Jane Lindskold's Blog, page 12

FF: Time Warp

Dandy Anticipates

I am writing this draft before my surgery, because I don’t know if I’ll have the energy to do so after.  Instead of telling you what I’m reading, I’ll tell you what I’ve finished, and then offer some of what’s on my “hope to read” list.

A reminder.  The Friday Fragments is not a book review column; it’s a list of what I’m reading and maybe a bit about my opinions.  I always read the comments section and enjoy learning what other people are reading.  Oh, and I don’t usually list shorter works unless in a collection or articles, I also don’t usually list scattered research reading.

Completed:

Witchy Kingdom by D.J. Butler.  Adds a lot of complexity to this alternate version of (mostly) North America.  I hope to read the final book in the series fairly soon.

With Strings Attached by Jonathan Kellerman.  Mystery/thriller author Jonathan Kellerman collects guitars.  In this book, he brings his love of research and fluid prose style to a look at his collection.  Also includes a few essays on luthiers of note.  I very much enjoyed.

The Girl in the Green Silk Gown by Seanan McGuire.  Audiobook.

In Progress:

Not completely sure but a few possibilities.  I haven’t chosen a new audiobook, but I’m

This Island Earth.  I haven’t read this classic SF novel, but my pal Paul Dellinger gifted us with a copy of the book, as well as a copy of the movie.  I think it would be fun to read the one and see the other.

As pictured above, the adventures of Ursula Vernon’s Harriet the Hamster Princess books.  These are the sort of smart middle grade books an adult can enjoy just as much (and maybe more) than a kid.  Added bonus, the same whimsical illustration style Ursula brought to her award-winning graphic novel, Digger. 

I’ve also earmarked a few non-fiction books that I’ve wanted to delve into.  None are super “heavy,” but they are full of interesting content.

Also:

I’ve finished all our usual periodicals, but with April starting I suspect more will arrive.

Countdown Over!

Coco and SK5 (printed doublesided)

Today is my rotator cuff surgery.  My right arm will be in a sling for six weeks after, and I have fairly stern guidelines as to why I should not use that arm.  For this reason, I won’t be on-line much, and my responses to e-mails and Comments will be slower than usual.

No.  I won’t be using dictation software.  I wrote about why in more detail here, but the short answer is that after surgery my main job will be making sure I have a full and complete recovery.  I really don’t want to go through this again.  I’ve had a very painful time and before PT strengthened some of my other muscles so they could compensate, I had shifted to writing long hand since working on the computer was distractingly painful after a while.

My first job after will be reading through the manuscript of the fifth Star Kingdom novel.  David Weber sent me the file last Friday, and I’ve printed it out and put it in a binder so I can read without dropping pages all over the place.  However, I certainly am not going to be starting on this until I’m off major pain killers since my goal is not to amuse myself, but to give feedback to my collaborator and to do that, I need to have a clear head.

So, what will I be doing?  Sleeping a lot, I suspect.  Figuring out how much of my routine I can accomplish with one arm and a bit of very light use of the fingers of my right hand.  Reading.  If I have the energy, I have a thought about a craft project I can do with one hand, but whether I can waits to be learned.

For the duration, my website bookstore is closed, but you can still order e-books of most of my titles on-line.  As I mentioned last week, there’s a new edition of The Buried Pyramid available.  The novel is essentially the same, but there’s an extra content essay.

Jim and I hope to have him use the Wednesday Wandering to post updates, but since we don’t know how much spare time he’ll have, this is a hope, not a promise.  The same goes for the Friday Fragments.  I’ll certainly be reading, but I may not be able to update you every week.

Keep a good thought, and hopefully the time will pass quickly and I’ll heal well, and be back to my weekly posts really soon.

FF: Slowing Down

Rocking Roary!

I’ve really slowed down in my reading.  Losing “before bed” to my achy shoulder has definitely cut into my reading time.

