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Thomas Chatterton Williams

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Thomas Chatterton Williams

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Thomas Chatterton Williams is a contributing writer at The Atlantic and the author of Losing My Cool and Self-Portrait in Black and White. He is a Visting professor of humanities and senior fellow at the Hannah Arendt Center at Bard College, a 2022 Guggenheim fellow, and a visiting fellow at AEI. He was previously a contributing writer at The New York Times Magazine and a Columnist at Harper’s. His work has appeared in the New Yorker, the London Review of Books, Le Monde and many other places, and has been collected in The Best American Essays and The Best American Travel Writing. He has received support from New America, Yaddo, MacDowell, and The American Academy in Berlin, where he is a member of the Board of Trustees. His next book, Noth ...more

Average rating: 3.99 · 2,383 ratings · 436 reviews · 3 distinct worksSimilar authors
Self-Portrait in Black and ...

4.05 avg rating — 1,429 ratings — published 2019 — 18 editions
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Losing My Cool: How a Fathe...

3.91 avg rating — 952 ratings — published 2009 — 8 editions
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Une soudaine liberté : Iden...

4.50 avg rating — 2 ratings4 editions
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A Song of Ice and...
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Quotes by Thomas Chatterton Williams  (?)
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“But history's utility, while necessary, is diminished greatly when it smothers the light of the present day, overshadowing the genuine possibility and beauty the here and now may contain . . . We have a responsibility to remember, yes, but we also have the right and I believe even the duty to continuously remake ourselves anew.”
Thomas Chatterton Williams, Self-Portrait in Black and White: Unlearning Race

“The truth is that no matter how long and hard you try—you cannot struggle your way out of a straitjacket that does not exist. But pretending it exists, for whatever the reason, really does leave you in a severely restricted posture.”
Thomas Chatterton Williams, Self-Portrait in Black and White: Unlearning Race

“For Hegel, it is actually the slave who comes out on top in the long run. In that initial life-and-death struggle, which sets the terms going forward, one “I” experiences what Hegel calls the “fear of death” and submits to the other. This “I” decides he “loves life” and concedes the fight. And this initially submissive consciousness, the slave consciousness, on pain of death, now serves the other’s will and works for him. But it is through this very work that, eventually, he will come to surpass his master, Hegel reasons. On a basic level, this is so because it is the slave who masters objective reality, or nature. The slave takes the plants and animals and transforms them, through work, into meals; the slave transforms, with his hands, a tree into a table; the slave is most alive, becomes necessary, develops his spirit. The master, on the other hand, is parasitic, decadent, dependent. Without the slave’s recognition, he is not even a master; without the slave’s work, he cannot prosper.”
Thomas Chatterton Williams, Losing My Cool: How a Father's Love and 15,000 Books Beat Hip-hop Culture: Love, Literature, and a Black Man's Escape from the Crowd

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