Katherine Nabity's Blog, page 227
August 3, 2013
Saturday Cinema ~ Why I Liked The Lone Ranger
I like going to the movies. If I had more money than I do, I’d go more often. Usually, we try to keep trips to the local cineplex down to about three a year, usually a summer movie, a fall movie, and a winter movie. Usually, those movies are big-screen spectacles or movies I want to support by buying a ticket. This summer has been an outlier; it’s been filled with movies in both categories. I’ve seen five (Five!) movies this summer. What have been my favorites? Here’s roughly how they stack up:
Now You See Me
The Lone Ranger
Much Ado About Nothing
Pacific Rim
Iron Man 3
Much Ado About Nothing is smack-dab in the middle, being my least favorite adaptation of my favorite Shakespeare play.
Now You See Me has the top spot because, while it has it’s flaws, it’s a movie directly up my alley. And I appreciate it for its non-franchise, low-ish budget chutzpah. Currently, of the five, it’s made the most money domestically. Not bad for a magic heist.
Iron Man 3 might be the exact opposite. I like superhero movies, but I realize that my tolerance for their formula has run thin. After an enjoyable, well-made The Avengers, I was disappointed to find a poorly-written mess.
Sadly, the same goes for Pacific Rim. It was a beautiful movie, as should be expected from Guillermo del Toro, but the writing is achingly bad.
Which brings me to The Lone Ranger, a movie that been pretty much universally panned.
As a kid, I watched The Lone Ranger reruns. The daring-do appealed to me. As well as the Lone Ranger’s awesome horse. And while I might have claimed (up until the 2000s) that I didn’t like Westerns, I probably did own a white hat, ranger badge, and bright silver plastic six-shooters at one time. From the trailer, I thought the movie looked like a lot of fun. I was dubious that it would actually be good, but it looked fun.
I was going to skip watching it in the theater after seeing Now You See Me and Much Ado because I figured it was going to be one of those big stupid-money summer movies. Of course, after opening weekend, that was obviously not the case. What went wrong with it? I had to see for myself.
The writing: The movie’s primary flaw is that it’s uneven. We start out with an aged Tonto telling a young boy the story of his life. He is not a reliable narrator. If you think about The Lone Ranger as a tall tale, as American folklore, it’s wackyness works. Unfortunately, the movie also feels the need to be too earnest too often. Both John Reid and Tonto are seeking revenge, against the background of Big Railroad. The movie never quite finds its balance. Some parts run a little long.
Tonto: Johnny Depp, faintly a Native American, plays Tonto. Tonto in this version of the mythos is a bit, well, Johnny Depp. *I* don’t have a problem with this. This Tonto, at least in his own telling, is a bit of a bad ass. He’s also understandably unbalanced; there is a reason for his madness. And if we’re going to raise issues of the suitability of actors to play certain roles, should Idris Elba play Heimdall? Should Jaimie Alexander play Sif (known for her golden hair)?
The franchise: The Lone Ranger isn’t a franchise known by 18-25 year-olds. The “reboot” is probably a little too radical for viewers older than myself. The Depp/Bruckheimer/Verbinski franchise has probably suffered from Pirate fatigue. Armie Hammer plays a great straight man, but he’s not a draw. And Westerns are a hard sell, more so when you add comedy into the mix. $215M was a bloated budget for a genre that doesn’t historically pull those kinds of numbers.
Bottom Line: I enjoyed The Lone Ranger. I understood it’s heightened folklore feel. I liked it’s running jokes. It is a beautiful movie and the leads are very agreeable. At the end of the day, it comes down to this: I don’t think I’ve grinned so hard during a movie as when The William Tell Overture kicked up during the incredibly over-the-top train fight, an action sequence that was much more entertaining than the train fight in Skyfall. And I was still grinning in the parking lot, and on the way home, and I’m grinning even as I write this.