A reminder.  The Friday Fragments is not a book review column; it’s a list of what I’m reading and maybe a bit about my opinions.  I always read the comments section and enjoy learning what other people are reading.  Oh, and I don’t usually list shorter works unless in a collection or articles, I also don’t usually list scattered research reading.

Completed:

Sparrow Hill Road by Seanan McGuire.  Audiobook.  Urban myths, highways, and the classic ghost story all get new life and strange validation through Seanan McGuire’s prose.  This is more or less a short story collection, but the stories do interrelate.  (And, yes, I do know there is a novel that comes next!)

In Progress:

Witchy Kingdom by D.J. Butler.  So far, quite good.  Definitely not a happily ever after book, but also not a downer.  Adds a lot of complexity to this alternate version of (mostly) North America.

With Strings Attached by Jonathan Kellerman.  Mystery/thriller author Jonathan Kellerman collects guitars.  In this book, he brings his love of research and fluid prose style to a look at his collection.  Also includes a few essays on luthiers of note.  I’m quite enjoying.

The Girl in the Green Silk Gown by Seanan McGuire.  Audiobook.  Although this isn’t a short story collection, the novel does have a somewhat episodic progression in the early parts.  Uses the material from Sparrow Hill Road well without being unduly repetitious.

Also:

Newest American Archeology.  Finished off with some interesting book reviews.  Also finished the latest AAA magazine, in which I usually enjoy most the articles that focus on my local region, rather than those touting other areas (in this case, a very odd look at Paris).

Skim On Down!

Art By Jane Noel

Based on the photo for today’s Wandering, I bet you can guess what at least one bit of this week’s news is, but there’s more, so skim on down…

At long last, there’s a new e-book edition of my 2004 novel, The Buried Pyramid, available at Amazon, Barnes and Noble, and Kobo.  The cover art is by Jane Noel, who also did the interior design, including putting together some insane ciphers.  Blessings on her patient head!

For those of you who aren’t fond of series, I am happy to inform you that The Buried Pyramid is a stand-alone novel.  It’s set in England and Egypt in the 1880s, and is full of adventure and intrigue.  As with my other e-books, it also includes an extra content essay.

I’m terrible at talking about my own books, so let me share the cover blurb.

Is It Better For the Lost to Remain Unfound?

As a young officer in Her Majesty’s army in Egypt, Neville Hawthorne was assigned to escort German archeologist Alphonse Liebermann to find the tomb of Neferankhotep, a pharaoh said to be so beloved of the gods that they themselves built his final resting place.  Liebermann’s expedition suffered a disastrous ending from which all Neville gained was a permanently injured leg.  Now a civilian of middle years, financially secure, and knighted for his achievements, Neville has decided he will not rest until he finds the tomb of Neferankhotep.

Seventeen-year-old Jenny Benet grew up in the Wild West, daughter of a French frontier doctor and unconventional Englishwoman.  Now orphaned, having discovered that polite society bores her to tears, she flees to her Uncle Neville.  When Jenny finds he will be leaving for Egypt, she’s determined not to be left behind.

Dogged by messages from a cipher-crazed doomsayer self-styled “Sphinx,” Neville, Jenny, and their companions become drawn into an intrigue nearly as old as Egypt.  If they hope to succeed where Liebermann failed, they must pass from the land of the living into that of the dead—and be judged as no one in thousands of years has been judged.

Of The Buried Pyramid, Publisher’s Weekly says: Lindskold delivers an exotic historical fantasy that takes the reader from Victorian England to Egypt. Lindskold does a fine job of describing the English lifestyle of the day and ancient Egyptian rituals. The action [shifts] to high gear and the supernatural spookiness carries the story to a satisfying conclusion. 

