Lionel Suggs's Blog
October 2, 2016
Omnipotence Defeated
I have had a few debates of my own recently involving Omnipotence. There are debates online that have created this definition of Omnipotence that basically surpasses its definition (the irony here…). In other words, Omnipotence isn’t Omnipotence, unless it’s the “defined” Omnipotence? I would question doesn’t the realm of Definition still surpass Omnipotence? I mean, in order for you to be aware of Omnipotence, decree what “true” Omnipotence is, and basically debate against or for Omnipotence and what isn’t Omnipotence, a definition is required?
It’s understandable that lower dimensionals want to maintain the notion that Omnipotence is tier 0 – the highest pinnacle of status. However, if one were to label it a limit, then it instantly gets attacked because that goes “against” what Omnipotence is. The satire here and the fallacy here of itself start to attack Omnipotence, and weaken it. Now, you once again create a logical definition for an illogical status. And when Omnipotence doesn’t meet your standard of perfection, you simply shrug it off as not the correct Omnipotence.
If Omnipotence is looked at as a power, then it gets attacked. If one gains omnipotence, then it’s not true Omnipotence, because it shouldn’t be something that can be gained? That’s another debate. While I agree that it shouldn’t be looked at as a power, there are definitions of Omnipotence that state that it means have infinite power. One could easily make this mistake. However, do these definitions specify how much infinite power it has? Does it elaborate on the levels?
I’ve seen Omnipotence classified as everything that I defined and created and more, and was wondering where this definition of Omnipotence is? This is similar to the God of Christian faith, where if new concepts are created, greater than it, there are those that simply add-on to what it already is in order to maintain its perfection.
I’ve seen the debate that real Omnipotence doesn’t exist because true Omnipotence would have power over real life and since no Omnipotent entity has such power, there is no Omnipotent. If they cannot go against another work of fiction, they are bound to their own work. Once again, a definition and a limit have been applied to Omnipotence. Ironically, I’ve yet to see such an official definition, outside of my own works. Then true Omnipotence is limited to copyrights. Omnipotence gains so many limitations and definitions, which also fall into the realm of Perspective. But what is real life? How do we not know our world is a fictional tale within the comic book of another dimension? What if one creates “real life” in their work of fiction (I see the irony here) and has Omnipotence over said dimension, why doesn’t the rule still apply?
There are so many factors in discussing Omnipotence. Nothing I’ve said is new. However, if it doesn’t fit one’s definition, then it’s not true Omnipotence. While so many give it a definition, and then state it is beyond definition – like it’s somehow beyond information (yet information about it exists), they call it illogical in respect or logical to a metaphysical extent; they still end up creating a limit for it themselves. But there are so few that actually try to see it from the realm of an Omnipotent entity, and how they would see said realm. The moment you say there is more than one, you’re like it cannot be real Omnipotence. Maybe their definition of one is different than ours? Maybe ALL that we define is something very small to them, which should be. Maybe they have their own version of zenith that is higher than what we call Omnipotence.
Ultimately, while there are various definitions of Omnipotence, even from the perspective of what is accepted, I do not see why it’s scaled the same in every fictional realm, where different realms encompass different scopes. It’s literally saying this entity can do this without any feats or backing that can confirm it, and surpass an entity that does have the feats that shows it's outright superior because they have the same status. That’s asinine.
It’s understandable that lower dimensionals want to maintain the notion that Omnipotence is tier 0 – the highest pinnacle of status. However, if one were to label it a limit, then it instantly gets attacked because that goes “against” what Omnipotence is. The satire here and the fallacy here of itself start to attack Omnipotence, and weaken it. Now, you once again create a logical definition for an illogical status. And when Omnipotence doesn’t meet your standard of perfection, you simply shrug it off as not the correct Omnipotence.
If Omnipotence is looked at as a power, then it gets attacked. If one gains omnipotence, then it’s not true Omnipotence, because it shouldn’t be something that can be gained? That’s another debate. While I agree that it shouldn’t be looked at as a power, there are definitions of Omnipotence that state that it means have infinite power. One could easily make this mistake. However, do these definitions specify how much infinite power it has? Does it elaborate on the levels?
I’ve seen Omnipotence classified as everything that I defined and created and more, and was wondering where this definition of Omnipotence is? This is similar to the God of Christian faith, where if new concepts are created, greater than it, there are those that simply add-on to what it already is in order to maintain its perfection.
I’ve seen the debate that real Omnipotence doesn’t exist because true Omnipotence would have power over real life and since no Omnipotent entity has such power, there is no Omnipotent. If they cannot go against another work of fiction, they are bound to their own work. Once again, a definition and a limit have been applied to Omnipotence. Ironically, I’ve yet to see such an official definition, outside of my own works. Then true Omnipotence is limited to copyrights. Omnipotence gains so many limitations and definitions, which also fall into the realm of Perspective. But what is real life? How do we not know our world is a fictional tale within the comic book of another dimension? What if one creates “real life” in their work of fiction (I see the irony here) and has Omnipotence over said dimension, why doesn’t the rule still apply?
