Jonathan Rosenbaum's Blog: jonathanrosenbaum.com, page 42
October 16, 2012
How Hip We Are [WITHOUT YOU I’M NOTHING]
From the Chicago Reader (July 6, 1990). — J.R.
WITHOUT YOU I’M NOTHING
** (Worth seeing)
Directed by John Boskovich
Written by Sandra Bernhard and Boskovich
With Sandra Bernhard, John Doe, Steve Antin, Lu Leonard, Ken Foree, and Cynthia Bailey.
Once upon a time, before postmodernism came along, art tended to be about reality and the world — not always, to [...]
WITHOUT YOU I’M NOTHING
** (Worth seeing)
Directed by John Boskovich
Written by Sandra Bernhard and Boskovich
With Sandra Bernhard, John Doe, Steve Antin, Lu Leonard, Ken Foree, and Cynthia Bailey.
Once upon a time, before postmodernism came along, art tended to be about reality and the world — not always, to [...]
Published on October 16, 2012 22:00
A Note on HOLY MOTORS
There’s a particular Parisian tradition that seems peculiar to French aesthetics involving a certain license to behave like a depraved lunatic and receive approval, endorsement, and other cultural rewards in return for this boorishness. (Many years back I tried writing about this subject, in a long review of My Life and Times with Antonin Artaud.) [...]
Published on October 16, 2012 14:03
October 15, 2012
“What’s up, Doc?”
From The Movie, Chapter 33 (1980). -– J.R.
It was in 1940 that a brisk, buck-toothed city rabbit first sank teeth into carrot. briefly paused, gazed with indifferent aplomb at a lisping country rabbit-hunter with a shotgun and coolly inquired: ‘What’s up, Doc?’ This official debut of Bugs Bunny occurred at the beginning of A Wild [...]
It was in 1940 that a brisk, buck-toothed city rabbit first sank teeth into carrot. briefly paused, gazed with indifferent aplomb at a lisping country rabbit-hunter with a shotgun and coolly inquired: ‘What’s up, Doc?’ This official debut of Bugs Bunny occurred at the beginning of A Wild [...]
Published on October 15, 2012 22:00
October 14, 2012
Swinging Both Ways [HIT AND RUNWAY]
From the Chicago Reader (September 7, 2001). — J.R.
Hit and Runway
**
Directed by Christopher Livingston
Written by Jaffe Cohen and Livingston
With Michael Parducci, Peter Jacobson, Judy Prescott, Kerr Smith, Hoyt Richards, John Fiore, and J.K. Simmons.
Hit and Runway – a comedy about a straight aspiring screenwriter in Greenwich Village taking on a gay playwright as a [...]
Hit and Runway
**
Directed by Christopher Livingston
Written by Jaffe Cohen and Livingston
With Michael Parducci, Peter Jacobson, Judy Prescott, Kerr Smith, Hoyt Richards, John Fiore, and J.K. Simmons.
Hit and Runway – a comedy about a straight aspiring screenwriter in Greenwich Village taking on a gay playwright as a [...]
Published on October 14, 2012 22:00
Eduardo de Gregorio, 1942-2012
This morning, I received the sad news from Pierre Bayle d’Autrange that his longtime partner Eduardo de Gregorio, also a longtime friend of mine (since 1973), died Saturday night at the St. Louis Hospital in Paris, not long after his 70th birthday.
I wrote the following for the festival catalogue of the Buenos Aires Festival of [...]
I wrote the following for the festival catalogue of the Buenos Aires Festival of [...]
Published on October 14, 2012 09:55
October 13, 2012
Diaries, Notes & Sketches — Volume 1, Reels 1-6: Lost Lost Lost
From Monthly Film Bulletin, January 1977, Vol. 44, No. 516. –- J.R.
Diaries, Notes & Sketches — Volume 1, Reels 1-6: Lost Lost Lost
U.S.A. ,1975 Director: Jonas Mekas
Dist–Artificial Eye. p.c /p/sc/ph–Jonas Mekas. addit. ph–Charles
Levine, David Brooks, Peter Beard, Ken Jacobs. Part in colour. ed–Jonas
Mekas. m/songs–including piano music by Chopin, “Abschied” by
Schubert, traditional Lithuanian music, “Kiss [...]