With The Buried Pyramid, all but a couple of my backlist novels are available in new e-book editions.  I do plan to get the last few—my early books from Avon—out, but first…

Earlier this week, David Weber sent me the much-expanded manuscript of the next Stephanie Harrington novel.  Star Kingdom Five (aka SK5) doesn’t have a title yet, but it does take young Stephanie across the threshold to where she is more an adult than a young adult.  The challenges begin in court on Manticore, but return to the deep forests of Sphinx, where Stephanie, Lionheart, and their friends are confronted with intrigues and dangers quite different from any they have faced before.

My next job will be reviewing Weber’s new material, and then we’ll put our heads together to make sure we’re both delighted with the final version.

This manuscript arrives on the threshold of my rotator cuff surgery, but I’m going to try to start work before, and will pick it up again as soon as I can.

Next week will be my last Wednesday Wanderings of any length until my arm is out of a sling, so let me know if you have any questions, and I’ll do my best to provide an answer.

Take care!

FF: Split List

Persephone Poses Prettily

This week I’ve been reading almost as much non-fiction as fiction.  I’ve left out a bunch of short articles, because this is not a bibliography!

A reminder.  The Friday Fragments is not a book review column; it’s a list of what I’m reading and maybe a bit about my opinions.  I always read the comments section and enjoy learning what other people are reading.  Oh, and I don’t usually list shorter works unless in a collection or articles, I also don’t usually list scattered research reading.

Completed:

Witchy Winter by D.J. Butler.  Very different from the first book in the series in that there are numerous plot threads and timelines.  Good use of a wide variety of myth and folklore in an alternate historical setting.

Paladin’s Grace by T. Kingfisher (aka Ursula Vernon).  Audiobook.  I’ve read this novel, but I don’t think I’ve ever listened to it.  The reader is adequate but apparently can’t settle on one pronunciation for some of the names.  But he does Grace very well.  And Tab.

Making Poor Man’s Guitars by Shane Speal.  Non-fiction.  A terrific and fun read, mostly focused on making cigar box guitars.  Great anecdotes about various blues performers and their instruments.  Also offers a look at the history of the one-string guitar.

In Progress:

Witchy Kingdom by D.J. Butler.  So far, quite good.  Definitely not a happily ever after book, but also not a downer.  Adds a lot of complexity to this alternate version of (mostly) North America.

With Strings Attached by Jonathan Kellerman.  Mystery/thriller author Jonathan Kellerman collects guitars.  In this book, he brings his love of research and fluid prose style to a look at his collection.  Also includes a few essays on luthiers of note.  I’m quite enjoying.

Sparrow Hill Road by Seanan McGuire.  Urban myths, highways, and the classic ghost story all get new life and strange validation through Seanan McGuire’s prose.  This is more or less a short story collection, but the stories do interrelate.  (And, yes, I do know there is a novel that comes next!)

Also:

Newest American Archeology.  Early articles were quite good, but the later ones have been sloppily written and edited.  (Ex. “ancestor” used when “descendant” was apparently meant.  Someone should have caught that!)  This sort of thing always makes me begin to question the rest of a non-fiction work’s content.

Song of the Audiobook

Have You Heard the Word?

A little bird has told me that the audiobook of my Over Where novel Aurora Borealis Bridge should be available right about now.  It is available at several vendors, including audiobooks.com and Audible. It joins Library of the Sapphire Wind, which came out in February.  Both are read by Elizabeth Ashby, who I interviewed here.

The month of March arrived like a lamb, but has definitely been showing his “lion” side as the month has unfolded.  The winds are providing the lion’s roar, and we’ve had snow, sleet, freezing rain, hail, and just plain rain.  Often in the same hour.  Since I’ve lived in a very dry climate for decades now, any moisture is very welcome, but I’ll admit, I never get used to the winds.

This week is cluttered with a variety of medical appointments related to my upcoming rotator cuff surgery.  However, I hope to find time to do some writing.  The last few weeks have been very productive, and I’ve enjoyed myself greatly.  I’ve also had a great deal of fun putting together elements for the role-playing game I’ve been running.

