Luis Soares's Blog, page 13

Red River Rock

Metronomy // Red River Rock // New album 'Small World' out 18 Feb // Director: Danny Nellis

Hugh Steers

Hugh Steers (1962–1995) was born in Washington, D.C., and trained in painting at Yale University, New Haven, CT and Parsons School of Art and Design, New York, NY. Before his death at 32 from AIDS-related complications, Steers created allegorical images of everyday life that captured the emotional and political tenor of New York in the late 1980s and early 1990s. Embracing representational painting and figuration at a time when such approaches were deemed unfashionable, his intimate comp...

Alex Dimitrov - 1969

The summer everyone left for the moon
even those yet to be born. And the dead
who can’t vacation here but met us all there
by the veil between worlds. The number one song
in America was “In the Year 2525”
because who has ever lived in the present
when there’s so much of the future
to continue without us.
How the best lover won’t need to forgive you
and surely take everything off your hands
without having to ask, without knowing
your name, no matter the number of times
you married or didn’t, your favorite mi...

B-Side

“B-Side” by Khruangbin and Leon Bridges from the forthcoming EP ‘Texas Moon’

Michael Palmer - Prelude

The limit of the song is this
prelude to a journey to
the outer islands, the generative
sentence, waltz project, forms,
qualities, suns, moons, rings,
an inside-outside then
an outside-inside shaped
with her colored clays. The days
yet propse themselves
as self-evident, everything there
everything here
and you are reading
in a way natural to theatre
a set of instructions
that alters itself automatically
as you proceed west
from death to friendliness, the two
topics upon which you are allowed
to meditate
under the ...

There Must Be A Song Like You

Helado Negro - "There Must Be A Song Like You" (Live)

Recorded at Public Records in NYC on June 5, 2021

Contributors:
- Angela Morris - Violin
- Opal Hoyt - Keyboards and Voice
- Taja Cheek - Electric Bass
- Nathaniel Morgan -  Alto Saxophone
- Jason Trammel – Drums
 
Director: Marisa Gesualdi
DP: Jake Denicola
Cameras: Jake Denicola, Hil Steadman, Marisa Gesualdi
Gaffer: Edgar Mendez
Recording Engineer: Jeff Curtin
Mixing Engineer: Fabian Prynn
Production Assistant: Asmarina Zerabruk

Bhanu Kapil - Twelve Questions

1. Who are you and whom do you love?
2. Where did you come from / how did you arrive?
3. How will you begin?
4. How will you live now?
5. What is the shape of your body?
6. Who was responsible for the suffering of your mother?
7. What do you remember about the earth?
8. What are the consequences of silence?
9. Tell me what you know about dismemberment.
10. Describe a morning you woke without fear.
11. How will you / have you prepare(d) for your death?
12. And what would you say if you could?

Wojciech Woś

I'm Wojciech and I'm 27. I grew up in a small border town between Poland and Germany. Since I was a child, I was sensitive for the beauty and aesthetically pleasing objects and I wanted to be surrounded by it.
Joining the local culture house helped me to understand my needs and try out creative techniques for the first time. I made my first steps with photography, drawing, painting and sculpture. This experience helped me to find what I really wanted to do at very young age and here w...

We Are Not Alone (La Panthère des Neiges)

Invada Records and Lakeshore Records are set to release the original score by Nick Cave and Warren Ellis to the forthcoming film La Panthère Des Neiges digitally December 17. The soundtrack is one of Ellis and Cave’s most heartfelt and haunting film projects. Lakeshore Records will release the album digitally in the Americas and Invada Records in the rest of the world. A first single, the track “We Are Not Alone,” (an edit not found on the album), will be released digitally on November 23.

An Illustrated Guide to Greece

Dimitri Mellos - For most people, the idea of Greece evokes either images of sunny beaches and picturesque whitewashed villages, or, more recently, depictions of the financial crisis or tragic images of refugees trying to cross over to Europe. With this project, my aim has been to deconstruct and undermine, but also expand and enrich, the set of visual representations associated with my country of birth in our collective imagination. I attempted to capture an aspect of Greece's landsca...