Emma Darwin's Blog, page 38

June 17, 2010

Writing for radio part 4: writing

It sounds a bit obvious, but I realised that knowing my radio story would be spoken aloud and heard, not written and read, did change things. I write in first person most of the time, because it's so much easier to find the right, particular, different voice and the plotting problems it leads to are usually surmountable. If I want more than one viewpoint I'll have more than one first-person narrator. But I'd been flirting with the idea of writing this story in third person with a shifting or...

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Published on June 17, 2010 01:59

June 14, 2010

Not just better but also richer

In among radio stories and marking OU assessments, a wodge of editorial reports, and assorted domestic stuff, I still have to find time to revise the current novel. This is not a mere editorial hop-and-a-skip through, sorting out typos, but heavy engineering. The novel's a single story, quite heavily plotted and almost thriller-ish, told by alternating first-person narrators, and I've decided to change the narrator for one of them. So I don't want to change the plot if I can possibly help...

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Published on June 14, 2010 02:18

June 11, 2010

Writing for radio 3: meeting

I walked down the hill in the sunshine to meet the producer of my story for Radio 4 - let's call her Rosamund - trying to assemble my thoughts about what and how I write, in the hope that I'd be ready to hitch that onto what she wanted. With any new piece of work, but particularly one which is being written to contract, there's always a finely-balanced decision about how much to play to your strengths, knowing that it's a safe(ish) bet that you'll get an okay story, and how much to challenge...

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Published on June 11, 2010 06:28

June 8, 2010

Writing for radio part 2: thinking

So, halfway back up the A23 to London from my research trip to Brighton, I had what I was fairly sure was a viable idea for my first ever story for radio. Pier Productions' brief for this trio of stories, 'Lost in the Lanes', gave me my central problem, and I had 2000 words to solve it in. Next had to come Who? and Why? And in beginning to think those out (dream them up? But it felt more like 'discover them'...) I realised I absolutely knew where the story ended both physically and...

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Published on June 08, 2010 14:27