A few people have asked me if I’ll be running my game after my surgery.  I won’t, at least during the time my arm is in a sling and probably for a bit after, because I tend to take handwritten notes as we go along, as well as draw truly horrible freeform maps.

However, I will be gaming.  My long-time friend Rowan Derrick is taking over as referee (as she has done twice before) and is putting together an urban fantasy adventure for us.  I will admit, I’m looking forward to it.  Rowan runs a great game.  I also think it will be healing to look forward to getting together with some of my favorite people to indulge in one of my favorite hobbies..

So, on that cheerful note, I shall go and warm myself a cup of something and return to writing.  Take care, be well…

FF: I’m Not One of Those

Roary Reads!

I have a pretty good memory, so I’m not one of those readers who needs to re-read all prior books in a series before starting a new one.  Nonetheless, even I like when a new book in a series lets me know how this one relates to the ones before, even when I’m reading a series in order.

A reminder.  The Friday Fragments is not a book review column; it’s a list of what I’m reading and maybe a bit about my opinions.  I always read the comments section and enjoy learning what other people are reading.  Oh, and I don’t usually list shorter works unless in a collection or articles, I also don’t usually list scattered research reading.

Completed:

Witchy Winter by D.J. Butler.  Very different from the first book in the series in that there are numerous plot threads and timelines.  Good use of a wide variety of myth and folklore in an alternate historical setting.

In Progress:

Paladin’s Grace by T. Kingfisher (aka Ursula Vernon).  Audiobook.  I’ve read, but I don’t think I’ve ever listened to it.  The reader is adequate but apparently can’t settle on one pronunciation for some of the names.  But he does Grace very well.  And Tab.

Witchy Kingdom by D.J. Butler.  Just starting.  Unlike Witchy Winter, the opening of which confused me, this has a good solid opening that links without undue repetition to events in the previous book.

Also:

Newest American Archeology.  And some books about guitars.  More on those later.

Reading Aloud

Reading From Library of the Sapphire Wind

Last week, I revealed the deep dark secret behind why I prefer not to use voice to text for my writing.  This week, as promised, I’m going to tell you why doing a reading is always an adventure.

Let me start by saying that I have a lot of experience reading aloud, pre-dating becoming a professional writer, which is a career that comes with the expectation that authors will read aloud from their work at various occasions.  My first experience reading aloud came when I was reading to my younger siblings.  My younger sister is nearly eight years younger than me, so I read to her a lot.  Her favorite book was Fox in Socks.  To this day I can still recite the ending tongue twister with fair accuracy.  I started babysitting very young, and reading bedtime stories aloud used to be a routine part of the job.

Later, as both an English major and English professor, I did a lot of reading aloud.  Enter the publication of my first short story in the early 1990s.  With this came opportunities to do public readings and the revelation of a new wrinkle in my personal timeline.

I discovered that reading my own fiction aloud transformed the work.  One reason for this was because, as I mentioned last week, I’m a very immersive writer and even though I’m fairly good at coming up with different voices for characters, I certainly can’t make them sound like they do in my head.  Especially the first few times I read from a piece, even if I rehearse in advance, I find the sound of my voice subbing for the characters’ “real” voices startling.

The other reason reading aloud from my works to an audience requires me to shift my perceptions is because, like many writers, I use reading my work aloud to myself as a means of proofing the work and checking the flow of the prose.  This means that, for me, I need to have two different mindsets for reading aloud: the one that is hyper alert and critical, and the one that’s reading to entertain.

Sometimes separating these can be a struggle, because the two are quite antithetical to each other.  As a frequent listener of audiobooks, I have heard how a really talented reader can make an indifferent piece of prose much more entertaining.  Equally, I have heard readers maul the prose as written, completely changing the story in how they choose to interpret a character.

When I read to proof my work, I deliberately don’t perform it.  I focus on detail.  I mentally critique just about very word and make sure the punctuation signals how I want the emotional or informational content of the prose to be interpreted as the reader.  Needless to say, this would make for a terrible style when giving a public reading.

