Deborah J. Ross's Blog, page 99

Short Book Reviews: Two Great Novellas

Readers often give the novella short shrift as a literary form. It’s too long to read easily in one sitting and not long enough to make a satisfying novel-variety reading experience. It’s also hard to write. You need a single plot line that’s rich enough to sustain the length but doesn’t meander off into the subplots and so forth that give a novel its complexity.

Penric and the Shaman, by Lois McMaster Bujold. The short review: A new Bujold novella set in the world of The Curse of Chalion! (Everyone jumps up and down for joy and runs out to buy it!) 
The longer review: To say Bujold is a master of her craft is an understatement, also that she has the ability to take what seems to be a simple enough proposition (in this case, tracking down a murder suspect) and imbuing it with emotional resonance. Her work rarely leaves me unmoved, and this one is no different. She manages to bring the reader into her world of five gods, shamans and sorcerers and spirit animals (as a dog lover, I adored what she did with more-dog and Great Beast dog) and ordinary folk without ever inflicting massive backstory or infodump. The richness of this world and its potential for powerful human stories never fails to amaze me. The alternative viewpoint characters (Penric, a sorcerer-divine who is host to demon Desdemona, who carries the memories of all her previous partners; Locator Oswyl, beset by his own rigid sense of honor and his limited abilities; and Inglis, a shaman now bereft of his powers, struggling to keep the ghost of his best friend from being eternally sundered from grace, at the cost of his own blood) provide both close-up emotional intimacy and a wider perspective of events. Did I say I loved the dogs. And the ghosts. And the demon. And the dogs.


In Calabria, by Peter S. Beagle, Tachyon. The short review: A new Peter S. Beagle novella-- with unicorns! (Everyone jumps up and down for joy and runs out to buy it!) 
The longer review: Claudio Bianchi, a crusty not-so-old hermit, farms an aging plot of land in rural  Southern Italy. At first glance, he is not very prepossessing; he’s crotchety, battered, and solitary. He also has a secret: he writes poetry. One day a unicorn appears on his land, and she too has a secret, one that will forever transform their lives. Like everything else by Peter S. Beagle I’ve ever read, this short work brims with earthy magic and tenderness. He has the ability to take a character who at first glance is not particularly appealing (middle-aged, grouchy hermit with dubious social skills and personal hygiene) and draw us into that character’s world, weaving the threads of our own disappointments, humdrum lives, deferred dreams. Claudio has all but given up on his dreams, so much so that he no longer knows what they once were until the impossibly magical creature touches the dreamer within him. In Calabria is not The Last Unicorn, but they share that sense of longing and transcendence, and offer the same thoughtful, immensely satisfying reading experience.

In Troubled Times: Quaker Wisdom

No clear impressions, either from above or from without, can be received by a mind turbid with excitement and agitated by a crowd of distractions. The stillness needed for the clear shining of light within is incompatible with hurry.~ Caroline Stephen, 1834-1909

I believe there is something in the mind, or in the heart, that shows its approbation when we do right. I give myself this advice: Do not fear truth, let it be so contrary to inclination and feeling. Never give up the search after it: and let me take courage, and try from the bottom of my heart to do that which I believe truth dictates, if it leads me to be a Quaker or not.
~ Elizabeth Fry, 1780-1845

Anthology Special Price

Two anthologies I've participated in are on sale at a reduced price right now. Across the Spectrum, which I edited with Pati Nagle (and which celebrates Book View Cafe's 5th anniversary and includes stories by Ursula K. LeGuin, Vonda N. McIntyre, Sherwood Smith, Judith Tarr, Katharine Kerr, and Madeleine E. Robins). The Shadow Conspiracy III: Clockwork Souls (also from Book View Cafe) contains my story "Among Friends," pertaining to Quakers, the Underground Railroad, and a slave-catching automaton. They're $2.99 each.

The sale ends May 1, so grab 'em while you can! (And the others look great, too!)

Evey Brett on "Only Men Dance" in MASQUES OF DARKOVER

In the spirit of a masqued revel, here is a gala presentation of tales set in Marion Zimmer Bradley’s beloved world of the Bloody Sun. Some of these stories are humorous, others dark, some gritty, and others whimsical or romantic, but all reflect the richness and breadth of adventures to be found on Darkover.