August 1, 2013
What Else in July

Joseffy shows absolutely no deception. (The Sphinx, May 1931)
Added 16K to my restart of the Abbott Project. (Still no title…) That brings the grand total to 25K, which is the longest of the post-NaNo rewrites. I still get caught in research holes, but those aren’t exactly bad things. My tentative plan for August is to add 3000 words to the manuscript every five days. Basically, I’ll take two days to goof-off/research/edit and then concentrate on adding positive word counts for the three days after that. I’m shooting for a total manuscript length of 43K-45K by the end of August.
Query-wise:
Between travel, Eric querying his novel, and Eric giving Luck for Hire‘s query a once over, I pretty much took the month off from sending anything out. I had one query and response each for Luck for Hire and Model Species.
Other Life Stuff
Obviously Comic Con was the biggie. We were pretty much out of town for a week and then came con crud once we were back. Hopefully, August will be nice and calm and productive.
Books Obtained
The Coldest Girl in Coldtown by Holly Black
The 100 (The Hundred, #1) by Kass Morgan
The Thinking Woman’s Guide to Real Magic Emily Croy Barker
The Dead Run: A Novel by Adam Mansbach
Minor Miracles by Will Eisner
The Tiny Book of Tiny Stories, Vol. 1 ed. by Joseph Gordon-Levitt
Other Books I Want to Read
At Goodreads:
The Life and Many Deaths of Harry Houdini by Ruth Brandon
The Strange Affair of Spring Heeled Jack (Burton & Swinburne, #1) by Mark Hodder
The Swan Gondola: A Novel Timothy Schaffert

A Polish Book of Monsters by Michael Kandel
Death from a Top Hat by Clayton Rawson
Edge by Koji Suzuki
The Invention of Everything Else by Samantha Hunt
Facts, Frauds, & Phantasms: A Survey of the Spiritualist Movement by Georgess McHargue
Thirteenth Night (Fools’ Guild, #1) by Alan Gordon
Beyond Rue Morgue Anthology: Further Tales of Edgar Allan Poe’s 1st Detective by Paul Kane
Under Heaven by Guy Gavriel Kay
Beautiful Ruins by Jess Walter
The Coroner’s Lunch (Dr. Siri Paiboun, #1) by Colin Cotterill
The Notable Brain of Maximilian Ponder by J.W. Ironmonger
The Firebird by Susanna Kearsley
At the Greater Phoenix Digital Library/Open Library:
Spirit slate writing and kindred phenomena by Chung Ling Soo


July 30, 2013
Double Review ~ The Houdini Box & Now You See It
Victor is forever trying to escape from locked trunks, walk through walls, and perform any number of Houdini’s astonishing magic tricks…without success. Then — amazingly — he actually meets his idol, and begs Houdini to explain himself. A mysterious locked box is the magician’s only answer, and Victor is left to wonder: Does the box contain the secrets to the most famous magic tricks ever performed? (via Goodreads)
Brian Selznick made me cry over my least favorite magician.*
This is the first Brian Selznick book I’ve read. I’ve been strongly encouraged to read Hugo and I will. I will! I swear! I came across The Houdini Box at Open Library and figured I’d give it a no-risk try.
It’s a lovely little book. It’s for kids, but there’s a little something for adults in it as well as a grown up Victor remembers to enjoy the things he did as a child. The illustrations are evocative and humorous. There is obvious love for the subject matter, everything is tinged with just a little bit of fantasy. Maybe I’ll buy this for one of my nephews for Christmas sometime, if they take any inclination toward magic.
* (How can Houdini be my least favorite magician? Strangely, I’ve never been much of a fan. I appreciate his talent, as an escape artist and more so as a self publicist, but there might be two reasons for my…dislike is too strong a word. “Least favorite” is probably too strong too. Let me put it this way: If I were making a list of my top twenty magicians, Houdini would be #20, but he’d never get knocked out of the twentieth spot.
First, I don’t care much for magic that is trumped up as being dangerous. I know that, generally, it’s not. If a magician says, “I’m going to do this very dangerous trick; I could die during it.” The focus is not on the trick, it’s the potential fatality. If a magician let’s me sketch in the amount of danger he or she may be in, just the facts, I’ll probably believe myself more.
Second, I recently realized that I have this awkwardness about Houdini. It comes from, I think, the fact that the initial photos that I saw of Harry Houdini, probably from a fairly general book on magic history written for 8-year-olds, are of him undressed and in chains. I’m not a prude, but it didn’t seem that, as a kid, I should be taking interest in an undressed man in chains! Deep seated, totally irrational; I like Houdini more now that I’ve gotten that out of the way.)
Genre: KitLit
Why did I choose to read this book? It was short, it was free, I hadn’t read any Brian Selznick.
Did I finish this book? (If not, why?) Yes.
Craft Lessons: Take a little license sometimes, when it makes the story better.
Format: Online browser-based scan.
Procurement: Open Library
Now You See It . . . by Richard Matheson
Maximillian Delacorte was once the world’s greatest stage magician. Now a recluse, suffering from a mysterious disease, he lures his family and associates to his lonely estate for an afternoon of magic, madness, and revenge. Bodies appear and disappear without warning, severed heads speak words of hate, and nothing is ever quite what it appears. As grisly tricks lead to ever more surprising twists, not even the Great Delacorte can tell where illusion ends—and murder begins. (via Goodreads)
Hadn’t realized that this was an Open Library book too. Obviously, I’m availing myself of the service.
I’ve been looking around for other magician novel and I was surprised to find that Richard Matheson had written one. Further, I was intrigued by his concept of a magician’s mystery house–a home, literally, tricked out with secret passages, hidden rooms, and other setups for illusions. I realized that, from my Scooby Doo watching days onward, I’ve unabashedly loved this kind of thing.
Being pretty much a “one-set,” this novel would have made a great William Castle film. It has all the over-the-top ghoulishness and back-stabbing reversals of something like The House on Haunted Hill. Unfortunately, I found the ending really weak. It’s a rather short novel, and it felt like Matheson was under a page count crunch. I wish there had been another fifty pages and a proper ending.
Genre: Mystery
Why did I choose to read this book? Intrigued by a Matheson magician mystery.
Did I finish this book? (If not, why?) Yes.
Craft Lessons: Don’t rush your endings.
Format: Online browser-based scan.
Procurement: Open Library


