Dougie Brimson's Blog: A Write Old Life, page 12

Merry Christmas folks…. but do we have to have it every year?

I read somewhere that the Christmas holidays are supposed to be a joyous time when we are all apparently meant to be… well, joyous.

Given that my twitter and Facebook timelines are awash with people moaning about everything from chaotic shops to equally chaotic weather, joy is something that is clearly in short supply today. It’s certainly absent here in Brimson towers although to be fair, I’ve never really been a fan of the festive season anyway so ironically, having something else to moan about is actually a bit of a positive.

However, in the interests of fair play, I have been giving the point of Christmas some thought over these last few days and whilst I appreciate the religious significance (even though I am not in any way shape or form religious) I am increasingly baffled as to why we bother with the rest of it.

After all, there can be few more stressful times than late December and let’s be honest, if you have kids or grand kids, the impact on the old bank balance can be catastrophic. More to the point, now that we can buy Brussell spouts pretty much all year round even the delights of Christmas dinner can be replicated whenever we feel like it.

Yes, I know there are all kinds of other reasons why the holidays are ‘special’ but when you sit down and think about it, most of them are bollocks. We’re all far more mobile these days so most family can get together relatively easily and even if we can’t, the internet allows communication in forms we couldn’t even imagine when I was a little ‘un. Equally, thanks to Netflix, Love Film and catch-up even the once highly anticipated post-pig out TV experience is largely a thing of the past.

OK, there’s the issue of time off work but when when you’re self-employed and work in an industry which tends to commence winding down at the beginning of December, the fact is that the whole month is lost which can be a pain in the arse.

The more I think about it, the more it strikes me that as a society we are being led not by the church, but by the supermarkets and the online stores and in these times of austerity, the question is, why do we do it?

Would we not be better of binning the annual spend-fest that Christmas has become and holding it once every four years instead?

It works for the World Cup, the Euro’s and even the Olympics and would it not be better all round to have something to really look forward to as opposed to dreading?

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A couple of bits of news: the editing on Top Dog is well underway and a rough cut should be ready for viewing soon. I’m actually dreading this as it’s the first time I’ll have ever seen one of my books brought to life but I have every confidence in Martin Kemp so I’m sure my worries will be unfounded.

More to the point, once the rough cut has been viewed firm decisions will be taken regarding release dates etc, so as soon as I have news of those, I’ll pass them on.

I’ve also taken a positive decision about my next book. I don’t want to say too much at the moment as things may change but suffice to say that it’s an idea I’ve had ticking over in my head for a long time and in many ways, it will be the book that I’ve always wanted to write.

Finally, could I take this opportunity to wish everyone who reads this a very merry Christmas and if you could do me one favour over the coming week it’s to take the decision not to drink and drive.

2014 is going to be a massive year and I’d like to think you’ll all be around to share it.

Indie author or not indie author. That is the question!

The other day, whilst talking about the subject of publishing, I was referred to as an indie-author and then asked if I was comfortable with the label.

My response was seemingly the cause of some angst to my inquisitor who, from what I could gather, was hoping their question would illicit a rambling and angry diatribe about the evil empire that is traditional publishing. What they got instead, after about a milli-second of thought, was the response that not only do I not know, I don’t actually care.

However, since the question was asked I have actually given it some consideration and eventually I goggled the obvious question; what is an indie author? The response was extremely interesting with the top answer being provided by the Alliance of Independent Authors who define it thus:

You have self-published at least one book.
You recognise that ‘indie’ does not necessarily mean ‘self-publishing only’ and acknowledge that even the most indie-spirited self-publisher works in collaboration with other publishing professionals (editors, designers, distributors) to produce a good book and reach readers.
You are open to mutual beneficial partnerships, including trade publishing deals where appropriate for you, so long as the author’s status as creative director of the book is acknowledged.
You expect your status in the partnership to be reflected in contracts and terms, not just lip service.
You recognise that you are central to a revolutionary shift in publishing which is moving from seeing the author as resource (in the new parlance ‘content provider’) to respecting the author as creative director.
You are proud of your indie status, which you carry into all your ventures, negotiations and collaborations for your own benefit and to the benefit of all writers.

