Joseph Mallozzi's Blog, page 350

April 14, 2016

April 14, 2016: New Dark Matter episode title revealed! Multiplanetary logos!

The polls have closed, the results tabulated, and we have a winner.  The fans have selected one more episode title for Dark Matter’s second season.  And, this time, it wasn’t all that close.  The results…


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“Episode 22: Doing Out Fighting”


Thanks to everyone who took the time to vote!


A busy morning, afternoon, and early evening on set today, chock full o’ fun: llamas, goats, chickens, Mad Max-esque vehicles, and cagey locals.  Priceless pics and behind-the-scenes insights tomorrow.  For now, I leave you with the visual stylings of 1st Assistant Art Director Roxanne Borris:


 DM1G_FerrousCorp_Logo_Colour


DM1G_FerrousCorp_Logo_Colour


DM1G_Mikkei_Combine_Logo_Colour


DM1G_Mikkei_Combine_Logo_Colour


DM1G_PendragonCorp_Logo_Colour


DM1G_PendragonCorp_Logo_Colour


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Published on April 14, 2016 16:21

April 13, 2016

April 13, 2016: Vote on a new Dark Matter episode title!

Well, as promised, today is the day YOU get to help choose a new Dark Matter episode title.  For those of you not-in-the-know, Dark Matter fans have helped select the names of every season 2 episode to date.  To date, these have been your choices:


“Episode 14: Welcome To Your New Home”

“Episode 15: Kill Them All”

“Episode 16: I’ve Seen The Other Side Of You”

“Episode 17: We Were Family”

“Episode 18: We Voted Not To Space You”

“Episode 19: We Should Have Seen This Coming”

“Episode 20: She’s One Of Them Now”

“Episode 21: Stuff to Steal, People to Kill”


And, today, we move on to Episode 209 (“Episode 22”).  The nominees are:





Take Our Poll

The polls are open for the next 24 hours.  Cast your vote!



Looks like we’ve got a lockdown situation, courtesy of the Art Department’s Sumeet Vat.


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Published on April 13, 2016 14:42

April 12, 2016

April 12, 2016: Dark Matter – The Home Stretch!

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Finally, there is light at the end of the tunnel!  Following a day chock full o’ meetings, we’re in the home stretch.  Episode 212 starts shooting on Monday – which means our season finale starts prepping that same day – which means YOU’RE all that much closer to watching Dark Matter’s second season! (Photo above courtesy of Renee Chan).


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Awww, it’s a kid’s fingerprinting station.  How adorable – uh, hang on.  That’s not paint!  (Disquieting on-set visual compliments of Ivon Bartok). IMG_5637Mystery corridor.  Note the stark Kubrickesque red and white color scheme.


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Mystery box.  What’s inside?  I’m pretty sure it’s nothing good.


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Mystery lab.  The spotlit table with the metal restraints is a tell.


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Mystery crew.  What is the gang up to today?


Last day to post your questions for Melissa O’Neil Dark Matter’s TWO (as if you didn’t know).


Tomorrow, the voting commences for yet another Dark Matter episode title to be chosen by YOU!


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Published on April 12, 2016 16:05

April 11, 2016

April 12, 2016: Daggers, Dark Matter, and Drones! Ask Melissa!

We kicked off the day with our Episode 212 stunt meeting.  It mostly involved director Will Waring, stunt coordinator John Stead, and me debating the merits of various daggers.  With that done, I left the blades behind (despite my better judgement) and headed out for a two hour clear-the-air sit-down during which I watched a heavy-set customer beside us consume an entire family bowl of breakfast chicken tenders.  From there, it was back to the production offices for a quick lunch, then cross town to Urban for an afternoon of cuts and corrections with editor BenWilkinson of Episode 209.


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While I spend my day in the relatively warm confines of civilization, Ivon was out in the wilderness of Rockton, overseeing production on Episode 211.  Apparently, the snow-encrusted forest looked absolutely gorgeous this morning…


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Then downright miserable when things warmed up and the surroundings turned into a muddy morass.



Meanwhile, there was a little dronery going on as captured by Ivon Bartok (he snapped the above pics as well).  What’s the deal? Well, it won’t be long ’til you find out!


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Speaking of Things To Look Forward To – Dark Matter’s TWO, Melissa O’Neil, will be doing a fan Q&A on this blog.  If you have a burning question for #2Boss, post it in the comments section.  You’ll have until Wednesday night!


On a non-Dark Matter-related note – If you liked this commercial:



You’ll love these outtakes:



Finally, back to Dark Matter, let me leave you with this:


https://www.inverse.com/article/14035-14-underrated-sci-fi-shows-you-need-to-binge-watch-before-they-return


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Published on April 11, 2016 16:20

April 10, 2016

April 10, 2016: Melissa O’Neil (Dark Matter’s TWO) wants to hear from YOU! Behind-the-scenes pics!

