Angela Slatter's Blog, page 30

Welcome to Miskatonic University: An Anthology

Art by Yves Tourigny

So, there’s a new kickstarter a’brewing: Welcome to Miskatonic University.

Head on over here and check it out – and if you’ve got a few shekels, throw them in the hat. There are two anthologies: Welcome to Miskatonic University and It Came From Miskatonic University, containing tales from the likes of Gwendolyn Kiste, Kristi DeMeester, Tonya Liburd, Joe Pulver, Jennifer Brozek, yours truly and many others.

From the creators of Tomorrow’s Cthulhu and Ride the Star Wind, there’s a brand new anthology on the way. Broken Eye Books is at it again with original short stories from a modern-day Miskatonic University.

Welcome to Miskatonic University brings you modern tales of good ol’ MU. Each story shows a slice of college life at this storied and magical institution, steeped in the occult and part of the strange town of Arkham. Come visit this fascinating New England university—where science and magic, tradition and experimentation go hand in hand—and the quiet, secretive town on which it relies. 

 

The Heart is a Mirror for Sinners

Over at Tales to Terrify, “The Heart is a Mirror for Sinners” is available for your listening pleasure!

This story originally appeared in the exquisitely produced Murder Ballads edited by Mark Beech (Egaeus Press, March 2017).

Go here!

Aurealis Shortlist

The shortlist for the Aurealis Awards was released into the wild this morning and I’m delighted to see that “No Good Deed” (New Fears 1, Titan Books) is on the list for Best Horror Novella and “The Little Mermaid, in Passing” (Review of Australian Fiction Vol 22 Issue 1) is on the list for Best Fantasy Short Story.

And so many friends and colleagues on there too! Lisa L. Hannett, JS Breukelaar, Alan Baxter, Kaaron Warren, Garth Nix, Clare G. Coleman, Maria Lewis, Tansy Rayner Roberts, Cat Sparks, Jonathan Strahan, Thoraiya Dyer, Margo Lanagan,  Amie Kaufman, Peter M. Ball, Shauna O’Meara, Kate Forsyth & Kim Wilkins, Aiki Flinthart … if I’ve missed you, please forgive me!

The full list, she is here.

Decisions, decisions

Kathleen Jennings has taken over designing the badges for the Restoration launch bags … but she goes and gives me three options! Three!

Locus 2017 Recommended Reading List

The Locus 2017 Recommended Reading List is out!

I’m thoroughly delighted to see so many friends on the list – and even more delighted to see that Corpselight made the list too!

As did Winter Children and Other Chilling Tales from PS, “The Little Mermaid, in Passing” from the Review of Australia Fiction, and  “Run, Rabbit” from Mad Hatters and March Hares.

A good way to start the day.

Stephen King’s The Tommyknockers

So, this is causing some excitement chez nous:

1. A limited edition slipcased hardcover of the legendary Stephen King’s equally legendary The Tommyknockers from PS Publishing (cover by the incredible Daniele Serra),

2. I’ve been asked to write an Introduction for said limited edition.

It turns out that there are more frightening words in the world than those written by Mr Stephen King (admittedly, not many), but among them are “Angela, will you write an intro for The Tommyknockers?”

Late last night and the night before,

    Tommyknockers, Tommyknockers,

     knocking at my door.

I want to go out, don’t know if I can,

    ’cause I’m so afraid

    of the Tommyknocker man.

Bears

I’ve just realised that, when faced by a huge new challenge, the inspirational image that pops into my head is Nick Frost, covered in bruises & blood, taking a deep breath then fighting a bear. Nick Frost always wins, the bear buys him drinks.

#nickfrostfightingabear

# ofcourse

Suffice to say, there’s a big new secret challenge in my life.

Onward and upward, toward the battle bear.

