Lawrence R. Spencer's Blog, page 443

August 4, 2016

MINORITY OF ONE

MINORITY OF ONE“Many people, especially ignorant people, want to punish you for speaking the truth, for being correct, for being you.

Never apologize for being correct, or for being years ahead of your time.

If you’re right and you know it, speak you mind.

Even if you are a minority of one, the truth is still the truth.”


~ Mahatma Gandhi ~


Originally posted 2015-02-05 18:05:49. Republished by Blog Post Promoter

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Published on August 04, 2016 01:51

August 3, 2016

# 583 — OPERATE AN ORACLE SHRINE


# 583   —  OPERATE AN ORACLE SHRINE


“An oracle is a spirit considered to be a source of wise counsel or prophetic opinion, predictions of the future, inspired by the gods. Oracles were portals through which the gods spoke directly to man.


There are a few easy steps to opening your own oracle temple.


1) find a location. This could be a cave, a temple, a shrine, a mountain top or any other place that seems “holy”.


2) hire a priestess to intercede between you and the supplicant.


3) train the priestess to listen to you and interpret your thoughts perfectly so she can relay them without alteration. After all, you don’t want your wisdom and good advice to be ruined by a bad translator.


4) have the priestess burn some incense.


5) advertise in the “personals” columns or put 3 X 5 index cards on bulletin boards in Laundromats with the following announcement:



“I, _________, (your name) the “great god (your name)” will be making predictions and precognitions at the (oracle temple location) between the hours of (evenings and week-ends are best) for the low, introductory offering price of ( a sheep, a goat, a bowl of grain, a basket of fruit, etc.).”


Then, sit back and get ready to hand out free advice to the teaming throngs.


Of course, if you can do some magic tricks or heal a few crippled people, this will help get your ratings up.  The good buzz about you will spread quickly.


Soon your name and your temple will be revered throughout the realm for thousands of years to come, or until it is outlawed and destroyed by a bunch of greedy, holier-than-thou priests.”


— Excerpt from the book 1001 THINGS TO DO WHILE YOU’RE DEAD, by Lawrence R. Spencer


Support independent publishing: Buy this book on Lulu.


Originally posted 2011-08-10 22:49:52. Republished by Blog Post Promoter

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Published on August 03, 2016 22:49

EARTH HISTORY

 EARTH HISTORY


Official Transcript of the U.S. Army Air Force


Roswell Army Air Field, 509th Bomb Group


SUBJECT: ALIEN INTERVIEW, 27. 7. 1947, 1st Session


 “The actual history of Earth is very bizarre.  It is so nonsensical that is it is incredible to anyone on Earth who attempts to investigate it.  A myriad of vital information is missing from it.  A huge conglomeration of non sequitur relics and mythology has been arbitrarily introduced into it.  The volatile nature of the Earth itself cyclically covers, drowns, mixes and shreds physical evidence.


These factors, combined with amnesia and post-hypnotic suggestions, false facades and covert manipulation make  a reconstruction of the factual origins and history of Earth civilizations virtually indecipherable.  Any investigator, no matter how brilliant, is doomed to wallow in a quagmire of inconclusive assumptions, unworkable hypotheses, and perpetual mystery.


Since The Domain does not suffer these afflictions, having the advantage of memory, longevity and an exterior point of view, I will add some clarification to your fragmentary knowledge of the history of Earth. ”


—  Excerpt from the book ALIEN INTERVIEW, Edited by Lawrence R. Spencer


DOWNLOAD THE AUDIOBOOK NOW!


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Originally posted 2013-11-19 11:43:58. Republished by Blog Post Promoter

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Published on August 03, 2016 01:47

August 2, 2016

FORMS OF REALITY

The iconic science fiction writer, Phillip K. Dick is quoted as saying, “”Sometimes the appropriate response to reality is to go insane.”   In the case of this video, the producer David Lance is making an excellent attempt.



The Future Forms Of Life from David Lance on Vimeo.


Originally posted 2012-09-01 02:45:12. Republished by Blog Post Promoter

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Published on August 02, 2016 01:45

Intolerable Beauty

Chris Jordan – Intolerable Beauty.



