Initially NO's Blog: IN - Posts Tagged "writing"
Reading another writer of influence
Read and write, otherwise nup, you’re not a writer. You’re a suggestible indigestible.
When a writer says, ‘I don’t want to read your books in case they influence my writing.’ I baulk at that – what a ridiculous thing to say. Almost like saying someone else’s writing might be a bad influence, or might shift the author’s authenticity.
Not reading, and saying you’re a writer is like claiming to have a conversation, while you have ear buds firmly wedged in and your eyes closed, as you talk and talk for days. Maybe you’re some extraordinary person that works on vibe so that you don’t even have to look at the cover of an author’s book, let alone read any of the pages that might taint your thinking, and can get away with it, but most authors will just snub you after a remark like that. Authors want to be read, that’s the best thing about being a writer, being able to package ideas into books, so that they're easy for people to read.
Actually, I think, really, what a person says when they say they don’t want to be under the influence of my written words, is either that they don’t like me at all, they fear the power of my work, or they think I’m going to be too confronting for them, or make them feel jealous and therefore have self-esteem issues with their own work. This makes me doubt that their work will be of any merit.
People who write, if they like you, they’ll definitely read your writing. It is as simple as that. If they haven’t got around to it, they fully intend to, because they are interested in what you have to say and get a lot out of who you are and your writing is therefore very meaningful to them.
Writers I read, strengthen what I write, as well as everything else I do. Yes they do influence me if I love their words, and in a good way, to the point where if they are so in tune with what I wish to say, I will quote what they’ve said, because they’ve put together what I needed. The writers I love go in the direction I’m wanting to head, they sometimes also remove the obstacles in my way that have long been troubling me. Local writers, who are not known globally for their genius, can do this more than authors that are distanced from me, because they’re addressing my place, my time, and thrashing out the circumstance.
If an author doesn’t read much, I’m not interested in doing a manuscript assessment of their work unless they’re paying me, and, I’m uncertain about doing a swap. I will do jobs that are merely technical, not a problem, but I need to be given something for my time, as well as some respect.
Nup dem. Really that’s where it’s at when someone says, ‘I don’t want to read your books in case they influence my writing.’ Which, strangely, is a phrase that I’ve heard uttered a number of times over the years.
It’s not as though I write horror or pornography, that would infringe or upset. Getting a grip on what is and isn’t in order to stop being hypnotised by other people, is a must. Don’t expect a book to carry your identity, it shouldn’t, but it may enable an understanding or strengthen your view. The age of wanting to identify with flawed protagonists, I think should long be over. The age of pantomime plots, I think should be long dusted, as not cutting it intellectually. These are my views on progressive writing, that enables me to think and gain understanding.
So, to the authors that don’t wish their books to be contaminated by mine, realise, that if I read your book, that’s so very uncontaminated by another’s influence, I’ll give it an authentic review, because I read without fear and write fearlessly. Plus, I will not be led by monsters, nor manifest their ill-purpose. Whoopee cushion what-ifs blown away when poor attitudes don’t wash well with me, which would mean I don’t read past the first 20 pages though. Got to get my attention at the start, by not being what I’ve read before. If you don’t read, that might be hard. People who read the hidden genres, gain insight into what is going on, they know things the rest of the population doesn’t. I admire that. I also know, that it doesn’t have to be books that people are reading when there’s a whole internet of new material out there. Get influenced, realise what’s missing and effect a change much needed, otherwise you're going to be left behind, in the slush of what's really only annoying.
Initially NO
When a writer says, ‘I don’t want to read your books in case they influence my writing.’ I baulk at that – what a ridiculous thing to say. Almost like saying someone else’s writing might be a bad influence, or might shift the author’s authenticity.
Not reading, and saying you’re a writer is like claiming to have a conversation, while you have ear buds firmly wedged in and your eyes closed, as you talk and talk for days. Maybe you’re some extraordinary person that works on vibe so that you don’t even have to look at the cover of an author’s book, let alone read any of the pages that might taint your thinking, and can get away with it, but most authors will just snub you after a remark like that. Authors want to be read, that’s the best thing about being a writer, being able to package ideas into books, so that they're easy for people to read.
Actually, I think, really, what a person says when they say they don’t want to be under the influence of my written words, is either that they don’t like me at all, they fear the power of my work, or they think I’m going to be too confronting for them, or make them feel jealous and therefore have self-esteem issues with their own work. This makes me doubt that their work will be of any merit.
People who write, if they like you, they’ll definitely read your writing. It is as simple as that. If they haven’t got around to it, they fully intend to, because they are interested in what you have to say and get a lot out of who you are and your writing is therefore very meaningful to them.
