R.W. Richard's Blog, page 34
January 1, 2015
HAPPY NUDE YEAR
How much good are resolutions for things you know you can accomplish? Try to expand your horizons. Put at least on item on your list that you have no idea how to accomplish. This also applies to 'making a fool' out of yourself when expressing your thoughts either on paper or in person. Most people don't say what they're thinking. Find that situation this year in which you can break through your fears and say something that has a chance of failure. Both speech and action will lead to growth.
Gilda Radner as Emily Litella:
Or you could go about doing the same things you did last year. Hey, that's comfortable, right?
I'm not going to say, nevermind.
Gilda Radner as Emily Litella:
Or you could go about doing the same things you did last year. Hey, that's comfortable, right?
I'm not going to say, nevermind.
Published on January 01, 2015 10:50
December 28, 2014
Going about the Lord's work
I sit in church for the early Christmas Eve mass. Two pews ahead a family catches my eye. I know I’m supposed to be praying, but I’m a writer. I tell stories. This blog is about the guy’s point of view, but this time I can only offer my own. I can’t generalize. Do I focus on the people around me, the architecture, a scene I’ve been mulling over? As I have written before, I suppose I should be praying, being an ex-altar boy and practically a priest educationally. Nope.
The family from left to right comprises an approximately twelve-year-boy, his sixteen-year-old sister, the mom then the dad. They’re close. The kids take turns holding their mom’s hands or patting her shoulder. The husband puts his arms around her. Later the mom swaps with her son so that he could be next to his dad for a while. Many times, the taller sixteen-year-old daughter rests her head on her petite mom’s shoulder.
I’ve found my prayer. The mom is the sun to her family. Through her nurturing, she brings light into their lives. They are one and growing in love. The mom's heart is felt in the sweet quiet moments in a church in a pew in a prayer.
* * *
It's rare for a 16-year old daughter to be that affectionate with her mom. The stereotype of being lost and then, one day, being found doesn’t always have to be. What magic or grace does this mother possess? So, okay, that’s me, but this blog is about not just one guy, but what other guys think as well.
After I thoroughly confused as to what to do in church, I thought an expert could inspire you to find your path again. Dana Carvey as The Church Lady will highlight the wrong path to take during Christmas.
The family from left to right comprises an approximately twelve-year-boy, his sixteen-year-old sister, the mom then the dad. They’re close. The kids take turns holding their mom’s hands or patting her shoulder. The husband puts his arms around her. Later the mom swaps with her son so that he could be next to his dad for a while. Many times, the taller sixteen-year-old daughter rests her head on her petite mom’s shoulder.
I’ve found my prayer. The mom is the sun to her family. Through her nurturing, she brings light into their lives. They are one and growing in love. The mom's heart is felt in the sweet quiet moments in a church in a pew in a prayer.
* * *
It's rare for a 16-year old daughter to be that affectionate with her mom. The stereotype of being lost and then, one day, being found doesn’t always have to be. What magic or grace does this mother possess? So, okay, that’s me, but this blog is about not just one guy, but what other guys think as well.
After I thoroughly confused as to what to do in church, I thought an expert could inspire you to find your path again. Dana Carvey as The Church Lady will highlight the wrong path to take during Christmas.
Published on December 28, 2014 14:25
December 21, 2014
Black globs on white paper
You have probably heard variations of the 7-38-55 rule. Effective communications is 7% verbal, 38% vocal signals and 55% body language.
Well what about our little ole’ black globs of ink on white paper?
Print isn’t as good as verbal because we can’t literally hear print. So, let’s cut print communication down to 5% (at best) and suggest, for writers, that they need to develop the other 95% (a mix of body language, verbal signals (described), emotions and action) and never, never tell the story. How can you show the other 95% given a 5% medium? You can’t. At least not immediately. You’ll need a stranger’s imagination and cooperation to start with. And.
Picture this: a stranger calls you and says blah, blah, blah. You don’t know where he/she is coming from. You might even hang-up the phone (as in closing the book forever) or suppose you get junk mail (worse). Compare that to your best friend: she calls you and you practically breathe in each other’s intent. You have a history.
