a name well known in Maryland history, and as a place name—Smith Island. And, like Queensboro, it sounds right, and even more important, there were no others listed by Google. Yes, I Google every name I use. And, although I’m thinking Maryland, I never name the state. For one thing, I don’t want to be pinned down to any particular laws on, for instance, insurance requirements for boats. I answer any such question the same way I choose my location—piecing my new whole together from several sources. I researched Chesapeake Bay bordering states’ requirements and went with a middle figure.

And, like I did for Yesterday’s Body, I kept track of street names and their relative locations, restaurants, schools, homes, all of it. How far could Cyd walk and how long would it take? If Kaye drove that way would she get lost? Where does Gregory keep his charter fishing fleet? Even though my village is imaginary, it has real boundaries, real distances, and an ambiance all its own.

Will I ever use a completely real location? I doubt it. After all, who wants to eat in a restaurant with a villainous cook? (Another one of my ideas.)

How about you?

Authors, do you think location, location, location when you plot? Do you use real cities, towns, and country estates or invented ones?

Readers (which definitely includes all authors), what do you prefer to read—real locations or invented ones. Does it make a difference to you?

~ ~ ~ ~ ~

About this week’s guest blogger:

Norma Huss is a wife, mother, grandmother, loves cooking, doesn’t mind laundry, hates housecleaning, and is always, a writer. She’s a member of Sisters in Crime, the Guppies Chapter, and Pennwriters. She’s getting into Twitter and Facebook, and really likes Goodreads where she can talk about other writers’ books.

Norma calls herself The Grandma Moses of Mystery. Have you heard about her? She became famous for her primitive paintings at eighty and continued until she was 101. Since Norma’s mother is now 102, takes daily walks, and does word puzzles, the possibilities are great.

Find out all about Norma’s interests, her books, and read a couple of free short mysteries at: www.normahuss.com

Norma’s Note on Death of  a Hot Chick’s cover:  My daughter designed the cover to Death of a Hot Chick using two of my photos (a sunset and a boat) as well as other pictures she had permission to use. (The owner of Snapdragon gave me permission to use her boat in a mystery.)

Guest Blog: “Thank an Author Day” – by Leslie Budewitz

Malice 2012 Agatha Winner Leslie Budewitz

GUEST BLOGGER:

AGATHA AWARD WINNING AUTHOR LESLIE BUDEWITZ

Thank an Author Day

   

I’d like to declare a new holiday: Thank an Author Day.

Now I realize that coming from a writer, this sounds completely self-serving–because who doesn’t like to hear thanks? To hear praise, to hear that your work entertained someone, or helped them solve a problem?

I wrote last fall, on the late, lamented Lipstick Chronicles http://thelipstickchronicles.typepad.com/the_lipstick_chronicles/2011/10/leslie-budewitz-guest-blogs.html about the impact my daily gratitude practice has had on me. Cultivating the habit of saying thanks, directly to someone or simply to the Universe, for things large and small, has been enormously powerful. (Not to mention a great sleep aid, on difficult nights.) 

But since my first book came out, I’ve been experiencing gratitude on a whole new level. Yes, the cover still makes me smile–and so does the author photo. (Thanks to Nicole Tavenner,

http://www.piknikstudios.com/ who took my panicked call on a Wednesday, fit in a portrait session on Thursday, and got me the files by noon Friday, so I could get them to the publisher when it turned out there was room for an author page and would I send my head shot toot-sweet?)

And oh, am I grateful to everyone who read, sold, reviewed, recommended, and otherwise talked about Books, Crooks, and Counselors–and for the incredible honor of the 2011 Agatha Award for Best Nonfiction.

But I particularly want to acknowledge–to thanks for– thank you notes from readers. For this book, my readers are mostly other writers. They understand what it takes to make book–to conceive a workable idea, convince an agent or publisher to invest in it, get the words on the page, and get it out into the world.

My goal was to provide a reference that answered writers’ questions about legal issues that arise in their stories, and suggest specific, concrete ways the law can be used to deepen plots and characters and enrich setting. Hearing from writers that I’ve hit the mark, saved them hours of blind research, provided a detail that sparked an idea–well, it gives me deep satisfaction.

Those notes make it easier to write the next words. The work-in-progress is completely different–the first in my cozy mystery series, The Food Lovers’ Village Mysteries, set in a lakeside resort community in northwest Montana where locals and tourists alike are obsessed with food. The words don’t always come easily. They’re not always right. Some days the characters stumble and trip across the page.

