Tate Hallaway's Blog, page 45

February 8, 2010

Newbie Question #15

Does this process ever get easier?

Parts of it do, but on the whole, not really, no.

For me, every book is a new learning process. I never really have seemed to settled on "how to write a book." And, there's always some point at which I have an ah-ha moment that you'd think I'd have learned years ago.

BUT, that being said, there are a lot of things that do get easier. For instance, I no longer blink at the idea of writing 2,000 words in a day. Sitting down and getting started isn't the chore...

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Published on February 08, 2010 07:48

February 5, 2010

Newbie Question #14

14. How & why did you become a writer

"Why" is a lot easier to answer: I became a writer because I write, which is to say that there's a pretty high percentage that I'd be writing stories right now even if I had never sold that first professional piece (or, god forbid, never sold another one again.)

Hopefully, that's the reason you're a writer too. Because if you're in it for the fame, the glory, or the wads of cash you imagine you'll be getting, you're going to be wildly disappointed. I mean ...

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Published on February 05, 2010 08:01

February 3, 2010

Newbie Question #13

13. Will an agent expect me to sign a contract? Should I sign one?

You know, honestly, I don't really know. I know that I requested and signed a contract with my first agent, and I didn't with my second.

This is also one of those questions that may be different depending on the genre you write in. There seem to be to be a lot more "handshake contracts" in science fiction/fantasy, though I'm not saying this is necessarily a better thing.

A contract with your agent is, however, very likely a...

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Published on February 03, 2010 07:57

February 2, 2010

Newbie Questions #11 & #12

11. How do I know which agent is best for me?


12. How much should I expect to pay an agent to represent my book?

Last one first: NOTHING.

Remember the rule that money always flows to the author. A literary agent works the same way a real estate agent does, which is to say that you should pay nothing until the book sells. Then, you can expect to pay a percentage of that sale. When I was agent hunting in the late Cretaceous that percentage was 15%, now-a-days it could be slightly more, but not ...

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Published on February 02, 2010 07:49

February 1, 2010

Newbie Question #10

10. How do I go about getting an agent? Where do I look for one?

The first piece of advice I want to give is this: finish your book first!

Now, assuming you've followed the above, finding an agent is an arduous process, but the single most important thing you're going to do as a writer (besides write the best book possible.) There are a few things you can be doing while you're writing your book, and they are --

1) read books you like and keep notes of any names listed in the acknowledgements;2...
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Published on February 01, 2010 07:57

Newbie Question #9

10. How do I go about getting an agent? Where do I look for one?

The first piece of advice I want to give is this: finish your book first!

Now, assuming you've followed the above, finding an agent is an arduous process, but the single most important thing you're going to do as a writer (besides write the best book possible.) There are a few things you can be doing while you're writing your book, and they are --

1) read books you like and keep notes of any names listed in the acknowledgements;2...
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Published on February 01, 2010 07:57

January 28, 2010

Newbie Question #9

9. How do you decide on a title for your book?

Titles are funny things. My first agent told me, "Don't get attached to the title you picked." My first agent had a famous client who recognized that he just wasn't any good at titles and sent each of his novels in to his publisher named "n1", "n2," etc. ("n" being "novel.")

Yet, with three notable exceptions, I've always ended up with the title I picked.

Again, I'm mostly working off anecdotal information, but my sense is that first novels ...

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Published on January 28, 2010 08:07

January 27, 2010

Newbie Question #8

8. How do you decide how long a book should be?

I stop when I get to the end of the story.

But I suspect this is actually a question about industry standards, so here's what they are, according to the Nebula Awards:

Novel: a work of 40,000 words or more*

Novella: a work of at least 17,500 words but under 40,000 words

Novelette: a work of at least 7,500 words but under 17,500 words

Short story: a work of under 7,500 words

I should note that for anyone other than the Nebula judges 40,000 words is ...

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Published on January 27, 2010 08:38

January 26, 2010

Newbie Question #7

7. How do you set up your books? Do you outline them first or do you have an idea and just go with it?

That question has changed for me as my career has advanced, and, in some rare cases, on a book by book basis. So my initial answer is, "Yes. Both. All. None."

Before I go into an explanation of that, I will tell you that I'm a big fan of "pre-thinking," however you might choose to do that. It's my anecdotal experience that successful writers "pre-think" on some level. For some, this means a d...

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Published on January 26, 2010 07:57

January 22, 2010

Newbie Question #6

6. How do you, when writing dialogue, make sure that each character sounds like a unique person?

Start with distinct, unique characters.

One thing I'm probably going to end up saying over and over during the course of this series is that conflict = drama. My suspicion is that if you're getting the critique that your characters all sound the same it's because they're difficult to tell apart for other reasons as well. They all come from the same socio-economic class. They're all the same...

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Published on January 22, 2010 07:47