The Beast’s Heart: Leife Shallcross

Leife Shallcross is the author of several short stories, including Pretty Jennie Greenteeth, which won the 2016 Aurealis Award for Best Young Adult Short Story, and a graduate of the ACT Writers Centre’s 2016 HARDCOPY professional development program. Her first novel, The Beast’s Heart, will be published by Hodder & Stoughton in 2018. Ever since she can remember, she has been fascinated by stories about canny fairy godmothers, heroic goose girls and handsome princes disguised as bears. She is particularly inspired by those characters that tend to fall into the cracks of the usual tales. She can be found online at leifeshallcross.com and on Twitter @leioss.

1. What do new readers need to know about Leife Shallcross?

I was recently asked to describe what I do without using any kind of job title, and came up with the following: I create portals to magical worlds where readers can get themselves completely lost. I like books where the world itself is a compelling character. So that’s the kind of story I like to write. Especially where novels are concerned. If I’m going to spend that much time and effort in a story world, it better be good.

2. What was the inspiration for The Beast’s Heart?

I wanted to create a novel-length fairy tale in which I could completely immerse myself, and the Beast’s enchanted castle offered such a good opportunity to create that kind of world-within-a-world. Robin McKinley’s iconic Beauty and the Beast tale, Beauty, was absolutely an early influence, and probably provided the first spark.  And I’ve always loved the core concept of a hidden garden a la Frances Hodgson Burnett’s The Secret Garden. But there are so many other tidbits that have snuck in – Pride and Prejudice, Sleeping Beauty, Cupid and Psyche, The Princess Bride, lyrics from Lady Gaga songs…

3. What is your favourite fairy tale?

It changes. All. The. Time. The answer is probably whichever one I’m playing with at the moment (the Frog Prince). I have no shame in declaring my love of the really popular ones – like Beauty & the Beast, Cinderella, Red Riding Hood. They all have compelling elements that have clearly captured and held a secure spot in the collective imagination. But there’s a few less-well-explored ones that seem to sit in my peripheral vision, taunting me and daring me to do something with them. Tatterhood, is one of these.  The spoon! The goat! The sassy fuck-it-let’s-go-sailing attitude. Catskin is another one.  And Kate Crackernuts. *rubs hands*

4. Which writers have been your biggest influences?

Definitely Tanith Lee. It was her collection Red as Blood, or Tales of the Sisters Grimmer, that first taught me fairy tales could be sophisticated, sticky, sensual things for grown-ups. And her Flat Earth series is a jewel-box crammed full of the lushest mythic storytelling imaginable.

M M Kaye’s The Ordinary Princess was one of the first chapter books I ever owned, and taught me how satisfying it is to turn a fantasy trope on its head. I also learned a lot about humour from that little gem of a story. I have similarly fond memories of Joan Aiken’s short stories and retold fairy tales. A couple of years ago I read the collection All But a Few to my children. I must have read it a dozen times as a kid, and it was a bit of a revelation to rediscover her.

And I probably have to round it out with Jane Austen and Georgette Heyer. I feel like I came late to both – I didn’t read Austen until university and I probably only started reading Heyer five or six years ago. And I get that one is like good wine and the other like a Shirley Temple with a bendy straw and a maraschino cherry, but they each provide such rich pickings for my imagination.

5. Can you remember the first fairy tale ever read to you?

Has to be Mike Mignola’s Troll-witch.

Nope. I tried, I really did. But I have so many memories of so many books full of terrifying, wonderful, magical stories. I remember looking at the Errol Le Cain version of Thorn Rose when I was very tiny – no more than 4. I remember the cover image of the fairies parading through the forest and not liking it because it was dark and gloomy (my sentiments have undergone a material change in the intervening interlude). I have an early memory of reading a version of Beauty & the Beast where her father steals a hazel twig instead of a rose. I also remember having a Gingerbread Man version of one of those record/book combos (you know, where Tinkerbell told you when to turn the page *sparkleTINGsparkle*). Stupid biscuit. How dumb do you have to be?

When I got a bit older – probably around ten or eleven, my mother gave up on trying to break my death grip on fairy tales and started feeding me a steady diet of feminist retellings and new stories, like The Practical Princess and Tatterhood and Other Tales. There were a lot of fairy tales in my childhood.

