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Book Review: Good Vibrations: My Life as a Beach Boy by Mike Love

Book Review: Good Vibrations: My Life as a Beach Boy
Mike Love and James S. Hirsch
Publisher: Blue Rider Press; 1 edition (September 13, 2016)
ISBN-10: 0399176411
ISBN-13: 978-0399176418
https://www.amazon.com/Good-Vibration...

Second only to the Beatles in terms of the number of books detailing the histories of the two respective bands, The Beach Boys have been explored from nearly every possible angle. It might seem a memoir from Mike Love might be redundant, but it’s instead a needed corrective to many a previous volume.

That’s largely due to articles and books that started in the ‘70s that created the myth of Brian Wilson being the single tortured “Genius” of the band with the other members mere chess-pieces to his brilliance. Worse, it was then the stories began that if he had had more support and less obstruction from the other Beach Boys, Brian’s projects, especially the legendary Smile, would have been given to a hungry fan base eager for whatever Brian came up with. While Brian’s father Murray is justly the most vilified figure in the saga, Mike Love has been reviled for decades for supposedly being the Beach Boy who opposed Brian’s creative evolution.

In Good Vibrations, Love builds a very convincing case of self-defense. For one matter, he details his own contributions to the band’s catalogue of hits, especially their lyrics. As with many a previous chronicler of the music of the Beach Boys, he discusses the turmoils of the troubled Brian Wilson and shows how it was drug abuse and mental issues that derailed Wilson’s creativity, not squabbles with his bandmates.

Song by song, album by album, Love traces the output of the band highlighting the contributions of everyone in the band, with a noticeable lack of anything positive to say about Al Jardine. He acknowledges the early dominance of Brian in the studio and Love’s leadership of the band on the road. He credits Carl and Dennis Wilson for their input over the years and sadly repeats the stories of their declines due to drug abuse. All the Beach Boys are seen, warts and all, as being a dysfunctional batch of boys not especially good in their romantic relationships. No surprises here.

Naturally, his discussion of the court case that finally validated his songwriting claims doesn’t put Brian in a very favorable light. The duels continued through the 50th reunion tour, but Love asserts interference from non-band members and legal obligations is what led to the tour’s sad end, not some personal ego trip on his part.

I personally think Love’s memories of his time with the Maharishi Mahesh Yogi in Rikikesh is the best description of the Maharishi’s ashram I’ve read to date. I too have long thought Love’s involvement with presidents Reagan and Bush put him in the Republican camp, but he claims to be apolitical and the issues he worked on such as environmental concerns were more liberal than conservative. The story of the Beach Boys, of course, includes many sad chapters including Dennis Wilson’s involvement with Charles Manson and the control Eugene Levy wielded over Brian. It’s amazing the group maintained any life at all over the last 30 years.

True, no one should take the book as the unvarnished truth, as Mark Twain would put it, and Love is sometimes rather thin on explanations especially discussing his disastrous Rock and Roll Hall of Fame speech. It’s impossible to argue with his conclusion that it remains the music, the “sonic oasis” as he calls it, that made Beach Boy music so universal, long-lasting, and meaningful to listeners over four generations.

If you’re among those who have seen Brian as the victimized hero and Mike Love as the vainglorious villain in the Beach Boys epic, Good Vibrations will contain many revelations and surprising perspectives. If you’re a Beach Boy fan and are willing to put your preconceptions aside, Good Vibrations is an indispensable read. Let me suggest reading the audio edition, read by Love himself. You get a hint of his personality with all his short laughs punctuating some of his observations. I’m very glad to have spent this time with one of the most important lyricists and rock stars of my generation. There’s no reason to be in either the Brian or Mike camps of supporters—we should be grateful we had them both, along with Carl, Dennis, Al, and Bruce Johnson.


This review first appeared at BookPleasures.com on Nov. 4, 2016 at:
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Published on November 06, 2016 07:57 Tags: al-jardine, beach-boys, brian-wilson, bruce-johnson, carl-wilson, dennis-wilson, mike-love

Book Review: I Am Brian Wilson by Brian Wilson

I Am Brian Wilson: A Memoir
Brian Wilson
Ben Greenman
Hardcover – October 11, 2016
Publisher: Da Capo Press; First Edition/First Printing edition (October 11, 2016)
ISBN-10: 0306823063
ISBN-13: 978-0306823060
https://www.amazon.com/I-Am-Brian-Wil...

Review written by Wesley Britton for BookPleasures.com:

Last fall, two Beach Boy autobiographies came out nearly simultaneously, I Am Brian Wilson and Good Vibrations: My Life as a Beach Boy by Mike Love. In November, I reviewed Love’s offering, saying it was a needed corrective to much of the mythology that surrounds his role in the group. I wonder now how much correction went on in that book.

Now that I’m finally getting around to reviewing I am Brian Wilson, I’m not thinking about comparing it to Love’s memoir but rather Wouldn’t It Be Nice: My Own Story, Wilson’s controversial 1991 first autobiography. Quickly following its publication, that book was damned on a number of fronts including charges of plagiarism and misrepresentations of facts, especially as presented in a lawsuit filed by Love. Some critics still claimed the book has very useful material even if the stories need to be filtered before being accepted. Wilson himself completely disowned the book.

I have vivid memories of reading Wouldn’t It Be Nice which I, at the time, felt was a very poignant and tragic account of the Brian Wilson saga. So, as I read I Am, comparisons quickly sprang to my mind. For one matter, father Murray Wilson came off as little more than a torturing, vicious monster in the first memoir; in the second book, Brian gives him a much more balanced treatment while admitting he still finds it difficult to write about his father. In Wouldn’t, Brian—or perhaps his collaborator—blasted then girlfriend or maybe just housemate Caroline saying she was taking advantage of him. In the new book, Brian simply says in one sentence that she was forced out of his life even though “she did nothing wrong.”

For me, the most noticeable difference was that the first account sang the praises of therapist Eugene Landy, with a vigorous defense of his extreme treatments. On the other hand, I Am is nearly a wall-to-wall damnation of Landy’s relentless domination of Brian which seems to have been far more damaging to Brian than all of Murry Wilson’s attempts to control his children.

When I reviewed Good Vibrations, I noted Mike Love had virtually nothing to say about fellow Beach Boy, Al Jardine. Well, Brian too talks mostly about himself and his brothers Carl and Dennis, with little about either Al or Mike. Reportedly, Love isn’t convinced anything Wilson said about him in the book necessarily came from Wilson himself. Apparently, as of last November, he hadn’t even read the book. Perhaps, with possible lawsuits in mind, Wilson opted to simply not talk about Love but rather made a point of tossing out songwriting credits to a number of other lyrical collaborators. Perhaps, this time, Love will leave Brian alone, that is, stay out of court for a change.

Whether or not you’ve read any previous Beach Boy books, by founding members or not, odds are the majority of any new revelations you’ll gain from I Am Brian Wilson will deal with Wilson’s solo projects from the past two decades. It’s an engaging read which gratefully doesn’t follow a strict, linear, chronological flow. As we go along, readers get detailed insights into the distant past as well as the more recent decades which means we do hear stories and perspectives not beaten to death in other books, interviews, or articles. Still, it helps to be a Beach Boy diehard to dive into this one—or perhaps this might be a interesting read if this is the first Beach Boy book you’ve ever read. Or, it might be a good update if all you’ve heard about is the history of the Beach Boys through the deaths of Carl and Dennis Wilson. In short, a decent but not indispensable read.


Originally posted at BookPleasures.com on June 6, 2017
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