But those two little words–“thank you”–help me keep my backside in the chair and my fingers on the keyboard.

So who have I thanked recently? Chris Pavone, for his thriller Expats, which my local book club read in March and discussed over ham sandwiches. He wrote back from the Amsterdam airport, in between flights and wishing he had a ham sandwich. (Read the book. You’ll want one, too.) Jane Friedman http://janefriedman.com/ , whose presentation at the Flathead River Writers’ Conference last fall and blog posts have taught me invaluable lessons about writing and selling in the modern world.

So I am declaring Thank an Author Day. Whether reader or writer, your mission is to find the last book you loved or that made a difference for you. Google the author, and write an email. Nothing fancy needed–just those simple, but powerful words. Press send. You’ll both feel better, I promise.

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Leslie Budewitz’s first book, Books, Crooks & Counselors: How to Write Accurately About Criminal Law and Courtroom Procedure (Quill Driver Books) won the 2011 Agatha Award for Best Nonfiction. A practicing lawyer, she writes and blogs about ways writers can use the law in their fiction at www.LawandFiction.com .

Her cozy series, The Food Lovers’ Village Mysteries, set in Jewel Bay, Montana, a small lakeside resort community on the way to Glacier Park that calls itself “a Food Lover’s Village,” will debut from Berkley Prime Crime in 2013. Leslie lives in northwest Montana with her husband, a doctor of natural medicine, and their Burmese cat Ruff, an avid birdwatcher.

Musings on Malice by DHG

Malice Domestic XXIV has ended – amazingly!  As a dedicated cozy mystery reader (and writer), I have long realized that many of my favorite authors are Agatha winners and that the Agathas are awarded each year during the Malice Domestic Conference.  Research, a writer’s second best tool, revealed that Malice is one of the largest fan/writer conferences.  The formal agenda lists three days of informative panels, special breakfasts including Malice-Go-Round and New Authors, the Agatha Awards Banquet, an Opening Ceremony, and a closing tea.  The quality of programming is top notch, but the sub-level interaction is amazing.  No standoff behavior here. 

Often, it is impossible to tell who is a fan and who is a writer.  The smiling woman you start talking to in the elevator or while having coffee might as easily be a fan from Milwaukee as Margaret Maron or Charlaine Harris.  Authors at all levels of their careers could be found sharing tips, encouragement, or “you wouldn’t believe” stories in the hospitality room, the bar, or anywhere a conversation could be held.  The common thread throughout the weekend was that it didn’t matter if one was a reader, an established writer, a newbie, or a wannabe.

As a member of Sisters of Crime, I particularly enjoyed the Sunday morning breakfast and the times that the Guppies got together.  It was nice to put faces with names that I have exchanged messages with through the listserve. 

Agatha Winner Leslie Budewitz & DHG

There was a special excitement to have so many of them nominated for Agathas for their short stories, first books, fiction, and non-fiction.  All of the Guppies jumped out of the pond when Leslie Budewitz won an Agatha for Books, Crooks & Counselors… 

 I also was very moved by the words and the look on her face when Sarah Bewley, whom I previously met when Carolyn Haines and she ran Daddy’s Girls’ Weekend (another fine conference), spoke after being announced as the winner of a scholarship to Malice awarded annually based upon a partial manuscript.  Bet we see Sarah onstage again as a future Agatha winner.Personally, I was excited that not only was this my first Malice, but I was permitted to be a participant in two events.  I was one of the twenty-four authors who hosted a table at the New Authors breakfast and was allowed to speak for two minutes to the entire room – and yes,  give me a microphone and I had them laughing J.  My turn on the “Well-Schooled Panel” was more serious, but introduced me to five wonderful writers:  Judy Hogan, Linda Rodriguez, Frankie Bailey, Robert Spiller and Ada Madison aka Camille Minichino. 

Ada Madison aka Camille Minichino, Linda Rodriguez, Frankie Bailey, Judy Hogan, Robert Spiller and DHG

I’d be remiss if I didn’t mention the operations behind the conference — all of whose names I apologize for not knowing – but that is because this conference is put on by volunteers for the love of mystery writing.  But thanks to a special few:  Barb Goffman (whose touch and she herself was everywhere), Ann Murphy (loved that librarian voice), Rita (your control center blew me away as I helped Velcro signs),Verena Rose, and of course, toastmaster and writer extraordinaire Dana Cameron.

 Would I go back again?  In a heartbeat –  because that is the true measure of the love between the fans and writers who attended Malice XXIV.