Now if that’s the standard definition, I’m actually none the wiser. After all, I’ve never self-published a book and I certainly don’t do anything for the benefit of other writers (why should I? They’ve never done much for me!) so that pegs me firmly in the NOT camp. However, I most certainly do involve other people in my work and since without me, there will be no more Dougie Brimson books, it’s fairly obvious that I am both the creative director and very much my own boss which puts me squarely in the AM category.

But, and here’s the key point, as anyone who knows anything about me or who has taken the trouble to read a blog post or two will know full well, I’m barely comfortable calling myself an author let alone prefixing that with anything else.

I write books and I sell books, that’s as far as it goes for me and if someone wants to tag me as this or that label, that’s their business. It’s certainly not mine because I’m too busy writing.

Which is actually how it should be.

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I’ve been receiving lots of questions about Top Dog and in particular, requests for information about when it will hit the big screen.

The answer to that is that I don’t actually know for sure and whilst that sounds hard to believe I promise you it’s true. I might be the writer but the whole thing is in the hands of the editor at the moment and until he’s worked his magic, I’m firmly out of the loop. Rest assured though, as soon as I have news, it’ll be all over Facebook and Twitter. In the meantime, I’m really looking forward to getting my teeth into my next movie project We Still Kill The Old Way which is starting to look really exciting.

On the subject of books, both The Crew and Wings of a Sparrow are now available in both print and eBook format from all online and high street book stores. Top Dog will also be re-released next spring as a movie tie-in.

Finally, could I say a huge thanks to all those people who have contacted me about Billy’s Log lately. For some reason (and I wish I knew what it was) it’s started to sell really well again and I’ve had a flood of mails asking me about a sequel.

I’m happy to tell you that there is indeed going to be a second instalment and indeed, it’s all mapped out so as soon as time allows, I’ll get my teeth into it. Promise!

Indie or not indie. That is the question!

The other day, whilst talking about the subject of publishing, I was referred to as an indie-author and then asked if I was comfortable with the label.

My response was seemingly the cause of some angst to my inquisitor who, from what I could gather, was hoping their question would illicit a rambling and angry diatribe about the evil empire that is traditional publishing. What they got instead, after about a milli-second of thought, was the response that not only do I not know, I don’t actually care.

However, since the question was asked I have actually given it some consideration and eventually I goggled the obvious question; what is an indie author? The response was extremely interesting with the top answer being provided by the Alliance of Independent Authors who define it thus:

You have self-published at least one book.
You recognise that ‘indie’ does not necessarily mean ‘self-publishing only’ and acknowledge that even the most indie-spirited self-publisher works in collaboration with other publishing professionals (editors, designers, distributors) to produce a good book and reach readers.
You are open to mutual beneficial partnerships, including trade publishing deals where appropriate for you, so long as the author’s status as creative director of the book is acknowledged.
You expect your status in the partnership to be reflected in contracts and terms, not just lip service.
You recognise that you are central to a revolutionary shift in publishing which is moving from seeing the author as resource (in the new parlance ‘content provider’) to respecting the author as creative director.
You are proud of your indie status, which you carry into all your ventures, negotiations and collaborations for your own benefit and to the benefit of all writers.

Now if that’s the standard definition, I’m actually none the wiser. After all, I’ve never self-published a book and I certainly don’t do anything for the benefit of other writers (why should I? They’ve never done much for me!) so that pegs me firmly in the NOT camp. However, I most certainly do involve other people in my work and since without me, there will be no more Dougie Brimson books, it’s fairly obvious that I am both the creative director and very much my own boss which puts me squarely in the AM category.