July 28, 2013
The Beat the Heat Readathon
The Beat the Heat Readathon runs from July 29th through August 11th. What does this readathon entail, you ask? Well, read as much or as little as you want – the main point is to READ! You set your own goal, and for two weeks you read as many books as you can/want to reach your goal! Sign up at Auntie Spinelli Reads or Phantasmic Reads. You may join whenever you like, but to be eligible for our grand prize giveaway, you must sign up by August 5th.
Goals
A two week readathon! A test of stamina!
Actually, I was kind of looking for a readathon (Bout of Book is *so far* away) when I heard about this one through Aleksandra’s Corner. I think I’m going to keep it pretty low key, but I do get more reading done when I keep track. My goal is going to be 1000 pages.
“Reading List”
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Abominable Science! and The Ambitious Card are both ARCs that need finishing.
I’m maybe two-thirds of the way through the Derren Brown book.
The Glorious Deception is on its way to me and I know I won’t be able to let it sit despite many other books on my TBR/challenge list.
Also, my weekly doses of short stories, poetry, and A Storm of Swords .
Progress
Tuesday 7/30
Reading/Read:
Total # of pages:
Notes:
Monday 7/29
Reading/Read: Abominable Science, pg 162-202
Total # of pages: 40
Notes: Needed to get some writing done; low reading day.


July 25, 2013
The Writerly Reader Goes to Comic Con

Chris with Storm Trooper
Back in January-ish, our friend Chris proposed that we all go to Comic Con. Eric and I have been meaning to take another trip to San Diego, and Chris spiced up the deal promising a comfy air mattress and easy transportation to the convention center via the light rail (or trolley, as they call it in CA). And, lo, after a nail-biter morning spent procuring the possibility to purchase badges, it was so.
(The process of getting Comic Com badges is an adventure in itself. When they say, “Press the Green Button in the email we sent you at exactly 9am on such and such a day,” they aren’t messing around. And the virtual queue of 30,000+ people to get badges was only a taste of things to come.)
Chris was a good as his word: the air mattress was uber-comfy and the trolley station was a block away. Thursday, we had our first taste of what is quintessentially Comic Con: Lines.
Click to view slideshow.
On Friday, we aimed lower and hit some of the smaller panels. And “camped” a couple of rooms. We sat in on a panel about B movies with Leonard Maltin while waiting for the Epic Fantasy panel with Melissa de la Cruz, Christopher Paolini, Daniel Abraham, Brandon Sanderson, Robin Hobb, Raymond Feist, and Django Wexler.

The blurry cast of Vikings.
After dinner and sitting through a rather befuddling panel about an animated series based on the Mahabharata, we saw Vikings! While less blurry in real life, this is the actual panel and not on a big screen. We had a good-ish seat! We did see Travis Fimmel (far left) on the way back from dinner. I might have taken a picture except that it was while we were crossing a not-entirely-closed-off downtown street. I am much more cautious than the other people that did stop him for a photo.
There is a lot to Comic Con beside the panels. The exhibit/merchant hall was full of vendors and artists and other fairly awesome exhibits. On Thursday, I got Brom to sign one of my books! On Friday, we picked up a special edition Vikings comic. On Saturday, I nabbed a few advanced reading copies from several publishers.
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The entirety of downtown San Diego was decked out as well including a bunch of off-site exhibits that we didn’t delve into. Buses were decked out in Dracula ads and the light rail cars shilled for the Agents of SHIELD. One of the trolley stops had all of the signs written in Dothraki (from A Game of Thrones).
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I didn’t take nearly enough pictures.


