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Sandra L. Bloom’s Followers (5)
Sandra L. Bloom
More books by Sandra L. Bloom…
“Diversity encourages multiple viewpoints that are so important for innovation, makes it more unlikely that groupthink will dominate the group, and makes the emergence of group genius more likely.”
― Restoring Sanctuary: A New Operating System for Trauma-Informed Systems of Care
― Restoring Sanctuary: A New Operating System for Trauma-Informed Systems of Care
“When leaders are optimistic, group members’ positive moods are increased and group performance improves. But when leaders display negative emotions, group members’ negativity and frustration increase, which decreases group performance [144].”
― Restoring Sanctuary: A New Operating System for Trauma-Informed Systems of Care
― Restoring Sanctuary: A New Operating System for Trauma-Informed Systems of Care
“Creative expression of the artistically elite is grossly overvalued and creative expression of the general population is grossly undervalued. This is dangerous. The part of our beings that has no voice, perhaps or other hemisphere, needs a vehicle for expression. Without such a vehicle, expression is likely to come through action that is often violent and destructive instead of creative.
Over the years, many questions have arisen about the connection between creativity and madness, the artist and the madman. Both the artist and the madman speak a tongue that has become foreign to the rest of us. The mad person is to his or her family what the artist is to the culture, containing what is hidden, secret, denied, and disassociated and trying with more or less desperation to reveal vital secrets to us all. The mad person—the person we would now call a victim of trauma—has always symbolically pointed out the discrepancies, inconsistencies, and lies in the family.”
― Creating Sanctuary: Toward the Evolution of Sane Societies
Over the years, many questions have arisen about the connection between creativity and madness, the artist and the madman. Both the artist and the madman speak a tongue that has become foreign to the rest of us. The mad person is to his or her family what the artist is to the culture, containing what is hidden, secret, denied, and disassociated and trying with more or less desperation to reveal vital secrets to us all. The mad person—the person we would now call a victim of trauma—has always symbolically pointed out the discrepancies, inconsistencies, and lies in the family.”
― Creating Sanctuary: Toward the Evolution of Sane Societies
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