But, and here’s the key point, as anyone who knows anything about me or who has taken the trouble to read a blog post or two will know full well, I’m barely comfortable calling myself an author let alone prefixing that with anything else.

I write books and I sell books, that’s as far as it goes for me and if someone wants to tag me as this or that label, that’s their business. It’s certainly not mine because I’m too busy writing.

Which is actually how it should be.

.

I’ve been receiving lots of questions about Top Dog and in particular, requests for information about when it will hit the big screen.

The answer to that is that I don’t actually know for sure and whilst that sounds hard to believe I promise you it’s true. I might be the writer but the whole thing is in the hands of the editor at the moment and until he’s worked his magic, I’m firmly out of the loop. Rest assured though, as soon as I have news, it’ll be all over Facebook and Twitter. In the meantime, I’m really looking forward to getting my teeth into my next movie project We Still Kill The Old Way which is starting to look really exciting.

On the subject of books, both The Crew and Wings of a Sparrow are now available in both print and eBook format from all online and high street book stores. Top Dog will also be re-released next spring as a movie tie-in.

Finally, could I say a huge thanks to all those people who have contacted me about Billy’s Log lately. For some reason (and I wish I knew what it was) it’s started to sell really well again and I’ve had a flood of mails asking me about a sequel.

I’m happy to tell you that there is indeed going to be a second instalment and indeed, it’s all mapped out so as soon as time allows, I’ll get my teeth into it. Promise!

Top Dog – done and almost dusted.

 

So that’s that. Whilst there are still a couple of days filming to go, to all intents and purposes my role as the writer of the movie adaptation of Top Dog finished when I drove out of 3 Mills Studio’s in East London last night. To say it has been quite a few weeks would be an understatement.

It’s no secret that my previous experience as a full-on feature film screenwriter wasn’t exactly great but it’s fair to say that as polar opposites go, Top Dog sits firmly in the epic category. Indeed, in all my time on set (and I was on set almost every day) I only had one gripe and that was yesterday evening after what had been a very long, cold and tough day. And no, I’m not going to tell you what it was or who it was with.

Credit for that must go to the amazing production team put together by producer Jonathan Sothcott who not only worked miracles at times but put up with me wandering around asking questions and poking my nose in.

Ironically, as a former military sort where every single thing is religiously and meticulously planned, organised and structured, film sets are actually something of a nightmare as they are, to say the least, chaotic places. Yet to a man (and woman!) the crew on Top Dog were truly brilliant and I doff my cap to them all for what they’ve done these last few weeks.

Much the same can be said of the entire cast who, from the simply awesome Leo Gregory through to the numerous supporting artists (or ‘lads’ as I prefer to call them) who came along simply for the experience of being in a movie, breathed life into my humble script. But I’m not going to talk about them purely because I don’t need to. You’ll soon see for yourselves how good they all were. Believe me, you will.

However the real star of the Top Dog shoot has for me been the director, Martin Kemp. As genuinely nice as you imagine him to be and frighteningly talented, he led from the front every single day and was an absolute pleasure to be around. Just as importantly, as I have previously blogged, he’s taught me so much about the process of developing a script and has even got me to the point where I’ve started to think that I might actually be half-decent at it! Who would have thought?

And so now it’s done, and now I wait. Don’t ask me what comes next because I have no idea. People talk about seeing rough cuts and afternoons in screening rooms but this isn’t my world and so I simply nod my head as if I know what they’re talking about.

What I do know is that when Top Dog is finally put together, it’s going to look fucking amazing. Because I watched it being made, and it was the absolute bollocks.

I cannot wait to do it all again.

 Top Dog will be released next spring/summer but in the meantime, if you’d like to read the book that started it all, you can download it from Amazon by clicking on here

And don’t forget, Top Dog is actually the sequel to #1 best-seller The Crew which is not only available to download as an ebook, but has just been re-issued in paperback. Again, you can purchase that simply by clicking this link. 

5 reasons why adapting your own novel for the screen is a great idea.