July 23, 2013
Retro Review ~ The Line Between
The long-awaited sequel to the popular classic The Last Unicorn is the centerpiece of this powerful collection of new tales from a fantasy master. As longtime fans have come to expect, the stories are written with a grace and style similar to fantasy’s most original voices, such as J. R. R. Tolkien, Fritz Leiber, and Kurt Vonnegut. Traditional themes are typically infused with modern sensibilities—reincarnated lovers and waning kings rub shoulders with heroic waifs; Schmendrick the Magician returns to adventure, as does the ghost of an off-Broadway actor and a dream-stealing shapeshifter; and Gordon, the delightfully charming “self-made cat,” appears for the first time in print, taking his place alongside Stuart Little as a new favorite of the young at heart. This wide-ranging compilation contains sly humor and a resounding depth that will charm fans of literary fantasy. (via Goodreads)
Literary fantasy. What funny terms we make up for genres! Anyway, here’s what I wrote in my original post from Dec. 4, 2006:
I bought this book for “Two Hearts,” but I think my favorite story of it was “Salt Wine.” Maybe it was because I read it yesterday while feverish, and I can’t stop thinking about how great a film it would make, if the movie-makers could get it right. There aren’t enough mermaid stories in the world. I’ll give Beagle one thing if anything, he always knows how to strike the perfect note between beauty and the terrible.
Great if you loved The Last Unicorn and especially if Schmendrick and Molly are your favorite characters. Still, great if you want a solid collection of fantasy tales, both modern and classical.


July 16, 2013
Carniepunk
The traveling carnival is a leftover of a bygone era, a curiosity lurking on the outskirts of town. It is a place of contradictions—the bright lights mask the peeling paint; a carnie in greasy overalls slinks away from the direction of the Barker’s seductive call. It is a place of illusion—is that woman’s beard real? How can she live locked in that watery box?
And while many are tricked by sleight of hand, there are hints of something truly magical going on. One must remain alert and learn quickly the unwritten rules of this dark show. To beat the carnival, one had better have either a whole lot of luck or a whole lot of guns—or maybe some magic of one’s own.
Featuring stories grotesque and comical, outrageous and action-packed, Carniepunk is the first anthology to channel the energy and attitude of urban fantasy into the bizarre world of creaking machinery, twisted myths, and vivid new magic. (via Goodreads)
As a fan of Ray Bradbury’s Something Wicked This Way Comes, I was intrigued by an anthology that endeavors to collect carnival stories with an “urban” fantasy bent. Carniepunk contains fourteen stories. Half are stand-alone stories and half are set within the worlds of recent, popular urban fantasy series.
The best of the anthology are from the former category. We start with Rob Thurman’s “Painted Love,” which provides a creepy nod to Bradbury’s Illustrated Man. Hillary Jacques’s “Recession of the Divine” is also a standout, mashing up Greek myth and carnivals with a dash of murder mystery. The best, though, is saved for last. The anthology closes with the exquisite “Daughter of the Midway, the Mermaid, and the Open, Lonely Sea” by Seanan McGuire. The story isn’t very “urban” but it is beautiful and bittersweet.
The other half of the stories, the ones set in preexisting urban fantasy worlds, would probably be better appreciated by someone wider read in that genre than me. While most do an okay job of bringing a new reader up to speed, the occasional exposition gets a little tiring. It also felt like many of these stories relied on the set up, “Favorite character from your favorite series goes to the carnival! Hijinx ensures.” Again, this is probably a lot of fun for readers that follow those series. For someone that doesn’t, the stories don’t seem to take enough advantage of the carnival setting.
One exception is “The Three Lives of Lydia” by Delilah Dawson. It is a “Blud Short Story,” but Dawson doesn’t bother explaining what that means, at least not at first and not at length. The main character and the reader are both thrown into the story, float or swim. Her steampunk world and theatrical characters seem utterly made for a mystical carnival.
The best stories of this anthology are very good. Even if you’re not a heavy reader of urban fantasy, this anthology is worth a look.
Carniepunk is set to be released July 23, 2013 by Gallery Books. (Reviewed early due to travel next week.)
Genre: Urban fantasy
Why did I choose to read this book? Carnivals? Urban fantasy? Sounds good to me.
Format: Kindle eBook, Adobe Digital Edition
Procurement: NetGalley