Masques of Darkover will be released May 2, 2017 and is now available for pre-order at Amazon.com, Barnes and Noble and Kobo. The print edition will be on sale on the release date.
While this is her first sale to a Darkover anthology, Evey Brett is no stranger to magic, especially when it comes to horses--just ask her Lipizzan mare, Carrma, who has a habit of arranging the universe to her liking. Carrma not only insisted that Evey move to southern Arizona to coddle her during her retirement, but she was also the inspiration for her books Capriole, Levade, and Passage as well as an anthology featuring supernatural horses. “None of those are based on real life,” she says. “Nope, not one.”
Deborah J. Ross: Tell us about your introduction to Darkover. 
Evey Brett: Back in 2002 when I was just out of college, I got a job working retail at a now-extinct Foley's department store in a mall. There was a Waldenbooks right across from the store, so I'd often go get a book and settle down in a comfy chair somewhere in the mall to eat my lunch and read. One day I was looking for a new book and picked up The Fall of Neskaya, and I was hooked. Fortunately for me (and the bookstore) they had several of other Darkover novels as well.

DJR: What about the world drew you in?
EB: I'm a sucker for stories with telepaths and damaged characters. I'd gone through a number of Mercedes Lackey's books, so finding Darkover gave me a whole new world with a sizeable canon to explore. Having just read the back of The Fall of Neskaya, I'd still pick it up to read because it's got everything I want--telepaths, power, gifts, a tormented character with a secret he can't reveal.  

DJR: What inspired your story in Masques of Darkover?
EB: I'd tried for several months to come up with an idea and had nothing. Then, cliché as it sounds, I woke up in the wee hours of the morning after dreaming about one of my older stories and somehow transferred the idea to Darkover. I did get up and write down the bones of a couple scenes so I didn't forget. Then I asked Deborah what she thought of the basic idea, she gave me a few suggestions to replace the bits that wouldn't work so well, and off I went. 
My other major muse is a Lipizzan mare named Carrma who is living out her golden years with me, so it wasn't had to get inspiration for a certain elderly, opinionated mare who has no intention of slowing down. Her sire, a famous Lipizzan stallion named Maestoso Africa, survived a devastating flood, so that element came into play, too. Plus, the idea of knowing what my horse is thinking and feeling is more of a daily occurrence than an element of fantasy, so that was natural for me to include.

DJR: Was writing this story different from a typical writing project? How did you balance writing in someone else’s world and being true to your own creative imagination?
EB: I've been doing far better at selling stories for anthologies than I have at selling stand-alones, so it's actually easier for me to write stories within the limits of a particular world or theme. Limits, like historical or world-building details, actually seem to force a better story because I have to figure out how to make my own ideas work within those boundaries. So in that sense, it's no different from a usual writing project because I've been writing mostly for anthologies lately.
DJR: Is there another Darkover story you would particularly like to write?
EB: Something with chieri. A lot of characters in my stories are trans, so I'm always interested in writing stories with gender-bending characters.

DJR: What have you written recently? What is your favorite of your published works and why?
EB: I've had a number of stories come out from Lethe Press, an LGBT small press. One of my favorite stories is in an anthology of queer carnival stories called Myriad Carnival. My story is called "El Amor Brujo (Love, the Magician) and is a favorite because it also features a supernatural Lipizzan stallion and is based on a musical piece of the same name by Manuel de Falla. I was a music major and enjoy classical music, so it's always a bonus when I can include a piece in my writing, and even better when the story the music is based on provides a template for my own.
DJR: What lies ahead for you?
EB: I've got a couple more stories forthcoming from Lethe, one in a gay Greek anthology and one in a man/plant erotica anthology. I'm also working on putting my books featuring magic Lipizzans, Capriole and Levade, back into print.
DJR: Anything else you’d like our readers to know about you, Darkover, or life in general?
EB: I owe a great deal to Darkover; because of this world, I talked to Deborah during one WesterCon and we became friends. She published my first story in an anthology called Lace and Blade 2; I published one of her stories in a supernatural horse anthology of mine. So it means a lot to me to be able to add my little bit to a world that changed my life for the better.