As I sit here typing this, on the other side of London (Croydon to be precise), a crew and some awesome actors are filming scenes from my own adaptation of my novel Top Dog.

For various reasons, not least the fact that I abhor the area around Croydon with a passion, I have stayed away from the set today and am instead, sitting at home. However, with no game to occupy me thanks to the FA’s obsession with international football, I thought it might be an idea to write a short blog about a question which has been repeatedly asked of me since the shoot began. To be specific, what’s it like watching both my book and my script come to life?

In a nutshell, it’s bloody awesome. But for five very specific reasons most of which wouldn’t apply if I’d handed the novel to someone else to adapt. So…

As a writer, when you construct a novel or a screenplay, you play every single scene out in your head even before you commit it to paper (or keyboard). Seeing and hearing it unfold in 3D in front of your eyes is an incredible experience because it proves you’re not actually mad after all.
Watching great actors actually act is an amazing thing (and we have GREAT actors on Top Dog). Not only do they give everything you’ve written a depth you cannot really put into a paper version, but they work with your words to make them even better. Understanding this can only make you a better screenwriter.
Every once in a while, the actors will perform a scene EXACTLY as you imagined it when you wrote it. This has happened a few times on Top Dog and the feeling is indescribable.
 It’s fabulous for the ego. And by that I mean that as a screenwriter, nothing will ever dispel your self-doubt faster than the sound of a director saying ‘Cut. That’s brilliant’.
Standing on a film set surrounded by amazing people and knowing that they’re only there because of you gives you a feeling that makes all the hours, days, weeks and months spent at a keyboard worthwhile. Not because it’s a power trip (it isn’t) but because it’s proof that if you keep at it long enough, dreams can come true. And on top of that, you get paid. What’s not to like?

Thankfully, we still have a week of filming to go and whilst I’ll obviously be sad when this stage of Top Dog comes to an end, I know that the final wrap will signal the start of the next stage of what’s proving to be a fabulous journey. And on top of that, I’ve another film slated to start in March 2014 so I’ll be able to do it all again.

How cool is that?

It has hopefully not escaped your attention that my novel The Crew has this week been re-issued in print thanks to the wonderful folk at Caffeine Nights Publishing.

It can be found sitting on the shelves of WH Smiths and all decent bookstores alongside Wings of a Sparrow which also completed the journey from eBook to paper last week.

Both books are available to order online from Amazon, iTunes, etc if you’d prefer and are of course, still available in eBook format.

And yes, Top Dog will also be re-released in paperback around the same time as the film is released. But like all of my work, there will be a twist in the tail….

Why all writers are mad… sort of.

As a writer, you inevitably spend a good portion of your time alone. The process is after all, fairly solitary and in truth, that’s one of the great attractions. At least it is for me. I’m not really a people person you see. Or to be more specific, I’m not really a real people person.

For on most days, I’m not actually alone at all, I’m in the company of all kinds of characters. Men, women, kids, hooligans, old men, glamorous women, thieves, thugs, hero’s… the list is endless. In fact it’s limited only by my imagination, because that’s where they live.

The joy of that is that they exist purely at my bidding and are real only for as long as I want them to be. Some I will meet only once, others will remain for a long time. Sometimes we have fun, sometimes I put them through all kinds of grief, sometimes I just watch what they do and feed off them. People are amazing, even imaginary ones. 

Now I know this makes me sound like some kind of mental case and if I were to chop off the first paragraph of this post and read it aloud to my doctor, she’d be quite justified in having me sectioned.

But the key word in that first paragraph is ‘writer’. Creating is what I do and my vivid imagination is my primary and most important tool. That’s how I can get away with having a mind which is a cross between a bizarre soap opera with only one viewer and a computer game with only one player. Both of which are me.

