Jonathan Rosenbaum's Blog: jonathanrosenbaum.com, page 12
July 11, 2013
Jerks Like Us (GROSSE FATIGUE)
From the Chicago Reader (July 21, 1995). — J.R.
Grosse fatigue
Rating *** A must see
Directed and written by Michel Blanc
With Blanc, Carole Bouquet, Philippe Noiret, Josiane Balasko, Christian Clavier, and Charlotte Gainsbourg.
Wonders never cease. When Michel Blanc’s hilarious, vulgar farce Grosse fatigue won the prize for best screenplay at the Cannes film festival last year, the [...]
Grosse fatigue
Rating *** A must see
Directed and written by Michel Blanc
With Blanc, Carole Bouquet, Philippe Noiret, Josiane Balasko, Christian Clavier, and Charlotte Gainsbourg.
Wonders never cease. When Michel Blanc’s hilarious, vulgar farce Grosse fatigue won the prize for best screenplay at the Cannes film festival last year, the [...]
Published on July 11, 2013 22:00
July 10, 2013
Les Valseuses (1975 review)
From Monthly Film Bulletin, December 1975 (Vol. 42, No. 503). I think I must have permanently jinxed the possibility of ever becoming a friend of Pauline Kael’s by introducing myself to her after the New York Film Festival’s press screening of Get Out Your Handkerchiefs in 1978. Clearly enraptured, she promptly asked me what I [...]
Published on July 10, 2013 22:00
July 9, 2013
A Tale of Winter
From the Chicago Reader (July 15, 1994). — J.R.
The second installment (1992) in Eric Rohmer’s “Tales of the Four Seasons” centers on a young Parisian woman, aptly called Felicie, who fluctuates between two suitors — a pensive local librarian and the owner of a chain of beauty salons who’s moving to Nevers and wants her [...]
The second installment (1992) in Eric Rohmer’s “Tales of the Four Seasons” centers on a young Parisian woman, aptly called Felicie, who fluctuates between two suitors — a pensive local librarian and the owner of a chain of beauty salons who’s moving to Nevers and wants her [...]
Published on July 09, 2013 22:00
Paris Journal, Fall 1971 (Cahiers du Cinéma, Positif, Jerry Lewis)
When I previously reprinted on this site my first Paris Journal for Film Comment, from their Fall 1971 issue, I omitted the entire opening section, largely because of its embarrassing misinformation (both naive and ill-informed) in detailing the background of the ongoing feud at the time between Cahiers du Cinéma and Positif. But for the [...]
Published on July 09, 2013 11:37
July 8, 2013
Review of Penelope Gilliatt’s JACQUES TATI
From Sight and Sound (Winter 1976/77). -– J.R.
Jacques Tati, by Penelope Gilliatt
(Woburn Press, £ 2.95). A good example of Sunday supplement journalism, this thumbnail sketch — the first book in English devoted to Tati — shares roughly the same virtues and limitations as Gavin Millar’s Omnibus programme on him last spring: a warm, ample [...]
Jacques Tati, by Penelope Gilliatt
(Woburn Press, £ 2.95). A good example of Sunday supplement journalism, this thumbnail sketch — the first book in English devoted to Tati — shares roughly the same virtues and limitations as Gavin Millar’s Omnibus programme on him last spring: a warm, ample [...]
Published on July 08, 2013 22:00
July 7, 2013
A Time to Lie (CROSS MY HEART)
From the Chicago Reader (November 20, 1987). — J.R.
CROSS MY HEART
*** (A must-see)
Directed by Armyan Bernstein
Written by Armyan Bernstein and Gail Parent
With Martin Short, Annette O’Toole, Paul Reiser, and Joanna Kerns.
Like a 3-D movie, in which the illusion of depth is utterly dependent on the spectator’s rigidly foursquare frontal viewing position, Armyan Bernstein’s Cross [...]
CROSS MY HEART
*** (A must-see)
Directed by Armyan Bernstein
Written by Armyan Bernstein and Gail Parent
With Martin Short, Annette O’Toole, Paul Reiser, and Joanna Kerns.
Like a 3-D movie, in which the illusion of depth is utterly dependent on the spectator’s rigidly foursquare frontal viewing position, Armyan Bernstein’s Cross [...]
