Wesley Britton's Blog - Posts Tagged "leonard-nimoy"
How The Man From U.N.C.L.E. paved the way for Star Trek
On Sept. 22, 1964, a phenomenon premiered, although few knew it at the time. It would take nearly a year before The Man From U.N.C.L.E., or MFU as fans know it, would dominate so much of mid-‘60s popular culture. Emulating the success of the James Bond films, MFU was the fountainhead from which so much TV Spy-Fi sprouted, as in shows like The Wild Wild West and British imports like The revamped Avengers and The Prisoner. For most episodes, the evil THRUSH (the Technological Hierarchy for the Removal of Undesirables and the Subjugation of Humanity, if you accept the tie-in novels as canon) trotted out one mad scientist after another in their quest to rule the world with futuristic technology. They tried everything from weather-controlling machines to mind-altering drugs to Harlen Ellison’s sexy killer Robots to defeat the stalwart agents of the United Network Command for Law and Enforcement.
Did you know MFU paved the way for Star Trek? For example, it was on a first year episode of MFU, “The Project Strigas Affair,” where William Shatner and Leonard Nimoy first shared the TV screen together. Trek is credited with introducing hand-held communicators decades before cell-phones; in fact, two years before Trek, U.N.C.L.E. agents carried around cigarette-pack sized communicators before the show introduced the iconic pen communicator into which they whispered “Open Channel D” to talk to headquarters or each other.
It’s often been stated the two most popular figures in ‘60s television were Illya Kuryakin and Mr. Spock. Both characters were cool, aloof aliens in a strange world, traits which appealed to adolescents feeling a similar sense of disenfranchisement from an adult world known as “the Establishment.” Kuryakin and Spock appealed to a growing trend championing non-conformity and an interest in fictional figures different from previous media heroes and role models. The freshness of this trend can be demonstrated by the fact both characters were nearly killed off by the networks as executives feared they would be too unusual to be accepted on American television.
As it turned out, with one eye on Kuryakin and one on the Monkees, Star Trek introduced its own Russian long-hair in its second season, the young Ensign Chekov (Walter Koenig) precisely to appeal to the audience created by U.N.C.L.E.
Star Trek is known for featuring an intelligent African-American woman, Nichelle Nichols, a casting choice reflecting the then new and rare opportunities given to African-Americans like Greg Morris (Mission: Impossible) and Bill Cosby (I Spy (. Unlike the pervasive Westerns, in which the roles of women and minorities were frozen in 19th century values, SF and secret agent shows fostered new and futuristic qualities for new kinds of heroes and heroines. Female leads like April Dancer—The Girl from U.N.C.L.E.--Agent 99, and Emma Peel in the 1960s joined in the physical action, outthought their partners, and didn't totally rely on serving as temptresses. (Girl from U.N.C.L.E., despite many glaring weaknesses, was in fact the first hour-long TV action-adventure to feature a female lead produced in the U.S.) Spy shows like Mission: Impossible and U.N.C.L.E. deserve equal credit, alongside Star Trek, for these accomplishments.
In addition, Star Trek has often been described as an optimistic window into the future. Likewise, MFU creators Norman Felton and Sam Rolfe were political liberals believing in the importance of concepts such as the United Nations. Clearly, U.N.C.L.E. was a kind of optimistic spy show, with people of different nations uniting against common foes, very much like a terrestrial United Federation of Planets.
For the record, there was no shortage of espionage in Star Trek. Certainly, there was much more of it in the later Next Gen and DS9, but remember Captain Kirk in his Romulan ears? Or Gary Seven? Or all the times Kirk and company took on false identities to infiltrate alien governments? Likewise, remember all the covert operations alien cultures used to try and defeat Star Fleet. (The Memory Alpha website has a long article on espionage in Star Trek.)
As a fan of MFU from the first year on, I was far from alone having a youth filled with the 23 Ace paperback novels, MFU games, guns, bubblegum cards, you name it. So, for me and legions of fellow Baby Boomers, MFU is a major slice of our nostalgic look back to the ‘60s.
Over the years, I’ve contributed more than my fair share of remembrances for those good old days. If you too were a part of the “Spy-Fi” generation, here are some items for your listening and reading pleasure:
To celebrate the 50th anniversary of MFU’s debut, in 2014 I had the opportunity to interview cinematographer Fred Koenekamp who had so much to do with the look of the series. For online radio’s “Dave White Presents,” Fred not only talked MFU, but shared much of movie history stretching back to his father’s pioneering work in the silent era all the way through Fred’s work on Patton.
http://tinyurl.com/nm8dpb4
Now, should you stop by—
http://www.spywise.net/spiesOnTV.html
and click on the “Spies on Television and Radio” button, you’ll find a bounty of MFU items.
