Michelle Styles's Blog, page 38
October 18, 2010
Being busy
Time becomes ever more precious.
My deadline of 1 November looms ever so closer and I know the current mess in progress has real potential. It needs to be written and layers need to be added. As a writer, I am very consistent in the kind of mistakes I make. They are different mistakes each time but they are of a similar sort. I have about a 100 pages to write but it will be good.
My AAs or Author Alterations for To Marry A Matchmaker have arrived. This one was edited by my new editor and so it is interesting to see what she has done. I had forgotten why I liked this ms so much and so am busy falling in love with Henri and Robert again. These are due 27 October.
I have also been gearing up for my December releases and thinking about my newsletter. It does need to go out. I normally do the mentoring contest in the November issue as it were but I have to think on how I want to do it this year. The time factor. It is ONLY open to those who subscribe to my newsletter.
Then there is general admin etc.
Plus my family like to see me every now and then.
My deadline of 1 November looms ever so closer and I know the current mess in progress has real potential. It needs to be written and layers need to be added. As a writer, I am very consistent in the kind of mistakes I make. They are different mistakes each time but they are of a similar sort. I have about a 100 pages to write but it will be good.
My AAs or Author Alterations for To Marry A Matchmaker have arrived. This one was edited by my new editor and so it is interesting to see what she has done. I had forgotten why I liked this ms so much and so am busy falling in love with Henri and Robert again. These are due 27 October.
I have also been gearing up for my December releases and thinking about my newsletter. It does need to go out. I normally do the mentoring contest in the November issue as it were but I have to think on how I want to do it this year. The time factor. It is ONLY open to those who subscribe to my newsletter.
Then there is general admin etc.
Plus my family like to see me every now and then.
October 13, 2010
Blogging Away at Rom Con Inc
I am blogging at Rom Con Inc today and giving away an advanced copy of my duo -- A Question of Impropriety and Impoverish Miss Convenient Wife to someone who posts comment.
It never rains but it pours as my AAs for To Marry A Matchmaker have arrived. I do love the first sentence -- Perfect planning produces perfection and am really looking forward to rediscovering these characters.
I also have 140 pages or thereabouts to go on my current manuscript which is due 1 November.
It never rains but it pours as my AAs for To Marry A Matchmaker have arrived. I do love the first sentence -- Perfect planning produces perfection and am really looking forward to rediscovering these characters.
I also have 140 pages or thereabouts to go on my current manuscript which is due 1 November.
October 11, 2010
Deadline dementia and Haltwhistle Library Girls Night In
My deadline of 1 November is fast approaching and I find that I keep forgetting things or absently answer my husband's question with a remark about my muddle.
Actually at the moment, I do have the story mapped out. I have figured things out which are starting to make sense. So huge relief here. But once my editor sees it, there will be REVISIONS. Editors are like that. And they do like to see that you have taken on board their concerns. Sometimes, you will make different mistakes. Sometimes their solutions are not your vision but their concerns are valid. If you can't use their solutions, find a better way! And sometimes you might not think the suggestion will work but it does make sense later on and you go -- oh, it will work!
On Friday 15 October along with other women's fiction authors, I shall be at the Haltwhistle library doing a reprise of our popular Girl's Night In panel. Last Thursday was Alnwick and several women asked when we were doing the next one. Personally they are very fun to do. We get to talk about writing and how each goes about drafting a novel. Seven different authors and guess what seven different approaches!
Apparently I am the one who does the most words. Unfortunately I had my daughter convinced that I was a slacker and all the other authors worked far harder...
The second chapters of the New Voices competition go up today and hopefully they will really develop the promise of the first chapters. It is all well and good to write a clever first chapter but it has to have a sustainable heart. And I am also hoping that a few people will get the submitting bug and will really work to hone their talent. But the second phase of the contest is about to begin...
Actually at the moment, I do have the story mapped out. I have figured things out which are starting to make sense. So huge relief here. But once my editor sees it, there will be REVISIONS. Editors are like that. And they do like to see that you have taken on board their concerns. Sometimes, you will make different mistakes. Sometimes their solutions are not your vision but their concerns are valid. If you can't use their solutions, find a better way! And sometimes you might not think the suggestion will work but it does make sense later on and you go -- oh, it will work!
On Friday 15 October along with other women's fiction authors, I shall be at the Haltwhistle library doing a reprise of our popular Girl's Night In panel. Last Thursday was Alnwick and several women asked when we were doing the next one. Personally they are very fun to do. We get to talk about writing and how each goes about drafting a novel. Seven different authors and guess what seven different approaches!