There are so many factors in discussing Omnipotence. Nothing I’ve said is new. However, if it doesn’t fit one’s definition, then it’s not true Omnipotence. While so many give it a definition, and then state it is beyond definition – like it’s somehow beyond information (yet information about it exists), they call it illogical in respect or logical to a metaphysical extent; they still end up creating a limit for it themselves. But there are so few that actually try to see it from the realm of an Omnipotent entity, and how they would see said realm. The moment you say there is more than one, you’re like it cannot be real Omnipotence. Maybe their definition of one is different than ours? Maybe ALL that we define is something very small to them, which should be. Maybe they have their own version of zenith that is higher than what we call Omnipotence.
Ultimately, while there are various definitions of Omnipotence, even from the perspective of what is accepted, I do not see why it’s scaled the same in every fictional realm, where different realms encompass different scopes. It’s literally saying this entity can do this without any feats or backing that can confirm it, and surpass an entity that does have the feats that shows it's outright superior because they have the same status. That’s asinine.
March 6, 2016
Answer Contradictions
There are some comments in relation to the Cosmic Ladder about it contradicting itself.
Mainly when it hits the Omniverse, THE ALL, Regions, and Cardinalities.
I don't see why it would seem like it is contradicting itself. If other Omniverses exist in fiction, then that Omniverse "should" contain all that there is. But just like how a certain franchise explained their Universes within the Multiverse to be divided by different vibrational frequencies, different Omniverses would be like this, right?
Then if you go beyond said Omniverse, it would be a higher realm... a realm in which the one who created the Omniverse exists. Okay, well, if there is an Omnipotent/Omnipresent/Omniscient/Omniversal all-encompassing Supreme Being in respective Verses, then these Supremes are also walking on different realms. Nothingness is Nothingness. Possibility is Possibility. Totality is Totality. But what is definition and perspective stated otherwise elsewhere?
When a character from another fiction destroys a Universe, does another Universe still remain? When someone destroys all of existence, doesn't existence still remain elsewhere? This character has credit for wiping out a Universe, or wiping out existence. However, when I do something similar, now all of a sudden it is a contradiction?
There is no contradicting myself. There is All. But beyond that level or rather, next to it, there is The All. Both of these realms are within THE ALL. Well, what about the the beings that exist before or above THE ALL? Then I commence to explain it, elaborating that they possess a similar chain of the lower dimensions.
Mainly when it hits the Omniverse, THE ALL, Regions, and Cardinalities.
I don't see why it would seem like it is contradicting itself. If other Omniverses exist in fiction, then that Omniverse "should" contain all that there is. But just like how a certain franchise explained their Universes within the Multiverse to be divided by different vibrational frequencies, different Omniverses would be like this, right?
Then if you go beyond said Omniverse, it would be a higher realm... a realm in which the one who created the Omniverse exists. Okay, well, if there is an Omnipotent/Omnipresent/Omniscient/Omniversal all-encompassing Supreme Being in respective Verses, then these Supremes are also walking on different realms. Nothingness is Nothingness. Possibility is Possibility. Totality is Totality. But what is definition and perspective stated otherwise elsewhere?
When a character from another fiction destroys a Universe, does another Universe still remain? When someone destroys all of existence, doesn't existence still remain elsewhere? This character has credit for wiping out a Universe, or wiping out existence. However, when I do something similar, now all of a sudden it is a contradiction?
There is no contradicting myself. There is All. But beyond that level or rather, next to it, there is The All. Both of these realms are within THE ALL. Well, what about the the beings that exist before or above THE ALL? Then I commence to explain it, elaborating that they possess a similar chain of the lower dimensions.
December 14, 2015
No-Win Zone
I was reading a collection of comments in relation to myself that tried to break down my realm using logic. And at the end of it, I was basically criticized for my writing, but not for my writing. Basically, because I write primarily in English, using said terms, my work can only be limited to that which is conventionally understood. But if I write that which cannot be understood, then it has no meaning. The whole point is to write where you can read it and somewhat get a glimpse on what is happening to characters outside of the realm of human understanding. However, when I try this, it's stated as unreadable and null and void. Ultimately, this seems like a no-win situation. While I can easily see comments of people trying to compare it to other works that have done it, they haven't. I am trying to illustrate realms beyond Names, Terms, and Essence - beyond the modes and attributes of Possibility, Totality, and Nothingness; and there are some that resort to simple logic, which defeats the entire purpose. These characters, concepts, and realms supersedes your understanding of logic. Just because a character erased THE ALL, doesn't mean that by logic, it didn't happen. Why would I write it when I myself can refute it? I wrote it to explain just how complex and greatly beyond the beyond I am trying to reach, where categories that you understand like THE ALL, True Omnipotence and etc, are merely ants crawling around in said Verse. They have higher attributes of concepts, but in order to elaborate it, I have to be able to somewhat communicate it with you.
Some of you have your minds opened, and you understand what I am trying to do. I appreciate it. The rest will eventually open their minds in time.
Some of you have your minds opened, and you understand what I am trying to do. I appreciate it. The rest will eventually open their minds in time.