Without question, the most significant offering is a free book, The Final Affair by David McDaniel, the full text of what would have been the 24th tie-in paperback novel had Ace ever published it. (McDaniel was the gent who coined the “Technological Hierarchy” name for the previously unspecified THRUSH acronym.) The entire book is free for the taking, downloadable as a PDF for you!
Other items include:
* “Robert Vaughn, The Man from U.N.C.L.E. is Alive and Kicking.” An interview with Napoleon Solo himself!
* “A Man from U.N.C.L.E., I Spy, and The Wild Wild West – Meet Mark Ellis” in which Mark gives you the inside story into the “Birds of Prey Affair” comic-book
*”How The Man from U.N.C.L.E. Returned – As a Comic Book.” Paul Howley’s story of the TE (That’s Entertainment) MFU comics series.
* “Behind the Toys from U.N.C.L.E. – The Inside story of a Collector’s Guide.” Paul Howley’s insider’s view into a long overdue catalogue of MFU merchandise.
There’s also a link to “The U.N.C.L.E. Movie that Never Was” posted at the Fans From U.N.C.L.E.org website. It’s my interview with Danny Beiderman and Robert Short about their aborted film project sanctioned by Sam Rolfe, co-creator of the series.
http://manfromuncle.org/spywise.htm
THE U.N.C.L.E. MOVIE THAT NEVER WAS
So, as Napoleon Solo and Illya Kuryaking used to say—“Open Channel D”—and check out some memories of the real MFU, the one that mattered.
Did you know MFU paved the way for Star Trek? For example, it was on a first year episode of MFU, “The Project Strigas Affair,” where William Shatner and Leonard Nimoy first shared the TV screen together. Trek is credited with introducing hand-held communicators decades before cell-phones; in fact, two years before Trek, U.N.C.L.E. agents carried around cigarette-pack sized communicators before the show introduced the iconic pen communicator into which they whispered “Open Channel D” to talk to headquarters or each other.
It’s often been stated the two most popular figures in ‘60s television were Illya Kuryakin and Mr. Spock. Both characters were cool, aloof aliens in a strange world, traits which appealed to adolescents feeling a similar sense of disenfranchisement from an adult world known as “the Establishment.” Kuryakin and Spock appealed to a growing trend championing non-conformity and an interest in fictional figures different from previous media heroes and role models. The freshness of this trend can be demonstrated by the fact both characters were nearly killed off by the networks as executives feared they would be too unusual to be accepted on American television.
As it turned out, with one eye on Kuryakin and one on the Monkees, Star Trek introduced its own Russian long-hair in its second season, the young Ensign Chekov (Walter Koenig) precisely to appeal to the audience created by U.N.C.L.E.
Star Trek is known for featuring an intelligent African-American woman, Nichelle Nichols, a casting choice reflecting the then new and rare opportunities given to African-Americans like Greg Morris (Mission: Impossible) and Bill Cosby (I Spy (. Unlike the pervasive Westerns, in which the roles of women and minorities were frozen in 19th century values, SF and secret agent shows fostered new and futuristic qualities for new kinds of heroes and heroines. Female leads like April Dancer—The Girl from U.N.C.L.E.--Agent 99, and Emma Peel in the 1960s joined in the physical action, outthought their partners, and didn't totally rely on serving as temptresses. (Girl from U.N.C.L.E., despite many glaring weaknesses, was in fact the first hour-long TV action-adventure to feature a female lead produced in the U.S.) Spy shows like Mission: Impossible and U.N.C.L.E. deserve equal credit, alongside Star Trek, for these accomplishments.
In addition, Star Trek has often been described as an optimistic window into the future. Likewise, MFU creators Norman Felton and Sam Rolfe were political liberals believing in the importance of concepts such as the United Nations. Clearly, U.N.C.L.E. was a kind of optimistic spy show, with people of different nations uniting against common foes, very much like a terrestrial United Federation of Planets.
For the record, there was no shortage of espionage in Star Trek. Certainly, there was much more of it in the later Next Gen and DS9, but remember Captain Kirk in his Romulan ears? Or Gary Seven? Or all the times Kirk and company took on false identities to infiltrate alien governments? Likewise, remember all the covert operations alien cultures used to try and defeat Star Fleet. (The Memory Alpha website has a long article on espionage in Star Trek.)
As a fan of MFU from the first year on, I was far from alone having a youth filled with the 23 Ace paperback novels, MFU games, guns, bubblegum cards, you name it. So, for me and legions of fellow Baby Boomers, MFU is a major slice of our nostalgic look back to the ‘60s.