Apparently I am the one who does the most words. Unfortunately I had my daughter convinced that I was a slacker and all the other authors worked far harder...
The second chapters of the New Voices competition go up today and hopefully they will really develop the promise of the first chapters. It is all well and good to write a clever first chapter but it has to have a sustainable heart. And I am also hoping that a few people will get the submitting bug and will really work to hone their talent. But the second phase of the contest is about to begin...
October 6, 2010
A Craft post: Does your motivation have to stay the same
Some people fondly think that once you decide what a character's motivation is, it becomes encased in concrete and can't change.
Umm no.
Sometimes there is a better or stronger way to have a take on the same subject.
A case in point is my upcoming Online Serial -- His Stand In Bride. I had written it and thought I knew the motivation. The editor read it and my short synopsis and asked for revisions. The heroine's motivation wain the synopsis was at odds with the story and wasn't strong enough. In fact, she thought my heroine was intelligent enough to appreciate the irony of the situation. Would I mind threading through a different motivation -- namely a belief in the right to choose one's destiny as that was what she was getting from the story. For those curious amongst you, I had thought the heroine's motivation was a belief in true love. And of course, being an editor she was absolutely right. I think the story is much stronger.
This probably shows that I over simplify my character's motivations when I write a synopsis or a detailed background note. Also complex characters will have complex motivations. Some of the motivations will not be revealed to the author until she is in revisions or has the first draft done. And sometimes she may think that she has threaded the correct motivation through only to discover that there is another deeper reason for the behaviour. Characters can be tricky and hide things even from their creator.
Nothing is ever written in concrete and there are different ways to see the same thing. And Debra Dixon's book on GMC made me freeze solid. I prefer other books on the craft of writing and ways of looking at things. And that is fine. The only process i have to worry about is my own.
What matters is that you get there in the end and create a page turning romance.
Umm no.
Sometimes there is a better or stronger way to have a take on the same subject.
A case in point is my upcoming Online Serial -- His Stand In Bride. I had written it and thought I knew the motivation. The editor read it and my short synopsis and asked for revisions. The heroine's motivation wain the synopsis was at odds with the story and wasn't strong enough. In fact, she thought my heroine was intelligent enough to appreciate the irony of the situation. Would I mind threading through a different motivation -- namely a belief in the right to choose one's destiny as that was what she was getting from the story. For those curious amongst you, I had thought the heroine's motivation was a belief in true love. And of course, being an editor she was absolutely right. I think the story is much stronger.
This probably shows that I over simplify my character's motivations when I write a synopsis or a detailed background note. Also complex characters will have complex motivations. Some of the motivations will not be revealed to the author until she is in revisions or has the first draft done. And sometimes she may think that she has threaded the correct motivation through only to discover that there is another deeper reason for the behaviour. Characters can be tricky and hide things even from their creator.
Nothing is ever written in concrete and there are different ways to see the same thing. And Debra Dixon's book on GMC made me freeze solid. I prefer other books on the craft of writing and ways of looking at things. And that is fine. The only process i have to worry about is my own.
What matters is that you get there in the end and create a page turning romance.
October 2, 2010
Character Lists -- a confession
I hate character lists. I particularly hate the identikit character lists that I find in writing books. I know it is sacrilege to say it but I do. And I don't actually think they help me write the story. In some ways they hem me in. They force me to make decisions BEFORE I am ready to and decisions about things I am not interested in or my characters might not be interested in. Things that I might feel compelled to work in. Equally if I don't know the characters well enough I might make hasty decisions which make me freeze later. The needs of the story and the characters interacting with each other come before the needs of The List.
I do know for other people that they work well for. That is their process and I salute them.
They just don't work for me. Neither do I do collages. My mind works differently and the pictures are in my head. And this possibly makes me a Bad Writer.
Or maybe it just makes me different. Different is good. I can live with different.
I don't need to know the same info about every character every time. Each character is different. And some of my characters hate, loathe and distest admin. Some of them would happily set fire to all bureaucracy.
I worry that filling in these sheets can make it seem like I have told the story or that my words harden like concrete or rather my decisions harden like concrete and I have to twist the story to a point of implausibility when the simplest thing would be to change the back story. This is borne out in my own research of trial and error.
This however does not mean that I don't know things about my characters. I can and have written reams of paper about their back story. And sometimes that back story has to change. Sometimes I add Too Much baggage and sometimes too little. Sometimes what I thought was important becomes less so.
But I do know. And I do like the freedom to feel I can change things.
If my characters are never going to eat ice cream, is it important that I fill that out or that I think about the sort of shampoo they might use before thinking about their quality of laughter? Does the exact place where they were born matter? Or is it more their upbringing? Parental neglect comes in all shapes and sizes and is not necessarily evident at the cradle stage. In other words, my mind works differently. And that is fine.