 6. When did you decide you wanted to be a writer?

I’ve always loved stories. I was a huge reader as a kid – the kind that took a book into the toilet with me and only emerged 2 hours later when my sister started banging on the door because she needed to pee. And imagining up my own stories and committing them to paper was really just an extension of that. So, for me, the “deciding to be a writer” part was more about deciding to put myself out there for publication.

For some reason, for most of my adult life I had it in my head that in order to be a real writer, I needed to be writing contemporary, literary fiction. I don’t quite know what did it, but in about 2011 I had an epiphany that actually writing fantasy and fairy tales was actually my thing, and I wasn’t going to grow out of it, and I really just needed to accept that that’s what I write and where my imagination lives. The follow up epiphany was that real writers write, but authors get their stuff published, at which point I joined the ACT Writers Centre and started doing some writing courses in order to work out how to do just that.

 7. What’s your favourite film adaptation of a fairy tale?

Easy. Ever After. 

No – Tangled.

No – Ever After. No. Tangled. 

Argh.

8. When you’re in the mood to read, who do you choose?

I’m currently trying to whittle down a massive TBR pile, which involves a very strict regime of reading unread books instead of re-reading old favourites. So, realistically, at the moment, it could be almost anyone. But in the interests of offering some genuine recommendations, I’m two books into V E Schwab’s Shades of Magic trilogy, and I can happily say I’ll pick up anything of hers in future.  Other authors/series I’m currently enjoying are Angela Slatter’s Verity Fassbinder books (!!), Ben Aaronovitch’s Rivers of London, and Seanan McGuire’s Wayward Children series.  And Patrick O’Brien. Everyone should read him. One day, when I have dealt with my serious TBR problem, I am going to re-read the entire Aubrey-Maturin series.

9. You can take three books to a desert island ? what do you choose? 

Oh hell. Just three? You evil woman.

Um. Diana Wynne Jones’ Howl’s Moving Castle,  Pride and Prejudice, and um, um, um… I’m gonna go Patrick O’Brien’s Desolation Island, because, let’s face it, I’ll probably only get to re-read it if I’m imprisoned on a desert island with no access to bookshops. Besides, it might contain some useful tips for getting myself off it.

Shauna O’Meara

10. What’s next for Leife Shallcross?

Firstly I’m about to launch into editing A Hand of Knaves, along with my partner-in-this-particular-crime Chris Large. This is my first stab at editing, so it’s a bit daunting. In my spare time (hahahaha), I’ve got two novel-sized WIPs going at the moment. One is a YA riff off Cinderella, only the protagonist is a McGyver-type character who’s faked her father’s death in order to investigate her horrible stepmother’s links to a plot against the crown. The other one is the first in a series (gulp) set in 18th Century London, involving a cross-dressing runaway heiress who can  summon demons, and a dissolute Viscount who communes with angels, who have to join forces to solve a grisly murder. Maybe if I’m lucky I’ll also get time for a couple more short stories.

 

 

 

 

Chinese Translations in SFW!

Normally when I’m this excited I make a noise only dogs can hear, but I am so extra-mega-excited about this that the squeaks can be heard in Paraguay.

SFW magazine translated three of my tales for this issue! “Home and Hearth”, “Finnegan’s Field” and “St Dymphna’s School for Poison Girls”. Gorgeous illustrations! Lovely magazine!

Much happiness!!!

Restoration

The Gina

Homestretch!

Just plugging last edits into Restoration, powered by the kindness of the housemates who bring me cocktails (one a night so it’s not terrifying, drunken editing that makes Beloved Publisher cry).

I’m sitting in the Boatman’s low dark craft. I was in it not that long ago so I recognise it. I don’t like it any better now.

We glide through the tenebrous waves; they shine strange and oily beneath the hull, yet throw up no reflection when I lean out. These waters only take. There’s mist all around, thick and heavy and damp and cold. Last time I was in this boat, spirits tried to prise open my mouth, to get inside because I was alive and didn’t belong, yet I feel no trace of their fingers. I glance over my shoulder at the oarsman, who’s paying me no attention. He stares past me; I can see the glimmer of his obsidian eyes.

Extract from Restoration, Verity Fassbinder Book 3