Originally posted 2011-02-27 00:00:33. Republished by Blog Post Promoter

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Published on August 02, 2016 00:00

August 1, 2016

THE HUMAN UNIVERSE

the universe - two views


Originally posted 2015-11-18 02:14:51. Republished by Blog Post Promoter

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Published on August 01, 2016 02:14

RABBIT WARNING!


Originally posted 2011-02-04 22:44:39. Republished by Blog Post Promoter

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Published on August 01, 2016 01:47

July 31, 2016

VERMEER — AN EMPATHETIC EXPLORATION


Paintings of Johannes Vermeer exhort a mystic awe in the human soul.   Aesthetics, women and mystery are each a glue that have baited many of the most powerful traps in history.  Vermeer combines all three.  Almost nothing factual is known about the painter personally, or the bevy of enchanting women he painted.


Compounding the mystery is the puzzle of identifying the people he painted so repetitively.  Apparently, they were nearly all his wife or daughters!  Moreover, they were portrayed at various ages in their lives, over a span of twenty-two years during which he and his wife produced an family of 15 children, 11 of whom survived! As a consequence of their common genetic similarities in their physical appearance, they also shared clothing, hair styles, and jewelry.   Add to this monochromatic puzzle are identical rooms, windows, lighting, furniture, fixtures and the themes surrounding them.  The resulting maelstrom of similarities make differentiating one person from another a near impossibility.


Most of his work, apart from the paintings produced during his six year apprenticeship at the Guild of St. Luke, were portraits of his wife, family and a few close friends. Vermeer never painted his family members, or his self-portrait, with the intention of selling them, any more than you and I would think of selling photographs or home videos of the members of our own family.


He painted people in his surroundings that were close at hand, familiar, and endeared to him.  Mostly he painted for the love of aesthetics, and to innovate the technology of painting — to discover new techniques to more exactly render the myriad subtleties of light, and to endow love, and life on canvas, with colors and brushes.  Like many artists before and after Vermeer, these challenges intrigued and consumed his interest, intellect and spiritual passion.


Apparently, during his own life, it never occurred to him that anyone would be interested in paying money for many of his paintings.  Most of his paintings were still in the possession of his wife when he died prematurely at the age of forty-three!  Astoundingly, they were never sold, even though he and his family were literally starving from the want of money to buy food!


According to the research of Vermeer scholar, Anthony Bailey, the value of Dutch money was as follows:  “…a Dutch cloth-worker in 1642 got eighteen stuivers a day; there were twenty stuivers to one guilder, and a 6-pound loaf of rye bread coast about four and a half stuivers…”.


Imagine his shock and dismay to discover, 300 years later, that his paintings are worth many millions of dollars!  Yet, during his own lifetime, he never earned enough from them to feed his family, and indeed, died from an overwhelming bought of depression because of it.


These facts confound comprehensive and compound the mystery of Vermeer.


In this book, I propose to travel this impossible labyrinth, to discover the long-hidden key to ancient riddles: Who were the people painted by Vermeer?  Who was Vermeer, the artist and the man?


As though this were not daunting enough, I propose to do this, in part, by leaping the abyss of 300 years from the present year of 2008, returning through my own experience as an artist, a father, a husband and a man, through my own, personal life experiences, to re-experience the life of Vermeer, as though it were my own!


I do not claim that I am or was Vermeer.  Such an assertion would be entirely subjective, impossible to prove, and irrelevant. As do myriad other people fascinated by his art and his life, I have a good deal of personal empathy and common life experiences that I share with this obscure man, as a father, as a parent, as an artist and as a spiritual being.  I intend to employ this empathy as a tool of investigation and discovery:  just as one might use a divining rod to seek out water in the desert.


As a lost dog uses native intuition to find it’s way home, I am searching for a lost self.  As a tourist in Italy feels a sense of deja vu when visiting the Coliseum in Rome: one can almost smell the roar of blood spattering on the sand, and reel at the lust for pain and death oozing from the crowd!  And thrill as a blade slashes and vomits entrails to the ground.  The spirit writhing to be free of a mangled corpse crumpled in the dust.


I yearn to recover a lost identity.  Vermeer.