At the end of the day, it is MY story and I need to be able to write and give it the depth of characterisation that it needs. One size doesn't fit all and one list or series of lists or a series of interview questions doesn't fit all either. I freeze. It fills too much like I have been here before rather than concentrating on the why I am writing the story. So I rely on scribbled notes and a lot of thinking. I like to feel that I know the characters and they are friends. The first and most important thing for me is to love my characters, including all their faults, flaws and foibles.
Protagonists for me are often not 3-d on the first draft. It takes time to fill in the broad outline and certain symbols and important details only emerge at the end. What is important is that by the time the READER reads it, that fine shading of detail that makes the character come alive is on the page and not in my head.
Earlier this week, my editor who is indeed lovely asked for character lists for my hero and heroine. We had a discussion as I refuse to fill them out before I finish the story. What she was really asking for was a detailed background note on the characters and to include the emotional turning points in the synopsis. I can do a detailed background note. I did have scraps written down and a lot in my head. As long as it was in no particular order, I was fine and I did learn things about my characters. But it was putting things done in an order and an form to suit me rather than to suit someone else's process. Starting with a few scribbled notes, I produced a 2500 word background note that is really helping me write this thing and that showed my editor I do know where I am going. The note took me several hours to write as it was mainly pulling bits of the background together and my husband decided to light a bonfire and needed some assistance in the middle of the thing. I stomped around and went back and wrote. Then sent it.
It could have been expanded further if needs be. She said it was fine as it was as it gave her the info to know that the conflict was sustainable. It is up to me to write the thing.
I can do detailed background notes, just don't ask me to do character lists. I prefer to write stories about my characters and stories about their backgrounds. It works for me.
Know your process and don't sweat the small stuff.
Just because other authors do it one way, it doesn't mean it is the right way for you.
Try things, see if they work as you will know straight away.
Allow your process to evolve.
There is nothing wrong with writing a discovery draft (or two).
I do know for other people that they work well for. That is their process and I salute them.
They just don't work for me. Neither do I do collages. My mind works differently and the pictures are in my head. And this possibly makes me a Bad Writer.
Or maybe it just makes me different. Different is good. I can live with different.
I don't need to know the same info about every character every time. Each character is different. And some of my characters hate, loathe and distest admin. Some of them would happily set fire to all bureaucracy.
I worry that filling in these sheets can make it seem like I have told the story or that my words harden like concrete or rather my decisions harden like concrete and I have to twist the story to a point of implausibility when the simplest thing would be to change the back story. This is borne out in my own research of trial and error.
This however does not mean that I don't know things about my characters. I can and have written reams of paper about their back story. And sometimes that back story has to change. Sometimes I add Too Much baggage and sometimes too little. Sometimes what I thought was important becomes less so.
But I do know. And I do like the freedom to feel I can change things.
If my characters are never going to eat ice cream, is it important that I fill that out or that I think about the sort of shampoo they might use before thinking about their quality of laughter? Does the exact place where they were born matter? Or is it more their upbringing? Parental neglect comes in all shapes and sizes and is not necessarily evident at the cradle stage. In other words, my mind works differently. And that is fine.
At the end of the day, it is MY story and I need to be able to write and give it the depth of characterisation that it needs. One size doesn't fit all and one list or series of lists or a series of interview questions doesn't fit all either. I freeze. It fills too much like I have been here before rather than concentrating on the why I am writing the story. So I rely on scribbled notes and a lot of thinking. I like to feel that I know the characters and they are friends. The first and most important thing for me is to love my characters, including all their faults, flaws and foibles.
Protagonists for me are often not 3-d on the first draft. It takes time to fill in the broad outline and certain symbols and important details only emerge at the end. What is important is that by the time the READER reads it, that fine shading of detail that makes the character come alive is on the page and not in my head.
Earlier this week, my editor who is indeed lovely asked for character lists for my hero and heroine. We had a discussion as I refuse to fill them out before I finish the story. What she was really asking for was a detailed background note on the characters and to include the emotional turning points in the synopsis. I can do a detailed background note. I did have scraps written down and a lot in my head. As long as it was in no particular order, I was fine and I did learn things about my characters. But it was putting things done in an order and an form to suit me rather than to suit someone else's process. Starting with a few scribbled notes, I produced a 2500 word background note that is really helping me write this thing and that showed my editor I do know where I am going. The note took me several hours to write as it was mainly pulling bits of the background together and my husband decided to light a bonfire and needed some assistance in the middle of the thing. I stomped around and went back and wrote. Then sent it.