Sometimes however, it all goes horribly wrong. Or rather, fabulously wrong. Yesterday was one such occasion because filming began on my own adaptation of Top Dog. A novel I wrote well over ten years ago and which itself is the sequel to a book which first hit the bookshelves over thirteen years ago! And as I sat on set watching scenes I had created in my head actually being played out for real, I was frequently struck by how different it all looked from how I had imagined it. And the truth is, it looked a whole lot better in 3D.

That has taught me a very important lesson and it’s one which is almost certainly going to make me a better screenwriter. 

Because actors are real, locations are real. And as a writer, if you want to give your characters and situations life, the best way to do it is to understand that unlike the people in your head, they already have it. 

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Aside from the commencement of filming on Top Dog which will continue for a while yet, this week will also see two of my novels hit the shelves of WH Smiths (and all decent bookshops).

The first is the print edition of my most recent book, Wings of a Sparrow and the second is a re-issue of The Crew which continues to hold on to the #1 slot on the sports download charts. A position it’s held for well over two years now.

All in all, not a bad few days for me then. 

5 reasons for my blog fail.

This may or may not have escaped your attention, but I haven’t written a blog for some considerable time. There are numerous reasons behind this dismal failure some of which I’ve tweeted about (@dougiebrimson if you didn’t know), others which I haven’t. However, after being nagged about my absence quite a lot recently it seems only right and proper that I take a bit of time out to come clean on a few of the more time consuming and relevant excuses.

1. Top Dog. As you are hopefully aware, the film adaptation of my novel begins filming in November and I’m sure you can appreciate how much work is involved in getting a script to the point where everyone is happy. Except you can’t.

I’ve actually lost count of the number of times I’ve rewritten the screenplay for this and unless you’ve actually done it yourself, you cannot imagine the angst of having to repeatedly change a story which is itself based on a novel which you yourself wrote.

Tough doesn’t come close to describing it but thanks to the brilliant vision and guidance of Martin Kemp who will direct, it’s now pretty damn awesome.

2. We Still Kill The Old Way. A movie I’ve written with my old mate Gary Lawrence, this project came straight out of left-field via Jonathan Sothcott of Richwater Films (the man behind Top Dog) and dumped a desperate timescale into my lap.

It’s an urban thriller best described as Harry Brown on crack and is certainly going to surprise a few people but with filming slated to commence in the spring, you can imagine the pressure we faced to deliver a decent script straight out of the box. However, after a good few long days and nights, we cracked it and the second draft is now with the production company. 

3. A new book. Yep, that’s right, I’ve been working hard on a new book. I can’t say too much about it at this stage but suffice to say, it’s a thriller and will be released in the spring.

4. Wings of a Sparrow. With the ebook having been out for a while now, the release of the paperback version is imminent (21st October) which has involved a fair amount of work on my part. On top of that, I’ve written a script based on the story and that’s involved a fair amount of tweaking as notes have come back to me from various people.

All being well, I will have some news on that score fairly soon.

5. Another movie. This is a project I’ve been developing with Leo Gregory for a while now and we’re extremely excited about it. I can’t say much at the moment other than it has nothing to do with football, is a thriller and we have a really strong script ready to go.

There’s more, much more actually, but you get the gist. I’m a busy bee. However, I’m certainly not complaining as these kind of opportunities have been a long time coming so I intend to make the most of them!

Happy days!

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If you’d like any more information on anything I’m doing or indeed, have done, please visit my website at www.dougiebrimson.com which is packed full of stuff!

Book signings? That’ll be a no…. mostly.

When I first became an author, one of the things I looked forward to was the opportunity to go on book tours. These, I imagined, would be huge affairs where people would queue around blocks waiting for me to sign books whilst at the same time fawning all over me telling me how awesome I am and let’s be honest, who wouldn’t want that?

For some people I suspect, that’s exactly what they’re like. For me however, they are slightly different. Well OK, they are totally different. Alright then, I don’t do them at all. At least not in the UK.