Published on July 07, 2013 22:00
July 6, 2013
BRATS & HOG WILD (1975 reviews)
From Monthly Film Bulletin, September 1975. — J.R.
Brats
U.S.A., 1930 Director : James Parrott
Cert–U. dist–Kingston. p.c/p–Hal Roach. For MGM. story–Leo
McCarey. dial–H. M. Walker. ph–George Stevens. ed–Richard Currier.
l.p–Stan Laurel (Himself/His Son), Oliver Hardy (Himself/His Son).
732 ft. 20 mins. (16 mm.).
While Laurel and Hardy try to play checkers, they are repeatedly
interrupted by the fights and antics of their [...]
Brats
U.S.A., 1930 Director : James Parrott
Cert–U. dist–Kingston. p.c/p–Hal Roach. For MGM. story–Leo
McCarey. dial–H. M. Walker. ph–George Stevens. ed–Richard Currier.
l.p–Stan Laurel (Himself/His Son), Oliver Hardy (Himself/His Son).
732 ft. 20 mins. (16 mm.).
While Laurel and Hardy try to play checkers, they are repeatedly
interrupted by the fights and antics of their [...]
Published on July 06, 2013 22:00
July 5, 2013
John Carpenter’s Ghosts Of Mars
From the Chicago Reader (August 20, 2001). — J.R.
John Carpenter at his most enjoyable generally means ‘Scope, working-class sass, kick-ass antiestablishment heroes, typecast villains who individually suggest quiet serial killers and collectively resemble hordes of whooping savages, a minimalist music score by Carpenter himself, and an overall affection for the way action movies looked and [...]
John Carpenter at his most enjoyable generally means ‘Scope, working-class sass, kick-ass antiestablishment heroes, typecast villains who individually suggest quiet serial killers and collectively resemble hordes of whooping savages, a minimalist music score by Carpenter himself, and an overall affection for the way action movies looked and [...]
Published on July 05, 2013 22:00
July 4, 2013
Review of KAZAN ON DIRECTING
From Film Comment (July-August, 2009). — J.R.
Kazan on Directing
Elia Kazan
Alfred A. Knopf, $30.00
This is a class act, given something like the Library of America treatment. The editor, Robert Cornfield, is similarly credited not on the title page but two pages later, and similarly provides a Chronology and Notes at the end (as well as an [...]
Kazan on Directing
Elia Kazan
Alfred A. Knopf, $30.00
This is a class act, given something like the Library of America treatment. The editor, Robert Cornfield, is similarly credited not on the title page but two pages later, and similarly provides a Chronology and Notes at the end (as well as an [...]
Published on July 04, 2013 22:00
IL CINEMA RITROVATO DVD AWARDS 2013
IL CINEMA RITROVATO
DVD AWARDS 2013
X edition
Jurors: Lorenzo Codelli, Alexander Horwath, Mark McElhatten, Paolo Mereghetti, and Jonathan Rosenbaum, chaired by Peter von Bagh
Because we were faced this year with an embarrassment of riches, we adopted a few new procedures. Apart from creating three new categories for awards, we more generally selected eleven [...]
DVD AWARDS 2013
X edition
Jurors: Lorenzo Codelli, Alexander Horwath, Mark McElhatten, Paolo Mereghetti, and Jonathan Rosenbaum, chaired by Peter von Bagh
Because we were faced this year with an embarrassment of riches, we adopted a few new procedures. Apart from creating three new categories for awards, we more generally selected eleven [...]
Published on July 04, 2013 11:00
jonathanrosenbaum.com
Not quite a complete compendium of my published writing, but a very comprehensive one, including all of my writing for the Chicago Reader and most of my writing for other publications (including Film
Not quite a complete compendium of my published writing, but a very comprehensive one, including all of my writing for the Chicago Reader and most of my writing for other publications (including Film Comment, Film Quarterly, Monthly Film Bulletin, Sight and Sound, Soho News, and the Village Voice), as well as periodic blog postings and regularly updated accounts of recent and upcoming events and publications.
...more
- Jonathan Rosenbaum's profile
- 127 followers