Writers I read, strengthen what I write, as well as everything else I do. Yes they do influence me if I love their words, and in a good way, to the point where if they are so in tune with what I wish to say, I will quote what they’ve said, because they’ve put together what I needed. The writers I love go in the direction I’m wanting to head, they sometimes also remove the obstacles in my way that have long been troubling me. Local writers, who are not known globally for their genius, can do this more than authors that are distanced from me, because they’re addressing my place, my time, and thrashing out the circumstance.
If an author doesn’t read much, I’m not interested in doing a manuscript assessment of their work unless they’re paying me, and, I’m uncertain about doing a swap. I will do jobs that are merely technical, not a problem, but I need to be given something for my time, as well as some respect.
Nup dem. Really that’s where it’s at when someone says, ‘I don’t want to read your books in case they influence my writing.’ Which, strangely, is a phrase that I’ve heard uttered a number of times over the years.
It’s not as though I write horror or pornography, that would infringe or upset. Getting a grip on what is and isn’t in order to stop being hypnotised by other people, is a must. Don’t expect a book to carry your identity, it shouldn’t, but it may enable an understanding or strengthen your view. The age of wanting to identify with flawed protagonists, I think should long be over. The age of pantomime plots, I think should be long dusted, as not cutting it intellectually. These are my views on progressive writing, that enables me to think and gain understanding.
So, to the authors that don’t wish their books to be contaminated by mine, realise, that if I read your book, that’s so very uncontaminated by another’s influence, I’ll give it an authentic review, because I read without fear and write fearlessly. Plus, I will not be led by monsters, nor manifest their ill-purpose. Whoopee cushion what-ifs blown away when poor attitudes don’t wash well with me, which would mean I don’t read past the first 20 pages though. Got to get my attention at the start, by not being what I’ve read before. If you don’t read, that might be hard. People who read the hidden genres, gain insight into what is going on, they know things the rest of the population doesn’t. I admire that. I also know, that it doesn’t have to be books that people are reading when there’s a whole internet of new material out there. Get influenced, realise what’s missing and effect a change much needed, otherwise you're going to be left behind, in the slush of what's really only annoying.
Initially NO
Collections of poetry
I work at shifting things with my poetry. Each book, a testament to an attempt to move a monstrously prevalent attitude that hurts humanity.
The more you have to say through your writing and the more understanding you have of current writing structures the better you are able to communicate in this art form. And if you aim to shift monsters, like I do, then you'll need to know the imposed expectations of the time, in poetry as much as any other kind of writing.
I've published 16 collections of poetry:
1. Afraid of myself
2. Amelioration
3. Beneath
4. Calling
5. Coal fire cream
6. Cradle of anger
7. Curl up and disappear
8. Err and Grr
9. Felicity
10. Inkling
11. Lost in the bright
12. Psychiatry must die!
13. Riotous favour
14. Sexual agenda
15. Suicidal ideation is fucking fucked...
16. Weird stuff happening
There are many collections I'm still working on. The monsters I'm trying to shift, are difficult and painfully embedded in our society through mass marketing. The poem 'My society is suicidal' (Suicidal ideation is fucking fucked...) epitomises this need for people to start really thinking, rather than just mindlessly following, or doing Mindfulness techniques where they follow some guru into some religious ritual that doesn't really enable the thinking to be free from propaganda, nor free from the human need to 'fit in' with what they're taught, without recognising the flaws in the teaching.
The beauty of my poetry is that I'm standing up to those monsters, rather than aiming to just market my merchandise. The problem with that, is that I need to aim at marketing, to gain a wider audience, in order to get the crucial shifts happening in a society that no longer truly thinks about what it is doing.
The more you have to say through your writing and the more understanding you have of current writing structures the better you are able to communicate in this art form. And if you aim to shift monsters, like I do, then you'll need to know the imposed expectations of the time, in poetry as much as any other kind of writing.
I've published 16 collections of poetry:
1. Afraid of myself
2. Amelioration
3. Beneath
4. Calling
5. Coal fire cream
6. Cradle of anger
7. Curl up and disappear
8. Err and Grr
9. Felicity
10. Inkling
11. Lost in the bright
12. Psychiatry must die!
13. Riotous favour
14. Sexual agenda
15. Suicidal ideation is fucking fucked...
16. Weird stuff happening
There are many collections I'm still working on. The monsters I'm trying to shift, are difficult and painfully embedded in our society through mass marketing. The poem 'My society is suicidal' (Suicidal ideation is fucking fucked...) epitomises this need for people to start really thinking, rather than just mindlessly following, or doing Mindfulness techniques where they follow some guru into some religious ritual that doesn't really enable the thinking to be free from propaganda, nor free from the human need to 'fit in' with what they're taught, without recognising the flaws in the teaching.
The beauty of my poetry is that I'm standing up to those monsters, rather than aiming to just market my merchandise. The problem with that, is that I need to aim at marketing, to gain a wider audience, in order to get the crucial shifts happening in a society that no longer truly thinks about what it is doing.
