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Jimmy McDonough
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“You really can't go through life wanting to be liked. It's the hardest lesson to learn. Once you say, "Fuck it, I don't care," once you've got that attitude, then it's easy to relax, to talk, laugh, cry, whatever.”
― The Ghastly One: The Sex-Gore Netherworld of Filmmaker Andy Milligan
― The Ghastly One: The Sex-Gore Netherworld of Filmmaker Andy Milligan
“-You don't like confrontation?
Sometimes I'm really down for confrontation. It's kind of like a changing thing. I don't know why.
Must be something that makes me differentiate between things I want to be straight-ahead about, and things that I DON'T want to be straight-ahead about. I think that most people have that mechanism. But some people handle it differently- they just go, "Well, this is something I don't wanna do that I gotta do." Some people think, "This is something I don't wanna do that I'm gonna do- but kinda half-assed." I think I fall into THAT category, heh heh heh.”
― Shakey: Neil Young's Biography
Sometimes I'm really down for confrontation. It's kind of like a changing thing. I don't know why.
Must be something that makes me differentiate between things I want to be straight-ahead about, and things that I DON'T want to be straight-ahead about. I think that most people have that mechanism. But some people handle it differently- they just go, "Well, this is something I don't wanna do that I gotta do." Some people think, "This is something I don't wanna do that I'm gonna do- but kinda half-assed." I think I fall into THAT category, heh heh heh.”
― Shakey: Neil Young's Biography
“Young has a personal relationship with electricity. In Europe, where the electrical current is sixty cycles, not fifty, he can pinpoint the fluctuation --- by degrees. It dumbfounded Cragg. "He'll say, 'Larry, there's a hundred volts coming out of the wall, isn't there?' I'll go measure it, and yeah, sure --- he can hear the difference."
Shakey's innovations are everywhere. Intent on controlling amp volume from his guitar instead of the amp, Young had a remote device designed called the Whizzer. Guitarists marvel at the stomp box that lies onstage at Young's feet: a byzantine gang of effects that can be utilized without any degradation to the original signal. Just constructing the box's angular red wooden housing to Young's extreme specifications had craftsmen pulling their hair out.
Cradled in a stand in front of the amps is the fuse for the dynamite, Young's trademark ax--Old Black, a '53 Gold Top Les Paul some knot-head daubed with black paint eons ago. Old Black's features include a Bigsby wang bar, which pulls strings and bends notes, and Firebird picking so sensitive you can talk through it. It's a demonic instrument. "Old black doesn't sound like any other guitar," said Cragg, shaking his head.
For Cragg, Old Black is a nightmare. Young won't permit the ancient frets to be changed, likes his strings old and used, and the Bigsby causes the guitar to go out of tune constantly. "At Sound check, everything will work great. Neil picks up the guitar, and for some reason that's when things go wrong.”
― Shakey: Neil Young's Biography
Shakey's innovations are everywhere. Intent on controlling amp volume from his guitar instead of the amp, Young had a remote device designed called the Whizzer. Guitarists marvel at the stomp box that lies onstage at Young's feet: a byzantine gang of effects that can be utilized without any degradation to the original signal. Just constructing the box's angular red wooden housing to Young's extreme specifications had craftsmen pulling their hair out.
Cradled in a stand in front of the amps is the fuse for the dynamite, Young's trademark ax--Old Black, a '53 Gold Top Les Paul some knot-head daubed with black paint eons ago. Old Black's features include a Bigsby wang bar, which pulls strings and bends notes, and Firebird picking so sensitive you can talk through it. It's a demonic instrument. "Old black doesn't sound like any other guitar," said Cragg, shaking his head.
For Cragg, Old Black is a nightmare. Young won't permit the ancient frets to be changed, likes his strings old and used, and the Bigsby causes the guitar to go out of tune constantly. "At Sound check, everything will work great. Neil picks up the guitar, and for some reason that's when things go wrong.”
― Shakey: Neil Young's Biography
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