[links] Electric Sand and Other Glories

Titan is covered with dunes and plains made of sand consisting of a range of organic molecules. Méndez speculated that the moon's sand might readily become electrically charged, making its behavior significantly different from that of Earth sand.Méndez's specialty is electrified particles. He investigates phenomena such as volcanic lightning, which is powered by electrically charged volcanic ash particles, and studies "powders in the pharmaceutical industry, which can clump together or stick to the walls of pipes because of their electric charge," he said.


A Tatooine world could be habitable despite its inevitably complicated orbit, as long as the planet stays within a particular range of distances from its two host stars, researchers said."This means that double-star systems of the type studied here are excellent candidates to host habitable planets, despite the large variations in the amount of starlight hypothetical planets in such a system would receive," Max Popp, an associate research scholar at Princeton University in New Jersey and the Max Planck Institute of Meteorology in Hamburg, Germany, said in a statement.


Hawk moths convert nectar to antioxidants. When animals expend a lot of energy, like hawk moths do as they rapidly beat their wings to hover at a flower, their bodies produce reactive molecules, which attack muscle and other cells. Humans and other animals eat foods that contain antioxidants that neutralize the harmful molecules. But the moths’ singular food source — nectar — has little to no antioxidants.
So the insects make their own. They send some of the nectar sugars through an alternative metabolic pathway to make antioxidants instead of energy, says study coauthor Eran Levin, an entomologist now at Tel Aviv University. Levin and colleagues say this mechanism may have allowed nectar-loving animals to evolve into powerful, energy-intensive fliers.



Untangling the mystery of why shoelaces come untied.
Based on the video, and the other tests they did on shoelace knots, the team says two things happen when a lace comes untied. First, the impact of the shoe on the ground loosens the knot. With the knot loosened, the whipping of the free ends of the laces — as the leg swings back and forth — makes the laces slip.

As the foot hits the ground and the laces swing repeatedly, the knot loses integrity until, in a matter of seconds, it fails altogether.

Tuesday Cat Blog

Hello, I'm Shakir. After relentless campaigning, I have convinced my human to give me equal blog time. Well, not truly equal. We all know that truly equal would mean she'd never get a word in edgewise.

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Here I am, relaxing on the nicely cushioned comforter my human has thoughtfully provided. As you can see, I'm of the green-eyed black-haired tribe, although I do have an elegant frosting of white hairs on my chest. I was found roaming the wilds at about 10 months of age, so I leave you to guess at my early life, but everyone at the shelter recognized what a good cat I am, and after a long time, I was invited to join the household of humans (and cats -- hiss! -- and a trainable dog -- well, all right) who understood the unique charms of black cats.


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You can see from this portrait that I am a cat of Very Large Personality. (Is there any other kind?)

I look forward to receiving your adoration in future posts.

Shakir (his mark)

Leslie Roy & Margaret L. Carter on "Believing" in MASQUES OF DARKOVER

In the spirit of a masqued revel, here is a gala presentation of tales set in Marion Zimmer Bradley’s beloved world of the Bloody Sun. Some of these stories are humorous, others dark, some gritty, and others whimsical or romantic, but all reflect the richness and breadth of adventures to be found on Darkover.

Masques of Darkover will be released May 2, 2017 and is now available for pre-order at Amazon.com, Barnes and Noble and Kobo. The print edition will be on sale on the release date.

Margaret L. Carter specializes in vampires, having been marked for life by reading Dracula at the age of twelve. Her Ph.D. dissertation even included a chapter on Dracula. Her vampire novel Dark Changeling won an Eppie Award in the horror category in 2000. Other creatures she writes about include werewolves, dragons, ghosts, and Lovecraftian entities with tentacles. In addition to her horror, fantasy, and paranormal romance fiction, she has had several nonfiction books and articles published on vampires in literature, including Different Blood: The Vampire As Alien. Recent work includes Passion In The Blood (a vampire romance), Sealing The Dark Portal (a paranormal romance with Lovecraftian elements), and “Crossing the Border” (horror erotic romance novella with Lovecraftian elements).