Assume you are writing to a stranger and aren’t 99.9% of your readers, strangers in the beginning?You know they’re about to (hang up the phone), i.e. close the book. I guarentee it. Put your foot in that door, point down at your new shoes, tell them how your sweetheart has just jilted you, show them your pain. Hand them your soul.
Do those things recommended for all fiction, start with a change that any stranger would empathize with.
You’ve done your job, now you write the second book in a series and suddenly there are readers out there that already identify with your characters. They’re pre-sold. They’ll buy because your characters are like their friends, the reader can breathe in their intent but you still need to write for the new strangers.
As an example, at Christmas time, we hear so many songs, classics and the not so good. Once in a while, somebody adds to the classics with a song strait from the heart. It immediately catches with us strangers. We’re friends now, because we want the same thing. We want to know she'll get her wish.
“All I Want for Christmas is You," by Mariah Carey, 1994 Merry Christmas, Happy Hanukkah and Happy New Year and oh by the way, all I want for Christmas is for you to be happy.
Well what about our little ole’ black globs of ink on white paper?
Print isn’t as good as verbal because we can’t literally hear print. So, let’s cut print communication down to 5% (at best) and suggest, for writers, that they need to develop the other 95% (a mix of body language, verbal signals (described), emotions and action) and never, never tell the story. How can you show the other 95% given a 5% medium? You can’t. At least not immediately. You’ll need a stranger’s imagination and cooperation to start with. And.
Picture this: a stranger calls you and says blah, blah, blah. You don’t know where he/she is coming from. You might even hang-up the phone (as in closing the book forever) or suppose you get junk mail (worse). Compare that to your best friend: she calls you and you practically breathe in each other’s intent. You have a history.
Assume you are writing to a stranger and aren’t 99.9% of your readers, strangers in the beginning?You know they’re about to (hang up the phone), i.e. close the book. I guarentee it. Put your foot in that door, point down at your new shoes, tell them how your sweetheart has just jilted you, show them your pain. Hand them your soul.
Do those things recommended for all fiction, start with a change that any stranger would empathize with.
You’ve done your job, now you write the second book in a series and suddenly there are readers out there that already identify with your characters. They’re pre-sold. They’ll buy because your characters are like their friends, the reader can breathe in their intent but you still need to write for the new strangers.
As an example, at Christmas time, we hear so many songs, classics and the not so good. Once in a while, somebody adds to the classics with a song strait from the heart. It immediately catches with us strangers. We’re friends now, because we want the same thing. We want to know she'll get her wish.
“All I Want for Christmas is You," by Mariah Carey, 1994 Merry Christmas, Happy Hanukkah and Happy New Year and oh by the way, all I want for Christmas is for you to be happy.
Published on December 21, 2014 13:21
December 14, 2014
What do real women want?
My guest today is a dear friend, I’ll call her Allison, who’s looking for love in her fifties. She’s not a writer and because of that I think she can offer comments that you all might find useful from the aspect of getting a reality check. You know, the baby boomers are major and more romances should be written about them. She uses an online dating service to meet men, but has also met men the old-fashioned ways. Bumping into them.
Bob: What's different out there between guys and gals looking for romance in their fifties?
Allison: I’m not so sure the guys I’ve been meeting want a life partner. They put friendship, travel partner, casual partner, serious relationship all in one sentence. So whatever you have to give they will take. [Bob—It sounds like the guys that do this are casting a wide net to catch more fish. But the smart fish should probably swim away, because, as a guy, I see these fellows as very alright with just having a good time, a one night stand, a fling etc. They’re lonely and could use a woman’s touch.]
Bob: What do you think of today’s dating scene?
Allison: I think dating on line is different than 30 years ago. Back then, what you see when you meet someone, is what you get. Now people distort their perception of themselves on line. [This sounds like a case of having time to prepare for an exam. I see her point.]
Bob: How important is physical attraction?
Allison: Physical attraction is extremely important to me, but you might not initially feel it. Often for me, physical attraction comes over time, when you get to know someone, the time spent together, and interests (bike riding, gym, hobbies, and morals and values).
Bob: What's your worse disaster on a date or dates?