The reasons for this are many and varied but the primary one is that as someone who still struggles to come to terms with the fact that I’m actually getting away with writing for a living, the idea that people would actually take time out of their busy lives to come and see me in the flesh simply because I am an ‘author’ that they like does not actually compute. That’s not false modesty, it’s fact.

There is however, an exception to this and it’s one which has in many respects, crept up on me. Because for some bizarre reason, my books are becoming increasingly popular abroad and if an overseas publisher invites me, I always go and I always sign. And I love it!

I mention this now because I have just returned from St. Petersburg where I did a shed load of PR to launch the Russian translation of Wings of a Sparrow.

This was actually my third visit to the city and I really do love it there which is ironic given that I spent 18 years helping to repel the might of the Soviet Union as a member of Her Majesties armed forces. To say it the trip was a blast is an understatement and as always, it was a series of brilliant experiences punctuated with the odd bout of terror. Let me tell you, being driven at speed through the suburbs of a Russian city by four blokes you’ve never seen before and no idea of your destination certainly focusses the mind!

Of course as always, I had nothing to worry about because that’s just the way things are done over there. Indeed, everyone I met was amazingly warm and generous and all of the signings and events were brilliant. So much so in fact, that plans are already afoot to go back next year. This time equipped with some better Russian language skills I hope!

The success of the trip has however, got me thinking. For with Wings of a Sparrow and The Crew due to hit the bookshelves of the UK before the end of November and both Top Dog and We Still Kill The Old Way heading for filming within the next six months, has the time come to actually think about doing some signings over here?

Or would that, as I suspect and indeed, fear, be too pretentious?

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Wings of a Sparrow will be published by Caffeine Nights Publishing on October 21st. It is available to pre-order from Amazon by clicking here. If you would prefer an eBook, you can download it now via here.

Further information can be found at dougiebrimson.com

Boycott Russia? F**k that.

I am off to Russia next month. This is a statement of fact.

I’ve been invited by the organising committee of the St. Petersburg International Film Festival to talk at the inaugural programme of football films and will at the same time be doing some PR for the launch of the Russian language edition of Wings of a Sparrow. If you didn’t know, I sell more books in that great nation than I do in any other country bar the UK.

This will actually be my third visit and as someone who spent many of their formative years serving in a military which was totally focussed on the threat posed by the former Soviet Union, as a country it has a special and obvious significance. But it is I have to say, an amazing place primarily because of the wonderful Russian people.

However, back in my home country news of my impending visit has attracted some flak. Now the receipt of grief is not an unusual occurrence for me and usually, as someone who sits firmly in the ‘if they’re slagging you, at least they’re aware of you’ camp, negative comments are generally warmly welcomed but this time it’s different. This time it’s irritated me.

The reason for this most recent bout is because, according to some, I should have refused my invitation as a protest against the recently introduced laws banning the promotion of homosexuality in Russia. The fact that I didn’t apparently makes me a traitor to the industry I have somehow found myself working in and has even attracted inferences that I am homophobic.

I have no intention of defending myself against that accusation because I don’t have to. But what really grips me is the hypocrisy of some of those people throwing this bullshit in my direction. The bulk of whom are only throwing it because they know they’d never receive such an invitation in the first place and if they did, no doubt they’d bite off the hand which offered it and wouldn’t hesitate to do so.

And let’s take that a bit further. For if these people are so anti-Russia, can we expect them to protest outside the Bolshoi Ballet when it visits London or the Moscow State Circus when it next tours the UK? Similarly, will any of those struggling to make a living in the acting profession turn down a role in a movie which would involve filming in Russia or for that matter, a part in a movie written by the traitor Brimson? Would they bollocks.

And since they are so apparently keen on homosexual rights, why are they not encamped outside the Saudi embassy? Or for that matter, any of the many which represent nations which all but encourage the very worst kind of homophobia?

The fact they’re not kind of proves my point. If you want to talk the talk, walk the fucking walk.

