Pauline Rowson's Blog - Posts Tagged "creative-writing"

My writing routine, crime author Pauline Rowson explains hers

There are a writers who write the same time every day come what may; others will write a certain number of words every day and say, 'when I've done my quota, I'll knock off writing.' Me? I have no routine and I don't count the number of words. Some days the words will flow and I can spend up to eight hours, maybe more writing. Other days I will struggle to find the correct words. If the latter happens I will usually pick up my knitting, do some sewing or go for a walk. My mind is constantly working though, thinking through the plots or sub plots, developing characters. I do, however, try to write or 'think' my novels every day. And if I can, I usually work on my crime novels every late afternoon and early evening, knocking off about 7.30pm.

I'm currently working in pencil on my outline plot, working up ideas for the new DI Andy Horton, which will be number eight in the series. Then I'll start to put down some character sketches before starting on the first draft of what I call the creative writing bit which goes direct onto the computer. When I will begin this creative writing stage I'm not quite sure yet, but it shouldn't be long.

Read more about my writing and my books on http://www.rowmark.co.uk or on my blog http://www.paulinerowson.com


Dead Man's Wharf
 •  0 comments  •  flag
Share on Twitter

Can creative writing be taught?

There are a number of creative writing courses popping up, some at Universities, some even being run by Literary Agents and Publishers and others by authors, including myself on 18 June at Quay Arts Centre, Newport, Isle of Wight, when I will be instructing on How to Write a Crime Novel. But can creative writing really be taught?

All writers approach their work differently so there is no right or wrong way of doing it. Some plan their novels from start to finish others improvise as they go along. I tend to do a mixture of both. I have a rough idea of the plot and a few characters sketched out then then I get cracking on the novel and wait for the characters to start talking and moving about, which in turn drives the plot until a shape begins to emerge. On courses you can pass on tips and the technicalities of constructing characters and plot, you can provide guidance, inspiration and motivation. You can give advice on writing dialogue and pass on the tricks of the trade, but the only way to 'learn' writing is to write, and to read. Reading helps you to understand what shapes novels.

I have never attended a creative writing course but my whole career has been spent writing. I have written advertising copy, brochures, web sites, press releases, articles, business books, training material and everything in between!

In doing so I have learned about the nuances of language, how switching the order of two words can change their meaning, the impact of how words look on a page and how they sound when read aloud. I enjoy experimenting with words in my crime novels. And while you can learn technique, no one can create a 'voice' for you, that only comes with practice and experimentation. You also need patience and persistence and the discipline to sit at a desk for hours on end and put words on to a computer screen or on paper. Then you need the critical ability and ruthlessness to edit and polish.

Above all though you need to enjoy the art of writing and creating for your own sake, no one else's. If publication comes that may be a bonus for you but it may not be essential to every writer. It is hard to believe but, yes, some people do write for pleasure. I'm looking forward to meeting the delegates on my writing course on 18 June and discussing the writing process with them.

For more information visit http://www.rowmark.co.uk

Footsteps on the Shore

Footsteps on the Shore (Detective Inspector Andy Horton) by Pauline Rowson
 •  0 comments  •  flag
Share on Twitter

Setting targets for the number of words to write in a day or weekend doesn't always work

I'm not usually one of those authors who set targets for the number of words written in a day or a week but over the weekend I wanted to hit the 10,000 mark of the DI Horton crime novel I'm currently writing, which is number nine in the series. I'm sorry to say I failed but only by about 600 words because other factors intruded on my weekend. I'm not worried though, in fact I'm pleased with how the novel is shaping up and that's more important than a word count, at least it is to me. I've left DI Horton in chapter three interviewing someone and I know where the chapter is heading, which is always helpful! So time to press on with it.

I'm witing the first draft and although I've done some research prior to starting the creative writing process I like to research as I write. This week I need to conduct some further location research, so it's a trip to Old Portsmouth, and the Historic Dockyard where the beginning of this novel is set, whether the location will remain there at the beginning of the novel by the time I come to do revisions who knows. For now I will stop counting words and return to my usual method of writing for at least a couple/few hours every day.

A Killing Coast, the seventh in the DI Andy Horton marine mystery crime series is now published in hardcover.

Footsteps on the Shore, the sixth DI Horton is now available in paperback and as an e book.
 •  0 comments  •  flag
Share on Twitter
Published on February 20, 2012 05:53 Tags: creative-writing, di-horton, first-draft, ions, location, portsmouth, research, word-counting