Allison: I had a guy say, “You said in your profile you work out six days a week, well you don’t look like it. [I know Allison, she’s built like a Chargers’ Cheerleader. She works out and it shows. That guy needed glasses. Allison: That guy could use a lobotomy, liposuction and a dandruff shampoo. Bob: the shampoo might not be necessary.]
Bob: Any disappointments?
Allison: Disappointments would be people not staying true to who they are. Bart is someone I dated for nearly a year, we were closer than close, me meeting his young children and him meeting my family in L.A. I know it isn’t cool of him to contact as I asked him not too, (because my heart is attached) Not to be mean. [Bob: after they broke it off, he continues to write her even after she asked him to stop. I read this guy as egocentric and showing a lack of respect for Allison as a human being. Bad news.] I don’t know “WHY” he would care to (write)?? My experiences have been positive 9 out of 10 times. Conversation flows, they are usually very smart and courteous and respectful, the only thing that I get discouraged about is how long these men have been married. Ten years or less is not a good track record. For the most part, The ones I choose are who they say they are.
Bob: Words of wisdom?
Allison: I have had many positive experiences with online dating and meeting men out and about, etc. Just looking for a companion who likes the same things I do and then the relationship grows from there.
Bob: Are you staying positive? Do you feel you'll find somebody?
Allison: I do feel I will meet someone. I have twice, they just didn’t last. I want for the rest of my life, not so sure men do…[I don’t have to be a fortuneteller to know Allison will meet the man of her dreams.]
Bob: You're a great gal and any guy would be fortunate to share a life with you.Thanks so much for the interview.
Some in media call this "the man in the street" interview.
Allison, please forgive me, your interview was great but I can't resist a little comic relief with this classic.
Steve Allen interviews Don Knotts (50 seconds).
Other Steve Allen "man in the street" interviews also feature Louis Nye &Tom Poston and can be found by choosing video in Bing or Google search. (or YouTube)
I want to thank my chapter mates at RWASD for insisting I add black background to my cover lettering, because it "has to pop." They're right. See below:
Bob: What's different out there between guys and gals looking for romance in their fifties?
Allison: I’m not so sure the guys I’ve been meeting want a life partner. They put friendship, travel partner, casual partner, serious relationship all in one sentence. So whatever you have to give they will take. [Bob—It sounds like the guys that do this are casting a wide net to catch more fish. But the smart fish should probably swim away, because, as a guy, I see these fellows as very alright with just having a good time, a one night stand, a fling etc. They’re lonely and could use a woman’s touch.]
Bob: What do you think of today’s dating scene?
Allison: I think dating on line is different than 30 years ago. Back then, what you see when you meet someone, is what you get. Now people distort their perception of themselves on line. [This sounds like a case of having time to prepare for an exam. I see her point.]
Bob: How important is physical attraction?
Allison: Physical attraction is extremely important to me, but you might not initially feel it. Often for me, physical attraction comes over time, when you get to know someone, the time spent together, and interests (bike riding, gym, hobbies, and morals and values).
Bob: What's your worse disaster on a date or dates?
Allison: I had a guy say, “You said in your profile you work out six days a week, well you don’t look like it. [I know Allison, she’s built like a Chargers’ Cheerleader. She works out and it shows. That guy needed glasses. Allison: That guy could use a lobotomy, liposuction and a dandruff shampoo. Bob: the shampoo might not be necessary.]
Bob: Any disappointments?
Allison: Disappointments would be people not staying true to who they are. Bart is someone I dated for nearly a year, we were closer than close, me meeting his young children and him meeting my family in L.A. I know it isn’t cool of him to contact as I asked him not too, (because my heart is attached) Not to be mean. [Bob: after they broke it off, he continues to write her even after she asked him to stop. I read this guy as egocentric and showing a lack of respect for Allison as a human being. Bad news.] I don’t know “WHY” he would care to (write)?? My experiences have been positive 9 out of 10 times. Conversation flows, they are usually very smart and courteous and respectful, the only thing that I get discouraged about is how long these men have been married. Ten years or less is not a good track record. For the most part, The ones I choose are who they say they are.
Bob: Words of wisdom?