It could have been expanded further if needs be. She said it was fine as it was as it gave her the info to know that the conflict was sustainable. It is up to me to write the thing.
I can do detailed background notes, just don't ask me to do character lists. I prefer to write stories about my characters and stories about their backgrounds. It works for me.
Know your process and don't sweat the small stuff.
Just because other authors do it one way, it doesn't mean it is the right way for you.
Try things, see if they work as you will know straight away.
Allow your process to evolve.
There is nothing wrong with writing a discovery draft (or two).
September 30, 2010
Viking's Captive Princess in Italian -- Il Segno del Peccato
IL SEGNO DEL PECCATOdi STYLES MICHELLE
Scandinavia, 796
Thyre e Dagmar non possono fare altro che riservare un'accoglienza calorosa all'equipaggio dell'imponente imbarcazione nemica arenata sulla spiaggia. La tradizione prevede anche un tributo un po' particolare, una notte d'amore tra l'erede legittima dell'isola di Ranrike e il comandante della nave. Dagmar però è innamorata e chiede alla sorellastra un favore enorme: sostituirla nel letto di Ivar il guerriero. Thyre, determinata e indipendente, accetta, forte del fatto che l'atto si svolgerà al buio. Ma il mattino seguente Ivar la smaschera davanti a tutti e la costringe a fare una scelta tanto coraggiosa quanto pericolosa, che segnerà un nuovo capitolo nella sanguinosa lotta tra fazioni vichinghe rivali.
Note; the Italians chose the right picture! I am very pleased.
September 28, 2010
The next installment of Everyones Reading
FREE M &B books. The great team at M&B has done it again and is offering another set of 12 free books for people to download. One from each series. You can download them at http://www.everyonesreading.com/
It is a great chance to see what the current series are all about. For historical there is Ann Lethbridge's award winning Wicked Rake, Defiant Mistress. There is also Michelle Ried's Mia's Scandal which is the first installment of the Balfour Legacy mini series and I super enjoyed. It is so great that they are offering people this opportunity.
For me, my editor got back to me on the partial and I responded with a detailed background and synopsis. We ironed out a few problems and now my deadline is looming. Will it work doing it this way? I have no idea but I am excited. My first priority is my writing and so I might be scarce for awhile...but then there are plenty of free books to read...
It is a great chance to see what the current series are all about. For historical there is Ann Lethbridge's award winning Wicked Rake, Defiant Mistress. There is also Michelle Ried's Mia's Scandal which is the first installment of the Balfour Legacy mini series and I super enjoyed. It is so great that they are offering people this opportunity.
For me, my editor got back to me on the partial and I responded with a detailed background and synopsis. We ironed out a few problems and now my deadline is looming. Will it work doing it this way? I have no idea but I am excited. My first priority is my writing and so I might be scarce for awhile...but then there are plenty of free books to read...
September 27, 2010
His Stand Bride -- starting 15 November
I am very happy to announce that His Stand In Bride will be the Weekly Online Serial for eharlequin starting 15 November and going through until 3 January. My editor for that has accepted it and I'm thrilled with how it worked out. It is a free read.
1 November is now far closer than I'd thought so it is head down and writing time.
The New Voices finalists were announced. It is a strong line up and my fingers are crossed.
If you weren't a finalist, it doesn't mean you can't submit the tradition...
1 November is now far closer than I'd thought so it is head down and writing time.
The New Voices finalists were announced. It is a strong line up and my fingers are crossed.
If you weren't a finalist, it doesn't mean you can't submit the tradition...
September 24, 2010
It's in the detail
One of the big questions for a writer is how much detail and which detail do you highlight? What is the function of detail?
Detail gives a description and provides facts but more than that it gives insight into the POV's state of mind.
Two characters looking at the same thing will notice different details. A character whose mood has changed will notice different details. Details help to ring the changes.
Where one character notices the flaking bits of paint and the worn carpet, another sees the...
Detail gives a description and provides facts but more than that it gives insight into the POV's state of mind.
Two characters looking at the same thing will notice different details. A character whose mood has changed will notice different details. Details help to ring the changes.
Where one character notices the flaking bits of paint and the worn carpet, another sees the...
September 22, 2010
Stomach Churning Submitting
With the submission deadline for the first round of the New Voices competition mere hours away, lots of people are earning awards for bravery by actually posting their offerings. For the first time, many are allowing strangers to read their work and it is nerve wracking. It makes you feel physically ill.It does always remain nerve wracking. It is a roller coaster ride, complete with feeling sick and then wonderfully alive. I get it every time I submit to my editor. Most authors do.
But also, ...