I certainly have my opinions about what the Russian government have done and if I’m asked during my stay there, I will respond accordingly. But the bottom line for me is that it’s their country, not mine just as it is someone else’s fight, not mine.

And I’m certainly not going to miss out on a trip to a country I have come to love simply to appease people who in some cases have simply jumped on the back of Stephen Fry’s latest trendy cause.

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A couple of snippets to pass on: Aside from the aforementioned publication of Wings of a Sparrow in Russia, I’m thrilled to tell you that thanks to publishers Caffeine Nights, October will also see it published in print here in the UK. They will also be re-releasing The Crew and early next year, a very special movie-tie in edition of Top Dog.

I will release more details on that closer the time but you can pre-order Wings of a Sparrow here.

I’m also quite excited to let you know that within the next couple of weeks, details should be released regarding a new movie project I’ve been working on. This one is literally going to be old school and is going to take things in an entirely different direction. Filming is scheduled for Feb 2014 and if we can secure anywhere near our proposed cast, it’s going to be a genuine British epic!

As Top Dog rolls ever closer toward filming, could I please remind everyone that details regarding casting will be announced on both Facebook and Twitter when the time is right so please don’t mail me or anyone else involved with the project as we simply have nothing to tell you at the moment.

In addition, and without wishing to cause offence, with so many things on the go that my meagre brain is struggling to cope, I for one have no time to record details of anyone wanting to be considered and I’m certainly not going to remember you. Please… just keep your eye out!

Twitter isn’t the enemy, you are.

You can’t possibly have failed to notice that this last week has seen something of a furore around the subject of twitter trolls and the issue of what is and is not acceptable online behaviour. As a consequence, there are increasing calls for twitter to be regulated and even policed to clamp down on those who transgress the rules of common decency.

They are wrong. Very wrong.

Now as anyone who follows me on twitter will know I am a huge fan. To me it’s a great source of both news and amusement as well as being a fantastic way to promote my books and well, what I do. Most importantly for me at least, it’s a great way to interact with readers and it’s fair to say that I’ve made some great mates though twitter with I hope, many more to come.

However, I’ve also encountered some proper dicks over the years and received more than my share of abuse from all kinds of trolls. This last week for example, besides the usual ‘shit writer’ fair, I’ve been accused of condoning child abuse, being a child abuser, being sexist, homophobic and racist. None of which is particularly nice I’m sure you’ll agree but, and this is the crux of this whole matter, I know how to deal with it. And by that I mean me. Not twitter, not my ISP and not the police, me.

And at the heart of that is one simple statement, ‘it’s not personal, it’s twitter’.

The day you start screaming blue murder about something mean said about you by some anonymous idiot on a social networking site is the day your life begins to spiral out of control. No, it’s not nice to be accused of being a rapist and I’m fairly certain that it’s not nice to read that someone is going to rape you but by reacting, you do exactly what the person who wrote it wants you to do, take them seriously and give them power. And power is all they’re after.

This is where people are getting it wrong when they claim twitter should be clamping down on trolls. Twitter doesn’t have to. You do, as the individual.

Yes, of course there are exceptions just as there are to every rule and yes, there will be instances where the police should and must get involved. But in the main, it is your choice to react, ignore or hit the block button which twitter already provides for you to use in just such cases.

If you don’t understand that and don’t accept that in many ways, twitter is the greatest manifestation of free speech we have, then rather than scream blue murder about the need for censorship (yes, censorship) why not take control yourself and employ the ultimate sanction, delete your account.

Because you do actually have that option at your disposal and speaking as a twitter fan, if you do indeed think that twitter is there to serve you and not the other way round, then I’d urge you to do just that.

I for one won’t miss you one bit.

@dougiebrimson

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This last couple of weeks has seen lots of progress on the movie adaptation of Top Dog and we’ll be releasing news of what’s been going on very soon. I’ll also be able to pass on details of the brand new movie I’m working on as well as a fantastic self-publishing project!

Exciting times!