Allison: I have had many positive experiences with online dating and meeting men out and about, etc. Just looking for a companion who likes the same things I do and then the relationship grows from there.
Bob: Are you staying positive? Do you feel you'll find somebody?
Allison: I do feel I will meet someone. I have twice, they just didn’t last. I want for the rest of my life, not so sure men do…[I don’t have to be a fortuneteller to know Allison will meet the man of her dreams.]
Bob: You're a great gal and any guy would be fortunate to share a life with you.Thanks so much for the interview.
Some in media call this "the man in the street" interview.
Allison, please forgive me, your interview was great but I can't resist a little comic relief with this classic.
Steve Allen interviews Don Knotts (50 seconds).
Other Steve Allen "man in the street" interviews also feature Louis Nye &Tom Poston and can be found by choosing video in Bing or Google search. (or YouTube)
I want to thank my chapter mates at RWASD for insisting I add black background to my cover lettering, because it "has to pop." They're right. See below:

Published on December 14, 2014 11:57
December 7, 2014
Switching Genres
I've asked a non-writer friend to check this post out today because she's a fan of a certain super star. So we all have to pretend to be non-geeky and not introverted selves. You see, friend, we writers like to hole up in our work cave.
There's a lot of controversy about switching genres. If you have loads of talent, a dedication to your craft understand good story structure and take promoting (social media - these days) seriously and expertly, go ahead and switch.
So which writer just just switched genres and still went number one?
You've just watched* Taylor Swift in her smash hit, "Shake It Off" 2014. My take, in a brilliant stroke, she presents herself as self-aware and self-effacing, she has fun with her detractors and fans. In this "I am who I am" song, in spite of detractors she will always be true to the genius God gave her to develop. (And I love that.) Whether you have one sale or a million be true to yourself. There's always some sick troll out there who feels better by trying to make other people feel worse and may not be capable of love or in spotting it in others.
*I know some of you may not enjoy pop music, but think twice, not too many of us can claim to be literary writers, although...
EXTRA CREDIT:
Here's some info on the artist and her song from Wikipedia.
Lyrically, the song is dedicated to Swift's detractors. Swift explained that, "I’ve learned a pretty tough lesson that people can say whatever they want about us at any time, and we cannot control that. The only thing we can control is our reaction to that."[14] In an interview for Rolling Stone , Swift further elaborated, "I've had every part of my life dissected—my choices, my actions, my words, my body, my style, my music. When you live your life under that kind of scrutiny, you can either let it break you, or you can get really good at dodging punches. And when one lands, you know how to deal with it. And I guess the way that I deal with it is to shake it off."[15] With NPR she gave a detailed explanation of the lyrics:
There's a lot of controversy about switching genres. If you have loads of talent, a dedication to your craft understand good story structure and take promoting (social media - these days) seriously and expertly, go ahead and switch.
So which writer just just switched genres and still went number one?
You've just watched* Taylor Swift in her smash hit, "Shake It Off" 2014. My take, in a brilliant stroke, she presents herself as self-aware and self-effacing, she has fun with her detractors and fans. In this "I am who I am" song, in spite of detractors she will always be true to the genius God gave her to develop. (And I love that.) Whether you have one sale or a million be true to yourself. There's always some sick troll out there who feels better by trying to make other people feel worse and may not be capable of love or in spotting it in others.
*I know some of you may not enjoy pop music, but think twice, not too many of us can claim to be literary writers, although...
EXTRA CREDIT:
Here's some info on the artist and her song from Wikipedia.