Does the intervening distance of time make a difference in this investigation?  Let me propose that time is only an arbitrary measurement of the movement of objects through space that has no effect or relevance here.


Has time changed the emotions of love, lust or hatred in ten thousand years?


When struck in the heart by a spear, does a great-great grandson not bleed just as profusely now as when his ancestor was struck down on a ancient battlefield?


Were the tears shed and anguish suffered over the dead child of our mother’s, mother’s, mother any less real than our own in the eternal now?


If I experience what another man has experienced, am I not, to that degree, that man myself?  If I am willing to invade, permeate and be that experience, and to assume responsibility for it, is it not my own?


My experiment is to be Vermeer.  That is, to return to his life and time to experience his existence from the perspective of subjective emotional, artistic, and spiritual experience in present time.  To this degree, I am Vermeer.


To the degree that you re-experience his life with me, you are Vermeer.  In truth, Any Man who is willing to be Vermeer, is, to that degree, Every Man.


— Excerpted from the book, “Vermeer: Portraits of A Lifetime”, by Lawrence R. Spencer


Originally posted 2010-08-21 22:54:05. Republished by Blog Post Promoter

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Published on July 31, 2016 22:54

LEAVES OF ART: NATURAYARTE

SEE MORE OF THE FANTASTIC ART OF LEAF CARVING AT http://naturayarte.blogspot.com/p/que-es-naturayarte.html



 





Originally posted 2011-07-30 00:22:07. Republished by Blog Post Promoter

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Published on July 31, 2016 00:22

July 30, 2016

DIGITAL IMPRISONMENT

matrix-universe


The following article which affirms, in part, what was revealed in the book ALIEN INTERVIEW in 2008.  That is, that Earth is a prison planet established by the former intergalactic government called the “Old Empire”.  Being on Earth are hypnotically controlled after their memory has been erased using an elaborate force field which enforces controlled behavior of human being designed to keep humanity in a perpetual state of chaos and imprisonment on Earth.  The Alien Interview transcripts answer the questions posed by Dr. Bostrom.  For details, read the book.  ALIEN INTERVIEW, edited by Lawrence R. Spencer


Support independent publishing: Buy this book on Lulu.


___________________________


THE ARTICLE:


British philosopher Nick Bostrom says he believes that the reality we perceive around us may be the product of a highly-advanced computer program, much like the plot of the Matrix movies – and surprisingly NASA have said they agree with him.  Dr Bostrom proposed in a paper he wrote that an evolved race of aliens have imprisoned the human-race in what he refers to as a “digital imprisonment”.


These aliens, or super-humans, are using virtual reality to simulate space and time, according to Bostrom.   NASA scientist Rich Terrile, director of the Centre for Evolutionary Computation and Automated Design at NASA’s Jet Propulsion Laboratory, thinks Dr Bostrom may be onto something.


Speaking to Vice the NASA scientist said, “Right now the fastest NASA supercomputers are cranking away at about double the speed of the human brain …If you make a simple calculation using Moore’s Law [which roughly claims computers double in power every two years], you’ll find that these supercomputers, inside of a decade, will have the ability to compute an entire human lifetime of 80 years – including every thought ever conceived during that lifetime – in the span of a month.”


Express.co.uk reports:


“In quantum mechanics, particles do not have a definite state unless they’re being observed.


“Many theorists have spent a lot of time trying to figure out how you explain this.


“One explanation is that we’re living within a simulation, seeing what we need to see when we need to see it.


“What I find inspiring is that, even if we are in a simulation or many orders of magnitude down in levels of simulation, somewhere along the line something escaped the primordial ooze to become us and to result in simulations that made us – and that’s cool.”


The idea that our Universe is a fiction generated by computer code solves a number of inconsistencies and mysteries about the cosmos.


The first is the Fermi Paradox – proposed by physicist Enrico Fermi during the 1960s – which highlights the contradiction between the apparent high probability of extraterrestrial civilizations within our ever-expanding universe and humanity’s lack of contact with, or lack of evidence for, these alien colonies.


“Where is everybody?” Mr Fermi asked.”


— Posted by  Sean Adl-Tabatabai

Originally posted 2015-05-10 23:10:14. Republished by Blog Post Promoter

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Published on July 30, 2016 23:10