November 20, 2015
Immemorial Elements
Heir to the Stars III will heavily implement a new element system that was created this year. It will be the benchmark for all elements that will be utilized in the stories from now on.
Lynxslash is one of the 9 Immemorial Elements in macrocosm nature – representing a statement which is true and remains true under all reinterpretations of its components other than its logical constants. It usually appears as an abstract discharge of ascending categories of logic.
Hawkwing is one of the 9 Immemorial Elements. In microcosm nature, it is a type of unchangeable (within a hierarchy of unchangeables) counter analytic statement. It usually appears as a wave or particle of anti-equations and counter balancers.
Bearsmaw is one of the 9 Immemorial Elements. Bearsmaw is a necessary truth - this is to say that is considered to be such that it cannot be untrue and no situation could arise which would cause change, balance, difference, or perspective to reject Bearsmaw. It is usually represented by dynamisms of cataphysics.
Snakestongue is one of the 9 Immemorial Elements in macrocosm nature – representing one with choice, and in balance with choice. It is usually represented by philosophies of eternalisms preceding philosophies of actualisms.
Wolfseye is one of the 9 Immemorial Elements. Wolfseye is the locking up everything that perspective, observation, unknowable and change perceives, as well as the field of Pre Will and Pure Act. It is usually represented by Arguments for Incompatibilism and Arguments for Reflection.
Elkhorn is one of the 9 Immemorial Elements. In microcosm nature, it is a type of creation of unbreakable and unbendable laws that are absolute. It is usually represented by the physical transcendence of spiraling laws and rejections of paradoxes into actualisms of paradoxes and divisions of less than 0 of a lower hierarchical logic.
Dreadwyrm is one of the 9 Immemorial Elements. Dreadwyrm is standard of verification used to judge the accuracy of statements and claims. It is usually represented by hierarchical boundaries.
Magitek is one of the 9 Immemorial Elements. Magitek represents the foundation of entirety, effectively bypassing the fundamental potentialities and actuality by simply representing origin. Nothingness, Totality and Possibility are no exceptions. It is usually represented by droplets of preludes.
Ironworks is one of the 9 Immemorial Elements. In microcosm nature, it is a type of control over the continuing transcending ineffable and unknowable. It is usually represented by fragmented imaginary solutions and unequivocal definitions that pass effortlessly from one state of apparent definition to another.
Dovenwing is one of the 9 Immemorial Elements in macrocosm and microcosm nature – echoing a Butterfly’s Impossibility and the paradox of an Answer within the Cat’s Eye. Dovenwing targets catatext and catasystem conversion. It is usually represented as cataphilosophy's criteria of truth, encircling cataphysical axioms, measures, theories, expectations, and statistics.
Farwalker is Žǯ of the ҈Ҋ Immemorial Elements of the Cassandra class. Farwalker creates and defines the supraboundaries defining a system's constituents. It not only creates efficacy, but defines efficiency. It is usually represented as prescriptive or declarative statements about meaning that are unjustified.
Lpiropulus is Žǯ of the ҈Ҋ Immemorial Elements of the Cassandra class. Lpiropulus can conjure a ‘Meta-Anti” capable of totally supraremoving everything under the definition of attribute and/or mode. The properties and behavior of this Cassandra type are inexplicably one of a kind and is therefore unique to the user. Lpiropulus It is usually represented as 'subjective' anti-systems or anti-answer sensibilities.
Sritheim is Žǯ of the ҈Ҋ Immemorial Elements of the Cassandra class. Sritheim defines and configures that which is beyond terms, names, and essence, but can only be defined akin to “Results”, “Combination”, “Experience”, “Individuality”, “Senses”, and “Awareness”. It is usually represented as outcomes that are unanticipated or unforeseen creating known unknown unintended consequences.
Zhythmania is Žǯ of the ҈Ҋ Immemorial Elements of the Cassandra class. This Cassandra type creates the tirasphilosophy inside of the “Meta” of the mindscape facilities, creating and defining “intentionality”, “property”, “being”, "about", “subject matter”, and “certainty”. Zhythmania overrides the supramental causalities and acausalities states of mentalscape, completely defining underpin existential characteristics of transcendence and immanence in relation beyond names, terms and essence - mindscape. It is usually represented as discarding pyramids of intentionality.
Tsintsenya is Žǯ of the ҈Ҋ Immemorial Elements of the Cassandra class. Tsintsenya is a Cassandra class that defines and creates that of an unwritten underpin to existential / nonexistential / paraexistential supraconcept of “Intentionality”, “Choice”, and “Unintendeds”. Through Tsintsenya, “options” and “selection” are removed, and Tsintsenya generates an independent personal, impersonal, and transpersonal system in which it creates a “Meta” category of “options” and “selection” and “choice”. It is usually represented as swirling unfolding unwritten incomprehensibles.
In terms of offense, each specific element will ALWAYS perfectly omniversally irreversibly:
1. Ultimately negate and erase ever-transcending conceptual defenses such as eternity and dimension to successfully hit the target.