Over the years, I’ve contributed more than my fair share of remembrances for those good old days. If you too were a part of the “Spy-Fi” generation, here are some items for your listening and reading pleasure:
To celebrate the 50th anniversary of MFU’s debut, in 2014 I had the opportunity to interview cinematographer Fred Koenekamp who had so much to do with the look of the series. For online radio’s “Dave White Presents,” Fred not only talked MFU, but shared much of movie history stretching back to his father’s pioneering work in the silent era all the way through Fred’s work on Patton.
http://tinyurl.com/nm8dpb4
Now, should you stop by—
http://www.spywise.net/spiesOnTV.html
and click on the “Spies on Television and Radio” button, you’ll find a bounty of MFU items.
Without question, the most significant offering is a free book, The Final Affair by David McDaniel, the full text of what would have been the 24th tie-in paperback novel had Ace ever published it. (McDaniel was the gent who coined the “Technological Hierarchy” name for the previously unspecified THRUSH acronym.) The entire book is free for the taking, downloadable as a PDF for you!
Other items include:
* “Robert Vaughn, The Man from U.N.C.L.E. is Alive and Kicking.” An interview with Napoleon Solo himself!
* “A Man from U.N.C.L.E., I Spy, and The Wild Wild West – Meet Mark Ellis” in which Mark gives you the inside story into the “Birds of Prey Affair” comic-book
*”How The Man from U.N.C.L.E. Returned – As a Comic Book.” Paul Howley’s story of the TE (That’s Entertainment) MFU comics series.
* “Behind the Toys from U.N.C.L.E. – The Inside story of a Collector’s Guide.” Paul Howley’s insider’s view into a long overdue catalogue of MFU merchandise.
There’s also a link to “The U.N.C.L.E. Movie that Never Was” posted at the Fans From U.N.C.L.E.org website. It’s my interview with Danny Beiderman and Robert Short about their aborted film project sanctioned by Sam Rolfe, co-creator of the series.
http://manfromuncle.org/spywise.htm
THE U.N.C.L.E. MOVIE THAT NEVER WAS
So, as Napoleon Solo and Illya Kuryaking used to say—“Open Channel D”—and check out some memories of the real MFU, the one that mattered.
Book Review: These Are the Voyages: Gene Roddenberry and Star Trek in the 1970s Volume 2 by Marc Cushman
These Are the Voyages: Gene Roddenberry and Star Trek in the 1970s Volume 2 (1975-77).
Marc Cushman
Publisher: Jacobs/Brown Media Group
Release date: July 1, 2020
Number of Pages: 650 pages
ISBN-10: 1733605320
ISBN-13: 978-1733605328
https://www.amazon.com/gp/aw/d/173360...
Reviewed by: Dr. Wesley Britton
Volume Two of Marc Cushman's three volume coverage of everything that happened in the Star Trek universe during the 1970s is the tenth of Marc's books I've read and reviewed to date. Starting with his single volume book on I Spy, I've read everything from Marc's first three books on Star Trek: The Original Series, his three volumes on Lost in Space, not to mention his explorations of Voyage to the Bottom of the Sea and The Moody Blues. All these books share one major attribute. Comprehensive is too mild a descriptor. Exhaustive is much more on target. Marc is the master of never leaving any stone unturned, no memo unread, no potentially useful data is left out of any of his tomes.
In the case of Cushman's Star Trek journalism, Marc was given unprecedented access to apparently every scrap of paper associated with Gene Roddenberry and everyone involved with the original franchise. In this volume, this resulted in a very comprehensive overview of all the scripts and stories we never saw in the never filmed Star Trek Phase 2 TV project. These chapters were my favorite passages in this history, reading about some adventures I'd like to have seen, some I'm glad were never produced. No Star Trek fan will want to miss these descriptions.
In addition, we get detailed histories of Roddenberry's lesser-known TV attempts like The Questor Tapes, Genesis II, Spectre, and The Nine. On top of that, Cushman tells us about projects featuring Star Trek cast members like Leonard Nimoy's In Search Of . . . documentary series and William Shatner's short-lived Barbary Coast. We hear about how cast members fared in their lives outside of Star Trek, like the sparring between Nimoy and Roddenberry involving Nimoy's possible participation in any Star Trek revivals.
A healthy portion of the book explores the growing fan support for Star Trek including the nationwide success of the show in syndication, the beginnings of Star Trek conventions, the expanding bonanza of Star Trek merchandise, and the public speaking tours of Roddenberry, Nimoy, and Shatner. Cushman also talks about the state of science-fiction television shows of the era, most notably a detailed overview of Space 1999, a program clearly influenced by Star Trek. Toss in generous samplings of contemporary reviews of all these items and it's no wonder the book reaches 650 pages.
