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Kate Inglis
Goodreads Author
Born
Canada
Website
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Member Since
January 2010
URL
https://www.goodreads.com/kateinglis
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Expressive Photography: The Shutter Sisters' Guide to Shooting from the Heart
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published
2010
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8 editions
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Notes for the Everlost: A Field Guide to Grief
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The Dread Crew: Pirates of the Backwoods
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published
2009
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5 editions
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A Great Big Night
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Flight of the Griffons
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published
2014
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3 editions
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If I Were a Zombie
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published
2016
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4 editions
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CCBC-award nominated
What an honour—A GREAT BIG NIGHT was nominated by the Canadian Children’s Book Centre for the inaugural David Booth Children's and Youth Poetry Award!
The lovely team at Nimbus stacked the category, with nominated books from myself and illustrator Josée Bisaillon, author/illustrator Briana Corr Scott and winning author Sheree Fitch and illustrator Carolyn Fisher.
The Canadian literary scene, especi
Read more of this blog post »
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“Humility is in not telling other people what to do but in supporting others as they determine what they should do for themselves.”
― Notes for the Everlost: A Field Guide to Grief
― Notes for the Everlost: A Field Guide to Grief
“Grief is not an illness, a diagnosis, or a constant state. Grief is the bruise after a blow. Blackening is normal. Swelling is normal. Then a rotten sort of putrid. Then it sinks beneath the skin, failing to mark you anymore, failing to excuse you, returning you to the masses before you’re ready. You’ll miss the black and blue because as soon as it fades, you go from “honoring” to—as your onlookers might say—“dwelling,” that damnable word.”
― Notes for the Everlost: A Field Guide to Grief
― Notes for the Everlost: A Field Guide to Grief
“Forgive people for not knowing what to say, for filling the vacuum with every wrong thing. The quicker you realize most humans are artless thugs when faced with someone else's grief, the quicker you'll get over it when you meet one.”
― Notes for the Everlost: A Field Guide to Grief
― Notes for the Everlost: A Field Guide to Grief
“I’ve become skeptical of the unwritten rule that just because a boy and girl appear in the same feature, a romance must ensue. Rather, I want to portray a slightly different relationship, one where the two mutually inspire each other to live - if I’m able to, then perhaps I’ll be closer to portraying a true expression of love.”
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“The single most important lesson is this: Focus on clarity. Concentrate on precisions. Don’t worry about constructing beautiful sentences. Beauty comes from meaning, not language. Accuracy is the most effective style of all.”
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“Someone told me once, ‘It’s time to get you a pair of overalls, boy.’ But I don’t believe in summing up nothin’ – I let my experiences speak for themselves – and even if I did, a synopsis should be singular. That’s why every time I go out to work in the fields, I work naked. It lets my neighbors speak of my experiences for me.”
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