2. Ultimately bypass and ignore all forms of defense, whether it is conceptual, abstract or dimensional barrier.
3. Ultimately ignore the absolute necessary fact that the target cannot be affected by attacks.
4. The effects and intended outcome inflicted are guaranteed, causing any form of existential restoration and self-creation to fail.
5. No matter what hierarchy the target is residing in, the attack will strike at all dimensional, higher dimensional, conceptual, mode, and attributed hierarchical locations, ensuring a successful hit.
Lynxslash is one of the 9 Immemorial Elements in macrocosm nature – representing a statement which is true and remains true under all reinterpretations of its components other than its logical constants. It usually appears as an abstract discharge of ascending categories of logic.
Hawkwing is one of the 9 Immemorial Elements. In microcosm nature, it is a type of unchangeable (within a hierarchy of unchangeables) counter analytic statement. It usually appears as a wave or particle of anti-equations and counter balancers.
Bearsmaw is one of the 9 Immemorial Elements. Bearsmaw is a necessary truth - this is to say that is considered to be such that it cannot be untrue and no situation could arise which would cause change, balance, difference, or perspective to reject Bearsmaw. It is usually represented by dynamisms of cataphysics.
Snakestongue is one of the 9 Immemorial Elements in macrocosm nature – representing one with choice, and in balance with choice. It is usually represented by philosophies of eternalisms preceding philosophies of actualisms.
Wolfseye is one of the 9 Immemorial Elements. Wolfseye is the locking up everything that perspective, observation, unknowable and change perceives, as well as the field of Pre Will and Pure Act. It is usually represented by Arguments for Incompatibilism and Arguments for Reflection.
Elkhorn is one of the 9 Immemorial Elements. In microcosm nature, it is a type of creation of unbreakable and unbendable laws that are absolute. It is usually represented by the physical transcendence of spiraling laws and rejections of paradoxes into actualisms of paradoxes and divisions of less than 0 of a lower hierarchical logic.
Dreadwyrm is one of the 9 Immemorial Elements. Dreadwyrm is standard of verification used to judge the accuracy of statements and claims. It is usually represented by hierarchical boundaries.
Magitek is one of the 9 Immemorial Elements. Magitek represents the foundation of entirety, effectively bypassing the fundamental potentialities and actuality by simply representing origin. Nothingness, Totality and Possibility are no exceptions. It is usually represented by droplets of preludes.
Ironworks is one of the 9 Immemorial Elements. In microcosm nature, it is a type of control over the continuing transcending ineffable and unknowable. It is usually represented by fragmented imaginary solutions and unequivocal definitions that pass effortlessly from one state of apparent definition to another.
Dovenwing is one of the 9 Immemorial Elements in macrocosm and microcosm nature – echoing a Butterfly’s Impossibility and the paradox of an Answer within the Cat’s Eye. Dovenwing targets catatext and catasystem conversion. It is usually represented as cataphilosophy's criteria of truth, encircling cataphysical axioms, measures, theories, expectations, and statistics.
Farwalker is Žǯ of the ҈Ҋ Immemorial Elements of the Cassandra class. Farwalker creates and defines the supraboundaries defining a system's constituents. It not only creates efficacy, but defines efficiency. It is usually represented as prescriptive or declarative statements about meaning that are unjustified.
Lpiropulus is Žǯ of the ҈Ҋ Immemorial Elements of the Cassandra class. Lpiropulus can conjure a ‘Meta-Anti” capable of totally supraremoving everything under the definition of attribute and/or mode. The properties and behavior of this Cassandra type are inexplicably one of a kind and is therefore unique to the user. Lpiropulus It is usually represented as 'subjective' anti-systems or anti-answer sensibilities.
Sritheim is Žǯ of the ҈Ҋ Immemorial Elements of the Cassandra class. Sritheim defines and configures that which is beyond terms, names, and essence, but can only be defined akin to “Results”, “Combination”, “Experience”, “Individuality”, “Senses”, and “Awareness”. It is usually represented as outcomes that are unanticipated or unforeseen creating known unknown unintended consequences.
Zhythmania is Žǯ of the ҈Ҋ Immemorial Elements of the Cassandra class. This Cassandra type creates the tirasphilosophy inside of the “Meta” of the mindscape facilities, creating and defining “intentionality”, “property”, “being”, "about", “subject matter”, and “certainty”. Zhythmania overrides the supramental causalities and acausalities states of mentalscape, completely defining underpin existential characteristics of transcendence and immanence in relation beyond names, terms and essence - mindscape. It is usually represented as discarding pyramids of intentionality.
Tsintsenya is Žǯ of the ҈Ҋ Immemorial Elements of the Cassandra class. Tsintsenya is a Cassandra class that defines and creates that of an unwritten underpin to existential / nonexistential / paraexistential supraconcept of “Intentionality”, “Choice”, and “Unintendeds”. Through Tsintsenya, “options” and “selection” are removed, and Tsintsenya generates an independent personal, impersonal, and transpersonal system in which it creates a “Meta” category of “options” and “selection” and “choice”. It is usually represented as swirling unfolding unwritten incomprehensibles.
In terms of offense, each specific element will ALWAYS perfectly omniversally irreversibly:
1. Ultimately negate and erase ever-transcending conceptual defenses such as eternity and dimension to successfully hit the target.