As Cushman told me in a recent interview, he doesn't target his books to the casual fan but instead aims for the serious aficionados of his various subjects. In the case of Star Trek, that's a pretty hefty audience who will treasure this authoritative history of a cultural phenomenon. Sure, even this readership will likely find chapters and sections to skim over, other sections will be devoured for all the information never made available before. If you're a Star Trek lover, casual or serious, you won't want to miss any of Marc Cushman's extraordinarily researched studies. No previous histories match him for detail, fresh insights, corrections to popular myths; every possible stone is turned over and examined.
As I write this, I'm about to dive into Volume Three of this set which means one last long summer read. That's before Marc dives into all the movies and later series in the '80s and beyond. Stay tuned . . . six books later and the voyages have just begun . . .
To hear Karina Kantas and Wes Britton interview Marc Cushman about his Star Trek books, here's a link to Karina's "Behind the Pen" Podcast:
https://youtu.be/kchFuD9p64o
This review first appeared at BookPleasures.com on Aug. 27, 2020:
https://waa.ai/ue9q
Marc Cushman
Publisher: Jacobs/Brown Media Group
Release date: July 1, 2020
Number of Pages: 650 pages
ISBN-10: 1733605320
ISBN-13: 978-1733605328
https://www.amazon.com/gp/aw/d/173360...
Reviewed by: Dr. Wesley Britton
Volume Two of Marc Cushman's three volume coverage of everything that happened in the Star Trek universe during the 1970s is the tenth of Marc's books I've read and reviewed to date. Starting with his single volume book on I Spy, I've read everything from Marc's first three books on Star Trek: The Original Series, his three volumes on Lost in Space, not to mention his explorations of Voyage to the Bottom of the Sea and The Moody Blues. All these books share one major attribute. Comprehensive is too mild a descriptor. Exhaustive is much more on target. Marc is the master of never leaving any stone unturned, no memo unread, no potentially useful data is left out of any of his tomes.
In the case of Cushman's Star Trek journalism, Marc was given unprecedented access to apparently every scrap of paper associated with Gene Roddenberry and everyone involved with the original franchise. In this volume, this resulted in a very comprehensive overview of all the scripts and stories we never saw in the never filmed Star Trek Phase 2 TV project. These chapters were my favorite passages in this history, reading about some adventures I'd like to have seen, some I'm glad were never produced. No Star Trek fan will want to miss these descriptions.
In addition, we get detailed histories of Roddenberry's lesser-known TV attempts like The Questor Tapes, Genesis II, Spectre, and The Nine. On top of that, Cushman tells us about projects featuring Star Trek cast members like Leonard Nimoy's In Search Of . . . documentary series and William Shatner's short-lived Barbary Coast. We hear about how cast members fared in their lives outside of Star Trek, like the sparring between Nimoy and Roddenberry involving Nimoy's possible participation in any Star Trek revivals.
A healthy portion of the book explores the growing fan support for Star Trek including the nationwide success of the show in syndication, the beginnings of Star Trek conventions, the expanding bonanza of Star Trek merchandise, and the public speaking tours of Roddenberry, Nimoy, and Shatner. Cushman also talks about the state of science-fiction television shows of the era, most notably a detailed overview of Space 1999, a program clearly influenced by Star Trek. Toss in generous samplings of contemporary reviews of all these items and it's no wonder the book reaches 650 pages.
As Cushman told me in a recent interview, he doesn't target his books to the casual fan but instead aims for the serious aficionados of his various subjects. In the case of Star Trek, that's a pretty hefty audience who will treasure this authoritative history of a cultural phenomenon. Sure, even this readership will likely find chapters and sections to skim over, other sections will be devoured for all the information never made available before. If you're a Star Trek lover, casual or serious, you won't want to miss any of Marc Cushman's extraordinarily researched studies. No previous histories match him for detail, fresh insights, corrections to popular myths; every possible stone is turned over and examined.
As I write this, I'm about to dive into Volume Three of this set which means one last long summer read. That's before Marc dives into all the movies and later series in the '80s and beyond. Stay tuned . . . six books later and the voyages have just begun . . .
To hear Karina Kantas and Wes Britton interview Marc Cushman about his Star Trek books, here's a link to Karina's "Behind the Pen" Podcast:
https://youtu.be/kchFuD9p64o
This review first appeared at BookPleasures.com on Aug. 27, 2020:
https://waa.ai/ue9q
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