DARK MATTER -- Season:1 -- Pictured: Melissa O'Neil as Two -- (Photo by: Dennys/Ilic/Syfy)

DARK MATTER — Season:1 — Pictured: Melissa O’Neil as Two — (Photo by: Dennys/Ilic/Syfy)


I’m pleased to announce that Melissa O’Neil (Dark Matter’s kick-ass commander, TWO) has happily offered to find the time in her busy shooting and stunt rehearsal schedule to answer YOUR questions.  Leave your burning queries in this blog’s comments section.  I’ll gather them over the course of the next three or four days and then send them her way.  She’s ready…


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So post ’em if you got ’em.


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A few behind-the-scene photos of a rare Saturday second unit shoot.


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Director Mairzee Almas sets up at her impromptu work station.


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A couple of questions here.  What’s the deal with that cage?  And what the heck are those metal obstructions?


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Oh, okay.  Now about that cage…


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Um, this does NOT bode well.


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And neither does this.


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The Art Department sets up the big marshmallow-roast sequence.


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I couldn’t ask for better company!  From left to right: On-Set Costumes Supervisor Jozie Conte, Script Supervisor Carolyn Arbuckle, Key Hair Renee Chan, Key Make-Up Lynda McCormack, and On-Set Key Props Nicola Moss.  Not pictured: EVERYONE ELSE!


Looks like another busy week ahead.  Ivon will be out on location, overseeing the action with Director Mairzee Almas, while I prep Episode 212 with Stargate alum Will Waring (who hasn’t changed a bit!).  Wonder how he’ll work a pineapple into THIS episode.  For those who don’t know what I’m talking about (Pineapple?) or don’t know Will, here’s a past fan Q&A to get you up to date:


https://josephmallozzi.wordpress.com/2008/09/12/september-12-2008-with-special-guest-star-director-will-waring-and-the-fx-stage-tour-part-v/


I’m in the editing room tomorrow afternoon with fabulous editor Ben Wilkinson, finishing my pass on Peter DeLuise’s director’s cut of Episode 208 (I’m just going to go ahead and boldly declare it a fan favorite)…which means it’s time for you, the fans, to vote on a NEW episode title.  Stay tuned to this blog for details!


’til next time…


P.S. Did I mentioned Melissa O’Neil has agreed to do a fan Q&A and that you should definitely post your questions for her?


Tagged: #DarkMatter, Dark Matter, Melissa O'Neil
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Published on April 10, 2016 14:11

April 9, 2016

April 9, 2016: Director Mairzee Almas in action!

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It hit me early this morning, at 4:15 am on the dot, rousing me from a deep slumber and striking me with the sheer obviousness of it all.  The seemingly unconnected pieces actually came together in my dream, snapping together to offer an answer to a question I hadn’t even asked.  Or even thought to ask.  But now…NOW it makes perfect sense.  I shared my theory with someone and, while he preferred to offer the benefit of the doubt, there’s no denying the “coincidental” nature of the seemingly unrelated developments.  Damn.  This may get ugly.


But that’s a confrontation for another time.   Today, it was all about a rare Saturday shoot that saw me catching a lift to the deep freeze wilderness of Rockton with Episode 211 director Mairzee Almas (pictured above, imagining ahead during a location scout).


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Mairzee hails from Vancouver where she’s worked on productions like SmallvilleLucifer, and The 100.


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Mairzee is also an alum on a longtime Toronto production, a little show called Lost Girl, that some of you may be familiar with.  So, when she rolled into the office the other week, there were smiles all around.   I put an immediate stop to that.  After all, as 1st Assistant Director Brandon Tataryn will tell you, there’s no smiling in prep.


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Since you asked – you DID ask, didn’t you? – prep week went swimmingly.  We discussed cabins, markets, llamas, clones, and, of course, guns.


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Day 1 of production saw us on our standing Raza sets – infirmary, mess, bridge, corridors.


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Day 2 saw us on our swing stage – transit room, corridor, and Marauder.


And our third – well, that was today.  We had the chase.  We had the talk.  And the tearful farewell.  It was quite a moment – and one I’d been planning since the summer of last year.  Great, great performances.  And a great, great director.


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Published on April 09, 2016 17:20

April 8, 2016

April 8, 2016: Decisions, decisions, decisions!

All the idea spinning, story breaking, script writing, revising, rewriting, polishing, prepping, production, approvals, and post has finally caught up with me.  I am officially “exhausted”.  Sorry.  With a capital E.  “Exhausted”.  On the one hand, I suppose I can look forward to the fact that the weekend is finally here.  On the other, I can’t take much comfort in the weekend since we’re actually shooting tomorrow on location and I have to get up early for my 6 a.m. pick-up.