2. Ultimately bypass and ignore all forms of defense, whether it is conceptual, abstract or dimensional barrier.
3. Ultimately ignore the absolute necessary fact that the target cannot be affected by attacks.
4. The effects and intended outcome inflicted are guaranteed, causing any form of existential restoration and self-creation to fail.
5. No matter what hierarchy the target is residing in, the attack will strike at all dimensional, higher dimensional, conceptual, mode, and attributed hierarchical locations, ensuring a successful hit.
October 23, 2015
Just an update...
I was going to concentrate on the Wiki and the Website, seeing that it's pretty much outdated in a lot of ways, but I gained these really cool ideas for stories, so I have been working on that. Character creation, concept creation, plot ideas, hierarchy creation, and promoting is pretty much taking up most of my time. And of course, I still have to...work? So keep an eye out, because the story isn't over... It's literally just beginning.
I am definitely changing things up with the story after next. Heir to the Stars III is in the works, and Continued Story... will be released in the beginning of next year.
I am definitely changing things up with the story after next. Heir to the Stars III is in the works, and Continued Story... will be released in the beginning of next year.
September 28, 2015
Synopsis Principle
So, I recently received a message, where my work shares some attributes that has been done before or some people are trying to show relation between attributes. Certain attributes I've done, has been done. Which is why I had to raise the scope, raise the venue. I had to go higher on the cosmic ladder, because the feats in question and stories in question, parallel to a very low dimensional scale at this point. I wanted to step beyond said scale.
Some say that you cannot go beyond divine attributes of zenith, and if you do, then they weren't the zenith. The problem is that when you bring up the maximum impassable point, then that's just it. The way of thinking, the level of logic and etc is there. I want to open up discussions beyond that. You can't claim Omnipotence in this lower dimensional context and claim logic and conception too. If you read Heir to the Stars: Chris Raion Spades, the story itself pretty much explains that L.C. Suggs the author is writing from what he is being shown from Chris Raion Spades btw. Interpretations of the real world are also blurred. Saying that said character isn't Omnipotent because they have been transcended is itself discouraging new conversation. It basically limits the Omnipotent entity.
I've stated this already, but I ask, what if you go into their realm? Well, if they have a realm full of them, then their rules of logic or whatnot would clearly be different, from a perspective that we don't understand. I am trying to write from that level. One can say that your character isn't Omnipotent because this or that, but that is a principle trying to limit and rationale it. I don't want to create vanity in my words, but I wouldn't look at it as silly. I'm trying to take my story and expand beyond what has been done already. While certain constants and concepts look similar, the major difference is literally scale. If you've seen the Cosmic Matrix I created, and attune that to the Cosmic Hierarchy of just the mere 1st Floor, you'd see I'm not playing around.
I am taking it to the next level. I don't go off of the basis that if A defeats B, then A wasn't as powerful. Every character is crafted with their powers of being Omnipotent, Omniscient, and Omnipresent. I described the terms and then I say, this is the equivalence to a fetus, so now let's go beyond the realm in which these beings are defined. Too many put too much emphasis on the characters being Omnipotent, when the whole point was to start at said level and fully step beyond it, and explain why it's beyond and then step beyond even that, and then keep going higher until I cannot climb any higher. The same with below Nothingness. I have many, many tiers below nothingness.
Some say that you cannot go beyond divine attributes of zenith, and if you do, then they weren't the zenith. The problem is that when you bring up the maximum impassable point, then that's just it. The way of thinking, the level of logic and etc is there. I want to open up discussions beyond that. You can't claim Omnipotence in this lower dimensional context and claim logic and conception too. If you read Heir to the Stars: Chris Raion Spades, the story itself pretty much explains that L.C. Suggs the author is writing from what he is being shown from Chris Raion Spades btw. Interpretations of the real world are also blurred. Saying that said character isn't Omnipotent because they have been transcended is itself discouraging new conversation. It basically limits the Omnipotent entity.
I've stated this already, but I ask, what if you go into their realm? Well, if they have a realm full of them, then their rules of logic or whatnot would clearly be different, from a perspective that we don't understand. I am trying to write from that level. One can say that your character isn't Omnipotent because this or that, but that is a principle trying to limit and rationale it. I don't want to create vanity in my words, but I wouldn't look at it as silly. I'm trying to take my story and expand beyond what has been done already. While certain constants and concepts look similar, the major difference is literally scale. If you've seen the Cosmic Matrix I created, and attune that to the Cosmic Hierarchy of just the mere 1st Floor, you'd see I'm not playing around.
I am taking it to the next level. I don't go off of the basis that if A defeats B, then A wasn't as powerful. Every character is crafted with their powers of being Omnipotent, Omniscient, and Omnipresent. I described the terms and then I say, this is the equivalence to a fetus, so now let's go beyond the realm in which these beings are defined. Too many put too much emphasis on the characters being Omnipotent, when the whole point was to start at said level and fully step beyond it, and explain why it's beyond and then step beyond even that, and then keep going higher until I cannot climb any higher. The same with below Nothingness. I have many, many tiers below nothingness.
