Jennifer   Chen

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Jennifer Chen

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November 2010

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Jennifer Chen is a freelance journalist who has written for print and online, including pieces in the New York Times, O: The Oprah Magazine, Real Simple, and Bust. She earned an MFA and BFA in dramatic writing from New York University’s Tisch School of the Arts, and is a proud alumnae of Hedgebrook, a women’s writing residency. She lives in Los Angeles with her TV writer husband, twins, two pugs, and a smoky black cat named Gremlin.

Average rating: 3.26 · 1,830 ratings · 664 reviews · 4 distinct worksSimilar authors
Artifacts of an Ex

3.24 avg rating — 1,279 ratings — published 2023 — 6 editions
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Hangry Hearts

3.20 avg rating — 459 ratings — published 2025 — 3 editions
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First-Year Orientation

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3.71 avg rating — 155 ratings — published 2023 — 3 editions
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Checking You Out

liked it 3.00 avg rating — 2 ratings — expected publication 2026 — 3 editions
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* Note: these are all the books on Goodreads for this author. To add more, click here.

The Listeners
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by Maggie Stiefvater (Goodreads Author)
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The Dead Romantics
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by Ashley Poston (Goodreads Author)
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A Rebellion of Ca...
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Jennifer’s Recent Updates

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The Listeners by Maggie Stiefvater
The Listeners
by Maggie Stiefvater (Goodreads Author)
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The Dead Romantics by Ashley Poston
The Dead Romantics
by Ashley Poston (Goodreads Author)
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Here for It; Or, How to Save Your Soul in America by R. Eric Thomas
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Funny, heartbreaking, thoughtful, lovely. I thought the ending was clever and sweet.
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Pardon My Frenchie by Farrah Rochon
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Pardon My Frenchie by Farrah Rochon
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Pugs and Kisses by Farrah Rochon
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I loved this book from start to finish. Love any characters who love dogs and a part pug named Waffles is adorable. Also it made me hungry with the food. Such a good read.
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Life’s Too Short by Abby Jimenez
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Homicide and Halo-Halo by Mia P. Manansala
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Arsenic and Adobo by Mia P. Manansala
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Topics Mentioning This Author

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Nothing But Readi...: Team HEAVY METAL 1050 181 Jan 03, 2024 11:43AM  
John Green
“Sometimes, you read a book and it fills you with this weird evangelical zeal, and you become convinced that the shattered world will never be put back together unless and until all living humans read the book.”
John Green, The Fault in Our Stars

Neil Gaiman
“The other thing that I would say about writer's block is that it can be very, very subjective. By which I mean, you can have one of those days when you sit down and every word is crap. It is awful. You cannot understand how or why you are writing, what gave you the illusion or delusion that you would every have anything to say that anybody would ever want to listen to. You're not quite sure why you're wasting your time. And if there is one thing you're sure of, it's that everything that is being written that day is rubbish. I would also note that on those days (especially if deadlines and things are involved) is that I keep writing. The following day, when I actually come to look at what has been written, I will usually look at what I did the day before, and think, "That's not quite as bad as I remember. All I need to do is delete that line and move that sentence around and its fairly usable. It's not that bad." What is really sad and nightmarish (and I should add, completely unfair, in every way. And I mean it -- utterly, utterly, unfair!) is that two years later, or three years later, although you will remember very well, very clearly, that there was a point in this particular scene when you hit a horrible Writer's Block from Hell, and you will also remember there was point in this particular scene where you were writing and the words dripped like magic diamonds from your fingers -- as if the Gods were speaking through you and every sentence was a thing of beauty and magic and brilliance. You can remember just as clearly that there was a point in the story, in that same scene, when the characters had turned into pathetic cardboard cut-outs and nothing they said mattered at all. You remember this very, very clearly. The problem is you are now doing a reading and you cannot for the life of you remember which bits were the gifts of the Gods and dripped from your fingers like magical words and which bits were the nightmare things you just barely created and got down on paper somehow!! Which I consider most unfair. As a writer, you feel like one or the other should be better. I wouldn't mind which. I'm not somebody who's saying, "I really wish the stuff from the Gods was better." I wouldn't mind which way it went. I would just like one of them to be better. Rather than when it's a few years later, and you're reading the scene out loud and you don't know, and you cannot tell. It's obviously all written by the same person and it all gets the same kind of reaction from an audience. No one leaps up to say, "Oh look, that paragraph was clearly written on an 'off' day."


It is very unfair. I don't think anybody who isn't a writer would ever understand how quite unfair it is.”
Neil Gaiman

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