But there’s light at the end of the tunnel!  Paul and I completed a rough first draft of the season finale the other day.  We’re one month out from a second season wrap.  And I’m two months out from returning to Vancouver.  And that’s where the decisions await…


Do I convene the writers’ room and break season 3 with confidence that we’ll be getting that elusive pick-up, or do I follow my new agent’s advice and head to L.A. where I start taking meetings?


Do I concentrate on Dark Matter or do I full focus on setting up my other pilots?


Do I sell the house in Vancouver or do I hold onto it for now?


Do I adopt another pug or do I make do with only two dogs?


Whatever I decide, I can say that it has been an amazing season of television working with some of the most amazing people one could ever hope to work with.  Yes, it’s been exhausting, but incredibly satisfying, and I can’t wait to blow you all away with Dark Matter’s second season.  And it’s all gone perfectly according to plan, from Hyperion-8 to Eos-7, and when the final credits roll on episode 26 (title, of course, to be decided by YOU), we’ll be happily closing yet another chapter of this five part SF epic.  Ideally, in time, I’ll get to finish the story I’ve envisioned – with the same people who made the show’s first two seasons such a memorable experience – and with all of its twists, turns, shocks, and surprises.


If not, all is not lost.  Whether it’ll be through a novel, a comic book series or, hell, a breakdown right here on this blog, you WON’T be left hanging.


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Published on April 08, 2016 17:59

April 7, 2016

April 7, 2016: Editor/Director Paul Day in action!

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I’ve often drawn parallels between my experience working on Stargate and my experience here, working on Dark Matter – the production, the people, and the overall positive vibe.  When Paul and I joined Stargate at the beginning of SG-1’s fourth season, we started off as co-producers but, thanks to the support of people like executive producers Brad Wright and Robert C. Cooper, we learned, took on more responsibilities, and developed as both writers and producers, gaining valuable experience on set, in prep, and in the editing room.  Some eight years later, we were show runners.


And so it was with many of our fellow crew members who started small but dreamt big and, over time, were given the opportunities and support to develop their talents as writers, producers, and directors.  And, I’m pleased to say, that the same supportive atmosphere and opportunities exist here on Dark Matter as well.


Paul Day has been a longtime editor; fantastic at his job.  And, over the past couple of weeks, he was afforded the opportunity to step up, assume the directing reins, and start on the road to a whole other career in production.  The reviews have been great – from my fellow producers, from the crew, and from Wendy Hallam-Martin, the editor cutting his episode.


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Paul, directing in comfort.


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Breaking down his shots in The Raza.



The Dolly Dance.


He’s a good guy and I’m very happy for him.  I look forward to his director’s cut of episode 210.  And more to come in time.


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Published on April 07, 2016 17:36

April 6, 2016

April 6, 2016: Goodies from the Dark Matter art department!

Well, I’m pleased to report we are in majority agreement.  Presenting our choice for the Ishida cruiser:


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Thanks to everyone who weighed in with their votes and opinions.  And thanks to artist Jon Hrubesch for gorgeous design.


After Stargate ended, I would receive all sorts of request from fans for the onscreen graphics used at Stargate Command or the Destiny.  Sadly, I never had the files so the best I could do was offer videos of the onscreen playback.  I’ve sought to rectify that oversight on Dark Matter by uploading and spotlighting all of the amazing work being done by our own playback team led by 1st Assistant Art Director Kelly Diamond.  A lot of these are simple non-featured background elements, but they add so much visual texturing to scenes and the amount of detail that goes into them is incredible…



(Graphics: Victor Mare)



(Graphics: Sumeet Vat)


 


(Graphics: Kelly Diamond)


 Meanwhile, the props department has been hard at work, transforming this –


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Into this –


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Mighty impressive, no?


 IMG_5875Meanwhile over on The Raza: Paula MacNeil and Laura Miyata take a break from the on-set action.  These two need their own sitcom.


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Published on April 06, 2016 13:19

April 5, 2016

April 5, 2016: Done and (almost) done!

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A little something from the Dark Matter wardrobe department.  Costume Designer Noreen Landry’s sketch of an Ishida Royal Guard.


Done and (almost) done!  Today, I completed the preliminary first draft of our season finale, episode 213 (which you’ll be naming at some point in May).  All I can say is: “Holy smokes!”.  The script is now in Paul’s hands.  He’ll do his final pass,pitch it back to me for my final final pass, then back to him for HIS final final final pass.  And then, we’re officially done!


Until we receive notes from Jay.  And we need to make changes during prep.  But, come on.  Don’t be so negative.  Let’s celebrate this small victory with this intriguing but potentially disquieting piece of playback courtesy of Dark Matter 1st Assistant Art Director Kelly Diamond:



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Published on April 05, 2016 16:55

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