July 9, 2013
Cobweb Bride
Cobweb Bride is a history-flavored fantasy novel with romantic elements of the Persephone myth, about Death’s ultimatum to the world.
In an alternate Renaissance world, somewhere in an imaginary “pocket” of Europe called the Kingdom of Lethe, Death comes, in the form of a grim Spaniard, to claim his Bride. Until she is found, in a single time-stopping moment all dying stops. There is no relief for the mortally wounded and the terminally ill….
While kings and emperors send expeditions to search for a suitable Bride for Death, armies of the undead wage an endless war… A black knight roams the forest at the command of his undead father … Spies and political treacheries abound at the imperial Silver Court…. Murdered lovers find themselves locked in the realm of the living…
And one small village girl, Percy—an unwanted, ungainly middle daughter—is faced with the responsibility of granting her dying grandmother the desperate release she needs.
As a result, Percy joins the crowds of other young women of the land in a desperate quest to Death’s own mysterious holding in the deepest forests of the North…
And everyone is trying to stop her. (via Goodreads)
I will recuse myself. I did not finish this book. I quit reading at the 40% mark.
I really wanted to like this book. The conceit is an interesting one: Death wishes to take a bride and until she is found, no one will die. The injured in battle do not die. The sick do not die. Butchered livestock do not die. It’s potentially a horrific set-up and excellent fodder for a fairy tale. Unfortunately, the story falls into a sort of no-man’s land between fable and historical fantasy.
Nazarian’s weakness to me seemed to be in trying to give the story real-world scope. The juxtaposition of real places and people with fictional kingdoms is jarring and, at least within the context of the first 40% of the book, not needed. I don’t need references to France and Spain and Louis XIV to feel the peril of the situation. The real world doesn’t need to be in danger for me to care about characters. Peter S. Beagle never mentions what world The Last Unicorn takes place in; the sea that Hagsgate is next to is never named (that I remember).
The thing that stopped me reading, though, was that the non-supernatural working of the world struck me as wildly unbelievable. The political machinations varied between high school gossip and soap-opera melodrama. If you’re writing fantasy and you’re including politics, you have to get the politics right. Or at least close to right. It’s an aspect that isn’t based on magic or the supernatural, but on behavior and practicality. There are, for example, many good reasons why a nobleman, even a minor one, would not be chosen as a deep-cover spy. They are not the reasons illustrated in the story.
I was disappointed that this book was bogged down in poor world-building instead of allowed to be a potentially excellent story.
Genre: Fantasy
Why did I choose to read this book? The set-up seemed interesting.
Did I finish this book? (If not, why?) No. You have to get non-supernatural world-building semi close to correct.
Format: Kindle ebook
Procurement: NetGalley


July 8, 2013
Adventures of the Writerly Writer ~ Goal for July
By the end of the month, I’d like to get the current draft of my manuscript, still currently untitled, up to 25,000 words.
This might be a stretch goal. We’re headed to ComicCon next week and plan on staying in San Diego a few extra days. I’m going to be computer-less and over-socialized, so I don’t expect any work will be done. This week, Chris (whom we are staying with in San Diego) will be in town because his grandfather is poorly. There’s a possibility that I won’t hit 20K by this end of the week like I planned. Right now, I’m at 16K after recycling a bit from my previous draft. I need to go through that plus the 1000 words previous to it and smooth it all out.
Really just talking to myself here to get a record of what’s going on. My head’s a messy place.


July 7, 2013
Summer Lovin’ Day 7: We Go Together
Todays Participation topic is… Graduation Day!
List your accomplishments, big and small. Did you make some new friends? Call them out. Then hop around and congratulate the other participants on their successes.
800 pages, I read! Over half of that was during the 24-hour Saturday readathon which was a blast. I also managed to add 5000+ on my manuscript, though some of that is scenes recycled from the previous draft. Some revising will definitely occur later today/tomorrow.
Finished one book cover to cover (Now You See It). Gave up on another (Cobweb Bride) and made progress on two others. Good week for reading!

Did not finish

In Progress

Done, for now

DONE!

In Progress
Progress By Day