Lyrically, the song is dedicated to Swift's detractors. Swift explained that, "I’ve learned a pretty tough lesson that people can say whatever they want about us at any time, and we cannot control that. The only thing we can control is our reaction to that."[14] In an interview for Rolling Stone , Swift further elaborated, "I've had every part of my life dissected—my choices, my actions, my words, my body, my style, my music. When you live your life under that kind of scrutiny, you can either let it break you, or you can get really good at dodging punches. And when one lands, you know how to deal with it. And I guess the way that I deal with it is to shake it off."[15] With NPR she gave a detailed explanation of the lyrics:
With the song 'Shake It Off,' I really wanted to kind of take back the narrative, and have more of a sense of humor about people who kind of get under my skin — and not let them get under my skin. There's a song that I wrote a couple years ago called 'Mean', where I addressed the same issue but I addressed it very differently. I said, 'Why you gotta be so mean?', from kind of a victimized perspective, which is how we all approach bullying or gossip when it happens to us for the first time. But in the last few years I've gotten better at just kind of laughing off things that absolutely have no bearing on my real life. I think it's important to be self-aware about what people are saying about you, but even more so, be very aware of who you actually are, and to have that be the main priority.[16]
Published on December 07, 2014 12:51
December 3, 2014
Autumn Breeze
Let me know what you think of my draft cover. The book is now available for pre-order on Kindle/Amazon.
http://www.amazon.com/Autumn-Breeze-Carlos-RW-Richard-ebook/dp/B00QJD7EHE/ref=sr_1_1?s=digital-text&ie=UTF8&qid=1417672336&sr=1-1&keywords=autumn+breeze

Published on December 03, 2014 22:01
November 30, 2014
Hotdogs and Buns Belong Together
So here's my second annual holiday story. I hope you enjoy. This one was inspired by Susan Elizabeth Phillips's Natural Born Charmer. Her novel started, "It wasn't every day a guy saw a headless beaver marching down the side of the road..."
Hotdogs and Buns Belong Together
By RW Richard
I knocked on the door, but nobody could hear me. Snow swirled outside, merriment and blaring music vibrated my best friend’s home. Polite yes, but I wasn’t going to freeze my bun off. Yes bun, not buns. I was dressed as a hotdog bun.
The door opened just as I was plunging the handle. “Come on in.” Even though Teresa was dressed as a garlic, her throaty voice gave her away. “And, let me guess.” Teresa held my muffs. The door blew shut.
I took in the living, dining room and beyond. I’ve never seen so many vegetables, fruit, meats, fish. I giant walleye was eyeing me. We weren’t a good match.
“I’m not going to tell you who I am. Got any spiked punch?”
“Holly baby. It’s you.”
“The punch.” We were best friends, so I dispensed with the nice-to-see-you and hugs, partially because she reeked like the giant garlic she was and partially because she had set me up with the worse blind date ever last Saturday. Stinko Teresa had taken this reality thing too far. Besides hugging her as a hotdog bun might give the other foods the wrong idea. Again, a bad match, although I had nothing against garlic and hotdog bun, if that were your thing.
Teresa took me to the punch bowl. Luckily, the drinks had straws. I was parched from the raw wind outside. Whatever the liquid was—if there were any fruit juice in the mix at all—burned on the way down. “Whoa.”
“Jamison’s Irish Whiskey, girl.” She leaned closer to my ear. “Listen, Holly. There’s somebody here who I think is a good fit for you.” A natural born skeptic, especially concerning what Teresa thought about men, I looked around.
“Yeah sure. Your idea of perfect was that podiatrist. You know he went under the table to kiss my feet.”
“He makes good money.”
“In a French restaurant? It’s just so wrong. It spoiled my escargot.”
“Well, never mind that. Your future is in the kitchen.”
“What’s he do?” Okay, I should have known better. Teresa has never had any success at putting anybody together.
“I don’t know. He just grunts. I’m not sure who he is.” But the tone of her voice gave her away. She knew.
“Maybe he crashed the party.” I was messing with her. Teresa evited everybody and cautioned them not to make it easy to tell who they were.
“He’s tall.”
“I’m such a sucker.” We danced to the kitchen, but Teresa was pulled away by a rutabaga.
I sauntered as best as a white bread bun could saunter, into the kitchen and inspected three guests. One was shorter than my five-nine and dressed as a rose bush. Was that allowed? She had to be female. The next was dressed as pumpkin. His legs were as thick as the old oak tree that snarled Teresa’s front lawn. That left the giant hotdog, whose head was rubbing the ceiling. Maybe he wasn’t tall but just dressed that way. Maybe he was a she. I checked out his or her feet. Plump doggie feet told no tale.
“You come here often, tall dark, and tasty?”
He flailed his arms to make a point. “You complete me.”
