Tate Hallaway's Blog, page 5
September 9, 2020
The Promise of... Idea
I have nearly the entire set of the Writer's Digest Books that have names like Plot and Character and the one I'm reading now Beginnings, Middles & Ends.
Just flipping through, I came across the idea of the promise the author makes to the reader. This Writers' Digest author, science fiction's own Nancy Kress, suggests there are two implicit promises made to the reader. One emotional and the other intellectual.
I've heard about the idea of the writer/read contract before, of course, but the thought that the emotional promise of a story or a novel is that you will be entertained by (or at least absorbed by) it is a new one to me. Specifically, Kress suggests that when a person picks up a romance novel, they come to it with the idea of what they think a romance novel is supposed to be: fun, sexy, titillating... something that, by the end, confirms the belief that 'love conquers all."
I don't think she's wrong at all.
It's just an interesting question to consider. When I pick up a science fiction book, what am I automatically expecting as a reader?
Interestingly, I think that when I pick up a science fiction book, I'm expecting to be intellectually challenged. Like, I want to experience something I've never thought of before. I want something new. I kind of don't have an idea of what that's shaped like. I just want to leave the book with a "mmmm, that was fascinating."
I don't think I'm alone, either.
I suspect a lot of science fiction readers just want to be wow-ed, but they have no real criteria for how that's meant to be done by the author. I think this is why you see a lot of experimentation in format of short stories, in plot, in character, in theme... the only promise science fiction readers expect is that you surprise us, keep us on our toes, be innovative in some fashion or another.... sometimes even in mundane ways, like a plot twist or clever maneuver in an otherwise standard military sf novel would be enough for me, you know? We want a nifty idea, but the shape of it is wide, wide open.
Fantasy is a different animal, I think. I suspect that one of the reasons I read less of fantasy is because what it offers is kind of opaque to me. Do fantasy novels offer a sense of chivalry? Or, a sense of belonging to a special group? The hope that magic exists in some fashion in the world? When I find a fantasy book that works for me, it's often one that still trips my sense of wonder and is clever or innovative.
Thoughts?
August 27, 2020
Beginning at the End
As mentioned previously, I'm gathering thoughts for my online class at the Loft.
I should be thinking about world-building, since that's the subject I have open in the other tab, but I'd previously discussed beginnings--you know, how to hook a reader with a snazzy opening line or starting in the middle of the action. Now, I'm wondering if I should record some thoughts about beginnings, in particular, how critical it is to end as strongly as you start.
I'm not sure how much I actually know about that, since I'm weirdly terrible at endings--at least when I'm writing the first drafts of them. By the time my ends are in books, they've been through several drafts, including an editorial one. But, when I'm first finishing a book, I'm often just rushing towards the deadline at full speeds and then stop. My writers group will always tell me "the ending feels rushed."
They're always right.
There is at least one book of mine where I know that I dropped what was cool about the opening completely and kind of never touched on it again. I don't want to name names, because it's also one of my more wildly successful books? But, if as my colleague Kelly McCullough says, you should start with a problem statement and then end the book with the solution to that problem, I kind of never did that with this book. So, clearly that's not critical to a book's success or failure.
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I don't know if this blog post has any real thoughts to impart. I'm just trying to get back in the habit of thinking about writing and writing about writing.
August 25, 2020
Nostalgia
I've been returning to this blog a lot in the past few days because I'm prepping a class at the Loft.
I'm not really here to sell the class to you, but it's asynchronous, so if you are not local to me, but would like to take a class from me, the link is here: https://loft.org/classes/over-transom-sff-intermediate-writers
The reason why I've been thinking about this blog (and its sister blog over at Wyrdsmiths) is that I actually wrote down a lot of my thinking about writing here over the years. I mean, a lot of it is VERY old. I'm finding odd gems from 2004 and thereabouts, but it's still kind of fascinating to see how much I recorded over the years.
This class prep has been killing me a little bit because there is NO live aspect, no Zoom. So, I need to have everything I want to say about writing written down. That's not entirely fair. I do have the option on the program that they've given me (writer.ink) to embed video and audio tracks, which I do intend to do, but the course is intended to be a website--albeit a very complex and interactive one.