Les and Margaret Carter attended the College of William and Mary together as a married couple and earned their bachelors’ degrees there. Les later received an MS in Electronics Engineering from the Naval Postgraduate School. He retired from the U.S. Navy as a Captain after thirty years of service. He and Margaret co-wrote “Carmen’s Flight,” published in one of the early Darkover anthologies. They have also collaborated on a fantasy series, beginning with Wild Sorceress, for which he’s the primary author. Les has over fifty years of experience in search and rescue as a member of the Civil Air Patrol. Les and Margaret have four children, eight grandchildren, and two great-grandchildren.

Deborah J.Ross: Tell us about your introduction to Darkover. What about the world drew you in?

[Margaret] I discovered Darkover through a paperback of  The Bloody Sun (the original edition) that Les owned when we got married. I loved that novel because it centers on one of my favorite tropes, the character who doesn’t know the truth about his own origin and has to discover the secrets of his background and past. The world of Darkover attracted me with the culture clash between Darkovans and Terrans, with Terrans as the “fish out of water,” and also with the “feel” of fantasy and magic in a science-fiction environment. I enjoy the rather feudal social structure, too, which is why the post-Heritage of Hastur novels appeal to me less than those set in earlier periods.


[Les] I was into military novels, which supported my hobby of historical reenactment using lead soldiers. I wasn’t to “into” make-believe stuff. The Bloody Sun was one of the first science fiction novels I had read. Having discovered sci-fi, I launched into Edgar Rice Burroughs’ Martian series and had little time left for things not of the fantastic. I was seriously re-introduced to Darkover when my wife needed a plot for a short story submission she wanted to make to Towers of Darkover. That resulted in “Carmen’s Flight.”


DJRS: What do you see as the future of Darkover? How has its readership changed over the decades? What book would you recommend for someone new to Darkover?

[Margaret] For new readers, I think The Bloody Sun and Heritage of Hastur give accessible, engaging glimpses of Darkover at different points in its development. Also, I read the anthology The Keeper's Price without having any prior exposure to the series other than The Bloody Sun, and I didn’t have any trouble understanding the stories. That volume offers an overview of various periods in Darkover’s history in a form easy to absorb and enjoy.

[Les] We have not explored the past of Darkover enough. The chieri did not leave a big enough footprint on Darkover to be homegrown. Were they the first to exploit the planet? What is buried in the frozen lands? Will the Terrans suddenly show renewed interest in Darkover? Do the Darkovans really have laran controlled (like the chieri seem to have), or are the chieri actually limiting the Darkovans’ development?


DJR: Tell us about your story in Masques of Darkover.

[Les] Who or what were the chieri, and why are they trying to hide their presence? In doing so, they tried to hide the origin of the present Darkovans. Why? Will an off-worlder’s quest to find out the answer cause the chieri to expose themselves?

DJR: Was writing this story different from a typical writing project? How did you balance writing in someone else’s world and being true to your own creative imagination?

[Les] If you want to play in someone else’s world, you need to know the rules. No one says you can’t violate the rules, otherwise why would we have sci-fi if everyone believes the laws of physics are sacrosanct. But to change someone else’s world to make your story believable poses the question, why are you playing in the world in the first place?


DJR: Is there another Darkover story you would particularly like to write?

[Les] What is underneath the frozen parts of Cottman IV? Frozen worlds are a fact in the universe but are usually totally covered with ice. Cottman IV is not, and it spins exposing all its surface area to its sun. Why have the towers never sensed the lack of anything in the Overworld from its area, or in their searching for raw materials?


DJR: What have you written recently? What is your favorite of your published works and why?

[Margaret] I’m working on a light paranormal romance that includes Japanese yokai of various types,
and I’ve completed a Lovecraftian-themed paranormal romance next-generation sequel to From the Dark Places (a quasi-Lovecraftian horror novel with romantic elements). However, vampires have always been closest to my heart, and my favorite of my books is Dark Changeling, my first vampire novel (which can be found on Amazon, along with most of our works).

[Les] Several rejected stories that I have submitted to Sword and Sorceress have been accepted in Sorcerous Signals. I am working on a sequel to Legacy of Magic.


DJR: What lies ahead for you?

