Lawrence R. Spencer's Blog, page 79

PRIMITIVE HUMANOID SKULL – Politicorum Pominum

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DUMPED ON EARTH

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“…the very unusual combination of “inmates” on Earth – criminals, perverts, artists, revolutionaries and geniuses – is the cause of a very restive and tumultuous environment. The purpose of the prison planet is to keep IS-BEs on Earth, forever. Promoting ignorance, superstition, and war between IS-BEs helps to keep the prison population crippled and trapped behind “the wall” of electronic force screens.

IS-BEs have been dumped on Earth from all over the galaxy, adjoining galaxies, and from planetary systems all over the “Old Empire”, like Sirius, Aldebaron, the Pleiades, Orion, Draconis, and countless others. There are IS-BEs on Earth from unnamed races, civilizations, cultural backgrounds, and planetary environments. Each of the various IS-BE populations have their own languages, belief systems, moral values, religious beliefs, training and unknown and untold histories.”

— from the book ALIEN INTERVIEW

VISIT THE WEBSITE for the book at www.alieninterview.org

 

 

MALE PERCEPTION OF FEMALES

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Here is a video montage of Female Faces portrayed in paintings by Western (male) artists during the past 500 years. Although the faces portrayed were thought to be “beautiful” by the MEN who painted them, the reality of their “beauty” was very short-lived.  By the age of 18, most women were “middle-aged” and “matronly”  If a girl was not already married and bearing children by this time, her chances of surviving — in the lower economic classes  — were not very good.  The girl who was not “pretty enough” to be married was doomed to be supported by her father, or other family members, until she was “lucky” enough to find a husband, or until she died of old age or disease.  There were no “jobs” or “careers” for women outside the bedroom and household.

If Females had painted portraits woman during the 500 year period shown in this video, what would they look like?   Oh, but of course, females were not PERMITTED to paint… or read… or become educated… or go to school…. or discuss ideas in the presence of men.  During the 500 year period during which these portraits were being painted by MEN, the women being portrayed were really little more than slaves, who were literally the owned property of their fathers or husbands.  Women were expected to endure a life of child bearing, domestic drudgery and mind-numbing “female” work, like cleaning, washing, cooking, sewing, and having sex whenever their spouse demanded it of them (without any birth control, or abortion.)  So, in retrospect, I think we must realize that the male view of women has not really been very “beautiful”.

SERENITY

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DERIVATIVES: CRIMINAL MINDS AT “WORK”

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A Derivative is a financial instrument with a value dependent upon underlying variables. The term can refer to a contract, or its value, derived from the underlying assets. The most common derivatives arefutures, options, and swaps but may also include other tradeable assets such as a stock or commodity or non-tradeable items such as the temperature (in the case of weather derivatives), the unemployment rate, or any kind of (economic) index. A derivative is essentially a contract whose payoff depends on the behavior of a benchmark.

One of the oldest derivatives is rice futures, which have been traded on the Dojima Rice Exchange since the eighteenth century.

Derivatives are broadly categorized by the relationship between the underlying asset and the derivative (e.g., forward, option, swap); the type of underlying asset (e.g., equity derivatives, foreign exchange derivatives, interest rate derivatives, commodity derivatives, or credit derivatives); the market in which they trade (e.g., exchange-traded or over-the-counter); and their pay-off profile.

Derivatives can be used for speculating purposes (“bets”) or to hedge (“insurance”). For example, a speculator may sell deep in-the-money naked calls on a stock, expecting the stock price to plummet, but exposing himself to potentially unlimited losses. Very commonly, companies buy currency forwards in order to limit losses due to fluctuations in the exchange rate of two currencies.

Derivatives are used by investors to:

provide leverage (or gearing), such that a small movement in the underlying value can cause a large difference in the value of the derivative;speculate and make a profit if the value of the underlying asset moves the way they expect (e.g., moves in a given direction, stays in or out of a specified range, reaches a certain level);hedge or mitigate risk in the underlying, by entering into a derivative contract whose value moves in the opposite direction to their underlying position and cancels part or all of it out;obtain exposure to the underlying where it is not possible to trade in the underlying (e.g., weather derivatives);create option ability where the value of the derivative is linked to a specific condition or event (e.g. the underlying reaching a specific price level).— SOURCE:  WIKIPEDIA.ORG

HIDE

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We should not be upset
that others hide
the truth
when we hide it so well
from ourselves.

________________

Lawrence R. Spencer

INVASIVE ALIEN SPECIES

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“Invasive species” means an alien species whose introduction does or is likely to cause economic or environmental harm or harm to human health.

“Alien species” means, with respect to a particular ecosystem, any species, including its seeds, eggs, spores, or other biological material capable of propagating that species, that is not native to that ecosystem.

“Species” means a group of organisms all of which have a high degree of physical and genetic similarity, generally interbreed only among themselves, and show persistent differences from members of allied groups of organisms.

“”  Official U.S. definitions regarding invasive species were provided in Executive Order 13112 signed by President William Clinton on February 3, 1999.

TREES THAT FALL IN LOVE…

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The Story of Two Trees that Fall In Love, but They Can’t Hold Each Other……

“Change The World” sung by One Million Children

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1,000,000 children gathering to do good deeds at Dhammakaya Temple and take a pledge to be virtuous leaders.

MY MUSE

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The Muses (Ancient Greek: Μοῦσαι, moũsai: perhaps from the o-grade of the Proto-Indo-European root *men- “think”) in Greek mythology, poetry, and literature, are the goddesses of the inspiration of literature, science and the arts. They were considered the source of the knowledge, related orally for centuries in the ancient culture that was contained in poetic lyrics and myths.

Greek mousa is a common noun as well as a type of goddess: it literally means “art” or “poetry”. In Pindar, to “carry a mousa” is “to excel in the arts”. The word probably derives from the Indo-European root men-, which is also the source of Greek Mnemosyne, English “mind”, “mental” and “memory” and Sanskrit “mantra”.

The Muses, therefore, were both the embodiments and sponsors of performed metrical speech: mousike (whence the English term “music”) was just “one of the arts of the Muses”. Others included Science, Geography, Mathematics, Philosophy, and especially Art, Drama, and inspiration.( PHOTO: Ancient Greek vase showing a Muse reading a scroll, (Attic red-figure lekythos, Boeotia c. 435–425 BC)  —>Some authors invoke Muses when writing poetry, hymns, or epic history. The invocation typically occurs at or near the beginning, and calls for help or inspiration, or simply invites the Muse to sing through the author. Some prose authors also call on the aid of Muses, who are called as the true speaker for whom an author is merely a mouthpiece.

Shakespeare’s Sonnet 38 invokes the Tenth Muse:

“How can my Muse want subject to invent,
While thou dost breathe, that pour’st into my verse
Thine own sweet argument?”

“No Muse-poet grows conscious of the Muse except by experience of a woman in whom the Goddess is to some degree resident; just as no Apollonian poet can perform his proper function unless he lives under a monarchy or a quasi-monarchy. A Muse-poet falls in love, absolutely, and his true love is for him the embodiment of the Muse… But the real, perpetually obsessed Muse-poet distinguishes between the Goddess as manifest in the supreme power, glory, wisdom, and love of woman, and the individual woman whom the Goddess may make her instrument… The Goddess abides.”(comment by the British poet Robert Graves)