“Do I know you?” He was disguising his voice by dropping it down into a Lou Rawls bass.
“Frank Furter, at your service.” He bowed and nearly knocked me over with his head.
Then he attempted to rub his hotdog body into my partially opened bun. The nerve. I screamed. He chased me, arms out. “I’m not complete without you,” he bellowed over the Sade song, “No Ordinary Love”. I beat him into the dining room and slid a ham between us.
“Let me catch up.”
“You can’t cut the mustard, Frank.” I rounded the lovely rosewood table for the second time.
“I relish the moment we will be comlpete.” It was then, I recognized his voice. It was Tom, the truly—way to go Teresa—handsome Penn State quarterback of ten years ago. He was way out of my tall skinny freckled league.
He sneered. “I want you.” He lunged, but a carrot and a roast beef tackled him. Nonplussed he wrangled and twisted his way up. The chase was on again.
Maybe I should let him catch me.
“Slow down, Holly.” I hesitated and he was all over me or should I say he enveloped me?
“No. Absolutely no.”
“Maybe with relish?”
“If you were a kielbasa, call me, maybe.” We were both playing the crowd who nearly laughed their edible heads off.
“Oh, you really know how to cut a man down to size.” Now I pitied him. But at least he was a plump ballpark frank. Kind of heady, sexy, ramy. Need I paint a picture?
I used his self-pity to extricate myself and ran into the downstairs bedroom, much to the uproar—should I say anticipatory delight—of the fruits, vegetables, meats, one walleye and oh yes a stupid rose bush.
He waddled into the bedroom. I cowered in the walk-in closet getting my nerve up and senses back. I decided. I was really up for a make-out session if after he saw my face up-close after all these years, he’d still want to smooch.
“Jolly Holly, were forth art thou?”
I sneezed. You see, I might have been allergic to my bun.
The door creaked open and light streamed in. “Here you are my honey-bunny. I’ve always been too shy around you. I don’t know what got into me, tonight. Emboldened, perhaps.” He rubbed his hotdog into my opening bun. Oh gosh. Keep that up, mister.
“You could have your pick. Why not the rose bush?”
“Bushes are okay, but she has thorns.”
“How about Teresa?”
“Your girlfriend and I dated in college. It didn’t work out.” I knew that. Girls gossip, you know. I had gone to the west coast, UCLA, and missed all the fun here in Pennsylvania.
“How about…”
“How about you take that silly top off so I can kiss you before I explode?” Images of hotdog mess all over Teresa’s nice dresses would simply not do. I took off the top half of my bun, he took his top off, still ruggedly handsome. With a huge smile he planted a wet one on me.
We’ve been kissing ever since. We soon married and I had a beautiful baby girl. Teresa, my maid of honor, was right, not only were Tom and I a good fit, hotdogs and buns belong together.
Your extra credit today involves investing 5 minutes.You've already read my story, so perhaps just a peek at this classic will surprise you. I didn't know it existed. Charlie Chaplin - The Costume Ball, date ????
Published on November 30, 2014 12:50
November 23, 2014
Thanks for giving me your love
I was driving my 7 and 10-year-old grandsons home from school and wondered what I could say that would get their attention even while they were playing on tablets. I always ask them what one thing was the most memorable or interesting that they did in school that day. Then, I told them about how people don’t remember much when they’re twenty and trying to recall what happened in school when they were kids. I related the story from my kindergarten about the little girl who was standing in line, had to go, wasn’t allowed out of the line and dribbled down her leg. I mentioned how little I remembered before I was five and I offered a remedy for any memory they’d want to keep. Just like in a dream, if you don’t repeat it back to yourself, the contents of the dream will disappear.
Later that day the 10 year old stopped playing on the TV, without warning reeled off the entire day’s activities at school and gave me a hug. You think that didn’t get me? Just as I asked them to treasure life’s experiences, it was my turn to repeat this story. I’ll never forget it. and didn't need repeating.
Happy Thanksgiving.
ooooo
Generally, I put a YouTube video here, but I couldn’t think of anything. Any ideas? I’ll place it here: [Your idea.]
Why do I use videos? So that you’ll remember my blog by association (and be entertained), much like repeating a story to yourself from a dream or an experience, you’ll will have a multi-faceted remembrance.