[Margaret] At present many of our books are in the process of being re-released by Writers
Exchange E-Publishing (because the original publisher closed). Our “Wild Sorceress” trilogy, comprising Wild Sorceress, Besieged Adept, and Rogue Magess, along with a previous-generation prequel, Legacy of Magic, has been republished. Next, my solo-written horror novels and paranormal romances are gradually being re-released. We’re working on a sequel to Legacy of Magic, which will complete the backstory for Wild Sorceress.






[Les] Aetria from the “Wild Sorceress” trilogy is now offworld, carrying the fight to the Styreka in space. Will she succeed?

[personal] Milestone Birthday

I'm 70 years old today. It feels so strange to be that big a number. I have no idea what it means to be This Many Years. But it does feel like a milestone, a sea change.

It comes after a period of wrestling with my engagement with the repeated, periodic parole hearings for the man who raped and murdered my mother -- who was 70 at the time, so that's another reason this age is a huge change for me. I'll likely write about this more, but basically I have decided to not participate in any future hearings 30 years is long enough and past long to carry such a burden. It's done terrible things to my life, and I've fought so hard to regain my peace of mind, let alone my happiness. This is what my mother would want for me, and now I'm finally able to leave the nightmare behind. Turn the page, shut the door, throw the whole vile mess into the ocean.

Back to the birthday. I had a lovely early celebration last week, when younger daughter was home from medical school for spring break, and she and her wife and older daughter and beloved spouse and I all went out to a very fancy dinner. Having both my girls and my daughter-in-law and my husband all together was the best present ever.

I've been unhappy with how unproductive and unfocused I've been for the last year. The parole hearing was only partly to blame, but I have the feeling the right moment to tell the stories and do the other things that are meaningful to me is slipping away, or in danger of doing that. So my present to myself is a promise to sit down, with my journal if helpful, and figure out what's distracting me and how to structure my days. To live well, work well, love well, take excellent care of myself, fill my time with joy.

India Edghill on "The Price of Stars" in MASQUES OF DARKOVER

In the spirit of a masqued revel, here is a gala presentation of tales set in Marion Zimmer Bradley’s beloved world of the Bloody Sun. Some of these stories are humorous, others dark, some gritty, and others whimsical or romantic, but all reflect the richness and breadth of adventures to be found on Darkover.

Masques of Darkover will be released May 2, 2017 and is now available for pre-order at Amazon.com, Barnes and Noble and Kobo. The print edition will be on sale on the release date.
A writer of historical novels (so far, mostly set in Ancient Israel) and fantasy short stories (set everywhen from India to Darkover to Imperial Russia), India Edghill's love of history has resulted in the acquisition of far too many books on far too many subjects. A former resident of the beautiful Mid-Hudson Valley, New York, India and her Cavalier King Charles Spaniels now live in the beautiful Willamette Valley in Oregon.

India Edghill interview
Deborah J. Ross: Tell us about your introduction to Darkover.  
India Edghill: Oh, heavens, that was so long ago I don't even remember.  I was in my teens and had just discovered science fiction.  Back then it was hard to find and one couldn't just pop off to the Internet to find something you wanted.  If your library didn't own the book, or you didn't spot in at a yard sale, you were out of luck.  Sometimes -- wonder of wonders! -- a science fiction book would show up in the rack of paperbacks at the drugstore, but not often.  And there weren't that many bookstores in suburbia.  Now Amazon, eBay, ABEbooks, and Indiebound have made it so easy to find not only new books, but used ones too, and Project Gutenberg makes thousands of out of print and out of copyright works available free.  The Internet also makes it easy to find a local bookstore no matter where you're going.  But back to Darkover!  Somehow, at some point, I managed to pick up a copy of -- I think it was The Bloody Sun and that did it.  I was hooked.

DJR: What about the world drew you in?
IE: Marion's storytelling, of course!  She created a world of wonders and fascinating people and spun terrific stories about them.  I found Darkover back when a science fiction novel was only about 50,000 words, and boy, could she weave a universe for you in those words.

DJR: What book would you recommend for someone new to Darkover?
IE: Well, there's always The Door Through Space…for those really into Darkovan backstory…  Okay, okay, Door isn't technically a Darkover story.  But it's my favorite, and in a sense it's the ultimate Darkover book.  For anyone who's interested in the Dry Towns, it's required reading.