June 27, 2015
Death and Rebirth
You know, I find that far too many people are too worried about pictures in a video, rather than the message that is being shown in the video. I find that to be extremely sad. Are your minds really that closed? Well, it's becoming quite annoying getting the same old messages and comments about a video and every one is looking at the wrong content. I've removed the video and I am working on a new one now to replace it. Hopefully the message won't be distracted by sheer pictures this time.
June 17, 2015
Building Blocks
There are many things on my plate right now.
Other than work, I have to create new characters for the coming story, create new plots, create new modes and attributes, and outline the coming categories.
Doing some renderings now, which takes a lot longer without a second computer to do my other work. I am trying to figure out a few things to do with the wikia and my website.
I also have to update older works. I am literally trying to redo every character's image, which takes a lot longer than you think. I am updating new realms of philosophy and physics.
I am definitely trying to keep a steady schedule but there are many walls without a front or back. However, I am still bring out new stuff and trying to compile particulars that were asked for. Just asking for patience.
Other than work, I have to create new characters for the coming story, create new plots, create new modes and attributes, and outline the coming categories.
Doing some renderings now, which takes a lot longer without a second computer to do my other work. I am trying to figure out a few things to do with the wikia and my website.
I also have to update older works. I am literally trying to redo every character's image, which takes a lot longer than you think. I am updating new realms of philosophy and physics.
I am definitely trying to keep a steady schedule but there are many walls without a front or back. However, I am still bring out new stuff and trying to compile particulars that were asked for. Just asking for patience.
March 12, 2015
Verseology
Verseology
Verseology encompasses and defines the foundation of every single existential and nonexistential “Verse” of every attribute, category, mode, possibility, potentiality, and theory within and outside of Possibility, Impossibility, Nothingness, and Totality - ever mentioned or seen (and above the absolute infinite multiplicity amount never mentioned, seen, or even conceived of yet…) of all of Fiction, all of Nonfiction, all of Transfiction, all of Fanfiction, all of Metafiction, all of Hyperfiction, all of Patafiction, all Interfiction, all of Personal fiction, all of Impersonal Fiction, all Literacy Genres (encompassing Narrative Causality that we are all stories) and all of ∀Fiction – on every single personal, impersonal, and transpersonal level.
Verse
A Verse is a Continuity in which encompasses a franchise of Stories written (or transcendently written) by an Author/Creator (which may or may not have established the foundation for which it exists). Verseology is the realm in which a Verse is defined, as well as the realm in which an existential and/or nonexistential Continuity is defined. A Verse is generally encompassed by Possibility, Nothingness, and Totality; but even those attributes are defined in Verseology. The higher dimensional attributes of Possibility, Nothingness, and Totality are of no relation.
Verse Principles
For any given story tier, there exists rudimentary elements that, no matter how possible or impossible, their manifestation is required for the story itself to happen. If not, there would be no story. Verse Principles is the realm in which defines this very mode. Different laws encompassed by categories and zeniths of “Omni” are defined by the Verse Principles, and tiers of narration and plot index are assimilated and defined within Verse Principles as well. Verse Principles defines the stage in which a Plot/Story/Verse/Author is created and is allowed to operate. Verseology encompasses this plane and Paratext and turns all theories into actuality and above.
The Grand Stage
Verseology consists of several “Grand Stage” systems of ParaOmni based on the premise that there is always something greater than the highest point; transcendence surpasses perfect sets, and thus transcends even itself.
The Grand Stage is where Transcendence itself is defined, and thus the trigger for it is set. Improbables, Impossibilities, Inconceivables, and Imaginatives are set on the Grand Stage, waiting for the trigger to take center stage. Verseology defines the attribute of “Selection” and allows for said attribute to manifest within a Verse, within an event, and etc.
The Grand Stage goes far beyond that in which the fully transcendent Author of a story can operate, for without the Grand Stage, there would be no fully transcendent Author of the story and within the story. An index created by the plot cannot be formed without the Grand Stage’s decree or very observation. In order for something to exist or happen for no reason other than that the plot requires it to, the Grand Stage must allow for a “selection” to take place, in which the fully transcendent Author is allowed to create said attribute for the event for it to manifest. The Grand Stage embodies an ever transcendent ladder in which the highest point is always at the bottom, never being able to climb higher for always being at the top can only subjugate the highest point of authority to the logic of the lowest.
Suggsology
Suggsology is a paraphilosophy within Verseology that transcends unsolvables, the narrative causalities, and Word of Authors. The very realm of the Verse, which is by default under the foundation of its Author, is outright ignored.
Suggsology bypasses all theories and philosophies of Creation and that which was Written, Willed, or Acted; establishing a realm that houses solutions and transcendence to every Plot/Story/Verse/Author (and above the concept of an absolute boundless multiplicity amount never mentioned, seen, or even conceived of yet…) that was, is and could be.