Diaries, Notes & Sketches — Volume 1, Reels 1-6: Lost Lost Lost
U.S.A. ,1975 Director: Jonas Mekas
Dist–Artificial Eye. p.c /p/sc/ph–Jonas Mekas. addit. ph–Charles
Levine, David Brooks, Peter Beard, Ken Jacobs. Part in colour. ed–Jonas
Mekas. m/songs–including piano music by Chopin, “Abschied” by
Schubert, traditional Lithuanian music, “Kiss [...]
Published on October 13, 2012 22:00
October 12, 2012
Time Standing Still [A HUMBLE LIFE]
From the Chicago Reader (March 3, 2000). — J.R.
A Humble Life
Rating ** Worth seeing
Directed and written by Alexander Sokurov.
I’ve seen at least a dozen of Alexander Sokurov’s works, but I’ve had a rough time getting a clear fix on him. For one thing, I didn’t recall having seen either A Lonely Man’s Voice (1978), his [...]
A Humble Life
Rating ** Worth seeing
Directed and written by Alexander Sokurov.
I’ve seen at least a dozen of Alexander Sokurov’s works, but I’ve had a rough time getting a clear fix on him. For one thing, I didn’t recall having seen either A Lonely Man’s Voice (1978), his [...]
Published on October 12, 2012 22:00
October 11, 2012
Blood for Dracula & The Wedding
From Oui (July 1974). I was able to make my dislike of Blood for Dracula more apparent here than I could when I interviewed Paul Morrissey around the same time in Paris (and for the same magazine), for what proved to be the March 1975 issue. -– J.R.
Blood for Dracula. A Dracula [...]
Blood for Dracula. A Dracula [...]
Published on October 11, 2012 22:56
October 10, 2012
Changing Direction [JEAN RENOIR, LE PATRON]
From the Chicago Reader (November 25, 2005). — J.R.
Jean Renoir, The Boss: The Direction of Actors
**** (Masterpiece)
Directed by Jacques Rivette
With Jean Renoir and Michel Simon
In 1966 Jacques Rivette made a three-part TV documentary titled Jean Renoir, Le patron (Jean Renoir, the Boss), and its 90-minute centerpiece has rarely been seen since. “A Portrait of Michel [...]
Jean Renoir, The Boss: The Direction of Actors
**** (Masterpiece)
Directed by Jacques Rivette
With Jean Renoir and Michel Simon
In 1966 Jacques Rivette made a three-part TV documentary titled Jean Renoir, Le patron (Jean Renoir, the Boss), and its 90-minute centerpiece has rarely been seen since. “A Portrait of Michel [...]
Published on October 10, 2012 22:00
October 9, 2012
Lucky Lady
From Monthly Film Bulletin, February 1976 (Vol. 43, No. 505). — J.R.
With an outsized budget estimated variously at $12,600,000
(Variety) and £10,000,000 (Daily Mirror), three box-office favourites
and a script deliberately written, according to co-author Gloria
Katz, as “the most commercial thing we could think up”, Lucky
Lady is both conspicuously overproduced and undernourished.
The presence of Stanley Donen [...]
With an outsized budget estimated variously at $12,600,000
(Variety) and £10,000,000 (Daily Mirror), three box-office favourites
and a script deliberately written, according to co-author Gloria
Katz, as “the most commercial thing we could think up”, Lucky
Lady is both conspicuously overproduced and undernourished.
The presence of Stanley Donen [...]
Published on October 09, 2012 22:16
jonathanrosenbaum.com
Not quite a complete compendium of my published writing, but a very comprehensive one, including all of my writing for the Chicago Reader and most of my writing for other publications (including Film
Not quite a complete compendium of my published writing, but a very comprehensive one, including all of my writing for the Chicago Reader and most of my writing for other publications (including Film Comment, Film Quarterly, Monthly Film Bulletin, Sight and Sound, Soho News, and the Village Voice), as well as periodic blog postings and regularly updated accounts of recent and upcoming events and publications.
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