About the male POV: well this story describes the way I think!
Published on November 23, 2014 08:33
November 16, 2014
Eclectic reading
Dear blog reader,
I never quote someone without checking. I talked earlier today with this fellow author to get permission to publish his email to me. I present the letter to you because I find it instructive. I decided not to name the author not because he cared but because I want it to be an everyman letter. Everyman being your readers and mine.
Hi Bob,
I keep missing you and forgetting to tell you. Again this morning.
I had difficulty getting into the first 16 pages of your Novel [A More Perfect Union], something that is not unusual with me. On the third attempt, everything fitted. I enjoyed the characters and the plot. You have introduced imagination and original scenes that kept me engrossed.
I apologize for my delayed response, but I just have that problem, remembering who, what and where at the start of each book; with The Vacationers, by Straub, it took me three beginnings also.
Congratulations, a super job.
Best regards, Author X
Hi X,
Thanks for the note. It took me a while to assemble some thoughts on the matter of rereading. I struggle the same way you do. Although we are separated by a common language (X is from London), we get each other. I enjoy your stories and I'm glad you enjoy mine as well. I think trying to get used to another author's style is a struggle for me (and you) because we are at an age when we know what we like or prefer, and don't much need to expand or change. I suppose flexing our minds, trying new reads, being eclectic will forestall Alzheimer’s LOL. But it certainly won't be boring.
Yesterday I went to a writers’ conference. The speaker, Brenda Novak, a New York Times bestselling author gave the first fifty who attended a copy of one of her 55 books. I have haltingly made my way through the first chapter, reading during commercials of a Hallmark movie. Even though I know she's crystal clear, I needed to get used to her voice. It is a labor of love to pick up a new friend, make room in my intellectual life for another voice, perhaps different than who I’d normally read. I don't know yet how long it will take to finish her story. I am busy and as you know a slow reader. I want to because she's acclaimed and oh yes, I like her story (The Heart of Christmas). We will do no less for each other, right? Even if we aren't on the NYT list, just yet.
Bob
Brenda has found ways to build her audience, making it personal, I suppose, opening her heart to her readers. I sense and know she writes what she enjoys, not what she thinks will impress.
“Tonight, Tonight” from West Side Story (movie version, 1961) presents a cacophony of POVs about what each person or group wants or fears the most for one night in their little piece of New York City. Opening yourself up to each voice during the movie is due to the masterstroke of great writers and composers. Create your work with the same excitement.
EXTRA CREDIT
My first writing coach once asked me if I was writing for an audience or myself. I now know that to be a false choice. In the beginning, you only have yourself to please. If you don’t write using brain and heart—well, who else will follow you?
Brenda also said she was an eclectic reader. Let’s all pick up something today we would not normally read. Wade through it if you have to, but definitely, in the end love what you read as much as the author loved writing it.
I never quote someone without checking. I talked earlier today with this fellow author to get permission to publish his email to me. I present the letter to you because I find it instructive. I decided not to name the author not because he cared but because I want it to be an everyman letter. Everyman being your readers and mine.
Hi Bob,
I keep missing you and forgetting to tell you. Again this morning.
I had difficulty getting into the first 16 pages of your Novel [A More Perfect Union], something that is not unusual with me. On the third attempt, everything fitted. I enjoyed the characters and the plot. You have introduced imagination and original scenes that kept me engrossed.
I apologize for my delayed response, but I just have that problem, remembering who, what and where at the start of each book; with The Vacationers, by Straub, it took me three beginnings also.
Congratulations, a super job.
Best regards, Author X
Hi X,
Thanks for the note. It took me a while to assemble some thoughts on the matter of rereading. I struggle the same way you do. Although we are separated by a common language (X is from London), we get each other. I enjoy your stories and I'm glad you enjoy mine as well. I think trying to get used to another author's style is a struggle for me (and you) because we are at an age when we know what we like or prefer, and don't much need to expand or change. I suppose flexing our minds, trying new reads, being eclectic will forestall Alzheimer’s LOL. But it certainly won't be boring.
