Patrick Rhone's Blog, page 37

The Perdice Bradford (An Ode)

Most people just don't get it. What is the appeal of a nice pen? Why a fountain pen? I mean, let's be straight here, there are a lot of reasons a cheap stick pen, mistakenly pocketed from from your local bank branch, would be considered superior over just about any fountain pen. You don't have to fill them (which often gets ink on the hands thus staining them for a day or three). They write, reliably and with no bleed through, on just about any type of paper. You don't have to worry about losing it or loaning it to one in need. If it runs out of ink or breaks, it is practically free to replace.

Yes, all of this is true. But, will that cheap pen ever become imbibed with your character? Will you form a bond with it that is unique to you? Will you know it's quirks as well as it knows yours? Will it, because of these things, remain with you for a length of time and to the extent that if ever parted from your grasp it will feel as if losing a limb? Will the nib shape to your style? Will your grasp shape to the barrel? Will such a pen ever become a part of you?

These are the things that drive my passion for beautiful pens. Most specifically, fountain pens. The relationship between a writer, the tool, the ink, the page, and the words, demand intimacy. Connection. Extension. I need to know the nib, the ink, the paper and, perhaps more importantly, it needs to know me. It needs to know my hand such that it slowly becomes it. It needs to know my preferences such that it expects them. It needs to know my quirks such that it accommodates them. In my experience, The more care and quality that goes into the production of such an instrument, the more the pen will give to these things.

The Perdice Bradford is such a pen. It is a hand crafted limited edition and stems from a collaboration between the heads of the Pear Tree Pen Company and the Edison Pen Company.

The barrel is made from an extraordinarily scarce acrylic seen before only in the Sheaffer Balance II. The model provided to me for review is an intense and rich tortoise shell bursting with hints of sunlight gold. The nib, made of 18K Gold, is nothing short of a work of artistry. It is one of the smoothest I have ever experienced fresh out of the box. It can be ordered in a choice of fine, medium or broad-tip (I tried the fine, which was perfect lovely). In addition, custom ground extra fine or italic nibs can be special ordered for slightly more.

For my testing purposes, I used Pelikan 4001 black ink. Not the most interesting choice but one that I knew would provide me a consistent flow for ease of comparison to other pens I've tried or own. The pen certainly took well to it and laid down a consistent line that, due to a very slight flex in the nib, was not devoid of personality. Exactly what one would want from a pen of such quality and something that would grow with the writer over time.

Every single detail of this pen reveals the caliber of the craft, both that of the maker and that of the writer. The price, starting at $325.00, is reasonable considering this fact. This is a pen that, with the proper care, will outlast you and give your descendants, should they chose to use it, as many hours of writing pleasure as it provided you.

The only drawback in the experience is that I must send this one back. It is number seven out of a total of ten that will be made. My only hope is that it will be appreciated as much by the buyer as it has been by me during my time with it. Perhaps, that buyer will read this review one day and drop me a card written with this fine pen. Thus, binding us in greeting and familiarity as only a good pen can.

Everybody Knows

Here is another portion of, The Saga of The Rhone's – A letter written by my Great Uncle to my Great Grandfather:

Our grandmother Hetty was later married and had seven children, Lizzie, Emma, Jim, Dave, Will, Erastus, and one more… I am sure you know all about Erastus so I say nothing about him.

What?!? Wait one minute here! All those names, normal for the time, and then… Erastus? I don't care about the other kids half as much as I care about him just because of his name alone. You know he was the most interesting of all because, well, look at that last line. You know at one time Erastus must have been known all over the family as a real character. Good? Bad? Who cares? All I know is that, because my Great Grandfather and his Brother knew "all about Erastus", we now don't.

Some vague memories remain. My Mother faintly remembers an "Uncle Rasty" growing up when she would visit with her Father's family. She does not remember much. Mainly that he lived in a shed in the back, not in the main house. That there may have been some sort of falling out with some of the other family members…

E-friggin-rastus!

This is an important lesson about the nature of storytelling and history. The stuff everyone knows is often the stuff forgotten with time. Nobody bothers to write it or repeat it because "everyone" knows it, at least at the time. The problem here should be obvious. As long as the knowledge is "known" and not captured and recorded, it will eventually be lost.

This is true of most of the things we keep in our heads really. No matter how good your memory, or deep your knowledge, all of it will go when you do. Write it down. Especially the stuff everybody knows.

What's in a name?

Here is how my family came to bear the last name Rhone. This is from a letter written by my Great Uncle to my Great Grandfather:

Your grandfather was named Abernathy. He was an Irishman who came for Ireland to North Carolina and was a farmer and whiskey distiller… Our grandmother lived in the same place and was owned by a family named Rhone. Her name was Hetty. Since he did not own Hetty neither did he own her son, but made many unsuccessful efforts to buy the child from the Rhones… Meanwhile the Rhones got in a bad way and your grandmother's family was sold to a family named Stowe. As was not always the case the family was not separated… Shortly after Freedom immigration agents came to the settlements and told great stories about the great State of Texas, most of it was fantastic and untrue, but they were greatly moved and decided to move to Texas, taking a steamboat to Galveston and finally settling near Brenham… Although they had come to Texas as Stowes, they decided at registration time to change back to the name for their master Rhone was good to them. while Stowe was very mean. So that is why we bear the name Rhone instead of Stowe or Abernathy.

My family chose the name Rhone. A choice driven in part not only by the past they wished to remember but also the future they wished to have going forward. Within that name were lessons about right and wrong, human suffering and dignity, and how we should treat those under our care. It defined them. It told the story they wished to tell to others about them.

For centuries, the names we have chosen have said much about who we are, what we do, what we believe, and how we wish to be remembered.

Johnson (John's son). Schumacher (from "schuhmacher" German for Shoe Repair/Maker). Smith (Someone who crafts, forges, or makes).

All of these were chosen. All of these had something to say about the past, present, and future. All of these helped to shape the legacy of the families that chose them.

In the same way, today we also choose names for ourselves that, while not family names, still say as much about us as they have for centuries before us.

Mother. Democrat. Student. Thinker. Writer.

And, in choosing these names, they define us. They define our legacy. How we wished to be thought of in the present and remembered in the future. They tell others our story.

Here is how I came to bear the name Rhone:

I was born Patrick Davis. When my Mother became pregnant with me she got married to a man, who was not my father, with the last name Davis. He was a mean man who abused my mother. She divorced him before I was born. For many complicated reasons, the name remained. I was born a Davis.

My real father's last name is Mason. I have known him as my father since I was three. We had occasional interaction as I was growing up. I was always drawn to him. I looked up to him. Despite many circumstances that kept us apart while I was growing up he was always my dad. We remain quite close today.

When I became a young man, I decided to choose a name. I did not wish to be named Davis as I had no connection or knowledge of the man (nor he of me). I considered Mason for a time. In discussions with both he and my mother over the years I came to feel, if time were reversed and given the opportunity, they would have never married. Therefore, I chose the story I wanted to tell about me.

I chose Rhone.