So, there’s another reason why switching to voice to text would be a challenge for me.  I’d do it if I had no other option, but right now, the idea does not amuse.

FF: Artificial Stress

Drowsing Persephone

My list is shorter this week in part because I tried one audiobook and found it too hard to read about a very vulnerable character in jeopardy.  I’m not listing title or author because the book is neither bad nor weak.  I’m just not in a mindset to read some of the situations at the pace of an audiobook.  I may find a print copy, because I read a lot faster than I listen.

Essentially, I have enough real stress in my life that I don’t need to borrow any!

A reminder.  The Friday Fragments is not a book review column; it’s a list of what I’m reading and maybe a bit about my opinions.  I always read the comments section and enjoy learning what other people are reading.  Oh, and I don’t usually list shorter works unless in a collection or articles, I also don’t usually list scattered research reading.

Completed:

The Long Way to a Small, Angry Planet by Becky Chambers.  Audiobook. Re-listen.  Really good small spaceship adventure set in a universe with lots of well-developed aliens.

In Progress:

Witchy Winter by D.J. Butler.  Very different from the first book in the series in that there are numerous plot threads and timelines.  I’m enjoying and at this point plan to continue the series.

Paladin’s Grace by T. Kingfisher (aka Ursula Vernon).  Audiobook.  I’ve read, but I don’t think I’ve ever listened to it.

Also:

Having finished reading the most recent Smithsonian, I seem to have caught up with magazines for the moment.

The Sound of My Voice

Geese Stepping Out

Last week, when I posted about my upcoming rotator cuff surgery, I mentioned how almost as soon as I mention that my right (dominant) arm will be in a sling for six weeks following the surgery, I receive some variation on the suggestion that I set up so I can use voice to text.

Sometimes a specific program is suggested.  Often there is a kind offer to show me how to use the software.  In a few cases, the suggestion is worded in a fashion that makes it clear that the person making the suggestion thinks that I’m one of those old people who is “afraid” of technology.

The reason I don’t plan on using voice to text during those six weeks has nothing to do with technophobia.  I may not be one of those people who needs to adopt the latest gadget, but I’m far from a technophobe.  I started using a computer back when it was necessary to type in code for routine things like underlining.  I had one of the first two PCs used by the English Department at Fordham University back when I was a grad student.  My first job as a college professor was at one of the first colleges to require incoming freshmen to have a PC, and I taught classes in a networked classroom.

To me, technology is a tool, not a lifestyle choice.  So why am I not making that lifestyle choice to help make my life easier when I’m not going to be able to get full use out of my right arm?

One reason, as I explained last week, is that I plan to concentrate on healing, which means cutting back on all the things I do, many of which involve using my computer.  But there’s an additional reason that voice to text doesn’t appeal to me.

The sound of my own voice gets in the way of my composing, especially when writing fiction.

Back when I taught at Lynchburg College, I was one of two members of the department who did a fair amount of creative writing on the side.  The other was a poet named Loren.  The department was small and friendly and enthusiastic, so it’s not surprising that from time to time we’d actually end up discussing literature.  And often when someone was outlining their theory as to why some author had done this or that, what influences there might have been, whatever, Loren and I would just look at each other, because, for us, stories came from wherever they came and sort of wandered out the ends of our fingers onto the page.

Loren, who was a fisherman, as well as an award-winning poet, said that his poems often started as if he was hearing a voice over a lake, and trying hard to capture the words.

I’ve never been so poetic in describing my writing, but the process is similar.  Sure, I do a lot of thinking, a lot of research, but the actual experience of writing can approach on mystical, with the characters and situations taking on a life of their own.  Sometimes I experience the evolving story with all five senses.  Hearing my voice can get in the way of the writing.  It’s that simple.

Doing a reading is always an adventure, but that’s topic for another time.  Ask if you want more…