Blue GhostGhost's Blog, page 102
December 7, 2012
December 5, 2012
silhouetteoflight replied to your post: I always get a little sad in the time between…
You’re...
You’re actually the first person I’ve found on tumblr who seems to understand the value of the BBC versions of everything. They’re so great, watch all of them.
It’s so good—like speaks directly to by libido good. I kind of have a history with this series as in the man friend once spent a Saturday looking for the 2nd half of the 2 pack DVD set because I rented the first half at the local video store but the 2nd part was checked out and never came back and I was dying. He found it on like the 5th try in some random rental place in Berkeley. I’m pretty thrilled it can be purchased as a digital file finally! I’ve tried some other Pride and Prejudice versions but the dialog in the 1995 version is so sharp and the female characters are so complicated and interesting that it really stands out.
by Kate Beaton
I always get a little sad in the time between Thanksgiving and New Years. The holidays stress me...
I always get a little sad in the time between Thanksgiving and New Years. The holidays stress me out and the light levels drop off, especially now that we live in Oregon. My sweetheart said “you seem down” and then uploaded all of the BBC Pride & Prejudice (1995) onto our ROKU. This movie is like some kind of drug I swear.
December 3, 2012
My office is like a train station: the artwork goes out the...
My office is like a train station: the artwork goes out the artwork comes in
Charlie has seen better days but whatever
I am thinking this is not his forever home…
Work days
tea and oranges that come all the way from…
BULL, 2011, Production still from a remake of Warhol’s...
BULL, 2011, Production still from a remake of Warhol’s 1965 Factory western, HORSE.
Photo credit: Ace Lehner.
Torreya Cummings is a post-media, project based visual artist in the San Francisco Bay Area, working at the crossroads of history, memory, and fiction.
The work deals primarily with the conflict between an American cultural ideology of liberty and a practice of enclosure, seen through the lens of a possible “wild west”: cinema, performance, queer aesthetics, urban and rural conflict, time, and space.