DJR: What inspired your story in Masques of Darkover?
IE: Queen Elizabeth I's eye color.  Semi-seriously!  To start with, all I had was a vague idea:  "what if the most powerful laran-user ever was a girl born in the Dry Towns?"  The Dry Towns have always interested me, so the setting was a "gimme."  And since I'm totally enamored of Good Queen Bess (in fact, my first sale to Mzb's Fantasy Magazine was "Maiden Phoenix", about the young Elizabeth), I swiped her for the character.  And since no one can agree on Elizabeth's eye color -- sources from her own time describe her eyes as every color from blue to grey to hazel to black -- I blended that in as well.

DJR: Was writing this story different from a typical writing project? How did you balance writing in someone else’s world and being true to your own creative imagination?
IE: Well, as a long-time Star Trek and Star Wars fan, I'm used to writing in other people's universes.  The biggest problem you can run into when writing in someone else's world, though, is relying too much on shortcuts.  For instance, in Star Trek fanfic, "The captain walked onto the bridge" -- and unless we're told otherwise, we know it's Captain James T. Kirk and the bridge is that of the USS Enterprise, and we know what it looks like.Oops!  Well, at least that was true until ST:TNG and its follow-ups came along.  Now even in ST fanfic the writer needs to let the reader know what captain, which bridge.
In a specialty anthology, one can assume that most readers come to the stories with a knowledge of, say, Darkover, but the writer still has to try to bring the world to life for the reader.

DJR: Is there another Darkover story you would particularly like to write?
IE: Actually, I'd love to write anything set in the Dry Towns.  It's such a fascinating setting, and the Dry Towns add still another layer of conflict to a Darkover story.

DJR: What is your favorite of your published works and why?
IR: My favorite "fictional child" is One Way Mirror.  It was my first novel, written about my first love, Star Trek, and that will always make it special to me.  Look One Way Mirror up (it's available on-line at AO3) if you dare…and want to figure out just how old I really am!  But I'm fond of all of them, for different reasons.  Being a writer means one can indulge in different lives, and play with talents one doesn’t possess.  Delilah, for instance, let me indulge my fantasy of being a dancer -- something at which I am hideously bad, but I grew up sighing over the dance routines in the MGM musicals, longed to be a dancer like Ann Miller or Cyd Charisse, and of course all I saw as a child was the dance, not the grinding hours of work it took to achieve effortless perfection.  Also, talent: I haven't got any for dancing.  Not one step's worth of it.


DJR: What lies ahead for you?
IE: Having written four books about Biblical women (Delilah, Queenmaker, Wisdom's Daughter, and Game of Queens), I'm now writing an epic-length romantic historical novel set in Victorian India.  And India (that's me, not the country) is also going Indie!  My short stories will be available in a collection:  The Courtesan Who Loved Cats and Other Stories, and my mystery series set in 1984 New York City, starring Cornelia Upshaw, a professional temporary secretary, will be continued as well.  The first book in the series, File M For Murder, should be reissued in 2017. 

Short Book Reviews: Dave Duncan Tackles Chinese Fantasy Right

I’m a long-time and unabashed Dave Duncan fan. I love his literate, compassionate, exciting fantasy novels. He always comes up with fascinating twists and insights into standard themes, and his handling of the material seems effortless. My only quibble is that much of his work is in series forms, three or four volume (or longer) tales, so if I find a book from the middle, I pretty much have to hold on to it until I complete the set. So I was delighted to find this stand-alone, set it Duncan’s inimitably original version of a magical alternate China. Such stories go through cycles of popularity. Barry Hughart published a series (Bridge of Birds, etc.) back in the 1980s and 1990s. More recently, Ken Liu’s The Grace of Kings and its sequels have attracted much attention. But Duncan’s vision is all his own, and with smooth mastery of his craft, he draws the reader into his marvelous world. His characters, from a starving orphan to a reincarnated god to the scheming, ruthless mother of the imbecile emperor, are vivid and engaging. While the story lines initially share little except a common culture and time, I had no doubt that Duncan would bring them together in the end; I was not disappointed, for the plot twists and thorny decisions resolved beautifully and with Duncan’s signature gracefulness. A treat for Duncan fans and a great introduction to his work, particularly if you are looking for non-Western settings.