Yesterday I went to a writers’ conference. The speaker, Brenda Novak, a New York Times bestselling author gave the first fifty who attended a copy of one of her 55 books. I have haltingly made my way through the first chapter, reading during commercials of a Hallmark movie. Even though I know she's crystal clear, I needed to get used to her voice. It is a labor of love to pick up a new friend, make room in my intellectual life for another voice, perhaps different than who I’d normally read. I don't know yet how long it will take to finish her story. I am busy and as you know a slow reader. I want to because she's acclaimed and oh yes, I like her story (The Heart of Christmas). We will do no less for each other, right? Even if we aren't on the NYT list, just yet.
Bob
Brenda has found ways to build her audience, making it personal, I suppose, opening her heart to her readers. I sense and know she writes what she enjoys, not what she thinks will impress.
“Tonight, Tonight” from West Side Story (movie version, 1961) presents a cacophony of POVs about what each person or group wants or fears the most for one night in their little piece of New York City. Opening yourself up to each voice during the movie is due to the masterstroke of great writers and composers. Create your work with the same excitement.
EXTRA CREDIT
My first writing coach once asked me if I was writing for an audience or myself. I now know that to be a false choice. In the beginning, you only have yourself to please. If you don’t write using brain and heart—well, who else will follow you?
Brenda also said she was an eclectic reader. Let’s all pick up something today we would not normally read. Wade through it if you have to, but definitely, in the end love what you read as much as the author loved writing it.
Published on November 16, 2014 13:22
November 9, 2014
AM I WRONG?
Years ago I contracted with NBC for a screenplay and got the bug. Many years later I decided, as a male romance writer, to differentiate myself by writing stories that were hopefully unique and of interest to me. There’s a price. I have sent full manuscripts on request to publishers and agents and they typically say, love your voice, but the story won’t suit our readers.
A More Perfect Union has some politics in it. A NO NO.
Double Happiness has two heroes and two heroines. Nope.
Autumn Breeze (a romance) leads off in the mind of a thirteen-year-old girl with the opening scene in New York City on 9/11. Sorry, maybe the thirteen-year-old POV, but no real disasters please.
In Seven I write about a gal who has one boyfriend for every day of the week. Perhaps I have six too many boyfriends, even if I do kill them off. We’ll see on this one if I land an agent or publisher.
I won’t write any other way. I’m a guy, maybe stubborn. I'll read well written stories with tropes but enjoy the less traveled path more. Perhaps this preference is similar to literary versus genre argument. "Am I Wrong", music and music video by Nico & Vinz, 2013 needs no explanation
EXTRA CREDIT: There’s a great article in this month’s RWR (Romance Writers Report) called When She is a He by Janet Tronstad. Janet wrote about the struggles and history (or in the beginning the lack) of writing in the male point of view. I highly recommend it. I know no more about the subject than you do! We’re all human beings and students of the human heart. Hey, throw in a dog here and there. Regarding male POV, sometimes I write about anomalies and sometimes it’s straight.
A More Perfect Union has some politics in it. A NO NO.
Double Happiness has two heroes and two heroines. Nope.
Autumn Breeze (a romance) leads off in the mind of a thirteen-year-old girl with the opening scene in New York City on 9/11. Sorry, maybe the thirteen-year-old POV, but no real disasters please.
In Seven I write about a gal who has one boyfriend for every day of the week. Perhaps I have six too many boyfriends, even if I do kill them off. We’ll see on this one if I land an agent or publisher.
I won’t write any other way. I’m a guy, maybe stubborn. I'll read well written stories with tropes but enjoy the less traveled path more. Perhaps this preference is similar to literary versus genre argument. "Am I Wrong", music and music video by Nico & Vinz, 2013 needs no explanation
EXTRA CREDIT: There’s a great article in this month’s RWR (Romance Writers Report) called When She is a He by Janet Tronstad. Janet wrote about the struggles and history (or in the beginning the lack) of writing in the male point of view. I highly recommend it. I know no more about the subject than you do! We’re all human beings and students of the human heart. Hey, throw in a dog here and there. Regarding male POV, sometimes I write about anomalies and sometimes it’s straight.
Published on November 09, 2014 15:17