Verseology encompasses and defines the foundation of every single existential and nonexistential “Verse” of every attribute, category, mode, possibility, potentiality, and theory within and outside of Possibility, Impossibility, Nothingness, and Totality - ever mentioned or seen (and above the absolute infinite multiplicity amount never mentioned, seen, or even conceived of yet…) of all of Fiction, all of Nonfiction, all of Transfiction, all of Fanfiction, all of Metafiction, all of Hyperfiction, all of Patafiction, all Interfiction, all of Personal fiction, all of Impersonal Fiction, all Literacy Genres (encompassing Narrative Causality that we are all stories) and all of ∀Fiction – on every single personal, impersonal, and transpersonal level.
Verse
A Verse is a Continuity in which encompasses a franchise of Stories written (or transcendently written) by an Author/Creator (which may or may not have established the foundation for which it exists). Verseology is the realm in which a Verse is defined, as well as the realm in which an existential and/or nonexistential Continuity is defined. A Verse is generally encompassed by Possibility, Nothingness, and Totality; but even those attributes are defined in Verseology. The higher dimensional attributes of Possibility, Nothingness, and Totality are of no relation.
Verse Principles
For any given story tier, there exists rudimentary elements that, no matter how possible or impossible, their manifestation is required for the story itself to happen. If not, there would be no story. Verse Principles is the realm in which defines this very mode. Different laws encompassed by categories and zeniths of “Omni” are defined by the Verse Principles, and tiers of narration and plot index are assimilated and defined within Verse Principles as well. Verse Principles defines the stage in which a Plot/Story/Verse/Author is created and is allowed to operate. Verseology encompasses this plane and Paratext and turns all theories into actuality and above.
The Grand Stage
Verseology consists of several “Grand Stage” systems of ParaOmni based on the premise that there is always something greater than the highest point; transcendence surpasses perfect sets, and thus transcends even itself.
The Grand Stage is where Transcendence itself is defined, and thus the trigger for it is set. Improbables, Impossibilities, Inconceivables, and Imaginatives are set on the Grand Stage, waiting for the trigger to take center stage. Verseology defines the attribute of “Selection” and allows for said attribute to manifest within a Verse, within an event, and etc.
The Grand Stage goes far beyond that in which the fully transcendent Author of a story can operate, for without the Grand Stage, there would be no fully transcendent Author of the story and within the story. An index created by the plot cannot be formed without the Grand Stage’s decree or very observation. In order for something to exist or happen for no reason other than that the plot requires it to, the Grand Stage must allow for a “selection” to take place, in which the fully transcendent Author is allowed to create said attribute for the event for it to manifest. The Grand Stage embodies an ever transcendent ladder in which the highest point is always at the bottom, never being able to climb higher for always being at the top can only subjugate the highest point of authority to the logic of the lowest.
Suggsology
Suggsology is a paraphilosophy within Verseology that transcends unsolvables, the narrative causalities, and Word of Authors. The very realm of the Verse, which is by default under the foundation of its Author, is outright ignored.
Suggsology bypasses all theories and philosophies of Creation and that which was Written, Willed, or Acted; establishing a realm that houses solutions and transcendence to every Plot/Story/Verse/Author (and above the concept of an absolute boundless multiplicity amount never mentioned, seen, or even conceived of yet…) that was, is and could be.
February 26, 2015
Xenedraphysics
Xenedraphysics
Xenedraphysics
Etymology
The word "Xenedraphysics" derives from the Suggs words ♠<έ>§ (Xenedra) ("Exceeding the act of transcending and countering the former") and φυσικά (physiká) ("physics").
Xenedraphysics is an opposing branch of philosophy to that of Theaphysics. Xenedraphysics is the branch of tirasphilosophy responsible for the study of the ever transcending ladder beyond that which is considered to be the ultimate authority, such as the Creator, Director, or Producer. It is the underpinning of a transcendent paralogical worldview. It answers the question "What is higher than that which has already ever transcendentally stepped beyond the meta-zenith?" It encompasses all theories of “Omni,” “Meta-Omni,” “⅍[♠]Omni,” and beyond - that exists, as well as the grandscape of actuality itself. It is a fundamental interpretation of the Cosmic Hierarchy around us.
Xenedraphysics supersedes and becomes the foundation for Jenseits der μετά allumfassend Narrative Acausality, Jenseits der μετά allumfassend Narrative Campaigns, and Jenseits der μετά allumfassend Paraverses. It steps beyond that which moves a story forward or organize a scene or sequence – because a fundamental truth is that we are all stories.
Zenith Zero Point
Xenedraphysics subjugates and disperses the fragile concept of an Absolute Infinite Multiplicity. Just like how there is an Author of a story, where said Author has absolute creative power; the reality is that Absolute exists on its own plane in which it is just the minimum scale of value. The Absolute is often subject to a higher tier of executive interference or subjugation and cannot do anything about it, losing what lower dimensional hierarchies deem an Absolute Creative Control of the Verse. Xenedraphysics continues onwards, as it grabs “classical” conceptualizations and zeniths, and continues to transcended the ever transcending branches of said conceptualizations and zeniths, and then demonstrate that on a higher floor, said concepts and zeniths become infinitesimally obsolete. For example; Omnipresence is the term used to express an existence and/or nonexistence that is present within and above all modes and attributes of possibility, totality, and nothingness – all-encompassing. However, that is a summit in which holds "Absolute" only in the perspective and logical boundless Ensemble in which it is attributed to. If the concept of Omnipresence appeared in the Ensemble beyond it, Omnipresence becomes something that an infant ant could accomplish in its first wakening effortlessness. Every higher order of concept and logic is assigned to this philosophy, which allows the zenith itself to transcendence beyond the ground definition of its meaning, only for it to be subjugated by its own eternal transcendence beyond itself. Xenedraphysics steps beyond the former sentence, as it operates on a level in which the former cannot reach.