Those of you who have met me know that I'm not actually very good at being straight-forward. I don't think in terms of A to B to C. I'm much more organic, flowing from A to B, but then going off on a tangent on Q, then riff on YELLOW, and then go back to... was I at D? Hopefully, it was entertaining live? When students could raise their hands and say, "Um, I think you skipped C?" I'm not sure how it is all translating into text.
I did download an app that lets me record voice on my phone and save it as an .mp3. So, now I can be one of those people you see going for walks talking loudly to themselves. I also bought a license for a pro-video recording software so I can edit any videos I record of lectures. With luck, this will give the student a sense of who I am and how I think?
I dunno. I may come back here, though, in the course of working on this class design and write out some of my thoughts about writing again.
I don't think anyone still checks this blog, but it is still here so I might as well use it.
July 28, 2020
What Day is It in New Zealand?
I spent a surprisingly large portion of the day yesterday trying to figure out WHEN things were happening and how to sync my Discord account to their Discord channel and get set up with their other concurrent systems.
I was hoping to be able to download my schedule into my Google calendar so everything would show up completely in CDT, (GMT-6,) but if that was possible, I never figured it out. In fact, I just wrote down everything, translated to my time, on a piece of PAPER. Because, while they *did* have a way to show your time on panel descriptions, the problem was that I could never get the full schedule to appear that way. If I wanted to see *my* time zone shown, I'd have to click through to each full panel description individually. I mean, I'm glad it was there AT ALL?
Still, this means the list under "my schedule" is pretty useless as something to quickly refer to. And the time slots, even translated to my time zone, all appear in military time, and, as someone whose dyslexia also effects numbers, I can not easily remember what time 1800 hours is, even if you're just saying,"D'uh, Tate, subtract 12!" That just doesn't happen easily in my head, I have to write it down to do the math, by hand, each time.
So now I have my scribbled notes.
That should work just fine.
This is only important because I have ONE thing that I absolutely MUST attend tomorrow (my Wednesday, New Zealand's Thursday) my UK publisher, Wizard Tower Press, is hosting a party for their authors, which includes me, and I am doing a reading for them at 2 pm (CDT.GMT-6). IF you are also attending WorldCON, please come?
My publisher's press release, regarding the event: https://www.cheryl-morgan.com/?p=28097
I will be reading from my newest release, Unjust Cause, which you can buy here: https://wizardstowerpress.com/books-2/books-by-tate-hallaway/unjust-cause/ or anywhere fine books are sold. This book can come to you as paper, hardcover, or e-book. /advertisement.
I have actually not yet checked to see how the party rooms operate. Are they Zoom? Are they Discord voice/video channels? This is going to matter because I'm going to have to figure out which computer to use, because not all of mine have the same processing power. If there is more than one "room" in a Zoom meeting, it has previously (at the Nebula parties I attended) not been possible to navigate independently from my iPad, whereas it is/was, when I use Mason's old computer (which, technically, is one of mine now.)
Ah, virtual cons.
I mean, I have really loved them? I really loved the way the Nebula parties were structured and WisCON was a blast. but, there is always this tech adjustment to be made at the start.
Hope to see you there!
June 19, 2020
Zoom Book Club (July 14)
The book club will be held on July 14 at 7 pm CDT/GMT-6 (details of how to join the event are on their FB page: https://www.facebook.com/events/653999645190057/). You are all welcome! Read the book! Come joint us!
May 6, 2020
On the Radio
April 30, 2020
Salon Futura Interview... with Me!
April 15, 2020
A Very Short Teaser/Reading
Using that technology! I have posted a very short teaser (the first two pages) of Unjust Cause for your entertainment.
Don't forget you can buy it here: https://wizardstowerpress.com/books-2/books-by-tate-hallaway/unjust-cause/
April 4, 2020
Now available for pre-order!

March 31, 2020
Cover Reveal!

It's a book! It's a book! My publisher has a lovely blog about it here: https://www.cheryl-morgan.com/?p=26960
The book should be available for purchase very soon. If you read any part of it online, while I was posting it to Wattpad, I think you will be pleasantly surprised by how much is different (improved!) this version is.
For one, it has an ending!
As soon as it is available to buy, I will post that here as well.