Xenedraphysics does not acknowledge Categories of Possibility, Categories of Totality, Categories of Nothingness, Essence, Chance, Inevitability, Identity, Necessity, Unknowns, and Inverse-Categories. Attributes, Modes, and Level Categories are not acknowledged and are outright eliminated, or rather, never existed when in the presence of Xenedraphysics. This is because Xenedraphysics is its own branch of philosophy that creates a grand stage in which it removes that which it does not acknowledge, simply because those in which it does not acknowledge are so insignificant, that the mere actuality and potentiality and pure act of them will never manifest within the presence of Xenedraphysics. Xenedraphysics illuminates and expands on the branch of tirasphilosophy to create the end of the ever-transcending ladder which only multiplies eternally within the definition of itself beyond infinitely in a finite unchanging moment.
Xenedraphysics utilize the branch of tirasphilosophy in accordance with that which always supersedes that which transcends that which always supersedes the ever boundless authority, creating an underpin of an existential tiraslogical actuality.
Xenedraphysics
Etymology
The word "Xenedraphysics" derives from the Suggs words ♠<έ>§ (Xenedra) ("Exceeding the act of transcending and countering the former") and φυσικά (physiká) ("physics").
Xenedraphysics is an opposing branch of philosophy to that of Theaphysics. Xenedraphysics is the branch of tirasphilosophy responsible for the study of the ever transcending ladder beyond that which is considered to be the ultimate authority, such as the Creator, Director, or Producer. It is the underpinning of a transcendent paralogical worldview. It answers the question "What is higher than that which has already ever transcendentally stepped beyond the meta-zenith?" It encompasses all theories of “Omni,” “Meta-Omni,” “⅍[♠]Omni,” and beyond - that exists, as well as the grandscape of actuality itself. It is a fundamental interpretation of the Cosmic Hierarchy around us.
Xenedraphysics supersedes and becomes the foundation for Jenseits der μετά allumfassend Narrative Acausality, Jenseits der μετά allumfassend Narrative Campaigns, and Jenseits der μετά allumfassend Paraverses. It steps beyond that which moves a story forward or organize a scene or sequence – because a fundamental truth is that we are all stories.
Zenith Zero Point
Xenedraphysics subjugates and disperses the fragile concept of an Absolute Infinite Multiplicity. Just like how there is an Author of a story, where said Author has absolute creative power; the reality is that Absolute exists on its own plane in which it is just the minimum scale of value. The Absolute is often subject to a higher tier of executive interference or subjugation and cannot do anything about it, losing what lower dimensional hierarchies deem an Absolute Creative Control of the Verse. Xenedraphysics continues onwards, as it grabs “classical” conceptualizations and zeniths, and continues to transcended the ever transcending branches of said conceptualizations and zeniths, and then demonstrate that on a higher floor, said concepts and zeniths become infinitesimally obsolete. For example; Omnipresence is the term used to express an existence and/or nonexistence that is present within and above all modes and attributes of possibility, totality, and nothingness – all-encompassing. However, that is a summit in which holds "Absolute" only in the perspective and logical boundless Ensemble in which it is attributed to. If the concept of Omnipresence appeared in the Ensemble beyond it, Omnipresence becomes something that an infant ant could accomplish in its first wakening effortlessness. Every higher order of concept and logic is assigned to this philosophy, which allows the zenith itself to transcendence beyond the ground definition of its meaning, only for it to be subjugated by its own eternal transcendence beyond itself. Xenedraphysics steps beyond the former sentence, as it operates on a level in which the former cannot reach.
Xenedraphysics does not acknowledge Categories of Possibility, Categories of Totality, Categories of Nothingness, Essence, Chance, Inevitability, Identity, Necessity, Unknowns, and Inverse-Categories. Attributes, Modes, and Level Categories are not acknowledged and are outright eliminated, or rather, never existed when in the presence of Xenedraphysics. This is because Xenedraphysics is its own branch of philosophy that creates a grand stage in which it removes that which it does not acknowledge, simply because those in which it does not acknowledge are so insignificant, that the mere actuality and potentiality and pure act of them will never manifest within the presence of Xenedraphysics. Xenedraphysics illuminates and expands on the branch of tirasphilosophy to create the end of the ever-transcending ladder which only multiplies eternally within the definition of itself beyond infinitely in a finite unchanging moment.
Xenedraphysics utilize the branch of tirasphilosophy in accordance with that which always supersedes that which transcends that which always supersedes the ever boundless authority, creating an underpin of an existential tiraslogical actuality.
